New Music Lists

Disc 1

1. The Incident
2. I - Occam's Razor
3. II - The Blind House
4. III - Great Expectations
5. IV - Kneel And Disconnect
6. V - Drawing The Line
7. VI - The Incident
8. VII - Your Unpleasant Family
9. VIII - The Yellow Windows Of The Evening Train
10. IX - Time Flies
11. X - Degree Zero Of Liberty
12. XI - Octane Twisted
13. XII - The S ance
14. XIII - Circle Of Manias
15. XIV.I Drive The Hearse

Disc 2

1. Flicker
2. Bonnie The Cat
3. Black Dahlia
4. Remember Me Lover

Porcupine Tree has always been about exploring the resonance and
echoes found within Steven Wilson s subconscious. After witnessing
a road accident, Wilson was prompted to construct an ambitious
song-cycle exploring the numerous associations which this initial
incident triggered

Sewn together into one continuous 55 minute stream the end result
is a series of multi-layered perspectives which spiral beyond the
inciting event into a dark kaleidoscope encompassing bogus gurus
break-ups, betrayals, and all manner of bad blood

Wilson s avowedly melancholic outlook finds an unsettling shape
in the dreadnought thump of Occam s Razor, a grandly belligerent
entrance clearing the air for the full-pelt salvo of The Blind
House, with its mobius-strip riffing

Like In Absentia (2002) - which this new album seems to most
recall - or Fear of a Blank Planet (2007) there is placed the
apparently incongruous, competing elements jousting with each
other, a convergence of a surging, expertly-crafted melodicism
on the one hand and heavy flashes of eclectic electric guitar
heroism on the other

Not for nothing does Wilson s writing switch between such influential
polarities when at the mid-point of the album he declares I was
born in 67, The year of Sergeant Pepper and Are you Experienced?
on across the staccato attack of Time Flies - easily the most
addictive track on the entire album

Elsewhere, the explosive peaks of Great Expectations suggests the
opening bars of King Crimson s Red maintains its reputation for
influence new generations of musicians

Hidden in amongst the densely compacted guitars and pummelling rhythm
section of Colin Edwin (bass) and Gavin Harrison (drums), Richard
Barbieri s ethereal keyboards add a dignified colour to the violent
thrashing which often surrounds it. The Yellow Windows of the Evening
Train contains a haunted choir and woodwind-like section that Mark
Hollis and Talk Talk might ve imagined

The end result of all this pondering perversely transcends the
gloom-laden gravity of its starting point. To infer hope from a
track called I Drive The Hearse seems counter-intuitive, but as
it slowly disappears, the sense of uplifting, welcome resolution
is tangible

Four extra tracks not part of The Incident itself are housed on
an accompanying EP length album. Though well worthy, it s the main
event on disc one that holds the juice and demands repeated
attention.

Try

1.Uprising
2.Resistance
3.Undisclosed Desires
4.United States of Eurasia (+Collateral Damage)
5.Guiding Light
6.Unnatural Selection
7.MK Ultra
8.I Belong to You (+Mon Coeur S’oUVRE A Ta Voix)
9.Exogenesis : Symphony Part I (Overture)
10.Exogenesis : Symphony Part II (Cross Pollination)

The Resistance is the upcoming fifth studio album by English alternative rock band Muse, due to be released on 14 September 2009. The album is produced by the band and mixed by Mark Stent.

Following seven years of near solid touring, Muse escalated from being the biggest band in Teignmouth in 1997 to one of the biggest bands in Europe by 2004. With each successive album, they pushed the musical envelope with a fusion of progressive rock, electronica, and Radiohead-influenced experimentation, creating an emotive, passionate sound. Muse's reputation as one of the best live rock bands in the world is well deserved with their exhilirating live performances drewing critical acclaim, industry buzz, and a loyal and rabid fan base.

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1. "Welcome To Tomorrow" — 0:57
2. "War" featuring Lil Wayne — 2:59
3. "Fire Burning" (Produced By Red-One) — 4:00
4. "My Girlfriend" — 3:24
5. "Face Drop" (Produced By Lucas Secon) — 3:05
6. "Magical" (Produced By Jonathan "J.R" Rotem) — 3:09
7. "Island Queen" — 3:42
8. "Tomorrow" — 2:56
9. "Twist Ya Around" (Produced By Jonathan "J.R" Rotem) — 3:24
10. "Wrap U Around Me" (Produced By Jonathan "J.R" Rotem) — 3:22
11. "Shoulda Let U Go" featuring Good Charlotte — 3:08
12. "Over" — 3:06
13. "Ice Cream Girl" featuring Wyclef Jean — 4:01
14. "Why U Wanna Go" — 3:41

Tomorrow is the second studio album by reggae singer Sean Kingston. According to Sean Kingston, as he posted on a MySpace video, the album is set to be released on September 22, 2009. Currently, seven singles have been released from the album.

Try

01. Feel Good Music 02:23
02. So Uncomfortable 03:21
03. Sangin' Woman 00:06
04. Gonna Make It (Radio Edit) 03:31
05. Sista Girl 03:40
06. I'm Ready 03:11
07. P's Playground 02:59
08. Dance Flo' 04:25
09. It's Time Now 03:40
10. Introduction (One) 00:14
11. One 05:09
12. Truce 03:24
13. Working With Swan 00:10
14. Real Love? 04:01
15. First Parade 00:06
16. It Ain't Like Dat 02:52
17. Gonna Make It (Extended Version) 04:51

"Soul Tree" (sultry) is the debut album from the youthful, yet elegant diva, Mavis 'SWAN' Poole. This cd embraces her experiences from love, to pain and passion. Produced by the unrivaled brilliance of bandleader/drummer Jeremy 'BEAN' Clemons, this is a journey that you will surely want to experience. Swan is a well respected lyricist. "Soul Tree" is the first born of many lyrical and musical conceptions from the Swan/Bean duo. Listen as her lyrics furnishes Jeremy's tracks with complimentary coverings.

"Mavis can sing almost anything and has a huge vocal range, both high and low. When I asked her to do "Fly Me To The Moon," she flawlessly skipped up a whole octave at one point, becoming a soprano. She trained her radiant smile on me for the whole tune. I was in love." LOUIS MARTIN, journalist for Coast News, Shanghai/San Francisco

"And of what she sang I know not, but her voice touched every chord of my being; something hand alone cannot make. A voice that takes on many shades and colors, and out pours many musical instruments that all come alive from one being ethereal." -the late, great, ULYSSES SLAUGHTER, Vocal stylist, technician, teacher

"Mavis is a musician whose soul is in her sound. She knows how to find the story in the song and make it MUSIC. It's an adventure you'll always want more of." BRANDON MCCUNE, Grammy-nominated pianist, composer, educator

Try

01.Remedy (Wideboys Stadium Club Remix) 05:57
02.Remedy (Kaskade Remix) 06:05
03.Remedy (W & W Remix) 06:59
04.Remedy (Style Of Eye Remix)

Try

1. Don't Rain on My Parade
2. Crazy Over You
3. Read Between the Lines
4. Everytime You Go
5. Saturdays and Sundays
6. Permission to Party
7. Distracted
8. Unpredictable
9. Don't Come Crying to Me
10. Best Friends Forever
11. Slow Motion
12. 2 Guitars Bass and a Drum
13. I Want You to Want Me As Heard on ABC's 10 Things I Hate About You

Shelby (lead vocals, guitar), "Being all girl, all teen, we're usually pre-judged. People don't expect that much, but we usually convince the audience that we're a legit rock band, not just a `chick band.'"

Katie Cecil, (guitar, vocals) "We're authentic. "All that matters is that we do play everything on our own. People will find out for themselves, but until they do it pushes us to work even harder."

"Personally we clicked right away," Shae (lead guitar) says of KSM. "We feel complete, and it's really cool to have that camaraderie."

"We have our distinct personalities, but musically and emotionally we get along," says Sophia (bass). "It's remarkable how all the hard work we've put in is finally paying off."

Kate Cabebe, (drums) "Our new album is awesome and came out rocking as hard as we intended it."

When it comes to making music, Shelby (lead vocals & guitar), Katie (guitar & vocals), Shae (lead guitar), Sophia (bass) and Kate (drums) are a wrecking crew unto themselves. In songs like, Don't Rain On My Parade, Saturdays and Sundays and BFF they sing of the world they know: boys, dating, texting, playing and partying. Yet they also bring a surprising measure of depth, with songs like Don't Come Crying and Every Time You Go. You know KSM from one of their many tours across country or was it their catchy cover of I Want You To Want Me used by ABC for their Hit show 10 Things I Hate About You? Either way you look at it, these 5 girls take music into their own hands and make it a hit.

