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Popjustice reviews Aphrodite!
Vlasnik glazbene stranice Popjustice.com je danas objavio recenziju dijela Kylienog nadolazećeg albuma 'Aphrodite' i prvog singla 'All The Lovers'.

Stuart Price, izvršni producent albuma, je Peteru Robinsonu, vlasniku popjustice.com prošlog tjedna pustio nekoliko pjesama sa Aphrodite.
Ispod ili na njegovoj stranici možete pročitati cijeli tekst na engleskom a u nastavku ukratko:

Photobucket


- Prvi singl je velika plesna pjesma, 'prava Kylie pjesma'. 'All The Lovers' je povratnički singl koji '2 Hearts' nije bio.
- Malo podsjeća na 'I Believe In You' sa više plesnog karaktera.
- Pjesma započinje s Kylie koja tiho pjeva "dance, it's all i wanna do, why won't you move? I'm standing here with you, why won't you move?". Kylie sugestira da je plesanje važno "even if it throws you to the fire, fire, fire" prije nego pjesma dođe do ogromnog refrena koji daje do znanja kako se u pjesmi ne radi o opuštanju dok plešete, nego o opuštanju u vezi.
- U refrenu Kylie pjeva "All the lovers that have gone before, they don't compare to you, don't be frightend, just give me a little bit more, they don't compare, all the lovers". Nakon nekoliko razmjena strofa i refrena uslijedi 'middle eight' nakon kojeg tek uslijedi glazba koja se može čuti u youtube videu za najavu albuma/singla.
- Pjesma je veoma samouvjerena, uzbudljiva i skroz brilijantna, ako nije remek djelo onda je sigurno jedan odličan trenutak.
- Čini se da se 'All The Lovers' stvarno pojavila u zadnja tri tjedna i veoma brzo preuzela mjesto prvog singla.


- Druge pjesme koje je Stuart pustio uključuju pjesmu "Get Out Of My Way" koja bi mogla biti "Love At First Sight" ovog albuma.
- "Better Than Today", iako slična verziji koju je Kylie izvodila na turneji prošle godine, sada se čini da ima jači zvuk i produkciju.

- "Aphrodite", pjesma po kojoj je album dobio ime je "ogromna i apsurdna i odlična". Pjesma bi dobro pristajala na "X"-u i bila bi jedna od boljih pjesama i ne samo po tekstu u njoj: "It's the truth, it's a fact, i was gone and now i'm back." Na prvo slušanje ne daje mi dojam singla ali mislimo da je definitino jedna od pjesama koje će definirati album

- 'Prava Kylie se vratila' - "Ima taj sjaj u očima," izjavio je Stuart.

- Vokali koji su već bili snimljeni opet su kasnije snimani u Stuartovom studiu na mikrofonu koji se nalazi na slici gore.

- Najbolje pjesme stavljene su na album. Pjesme su birane po kvaliteti a ne prema tome tko ih je producirao.

- Stuart se priključio projektu u listopadu prošle godine kad je upoznao Kylie u New Yorku kako bi radili na pisanju pjesama. Od te početne suradnje, tri od četri pjesme su ostale i od tada je Stuart postao važan čimbenik u radu na završavanju albuma.
- Stuartova uloga kao izvršnog producenta je bila negdje između mixanja i produciranja, praktički je sve prošlo kroz njegove ruke.

- Na albumu nema balada, barem ne u čistom smislu te riječi što znači da bi ipak moglo biti sporijih pjesama. Stuart je nadodao kako je snimljeno nekoliko balada za album ali ne pristaju ovom albumu te se mogu pojaviti u budućnosti kad bude mjesta za njih.

- Album će biti ne prekidan miks

- U ideji kako se radi "o albumu a ne samo o zbiru pjesama", Stuart trenutno traži način kako spojiti pjesme. Plan je da neće biti miks bez prestanka ali ipak da se napravi prirodni tijek pjesama (moguće kao Madonnin album 'Confessions on the dancefloor').