Get More from this CD: Unlock More Rock when you insert this CD into your computer! This album contains: Bonus behind the scenes footage from KSM's Summer 2009 Tours, KSM's Magic Carpet Ride, Links to various KSM communities (Do you know who the KSMEN are? Find out!), Free Ringtone offer and a KSM sticker.

sweet deal. Did we mention that if you preorder the record here, you get a KSM t-shirt?!

Try

1.So Stung
2.Weightless
3.Longest Night
4.40 Hours
5.Be There
6.Everyone Loves To Love A Lie
7.Undressed
8.Sound The Alarm
9.No Longer What You Require
10.Postcard From Mars
11.Counting On Me

Howard Kern "Howie" Day (born January 15, 1981) is an American singer-songwriter. his third studio album overall and the follow-up to his million-selling 2003 album Stop All The World Now and it's hit single 'Collide'. This album comes after more than a decade of touring, during which the Bangor, Maine native became known for his powerful one-man shows, connecting with audiences through his charm, humor, and the strength of his songwriting. ''This new album represents the end of one era and the start of another,'' Day says. ''It's about tipping your hat to the past, living in the here and now, and looking optimistically toward the future.''

Try

01. Tapp 01:02
02. Punkbitch 03:51
03. Dont Trust Me 03:13
04. Chokechain 03:32
05. Im Not Your Boyfriend Baby 03:45
06. I Cant Do It Alone 03:01
07. Starstrukk 03:05
08. Richman 03:20
09. Photofinnish 03:56
10. Still Around 03:08
11. Holler Til You Pass Out 04:11
12. Colorado Sunrise 03:24
13. Starstrukk (Feat. Katy Perry) 03:24
14. Dont Trust Me (Benny Blanco Remix) (Feat. Kid Cudi) 03:18
15. Still Around (Big Mix) 03:26

High-class rhymes, low-brow beats, and more party than the Bolshevik revolution. On their Photo Finish Records debut, recorded with noted producer Matt Squire (Boys Like Girls, Panic At The Disco) and booty bassmaster Benny Blanco (Spank Rock, Bangers & Cash), 3Oh!3 crumble their crackers into a saucy stew of hip-hop hardness, electro eroticism, and 80s pop pabulum.

Try

1. Beautiful Night (Album Version)
2. Breakout
3. In Your Shoes
4. 100%
5. Every Step
6. Soul Survivor (ft. Chaka Khan)
7. Turned To Stone
8. Bare
9. Square Peg
10. Gold Chain
11. Moneyback
12. Painted Pony
13. Too Much Heaven
14. A Love We'll Never Know [Amazon Exclusive]

100% is the sixth studio album recorded by English singer-songwriter Beverley Knight, and was the first released on her own record label Hurricane Records following her departure from Parlophone. The album will be released on 7 September 2009. The lead single from the album, "Beautiful Night" is being released as a download-only on the same day as the album. A radio only first single, "Every Step", produced by Jimmy Jam and Terry Lewis was added to BBC Radio 2's B-list on 17 June 2009. It was released as a free download on 6 July 2009 for two weeks.

The album will be distributed by Absolute Marketing and contains collaborations with Jimmy Hogarth, Guy Chambers, Amanda Ghost, Jimmy Jam and Terry Lewis, The Rural, DJ Munro and DC Joseph, and Kevin Bacon and Jonathan Quarmby. The album features a guest appearance by U.S. singer Chaka Khan.

Knight announced the title and details of the album on 26 May 2009 edition of Ronnie Herel's radio show on BBC 1Xtra.

Try

01.Confusion Girl 06:43
(Riff & Rays Club Mix)
02.Confusion Girl 05:15
(Russ Chimes Club Mix)
03.Confusion Girl (Squad-E Remix) 05:12
04.Confusion Girl (Dolby Anol Mix) 05:16
05.Confusion Girl 05:51
(Crimes Against Disco Mix)
06.Confusion Girl (Jakwob Remix) 03:48
07.Confusion Girl 03:51
(Frankmusiks Loner Remix)

Try

01. Obsessed (Main Version) 4:05
02. Obsessed (Instrumental) 4:11
03. Obsessed (Super Clean) 4:05
04. Obsessed (Feat. Gucci Mane) (Remix) 4:27
05. Obsessed (Jump Smokers Remix) 3:20
06. Obsessed (Cahill's Radio Edit) 3:22
07. Obsessed (Cahill's Club Remix) 6:25
08. Obsessed (Cahill's Dub Mix) 5:37
09. Obsessed (Seamus Haji & Paul Emanuel Edit) 3:14
10. Obsessed (Seamus Haji & Paul Emanuel Mix) 6:46
11. Obsessed (Seamus Haji & Paul Emanuel Dub) 6:46
12. Obsessed (Friscia & Lamboy Radio Edit) 4:13
13. Obsessed (Friscia & Lamboy Club Mix) 9:35
14. Obsessed (Friscia & Lamboy Piano Dub) 9:49

Try

1. One Life [Single Version]
2. Thunderstorm
3. Rebel
4. Welcome to the Dance
5. Derailed
6. Dance-Aholic
7. Shut Your Mouth
8. Up Against the Wall
9. Young Love
10. Too Old
11. Downboy
12. Stop
13. Minute by Minute
14. Say Goodbye

Welcome to the Dance is the fifth regular studio album by all-female German pop group No Angels. The band's second post-reunion effort, following their reformation as a quartet in 2007, it was written, produced and recorded between the years of 2008 and 2009 in Berlin, Los Angeles, and New York. The album will be released throughout German-speaking Europe on September 11, 2009, and feature production by Robert Bell, Billy Blast, Adam Messinger, Aaron Pearce, and Souldiggaz among others

Try

1. Saviour
2. The Listening
3. Saviour (The Colin Munroe Unsung Mix)
4. Saviour (The Angry Kids FM mix)

Try

1. Dead Flowers
2. Take It Out On Me
3. I Just Really Miss You
4. Nobody's Used To Be

Try

1. Conservation of Two
2. Air Supply
3. Forever
4. Acting
5. Milk
6. Darkness
7. To the Moon
8. Song About a Sea
9. Song About a Sun
10. No Words to Be Found
11. Pretending
12. Misfortunes Are Cruel
13. Your World Is Eternally Complete
14. Female lover

Comprised mostly of a man and his machines, San Francisco's Sweet Trip is the genius of Roberto Burgos. Featuring shoegazey beats and electronic experimentation, the vocals of Valerie Reyes add to the band's dynamic allure. Having immigrated from Panama as a young boy, Burgos brought a worldly perspective to electronic music from the band's humble beginnings. Along with Reyes' Filipino heritage and original bassist Viet Le's Vietnamese bloodline, the band's global perspective may have inspired the band's otherworldly soundscapes. The debut Alura EP saw the light of day in 1999 on California's Darla Records. The release was only the beginning of Sweet Trip's close relationship with the stellar and diverse independent label. Adding guitar to the usual suspects of keyboards and samplers, Sweet Trip set itself apart from other ambient/ electronic acts in the indie rock/pop landscape. The Halica LP was released in 2000 as part of Darla's Bliss Out series, along with the ish EP. Burgos quickly became a much sought-after producer, remixing songs for Takako Minekawa, Junior Varsity KM and Gnac, among others. 2003 saw the release of Velocity : Design : Comfort, again on Darla. Released nearly four years after its predecessor Halica, the disc showcased the band's powerful live sound better than any of their previous recordings. Guest musicians Aaron Porter and Sue Mee added new perspectives to the sophomore full-length.

Try

CD1

1. Coco (feat. Lilja Bloom) 2:58
2. Hurt 3:00
3. For Rose 3:09
4. True Romance (feat. Lilja Bloom) 3:17
5. Distance (feat. Lylith) 2:41
6. Wake Up Sister 2:54 Not Available
7. Let's Roll (feat. Blaktroniks) 3:14
8. Sunny Bunny Blues (feat. Veda 36) 3:04
9. Dandy (feat. Yola B.) 3:00
10. Your Man 3:14 Not Available
11. Promises (feat. Klaus Hainy) 2:58
12. LĐątoile (feat. Max the Sax) 2:59
13. You And Me (feat. Lilja Bloom) 3:41

CD2

1. The Mojo Radio Gang (Radio Version) 2:39
2. Ragtime Cat (feat. Lilja Bloom) 2:59
3. Silent Snow (Original Version) 5:10
4. Libella Swing 4:03
5. Catgroove 3:56
6. Matilda 3:21
7. The Flame 5:31
8. Fleur de Lille 5:15
9. Hotel Axos 5:33
10. Monster (Original Version) 5:12
11. Nosferatu (Original Version) 5:56
12. Starlight 4:55 Not Available
13. The Mojo Radio Gang (Club Version) 5:06

With his unmistakable sound-mix of Jazz- and Swing samples and electronic music, Parov Stelar has secured his own unique position in the world of music. His upcoming fourth album “Coco” is eagerly awaited. The double CD starts off where his successful LP’s “Rough Cuts”, “Seven And Storm” and “Shine” ended. On the other hand he is consequently developing his established jazzy sound, by adding new stylistic elements to his tunes. Also his dancefloor-productions, that up to now have only been published as singles, find a debut to a greater extent on his album. They meet with Stelar’s melancholic-melodious trademark-sound, which is well known from his earlier albums, but now is also spiced up with Hip-Hop beats and synth-pads. Parov Stelar manages to build bridges between his own worlds of sound with these extensive LP as well he as he does with listening- and dance-music in general. An electrifying album to fall for. The two CDs are originally thought of as one with tracks that can be danced to and one with tracks just for listening. Nevertheless the line between those two approaches becomes blurred in Parov Stelar’s newest compositions. The album makes your feet tap more and more with every track. The musician himself sees the whole thing as a “book for musical readers” which is classically defined in introduction, middle part and end. Because of downloading hit numbers on downloading platforms the “listening in” to albums and thereby reflecting on less prominent tracks, is lost. Parov Stelar sets “Coco” as a statement against this habit. Apart from two cooperation-tracks with the saxophone-player from his live-band, Max The Sax, Stelar has cooperated with six singers from different genres. This again gives “Coco” a characteristic, one and only feeling.

Try

01. Great Big Old World (3:51)
02. Fortune (3:31)
03. Dust Bunnies (3:51)
04. Plunkett St Push (2:30)
05. No Roses Grow on A Sailor's Grave (3:30)
06. Out of the Mud (3:51)
07. Eat A Peach (4:09)
08. Where it Starts (3:43)
09. Ribbon Round A Bomb (2:15)
10. Mr Gould's Medicine Chest (1:00)
11. Dog House (3:03)

With her new project Holidays On Ice and their new album ‘Pillage Before Plunder’, that voice is as intimate and gloriously addictive as ever. Album opener ‘Great Big Old World’ is beautifully subdued, allowing Angie to almost whisper the lyrical philosophies of life. She shares the vocal duties with fellow band member Dean Manning (formerly of Leonardo’s Bride) on ‘Fortune’, a slightly sweeter offering, before lead single ‘Dust Bunnies’ is given the chance to weave it’s magic. Instrumental track ‘Plunkett Street Push’ rewinds to a bygone golden age of British pop while ‘No Roses Grow On A Sailor’s Grave’ crosses genres and generations, New Order-esque sounds infused with some almost ‘60s pop sensibilities. On the moody ‘Out Of The Mud’, Angie’s vocals are like honey, the soundtrack almost haunting. ‘Eat A Peach’ weaves a little Francaise into the mix and ‘Ribbon Round A Bomb’ explodes out of nowhere in a cacophony of crashing drums and electric guitars. The whimsical ‘Mr Gould’s Treasure Chest’ is intriguingly beautiful, so too the album closer ‘Dog House’ with it’s almost carnival feel. While ‘Pillage Before Plunder’ might not be to everyone’s tastes (we most certainly wouldn’t class it a ‘pop’ record), there’s plenty of beauty to be found amongst it’s 11 eclectic tracks. And Angie’s voice, as always, is a treat to listen to.

Try

01. Suspicious Drone
02. Haxan Dub
03. Regressor
04. All Hallows Eve feat. Danny Norbary
05. Jannisary
06. Haxan
07. Extwistle Hall
08. Trapped Dervish
09. Nothing But The Night
10. Conjoined
11. Ghostly Hardware

Demdike Stare is the occult new project from Miles Whittaker and Sean Canty. Miles is probably better known as Modern Love's DJ MLZ or as 0.5 of Pendle Coven. Sean Canty is the dedicated digger behind the Haxan events and a member of the hugely respected Finders Keepers crew of vinyl vultures. Their collaborative project tracks the sonic leylines of cult soundtracks, Arabesque dubs and psychotomimetic ephemera with a proper Lancastrian twist.....

Try

01. Gifted 1:23
02. Pull The House Down 3:36
03. Small Things 3:41
04. Killing Time 3:25
05. P.S. 3:00
06. Sometimes I Love You / Sometimes I Hate You 1:52
07. Five Metres Apart 3:09
08. Terrible Things 3:34

Stricken City release new album 'Songs About People I Know' through Pure Grooves Records. Stricken City are London based Rebekah Raa (vocals/Korg), Iain Pettifer (guitar), Mike Hyland (bass) and Kit Godfrey (drums). 'Songs About People I Know' is the highly anticipated album following on from previous singles 'Tak O Tak' and 'Lost Art' winning the band support from Radio 1's Hew Stephens, XFM's John Kennedy, 6Music and NME, plus support slots with Friendly Fires and Mystery Jets and a big endorsement from celebrity blogger Perez Hilton.

Try

1. Wonderwall
2. Don't Look Back In Anger
3. Cast No Shadow
4. You've Got To Hide Your Love Away
5. Sad Song
6. Don't Look Back In Anger
7. Cast No Shadow
8. Wonderwall (Backstage Glastonbury 24th June 1995)
9. Talk Tonight (featuring Paul Weller on keyboards and backing vocals)
10. Some Might Say
11. You've Got To Hide Your Love Away
12. Cum On Feel The Noise
13. Wonderwall (Accoustic with Orchestra)
14. Round Are Way
15. Up In The Sky
16. Live Forever
17. Shakermaker
18. Wonderwall (Fast Accoustic Version)
19. Don't Look Back In Anger
20. Wonderwall (Electric Version With Orchestra)

Try

01 – SOS (Let The Music Play) (Buzz Junkies Club Mix) 05:26
02 – SOS (Let The Music Play) (Jason Nevins Club Mix) 06:55
03 – SOS (Let The Music Play) (Ripper Club Mix) 06:48
04 – SOS (Let The Music Play) (Ripper Dance Mix) 06:08
05 – SOS (Let The Music Play) (Karmatronic Club Mix) 07:02
06 – SOS (Let The Music Play) (Serafin Club Mix) 05:22
07 – SOS (Let The Music Play) (Monk & Prof Mix) 03:36
08 – SOS (Let The Music Play) (Buzz Junkies Radio Edit) 03:29
09 – SOS (Let The Music Play) (Original) 03:33

Try

01 – The Saturdays – Forever is Over (Radio Edit) 03:24
02 – The Saturdays – Forever is Over (Buzz Junkies Remix) 07:07
03 – The Saturdays – Forever is Over (Manhattan Clique Remix) 06:19

Try

01. Welcome To Tomorrow
02. War
03. Fire Burning
04. My Girlfriend
05. Face Drop
06. Magical
07. Island Queen
08. Tomorrow
09. Twist Ya Around
10. Wrap U Around Me
11. Shoulda Let U Go Ft. Good Charlotte
12. Over
13. Ice Cream Girl Ft. Wyclef Jean
14. Why U Wanna Go

The new album reflects the 19-year-old’s growth as a person as well as his evolution as a singer, songwriter, and entertainer. It is a buoyant collection of pop-fueled feel-good anthems and dance-floor clarion calls that bumps everything from electro-pop (the club-banging first single “Fire Burning”) to rock (”Shoulda Let U Go” featuring Good Charlotte) and from reggae (the breezy “Island Queen”), to R&B (”Wrap U Around Me”). The production is courtesy of a host of top-notch producers, including J.R. Rotem (who produced Kingston’s debut), RedOne (Lady Gaga), Wyclef Jean (who also contributes vocals on “Ice Cream Girl”), Detail (Akon), Lucas Secon (Jordin Sparks), and The Smeezingtons (Flo Rida).

Try

01. Smokescreens 3:08
02. All In Our Hands 3:47
03. We've Been Here Before 4:51
04. Airside 3:33
05. Think Of The Words 3:43
06. Empty Heart 4:02
07. Yesterday's Signs 3:59
08. Traces 5:46
09. Timelines 5:06
10. Five Lanes 6:44

‘Robots in the Orchestra’ is the debut album from Manchester based trio I Am Your Autopilot and is a collection of ten meticulously crafted songs that effortlessly blend soulful electronics and choral vocals with chiming acoustic guitars and analogue synth oscillations.

As well as garnering praise from the BBC, I Am Your Autopilot have collaborated with New York based multimedia artist Fredo Viola for a series of European shows in early 2009, including an appearance at La Cigale in Paris and a live session on the internationally renowned La Blogotheque.

The three members of the band have history between them - Ben Evans and Graeme Brooker were writing partners for a number of years in The Italian Love Party who recorded for Tony Wilson’s Factory Too label. Jasper Wilkinson played with Jersey Street, whose mix of soul and afro-funk was on regular rotation on the dancefloor at Manchester’s now legendary Electric Chair night.

As a three-piece the sound they create belies influences as diverse as Air, Spiritualized, Simon & Garfunkel and François Couperin and their debut album grabs you with its cinematic, heartbreaking and jubilant quality.