- Ukratko: uistinu nevjerojatan povratnički singl koji će uz 'Fire With Fire' (Scissor Sisters) biti odlična ljetna pop himna. Druge pjesme zvuče odlično, Kylie je vokalno u odličnoj formi. Nema potrebe da bilo tko paničari o "'X'-u br. 2"...


Here is a picture of the microphone songstrel Kylie Minogue used to record vocals for her new album.

How do we know this? Because Stuart Price told us so when we VISITED HIS STUDIO LAST FRIDAY TO HEAR TRACKS FROM 'APHRODITE'. *Explodes*

Here are some things we discovered on our fact-finding mission to Acton.

FIRST UP: THE SINGLE IS BIG BOLD DANCEABLE PROPER KYLIE.
This is the most important news, because if the singles come in the wrong order the whole thing falls apart. 'All The Lovers' is the comeback single '2 Hearts' wasn't, which is funny because it's written by the same people (ie the artists formerly known as Kish Mauve). In tone it's a bit like 'I Believe In You' (which until now was Kylie's best single since 'Can't Get You Out Of My Head') with a more danceable edge; a confident, worldly-wise voice in 'All The Lovers' replaces the slightly naive optimism of 'I Believe In You'. The song starts off with Kylie quietly singing "dance, it's all I wanna do, why won't you move? I'm standing here with you, why won't you move?". Kylie suggests that the dancing is important "even if it throws you to the fire, fire, fire" and as the HUGE MASSIVE CHORUS storms into view it's clear that the song's not really about relaxing while you dance, it's about relaxing into a relationship. In the chorus - backed by a brilliantly wibbly synth riff - Kylie sings "all the lovers that have gone before, they don't compare to you, don't be frightened, just give me a little bit more, they don't compare, all the lovers". The lyrics might not read like much but they're proper air-punchingly euphoric and defiant and a little bit overwhelming in the song. One of the oddities with 'X' seemed to be that some Fairly Fundamental Things had happened in Kylie's life but were ignored in the tunes. Part of this single's likeability comes from its message that "yes, a lot's happened and we've both been around the block a bit but what we have here is properly amazing so calm down and let's just get on with it". After a bit of verse-chorus-verse-chorus action everything drops out for the middle eight where it goes all breathy and intimate and hot and sweaty with Kylie's repeated request to dance then the track EXPLODES into the music from that YouTube clip she put up last week. It's confident and exciting and completely brilliant if not something of a masterpiece and all in all is 'a bit of a moment'. Apparently 'All The Lovers' only really came up in the last three weeks and very quickly took the position of lead single.

SECONDLY: OTHER TRACKS ARE ALSO V GOOD.
Stuart played us a handful of other tracks from the album. 'Get Out Of My Way' could well be this album's 'Love At First Sight'; 'Better Than Today', while similar to the version Kylie performed live last year, now seems to have a punchier, more stompsome production. Another song Stuart played us even though he wasn't meant to but what are they going to do sack him is a slightly 'Wow'-esque number which has a BRILLIANT 'Stuart Price moment' (you'll know it when you hear it) plus another segment in which everything falls away - Stuart describes this is "the moment in a club when you can hear glasses clinking". How very posh - the clubs we go to put everything in plastics. (NB 'Get Out Of My Way' will sound amazing in the sort of club that doesn't trust its clientele with glassware.)

THE TITLE TRACK IS IMMENSE AND RIDICULOUS AND FANTASTIC.
'Aphrodite' is the title track on 'Aphrodite', hence the name. Stuart likes its 'Rhythm Nation'-esque qualities; we felt there was a slight Art Of Noise-ish, 'True Faith'-ey thing going on. It would have fitted in well on 'X' and would have been one of the album's best tracks, not least for the line "it's the truth, it's a fact, I was gone and now I'm back". It's a lyric that underlines and puts into capital letters the idea that this, not 'X', is really Kylie's big comeback album. Elsewhere in the song there's a great "I'm going back and forth and forth and back, can you feel me in stereo" hook along with military drums and handclaps. On one listen it doesn't feel like a single but we think it's one of the songs that'll end up defining the album.