In 2008 I Am Your Autopilot were short-listed for the prestigious Best in Manchester award for their work in collaborative multimedia, and further projects are planned for the future including a multi-national cluster video and soundtrack work for Little Gorilla Films in New York.

Try

01. Smokescreens 3:08
02. All In Our Hands 3:47
03. We've Been Here Before 4:51
04. Airside 3:33
05. Think Of The Words 3:43
06. Empty Heart 4:02
07. Yesterday's Signs 3:59
08. Traces 5:46
09. Timelines 5:06
10. Five Lanes 6:44

‘Robots in the Orchestra’ is the debut album from Manchester based trio I Am Your Autopilot and is a collection of ten meticulously crafted songs that effortlessly blend soulful electronics and choral vocals with chiming acoustic guitars and analogue synth oscillations.

As well as garnering praise from the BBC, I Am Your Autopilot have collaborated with New York based multimedia artist Fredo Viola for a series of European shows in early 2009, including an appearance at La Cigale in Paris and a live session on the internationally renowned La Blogotheque.

The three members of the band have history between them - Ben Evans and Graeme Brooker were writing partners for a number of years in The Italian Love Party who recorded for Tony Wilson’s Factory Too label. Jasper Wilkinson played with Jersey Street, whose mix of soul and afro-funk was on regular rotation on the dancefloor at Manchester’s now legendary Electric Chair night.

As a three-piece the sound they create belies influences as diverse as Air, Spiritualized, Simon & Garfunkel and François Couperin and their debut album grabs you with its cinematic, heartbreaking and jubilant quality.

In 2008 I Am Your Autopilot were short-listed for the prestigious Best in Manchester award for their work in collaborative multimedia, and further projects are planned for the future including a multi-national cluster video and soundtrack work for Little Gorilla Films in New York.

Try

1. Saddle Mountain
2. Beach Town
3. Grow
4. Morning Song
5. Family
6. Forgive Me
7. Go East
8. Golden Bell
9. Sherpa
10. Neahkahnie
11. A Celebration

Le Loup is an American indie band founded in late 2006 in Washington, D.C. Family is an expansion of Le Loup's sound, an introduction to the completed lineup, and above all else a showcase for Le Loup's strength as a live band. The musicians took an elemental approach to recording, capturing the organic sounds of their instruments before treating them with various effects. Certain melodic themes were added to multiple songs, linking the album together with their recurring motifs. The result is an album of experimental rock songs and campfire sing-alongs, set amidst swirling textures and murky production. Family is nothing short of a musical coming of age.

Try

1. Intro
2. New Life
3. People See
4. Walk In This Place
5. Loving You
6. Everything to Me
7. Dependency
8. You Alone
9. Surrender
10. Take Over Me

Coming from Burlington, North Carolina is a five-piece modern day worship band that doesn’t follow the status quo – they have a fresh, creative, non- sound of worship.Great Awakening is a beautiful addition to the worship genre. They infuse the music with an assortment of rock, ambient, spiritual hardcore worship (I just made that genre up, didn’t think there was enough already?). Sounding similar to The Glorious Unseen and Jeremy Camp you will discover throughout this album the element of beauty Great Awakening has to offer. This is the type of music you will want to listen to driving home from work or after having a rough day at school – it will lift your spirits, encourage you, and make you feel renewed.

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1. Let Us Hallucinate Together
2. The Lady Is A Ghost
3. Ichiban Blues
4. Skin And Bones
5. Obscene Queen Bee
6. In The Darkness
7. Cattle's New Clothes
8. Avalon's Snake Breath

Back in January, we reported that Clap Your Hands Say Yeah were taking a break from touring and recording, and lead singer Alec Ounsworth was "testing out solo material with new collaborators." It was all a tad vague and mysterious. Did this mean the end for CYHSY? And what of these "new collaborators"? Half a year later, the answers are finally starting to roll in.

Ounsworth has not one but two new solo-esque endeavors on the way. As previously reported, there's Mo Beauty, a solo album recorded with New Orleans funk and jazz vets-- including George Porter, Jr. of the Meters, Stanton Moore of Galactic, and Robert Walter of Greyboy Allstars-- out October 20 via Anti-. There's also a self-released record due this summer credited to the moniker Flashy Python. The latter includes contributions from members of the Walkmen, Dr. Dog, and Man Man. "I'm confused as to which project I'm addressing at whatever particular time," admitted the singer-songwriter in a recent chat, in which he gave us details about his upcoming records and talked about the future of Clap Your Hands Say Yeah.

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1.I Wanna Live Like That
2.Life Made Me This Way
3.Get Away
4.I Won't Back Down
5.First Stone
6.So I Love You, Jesus
7.Because Of Your Grace
8.Bring Me Back 09 Bright New World
10.We The People
11.Alaska Flag Song

Singer/songwriter, producer and recording artist, Adele Morgan, has called Alaska her home since she was six weeks old. She was born in Canada and moved to Alaska with her family to live on the Yukon River in an Athabascan Indian village as missionaries. Her father is a long time Alaskan Missionary bush pilot of whom she sings about in the song

With 4 full length CD’s to her credit, “From My Heart”, a collection of all original songs written by Adele. “It’s The Time of Year”, “Imagine Christmas”, are both Christmas collections of traditional and original tunes. Her NEW CD, “This One Life”, was recorded in Nashville with legendary and Grammy award winning duo, producer Billy Smiley and engineer, Billy Whittington. Adele has received both national and state recognition. Her music has received radio play and sold in the US, Europe, Japan, Australia and Africa.

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1. Woodpecker Greeting Worker Ant 3:23
2. Rocks and Stones 2:43
3. This Morning (We Remembered Everything) 2:44
4. Tiny Concerts 2:05
5. The Pelican Trust 0:48
6. Overjoyed 2:29
7. The Breathing Universe 1:10
8. News From The Heavenly Loom 0:24
9. The Spinning Continuous 5:36
10. I You We 1:31
11. Signal Morning 4:16
12. Solid Forms Dissolving 4:44
13. Gold Will Stay 3:38
14. The Frozen Lake / The Symmetry 2:39
15. Until Moon Medium Hears The Message 3:18
16. (Drifts) 2:05
17. Signal Morning 2 2:55

Circulatory System is a psychedelic pop band based in Georgia that was formed in 2000 by musician and visual artist Will Cullen Hart. Their music incorporates sound techniques from noise rock and experimental music with general pop music forms. They also frequently include traditional instrumentation and multiple vocalists for a choral style. Circulatory System is one of many bands that formed after the famed Elephant Six music collective split up.

Seven and a half years in the making, culled from hours of recorded material sculpted in at least seven different studios, the new Circulatory System album is an absolutely stellar document of song and sound. Still concerned with matters of the inner / the outer, the incomprehensibly huge and the very, very small. An imperative blast of kinetic motion, composed by W. Cullen Hart while in the midst of battling Multiple Sclerosis within his own system - broadcasting his urgent pleas to the world(s) to evolve into a higher dimension or for existing patterns to reveal themselves at peace within the natural order of the universe.

Signal Morning is the second studio album.

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1. Vilina Kosa Version
2. Jan
3. Sarajevo 1
4. Prayer
5. Simon
6. Storm 1
7. The Hague
8. Jonas
9. Storm 2
10. Sarajevo 2
11. Sturm 2

the soundtrack to the hans-christian schmid motion picture 'sturm'...

...for 'storm' the notwist composed a soundtrack, creating a hypnotic unreal ambiance with bowed xylophone, alienated glockenspiel, orchestra accordion and minimal electronic. all music composed and played by the notwist, except 'vilina kosa version' composed by daniel glatzel and the notwist, played by andromeda mega express orchestra and the notwist.

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1. 1Minute2Lie 4:31
2. Numbers 3:32
3. Cow(ard) 4:11
4. Hate3 3:41
5. 2muchwords 3:37
6. In Chains 3:59
7. Sleep 3:02
8. C.U.C.K 2:35
9. Beyond My Creeps 4:19
10. Mylastear 3:59
11. Unknown 3:55
12. Hate3 [remix] 3:49

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01 I Just Want U 2 Myself 04:13
02 Stormy Weather 02:56
03 On The Stones 03:01
04 Now That You're Around 02:42
05 The Waterfall 03:12
06 Sky Turns Red 03:31
07 Don't You Let Me Down 02:56
08 Song On The Radio 03:08
09 Meet Me At The Sun 18:01

BRITE LITE BRITE's debut album Universe Universe is available now and marks their move toward organic electronica and a preoccupation with life and our universe.

"BRITE LITE BRITE's "I Just Want U2 Myself" feels like a femaie fronted Daft Punk. Kind of like Lady Gaga as well. I LOVE the music in the song and it gives off that Daft Punk vibe. Lyrics are all about someone who is longing for another, and the visual lyrics convey the emotion very well. " -TAXI

Brite Lite Brite's musical highlights include winning the GRAND PRIZE electronica category in the 2007 John Lennon Songwriting contest for "Sky Turns Red," as well as earning Semi-Finalist placement in the 2008 International Songwriting Competition for "Now that You're Around." Brite Lite Brite was selected by MTV to open for LOCKSLEY in the MTV Choose or Lose Tour in the Fall of 2008, selected by Platform One Entertainment as part of their Spring 2009 Campus Music Invasion program, and selected to perform August 2009 at Born to Play: LIVE Acoustic Performances in 700+ Gap Stores, the largest-ever simultaneous live acoustic music event, hosted by GAP.

Brite Lite Brite brings a fresh feeling to the over-saturated market of electronic music. Johnson programs intricate beats, providing pulsating rhythms that serve as the backbone of the band’s song structure. Over these beats, droning guitar melodies are layered to give a spacious atmosphere in which Andrea’s vocals dance, tumble, whisper, and scream. If the beats are the backbone of the music, these haunting vocals are surely the heart.

Platform One worked with Brite Lite Brite as part of our Spring 2009 Campus Music Invasion (CMI). As part of this program, we enlisted over 100 representative volunteers from college campuses across the country to promote, distribute, and represent the music of the CMI artists. These reps hosted listening parties with friends, took the music to campus radio and press, handed out free digital downloads of the songs, and collected feedback for all the artists involved. Brite Lite Brite has used the feedback from the CMI program to shape the sound of their new recordings as they continue to grow in new musical directions.

Brite Lite Brite is a standout act from the Spring CMI, and they have the potential to reach a wide audience with their debut album, Universe Universe. The duo is whole-heartedly invested in the music they make, and you can hear this devotion in the songs. Brite Lite Brite is unlike any other that I have had the chance to work with, and I have high hopes that they will go far with their unique combination of electro-acoustic sounds. Take a moment to hear it for yourself at www.britelitebrite.com."

Brite Lite Brite was selected by Skopemag.com "Artists To Watch" Feature in Spring 2009 and selected by SPIN magazine as 1 of 8 undiscovered bands worth a listen, hand-picked by SPIN.com staffers from more than 500 submissions around the world.

"Twitchy, Scandinavian-sounding electro-pop imbued with urgent, even desperate, vocals."

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1. Eight Offerings (To Buddha)
2. Om Vajrasattva Hum (Om Benza Satto Hum)
3. Om Namo Manjushriye
4. Mama Kara Ye Svaha (Mama Kara Ye Soha)
5. Heart Mantra (Om Agani)
6. Namo Mati Gana Ja
7. Om Sambhara
8. Om Sarvesham

This CD features eight mantras with eight accompanying rituals. The combination helps to set the tone for clarifying one's intentions. An extensive booklet is included that illustrates the mudras (symbolic hand gestures) and describes the principle and intention of each ritual. The mantra recordings from Sarva-Antah are some of Oreade's all time best sellers.

"If you are looking for music that encourages peace on several levels, than this is the album for you."

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01 - Sgt. Pepper's Lonely Hearts Club Band
02 - With A Little Help From My Friends
03 - Lucy In The Sky With Diamonds
04 - Getting Better
05 - Fixing A Hole
06 - She's Leaving Home
07 - Being For The Benefit Of Mr. Kite
08 - Within You Without You
09 - When I'm Sixty-Four
10 - Lovely Rita
11 - Good Morning Good Morning
12 - Sgt. Pepper's Lonely Hearts Club Band (Reprise)
13 - A Day In The Life
14 - Medley Song

American pop group Cheap Trick, in a reprisal of their wildly successful sold-out concerts, salute the 40th anniversary of the Beatles' seminal Sgt. Pepper's Lonely Hearts Club Band album with a dynamic track-by-track rendition that features the New York Philharmonic orchestra, an Indian music ensemble and an array of several very special guests. At the helm is none other that the legendary Goeff Emerick, who engineered the Fab Four's definitive album in 1967, and brings and exciting authenticity to the celebration. Cheap Trick genuinely infuse their brand of Beatlesque power pop into a live tribute that pays homage to their musical influences, by capturing the essence of an album that changed music history.

Never before performed live in its entirety by the Beatles, this footage is an exclusive opportunity to hear the complete Sgt. Pepper album performed live by Cheap Trick, bringing the band full-circle in a chilling tribute to their musical heroes.

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1. Tall Countryside
2. Trumpets On New Year’s Eve
3. Embers In Your Eyes
4. Honeybee Girls
5. Black Rain
6. Father
7. Sympathy On Challen Avenue
8. Never Arrived
9. Strings On Epileptic Revival
10. Asleep

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01 I Wonder Who We Are
02 Bonfires on the Heath
03 Harvest Time
04 Never Anyone But You
05 Jennifer & Julia
06 Sketch
07 Tonight
08 Share the Night
09 I Know I’ll See Your Face
10 Never Saw Them Before
11 Graven Wood
12 Walking in the Park

British dream-poppers The Clientele return to deliver another album that hangs like London fog with Bonfires on the Heath, their sixth album, and first since 2007's God Save the Clientele. The album, like the ones before it, is primarily from the mind of leader Alasdair MacLean, but features more music from pianist Mel Draisey, who is said to have a profound affect on the album's sound. The Clientele are promising that Bonfires is a return to their older, denser poppier earlier work, which hopefully means it'll sound like their defining album, The Violet Hour.

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1. New Leaves
2. Good Friends, Bad Habits
3. A Trenchant Critique
4. Never Been Born
5. Amnesia and Me
6. Brown Hair in a Bird s Nest
7. Too Scared to Move
8. The Only Child of Aergia
9. Ugly on the Inside
10. Curtain Call

As the title suggests, Mike Kinsella's newest contribution under the Owen moniker is a bit of a departure both musically and thematically. Recorded over the course of two years, New Leaves, which is being released September 22 on Polyvinyl Records, enlists the expertise of multiple engineers such as Tim Iseler (Wilco), Brian Deck (Iron & Wine), and Graeme Gibson (Califone), whereas previous releases were primarily recorded in a makeshift studio in the home of Kinsella's mother. Musically, the arrangements on New Leaves are more elaborate. Kinsella's finger-picked riffs are as pretty as ever, and new layers of sounds add further nuance to the tracks. While New Leaves still exhibits Kinsella's penchant for self-deprecation, there's a newfound focus on clean slates and new beginnings. The now-married Kinsella has veered away from his previous preoccupation with failed relationships. On "Never Been Born," Kinsella sings "These old bones don't feel so old when I'm home with you." "Amnesia And Me" finds Kinsella further musing on his recent domestication: "Now I know who I am, a housebroken one-woman man." It's surely unfamiliar territory for Kinsella, but that's not to say there's a shortage of sardonic wit and self-examination on New Leaves. Kinsella sounds fed up on "Curtain Call." He confesses: "People used to pay to watch me sing and play/ But it seems more and more they come to spit in my face/ I'm tired of speaking up and speaking clearly so the idiots in the back can hear me." While Kinsella seems burdened by the rigors of touring, he finally seems content with his personal life. Past releases felt like a glimpse into the dark rooms of Kinsella's psyche, where New Leaves finds those same rooms a little brighter, as if someone tied back the curtains and cracked the windows, making way for some fresh air and sunlight.

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Disc 1/ Powers Of Ten

1. The Big Gloom
2. Waiting For Black Metal Records To Come In The Mail
3. The Future
4. Earthmover
5. Who Would Leave Their Sun Out In The Son?
(Different versions)

Disc 2/ What Happened Next Was Worse

1. Human Error
2. Trespassers W
3. Defenstration Song
4. Sisyphus
5. Destinos

Compiled here are two separate EPs, the first being Have A Nice Life's extremely rare second demo, Powers Of Ten, and the second being What Happened Next Was Worse, a collection of tracks written around the same time as Deathconsciousness that didn't make it onto the main album. Together these two EPs make up Voids, a sort of footnote detailing a little more of what was going on during the five year period leading up to 2008's Deathconsciousness.

All songs written by Dan and Tim, in a bedroom in the middle of nowhere (12 Oxford Dr., Middlefield, Connecticut).

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Disc 1/ Powers Of Ten

1. The Big Gloom
2. Waiting For Black Metal Records To Come In The Mail
3. The Future
4. Earthmover
5. Who Would Leave Their Sun Out In The Son?
(Different versions)

Disc 2/ What Happened Next Was Worse

1. Human Error
2. Trespassers W
3. Defenstration Song
4. Sisyphus
5. Destinos

Compiled here are two separate EPs, the first being Have A Nice Life's extremely rare second demo, Powers Of Ten, and the second being What Happened Next Was Worse, a collection of tracks written around the same time as Deathconsciousness that didn't make it onto the main album. Together these two EPs make up Voids, a sort of footnote detailing a little more of what was going on during the five year period leading up to 2008's Deathconsciousness.

All songs written by Dan and Tim, in a bedroom in the middle of nowhere (12 Oxford Dr., Middlefield, Connecticut).