PROPER KYLIE IS BACK BACK BACK.
"She's got that glint in her eye," Stuart notes.

SONGS ON THE ALBUM WERE SUBJECT TO A 'PARTON TEST'.
In an interesting (and slightly demented) twist on the 'old grey whistle test' method of identifying potential hits, Stuart and Kylie knew a song would work if it made sense when sung in the style of Dolly Parton. Apparently Kylie does a particularly good Dolly version of 'All The Lovers'. Vocals on tracks that had already been recorded were re-recorded in Stuart's studio and rather than singing in a vocal booth Kylie would sing (using the pictured microphone) standing right in front of Stuart. The idea was to give 'Aphrodite' a sense of fun and spontaneity - and cohesion - that wasn't there with 'X'.

THE BEST SONGS WENT ON THE ALBUM.
Stuart explains that he got involved with 'Aphrodite' last October when he met Kylie in New York for a writing session. From that session "three or four" tracks remain, and from that point onwards he became a very significant force in the album's completion. As executive producer he's been responsible for shaping the album's sound - at one point on Friday he described it as a 'houseparty' record - which has meant a role in deciding which songs did and didn't make the cut but also mixing tracks so they all feel like they're part of the same album. Songs were picked, Stuart says, not because of who wrote or produced them, but because of how good they were. From what he said last week Stuart's involvement on a lot of songs has been slightly more than the conventional idea of mixing a track but slightly less than the conventional idea of producing it. Basically everything's gone through a bit of a Stuart Price filter so that it doesn't sound like some dickhead A&R has just aimlessly scooped a load of tracks off a shelf, chucked them in a sack, Sellotaped a photo of Kylie to the front, opened his window and shouted "THAT'LL BE Ł7.99 PLEASE" at people in the street.

NO BALLADS.
We asked Stuart if there were any ballads on the album and he said no (AMAZING), then clarified that point by adding "not in the accepted sense". When we expressed some relief at this, commenting that Kylie wasn't really known for her ballads, Stuart countered that 'Especially For You' was in fact something of a tune. It was hard to disagree with his point and that's a great example of why Stuart's precisely the sort of person who should be in charge not just of this album but ALL OTHER ALBUMS BY EVERYONE EVER. His "not ballads in the accepted sense" comment may mean that there are some interesting sort-of-ballad-sort-of-not moments, and 'All The Lovers' does have that slightly sad, crying-at-the-discotheque upbeat discoballad quality everybody loves. Stuart added that some ballads were recorded during the 'Aphrodite' sessions but just weren't quite right for this album and may well appear in the future when there's a place for them.

AND FINALLY: IT'S GOING TO BE A CONTINUOUS MIX
This may not excite you very much but it excited us an obscene amount. In keeping with the 'this is an album not just a selection of tracks' idea, Stuart's currently finding a way of stitching the songs together. The plan is that it won't be a non-stop megamix but there'll be a natural continuous flow that creates an 'official' order for the album's tracks. (Stuart didn't say this himself, but we guess it'll be a bit like Madonna's 'Confessions...'.) In an era when fans routinely create their own album running orders in iTunes, presenting 'Aphrodite' as a definitively sequenced body of work is a great way of showcasing Kylie's own confidence in what's shaping up to be her best album since 'Light Years'.

In summary: a truly incredible comeback single that'll sit alongside Scissor Sisters' 'Fire With Fire' as a solid gold summer pop anthem, the other tracks sound great, Kylie's on great form vocally, there's no need for anybody to panic about 'X Mark 2' and we can't wait to hear the rest of the tracks. THE END.

"Popjustice.com"


New video shoot soon???

Kylie je na Twitteru napisala kako su započeli s projektom definiranja koncepta i ostalog za novi video spot!

Kylie Croatian Forum
ponedjeljak, 26.04.2010. • KOMENTARI • (3) • # ~ TOP.

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DISKOGRAFIJA
STUDIO i VAŽNIJI ALBUMI/ SINGLOVI

(Kliknite na naslov albuma za više informacija)

X
-2 Hearts
-In My Arms
-Wow
-All I See
-The One

Showgirl Homecoming Live**

Ultimate KYLIE*
-I Believe In You
-Giving You Up

Body Language
-Slow
-Red Blooded Woman
-Chocolate

Fever
-Can't Get You Out Of My Head
-Love At First Sight
-In Your Eyes
-Come Into My World

Light Years
-Spinning Around
-On A Night Like This
-Kids
-Please Stay
-Your Disco Needs You
-Butterfly

Intimate & Live **

Impossible Princess
-Some Kind Of Bliss
-Did It Again
-Breathe
-Cowboy Style

Kylie Minogue
-Confide In Me
-Put Yourself In My Place
-Where Is The Feeling?

Greatest Hits *
-What Kind Of Fool
-Celebration

Let's Get To It
-Word Is Out
-If You Were With Me Now
-Give Me Just A Little More Time
-Finer Feelings

Rhythm Of Love
-Better The Devil You Know
-Step Back In Time
-What Do I Have To Do
-Shocked

Enjoy Yourself
-Hand On Your Heart
-Wouldn't Change A Thing
-Never Too Late
-Tears On My Pillow

KYLIE
-I Should Be So Lucky
-Got To Be Certain
-The Loco-Motion
-Je Ne Sais Pas Pourquoi
-It's No Secret
-Turn It Into Love

* Greatest Hits album
** Live album



OSTALI ALBUMI

- Compilations:
Greatest Hits (1992) · Hits+ (2000) · Confide in Me (2002) · Greatest Hits 1987-1999 (2003) · Greatest Hits 1987-1997 (2003) · Kylie Minogue: Artist Collection (2004) · Ultimate Kylie (2004) · Confide in Me: The Irresistible Kylie (2007)

- Remix albums:
The Kylie Collection (1988) · Kylie's Remixes Volume 1 (1989) · Kylie's Remixes Volume 2 (1992) · Kylie's Non-Stop History 50+1 (1993) · Greatest Remix Hits 1 (1997) · Greatest Remix Hits 2 (1998) · Mixes (1998) · Impossible Remixes (1998) · Greatest Remix Hits 3 (1998) · Greatest Remix Hits 4 (1998) · Boombox (2008)


OSTALI SINGLOVI

-Locomotion
-Especially For You
-Keep On Pumpin' It
-Where The Wild Roses Grow
-G.B.I
-Over The Rainbow



TURNEJE

- For You, For Me - 2009
- KYLIEX2008
-Showgirl Homecoming - 2006/2007
-Showgirl - The Greatest Hits Tour - 2005
-Money Can't Buy (samo jedan koncert) - 2003
-Fever - 2002
-On A Night Like This - 2001
-Intimate & Live - 1998
-Let's Get To It - 1991
-Rhythm Of Love - 1991
-Enjoy Yourself - 1990
-The Hitman Roadshow/Disco In Dreams - 1989


TV

1980. Skyways (mini serija)
1980. The Sullivans (TV serija)
1985. The Zoo Family (TV serija)
1985. The Hernderson Kids (TV serija)
1986. Piano / Fame and Misfortune (mini serija)
1986.-1988. Neighbours (TV serija)
1994. The Vicar of Dibley (TV serija)
1997. Men Behaving Badly (TV serija)
2004. Kath & Kim (TV serija)
2007. Doctor Who, Voyage Of The Damned (SF serija)
2009. Horne & Corden (TV show)


FILMOVI

The Delinquents (1989)
Streetfighter (1994)
Hayride To Hell (Short) (1995)
Bio-Dome (1996)
Misfit (Short) (1996)
Diana & Me (Cameo) (1997)
Sample People (2000)
Cut (2000)
Moulin Rouge (2001)
The Magic Roundabout (2004)
White Diamond (dokumentarni film) (2007)
Blue (2009)