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1 Sharing
2 Goodnight Unknown
3 Too Much Freedom
4 Faith in Your Heartbeat
5 The One I Call
6 The Right
7 Gravitate
8 I'm Thinking...
9 One Machine, One Long Fight
10 Praise
11 Take Advantage
12 Modesty
13 Don't Apologize
14 One Note Tone

Lou Barlow can be a heartbreaking and visionary balladeer in his own right, but his work in Dinosaur Jr. and Sebadoh prove he can also churn out bracing rock and infectious pop, which is exactly what he does on Goodnight Unknown. The follow-up to his mostly acoustic EMOH, Goodnight Unknown is the return of Barlow as frontman, taking the lead on a batch of solidly built and melodic pop tunes, playing with friends like Imaad Wasif and featuring drums from the Melvins' Dale Crover. Barlow and company recorded the album pretty quickly to give this set a more urgent sound and one that, according to Barlow, is "a cross between my later work with Folk Implosion and my earlier work with Sebadoh...to my ears, anyway." Barlow's sound can be hard to pin down, and Goodnight Unknown is another subtle pop twist to add to his lengthy discography.

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01.Tiziano Ferro - Indietro [03:41]
02.Zero Assoluto - Per dimenticare [03:33]
03.Lady Gaga - Paparazzi (Motolanco Mix) [04:05]
04.The Black Eyed Peas - I Gotta Feeling (Fmif Remix) [03:12]
05.Shaggy - Fly High [03:30]
06.J - Ax - Decadance [03:11]
07.Bob Sinclar - La La Song (Italian Radio Edit) [03:38]
08.Marco Carta - Dentro ad ogni brivido [03:47]
09.Helmut Fritz - Ca m'enerve [03:41]
10.Pixie Lott - Mama Do (Bimbo Jones Radio Edit) [03:07]
11.Milow - Ayo Technology [03:34]
12.Ne - Yo - Nobody [03:09]
13.Agnes - Release Me [04:15]
14.Melanie Fiona - Give it to Me Right [03:45]
15.Cesare Cremonini - Il pagliaccio [05:18]
16.Negrita - Gioia infinita [03:47]
17.Gary Go - Open Arms [03:45]
18.La Roux - In for the Kill [03:32]
19.Pier Cortese - Grazie [03:33]
20.Nina Zilli feat. Giuliano Palma - 50Mila [02:54]

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Cd1

01. Waldo's People - U Drive Me Crazy 03:18
02. Solid Base - You Never Know 03:00
03. Sounds Of R.E.L.S - Raising My Family 03:32
04. Puolikuu - Nyt Loppuu Todellisuus 04:49
05. 7. Taivas - Mihin Vain Meen 03:26
06. 2 Unlimited - No Limit 05:44
07. Hausmylly - Kaikki Loppuu 04:17
08. Leila K - Electric 03:37
09. Me & My - Dub I Dub 03:22
10. Sash! - Equador 03:46
11. Ace Of Base - Cruel Summer (Soul Poets House Bust) 03:43

Cd2

01. Pandora - Don't You Know 03:18
02. Taikapeili - Jos Sulla On Toinen 03:00
03. Movetron - Romeo Ja Julia 03:32
04. E-Type - Angels Crying 04:49
05. ATB - Don't Stop (Airplay Edit) 03:26
06. DJ-Konnat - 9700 - Irma 05:44
07. Aqua - Barbie Girl 04:17
08. Aikakone - Odota 03:37
09. Scatman - Scatman (Ski-Ba-Bop-Ba-Dop-Bob) 03:22
10. Scooter - Move Your Ass! 03:46
11. 2. Maanantai - Mixet Tahdo Olla Mun Kaa 03:43

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01.Sex On Fire 03:44
(Sonic Palms Radio Edit)
02.Sex On Fire 06:43
(Sonic Palms Club Mix)
03.Sex On Fire 06:16
(Topham And Twiggsters Snap Mix)
04.Sex On Fire (Clubstar Remix) 06:32
05.Sex On Fire 07:13
(Fugitives Red Hot Mix)
06.Sex On Fire 06:41
(Sonic Palms Dub Mix)

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01.Sex On Fire 03:44
(Sonic Palms Radio Edit)
02.Sex On Fire 06:43
(Sonic Palms Club Mix)
03.Sex On Fire 06:16
(Topham And Twiggsters Snap Mix)
04.Sex On Fire (Clubstar Remix) 06:32
05.Sex On Fire 07:13
(Fugitives Red Hot Mix)
06.Sex On Fire 06:41
(Sonic Palms Dub Mix)

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01.Love Comes (Wideboys Club Mix) 06:20
02.Love Comes 06:31
(Riff And Rays Club Mix)
03.Love Comes 06:49
(Ian Mastersons Extended Mix)
04.Love Comes (Wideboys Dub) 06:19
05.Love Comes 03:24
(Riff And Rays Radio Mix)
06.Love Comes (Wideboys Club Edit) 03:32
07.Love Comes (Wideboys A- Mix) 03:32
08.Love Comes (Radio Edit) 03:29
09.Love Comes (Album Version) 04:15

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01 Nel G - Como el Agua (Original Soul Mix) 5:14
02 Kenny Bell - Kiwi (Unreleased Mix) 6:27
03 Andy Spinelli, Vicmoren - The Real Thing Of 7:44
Life
04 Kenny Bell - La Musica (Dielectric Six Remix) 6:47
05 Albert Maris, Alex Montero - Freak 6:44
06 Borja V, Kenny Bell - Sa Caleta 6:20
07 DJ Dioni - Move (Original Marsonora Mix) 6:10
08 Lukeshara - Marilyn 6:54
09 Albert Maris - Downtown (Original Street Gang 7:29
Mix)
10 Seba Recalde - Deepure 8:19
11 Mike Montano - Volar (Montano Sunset Mix) 6:48
12 Chrisloop - Garrapata 6:18

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1. You Can't Have Me
2. Oh No!
3. There's Nothing Left To See
4. NYC(Now You Care)
5. Hell No
6. Do You Think So? I Don't
7. You Said
8. Fiction Of Her Dreams
9. The Mourning Comes The Morning After
10. Hello

Dial M for Murder! is a Swedish indie/Post punk band that was formed in late 2007 by the two Swedes David Ortenlöf and Anders Lantto..

After 2008‘s “Oh No! / The Mourning Comes, The Morning After” vinyl single stirred up much interest all over Europe, Sweden‘s Dial M For Murder! are back with a full-length debut album that fulfils all the promises made by that 45 rpm gem.

'Fiction Of Her Dreams” is a powerful and dark manifesto celebrating the everyday highs and lows of life in Europe‘s North in the first decade of the new millennium. Winter‘s anxieties, summer‘s confusing adrenaline rush and springtime‘s yearly hopeful new beginnings are all part and parcel of this multifaceted album.

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1 The End
2 Bells
3 Single Girls
4 Wicked World
5 Perfect
6 Soljah
7 Use Somebody
8 Come to Me
9 Elijah
10 Signal

half-Dutch singer-songwriter Laura Jansen makes sweetly dispositioned piano-pop that has seen her star lurch fully into the ascendant among the Hotel Café scene in Hollywood where she more than holds her own with the likes of Ingrid Michaelson and the similarly good-natured Meiko. Having moved to Los Angeles from Holland four years ago to pursue her musical dreams, Jansen self-released her debut EP Trauma in 2007 and has adopted the same approach for this second bite at the cherry.

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1. Kids In The Square
2. Some People
3. Letter From A Flying Machine
4. Windshield
5. What's Keeping Erica
6. ..plus The Many Inevitable Fragments
7. Dynamite Bill
8. Shoulderbirds (you Know Me)
9. Bears
10. Mailman
11. Vlad The Astrophysicist
12. One A Wing And A Prayer
13. Coda

It's hard to understand why Peter Mulvey isn't better known. His acoustic guitar work is flawless, avoiding folky clichés for a light, jazzy feel that makes his melodies bounce, and his singing is superb, an understated tenor that puts across deep emotion without over-singing. Maybe it's his enunciation that puts people off. You can actually understand every word, while most of the radio-ready pop singer/songwriters in the 21st century try to express emotion by moaning and mumbling their way through a tune, dropping as many melismas into every line as the market will bear. Letters from a Flying Machine is built around spoken word interludes -- letters written to his young nieces and nephews that he never sent. Most are painful to listen to, lacking the grace and lighthearted humor that mark his songwriting. The one letter that doesn't fall flat is "Vlad the Astrophysicist," a look at the indifferent nature of the universe through the eyes of a scientist. It's an unnerving bit of prose, implicitly about the impossibility of finding a real connection with other people, and probably not a piece you should play for impressionable children. Thankfully, the songs on the album aren't as heavy-handed, even when they take on weighty subjects. "Some People" is a wry topical tune that touches on religion, homelessness, and congressional sex scandals with a breezy grace and a refrain that will immediately embed itself in your skull. "Kids in the Square" addresses the tribulations of the world from another angle, contrasting the messes adults make of their lives with the kids dancing in the rain, still unaware of what faces them in adult live. Mulvey's chiming, inventive fretwork gives the tune an uplifting swing. Mulvey looks through a "Windshield" to observe the winter with a blue eye and aching heart. Bluesy sustained notes and David Goodrich's slide guitar intensify the tune's frosty feel. "Dynamite Bill" is a wordy, humorous blues about love and its limitations marked by Mulvey's quicksilver playing and Zak Trojano's minimal percussion. He closes the album with a take of Gershwin's "Our Love Is Here to Stay," recorded as if on a cassette machine in an airplane's bathroom, or perhaps as heard over an old-fashioned radio with a rattling speaker. J. Poet, All Music Guide

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CD 1

01. Thank Me Later Coming In 2010
02. Try Harder
03. Juice
04. Every Girl (Feat. Young Money)
05. I’m Still Fly
06. Successful (Remix)(Feat. Lola Monroe, Trey Songz, Yung Joc, And Lil’ Wayne)
07. Money To Blow
08. The Winner
09. Ignorant Shit
10. Throw It In The Bag (Remix)(Feat. Fabolous)
11. Do It Now
12. Man Of The Year (Feat. Lil’ Wayne)
13. Say What’s Real
14. Comeback Season
15. Best I Ever Had
16. What I’m Thinking Right Now
17. Ransom (Feat. Lil’ Wayne)
18. Goin In (Feat. Lil’ Wayne And Young Jeezy)
19. Slow It Down
20. Come Winter
21. The One (Feat. Mary J.Blige)
22. Closer (Feat. Andreena Mill)
23. Make Things Right
24. Faded
25. Extra Special

CD2

01. Unstoppable (Feat. Santogold And Lil’ Wayne)
02. Asthma Team
03. Uptown (Feat. Bun B And Lil’ Wayne)
04. The Presentation
05. November 18th
06. Barry Bonds
07. City Is Mine
08. Houstatlantavegas
09. Little Bit
10. Special
11. Missin’ You (Feat. Trey Songz)
12. Going In For Life
13. Give Ya (Feat. Trey Songz)
14. Overdose (Feat. Travis McCoy And Mickey Factz)
15. Easy To Please (Feat. Richie Sosa)
16. Something
17. Digital Girl (Feat. Jamie Foxx, The Dream, And Kanye West)
18. In My City
19. Invented Sex (Feat. Trey Songz)
20. Friends With Money
21. Must Hate Money (Feat. Rich Boy)
22. Incarcerated Scarface (Funkmaster Flex Freestyle)
23. Underdog (Feat. Trey Songz)
24. Thrill Is Gone
25. Brand New

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1. Roman Holiday
2. The Marvelous Slut
3. Who Invited The Russian Soldier?
4. Wanderlust
5. For The Record
6. White Smoke
7. Turtles All The Way Down
8. Organ Grinder
9. Host Disorder
10. After One Quarter Of A Revolution
11. The Sweet Life

Every Time I Die is an American metalcore band from Buffalo, New York, formed in 1998. Their musical style is a combination of metal, hardcore, punk rock and southern rock. The band announced on July 14, 2008 that they have left Ferret Music and have recently signed with Epitaph. Their fifth album, New Junk Aesthetic, is scheduled to be released on September 15, 2009.

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Disc: 1

1. Holly Holy
2. Street Life
3. Beautiful Noise
4. Love On The Rock
5. Play Me
6. Cherry Cherry
7. Thank The Lord For The Night Time
8. Home Before Dark
9. Don't Go There
10. Pretty Amazing Grace
11. Crunchy Granola Suite
12. Done Too Soon
13. Brooklyn Road
14. I Am... I Said
15. Solitary Man
16. Kentucky Woman
17. Forever In Blue Jeans
18. Sweet Caroline

Disc: 2

1. You Don't Bring Me Flowers
2. Song Sung Blue
3. I'm A Believer
4. Man Of God
5. Hell Yeah
6. Cracklin' Rosie
7. America
8. Brother Love's Traveling Salvation Show
9. Lady Oh - Antwerp 2008 (Bonus Live Recording)
10. If You Know What I Mean - Rotterdam 2008(Bonus Live Recording)
11. Glory Road - Columbus 2008(Bonus Live Recording)

International pressing of this 2009 two CD live release from the acclaimed singer/songwriter includes three additional tracks; Lady Oh - Antwerp 2008, If You Know What I Mean - Rotterdam 2008 and Glory Road - Columbus 2008. 29-track 2-CD album set - Recorded at Madison Square Garden in 2008, 'Hot August Night NYC' brings together Neil's whole catalogue from the 70s smash hits to his critically acclaimed andbest selling 'American Recordings' repertoire. A true live 'Greatest Hits', the set captures Neil on top of his game, leading the Garden in a rousing sing-a-long. Includes live versions of 'Love On The Rock', 'Cherry Cherry', 'I Am... I Said','Solitary Man', 'Forever In Blue Jeans' and the classic hit 'Sweet Caroline'. Includes a picture booklet containing sleevenotes and images from his 2008/09 tour.

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01. Red Hot
02. That's Right
03. Hallelujah (I Love Her So)
04. That's How It Is ((When You're In Love)
05. Keep A Knocking
06. Reconsider Me
07. Shake Rattle & Roll
08. Rockin’ Pneumonia
09. A Fool In Love
10. You Can’t Judge A Book
11. I Was Made To Love Her
12. Young Blood
13. My Baby Just Cares For Me
14. I've Got Reasons

Most of you might already know (and some of you lived thru it) that the Jimmy Barnes 1991 'Soul Deep' album is not only the biggest seller in his illustrious career, but was also the most successful in Mushroom Records history. This new collection of songs is not strictly 'soul' but moreso a 50's and 60's rock, rhythm and blues blend. The Rhythm & The Blues is where rock 'n' roll and modern soul started back in the 50's and 60's. It's dedicated to the pioneers and forefathers of modern music, and crosses the gamut from rock to swing to soul, but all songs have that common rhythm and blues thread. The album has again been produced by Don Gehman in L.A (Soul Deep and Soul Deeper) and features some of the best and most qualified musicians and session singers going around). Featurng: Shake Rattle and Roll - Big Joe Turner; I Was Made To Love her - Stevie Wonder / Jackie Wilson; Young Blood - The Coasters; A Fool In Love - Ike and Tina Turner; I've Got Reasons - Mary Jane Hooper; Recon

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1. Here I Confess
2. World Gone Crazy
3. Skimming Stones
4. Labyrinthine Heart
5. A Kind of Magic
6. A Cut from the Fight
7. Rainy World
8. Ariadne (The Dividing Sea)
9. Reason Why
10. Fire King
11. Reversals
12. There's Something Going On

Sleepthief is an American electronic music recording project formed by producer and composer Justin Elswick. Elswick began writing music for the album ten years prior to its release. The album was mixed, mastered, co-produced, and co-arranged by Israel Curtis. Sleepthief's first album, The Dawnseeker, was released in 2006.

Sleepthief is most often compared to musical groups such as Delerium (in its output from the mid-1990s onward) and Balligomingo, which produce emotive, melodic, synthesized music with what is often described as New Age-influenced ethnic characteristics from other cultures. Also similar to these groups is Sleepthief's use of pop music-based song structures with performances by female singers: eleven vocalists contribute to The Dawnseeker, many of whom are established recording artists, and some having worked with the aforementioned groups previously.

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1. That Makes Me
2. Voices
3. The Dashboard
4. Gettin' You Home
5. It Takes A Man
6. The Shoebox
7. Rose In Paradise (Duet With Willie Nelson)
8. Twenty-One Candles
9. The Man I Want To Be
10. Rainy Night In Georgia

With an ear toward the past and an eye on the future, Chris Young is quickly distinguishing himself as a newcomer who honors Country music's best traditions while adding a fresh new chapter to the genre's legacy. With his rich, warm baritone and penchant for writing relatable, slice-of-life songs, Young's sophomore project showcases a new traditionalist poised to take his place among his musical heroes. Features the single 'Gettin' You Home (The Black Dress Song)'.

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1. RADIO ON
2. GET AWAY
3. TELEGIRL
4. OUTSIDE
5. GIVEN YOU
6. DUNE ROAD
7. I WANT TO KNOW
8. OUT OF TOUCH
9. LETTING YOU DOWN(feat-Leigh Nash)
10. 30 DAYS OF JUNE
11. EVERY WRONG TURN
12. SKATELAND SOUTH

Within each person s personal expansive collection of music (or at least within mine), there exists a fragmented, yet meticulously catalogued mental database of corresponding emotions, actions, and memories. There s always that album we play in the dark when we re feeling melancholy. And unless you re ridiculously lucky or make consistently very informed decisions, we all have that album we swear must have been bought in a state of near-unconsciousness, that gets pulled out of a dusty corner when we feel like a good laugh and a little self-abuse. Fortunately for Creede Williams, his debut album Something Borrowed makes its mark by moving around and comfortably nestling itself in a few of the more pleasant categories of mental musical catalogues. In an urge to create the perfect driving mix that complemented the cities he visited, and the feelings and memories associated with each, Williams compiles a consistent ten tracks with upbeat melodies and casual honesty. His Texas roots solidify Something Borrowed with a no-drama southern sincerity that easily lends itself to hours of unintended repetition that are, appropriately, perfect for cruising the highway. More importantly, however, the album digs deeper into a kind of movement that goes further than the traditional road trip. The real heart of Something Borrowed is in the lyrics, in which Williams manages to whip up a perfect blend of nostalgia, regret, freedom, and random hiccups of minor epiphanies. Jackson Square paints a glorious picture of the little moments that can cause pangs of hurt or bouts of extreme happiness within seconds of each other, with turns of phrase such as fifty-five/outstretched arms divide the sky from the ground below . Shoreline captures the frustration of grappling with the confusion of feeling lost in yourself, aided by an almost bitter relationship with San Francisco. On a technical level, Williams influences are clear from the start. California brings unconscious thoughts of Barenaked Ladies, while Fallen gives a significant tribute to James Taylor. Creede also channels a little Adam Duritz in the honest Lately (The End) , picking up a few of Duritz s trademark references to December, a unique but confused unidentified woman, and a troubled relationship with himself. Williams even gets some help from friends, such as Vertical Horizon, who quietly make recognizable appearances in various spots on the album. If Something Borrowed has a flaw, it s that its easy, friendly tunes mask the true honesty of Williams poetic ability. The catchy tracks flow through so quickly that it requires a few good listens to really pick up on the clever verses that really give the album its strength, without getting distracted by the shiny musical exterior. But luckily, the album is so clean, that it s far from an effort to listen the necessary number of times to really get to the real meat of the creation. Although Williams has succeeded in creating a great highway record, his debut promises to morph easily from the personal cruising music genre, to music to think by and ponder over , and back again. --CDreviews.com

There are many things you can't tell about Creede Williams from listening to his second album After the Letters. You can't tell that the Dallas musician learned to play guitar while writing and recording his 2005 debut album Something Borrowed. You can't tell that when he's not touring he works as lawyer in the violent world of professional wrestling. However, in an instant of listening you immediately notice one thing- this is an engaging, genuine and unabashedly upfront artist- and it isn't often that the music of a singer-songwriter can speak so loudly for itself. Known for his self-deprecating humor onstage, Williams has played over 200 shows in the past three years, been selected as a Coca-Cola Artist of the Month, chosen as one of the best eight unsigned singer/songwriters in America, and taken part in an unaired reality TV series that featured the likes of Eric Hutchinson and G-Love. The critically acclaimed debut, Something Borrowed, which featured the talents of the artists behind acts such as Vertical Horizon, Jackopierce and Robin Thicke, displayed an artist discovering an eye for detail and a knack for delivering colorful melodies. Williams' follow-up proves to be an even more ambitious and strongly written work. "Because I'm not a musician first, the words come first", Williams says. "I've always written short stories. I typically write a story and look at the words and it never fails that something I've written feels like the start of a song. After the Letters has a pretty clear concept that draws all the songs together. It's what happens in between-between the breakup and the new relationship, or between the lay off and the new job, or between graduation and your first job. It's purgatory. That position between what was and what's going to be....the dreaming and the being." Influentially speaking, Williams reconnected with some of his earlier favorites. He culled inspiration from R.E.M., Counting Crows, James Taylor and Van Morrison. His goal, he says, was to create something that delivered an uncluttered story in an emotionally honest way. Armed with a massive number of new songs, Williams headed to Nashville where he recorded his new disc on and off over seven months. There, he was joined in the studio by veteran producer Cary Pierce (Jack Ingram, Graham Colton, Jackopierce, Guster) and musicians that included Tommy B ( Prince, Switchfoot, Stevie Wonder), Aaron Sands (Jars of Clays, Toad The Wet Sprocket, Caedman's Call) and Greg Suran (Goo Goo Dolls, Five For Fighting, Jewel ), who helped Williams augment his songs into a collection of '90s-influenced, radio-ready songs that surge with sincerity and catchiness. After the Letters, which shifts from the charming blue-eyed soul of "Telegirl" to "Letting You Down" a compelling, emotive duet between Williams and Leigh Nash ( Sixpence None the Richer ), to the subtly twangy "Every Wrong Turn", encapsulates all the elements of the human experience, distilling the nuanced and subjective nature of our lives into twelve distinct songs. Each track tells its own story, and, in turn, all twelve work together to narrative a larger, cohesive portrait of what it means to be stuck in the interim.

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1. Agnes - Release Me 4:18
2. Promoe - Svennebanan 2:39
3. David Guetta Feat. Kelly Rowland - When Love Takes Over 3:13
4. Bob Sinclar Feat. Sugarhill Gang - Lala Song 3:33
5. Mohamed Ali - Rocket 3:52
6. Lady Gaga - Poker Face 3:59
7. Pitbull - I Know You Want Me (Calle Ocho) 3:05
8. Sukkerchok - Hvor Som Helst - Nĺr Som Helst 3:07
9. Medina - Kun For Mig 4:12
10. Outlandish - Rock All Day 3:59
11. Infernal - Redefinition 2:51
12. Alexander Rybak - Fairytale 3:05
13. Britney Spears - Circus 3:12
14. Metro Station - Sventeen Forever 2:53
15. Linda Andrews - Into The Light 3:26
16. Kelly Clarkson - My Life Would Suck Without You 3:32
17. Jordin Sparks - Battlefield 4:01
18. Pixie Lott - Mama Do (Uh Oh, Uh Oh) 3:04
19. Crazy Frog - Daddy DJ (Crazy Frog Video Mix) 2:52
20. Kenneth Bager - Fragment Fourteen "Naked Music" 3:42

Try

01. Take Off
02. Alone Tonight
03. Gone
04. Cry 4 You
05. Lost
06. Over You
07. Believe
08. Serendipidy
09. Smile
10. Night On Fire
11. Out Of My Mind
12. In My Arms
13. Out Of My Mind (Sebastian Dali Remix)
14. Gone (Sebastian Dali Remix)
15. Lost (Jordy Lishious Remix)
16. Gone (Acoustic Version) (Bonus Track)

Lasgo is a trio of dance music musicians from Belgium. The group formed in 2000 and is composed of Jelle Van Dael as the vocalist, (after Evi Goffin left the band in 2008) and Peter Luts and Jeff Martens as the producers. They are getting ready to release their new album Smile later this month.

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1. Last Train Home
2. I'm Getting Sentimental Over You
3. Pools
4. If I Could
5. Azalea
6. Ask Me Now
7. Angela's Sad Song
8. Reckless Blues
9. Spring Ain't Here
10. You Must Believe in Spring
11. Angela
12. Alone Together
13. Regrets
14. I Didn't Know What Time It Was
15. Do You Know What It Means to Miss New Orleans

Features new talent Davy Mooney accompanied by jazz heavyweight John Pizzarelli in refreshing duet playing.

Try

01. Houstatlantavegas (Prod. By Noah “403 Shebib)
02. Successful (Ft. Trey Songz & Lil’ Wayne) (Prod. By Noah “403 Shebib)
03. Best I Ever Had (Prod. By Boi-1da)
04. Uptown (Ft. Bun B & Lil’ Wayne) (Prod. By Boi-1da & Arthur McArthur)
05. I’m Goin’ In (Ft. Lil’ Wayne) (Prod. By Needlz)
06. The Calm (Prod. By Noah “403 Shebib)
07. Fear (Prod. By DJ Khalil)

Try

ACT 1 – THE END OF DAY
1. In My Dreams (Cudder Anthem)
2. Soundtrack 2 My Life
3. Simple As…

ACT 2 – RISE OF THE NIGHT TERRORS
4. Solo Dolo (nightmare)
5. Heart of A Lion (KiD CuDi Theme Music)
6. My World f. Billy Cravens

ACT 3 – TAKING A TRIP
7. Day N Nite (nightmare)
8. Sky Might Fall
9. Enter Galactic (Love Connection Part 1)

ACT 4 – STUCK
10. Alive (nightmare) f. RATATAT
11. CuDi Zone
12. Make Her Say f. Kanye West & Common
13. Pursuit of Happiness (nightmare) f. MGMT & RATATAT

ACT 5 – A NEW BEGINNING
14. Hyyerr f. Chip Tha Rapper
15. Up Up & Away (The Wake & Bake Song)

"Kid Cudi is at the vanguard of a game-changing new generation of artists," said Universal Motown President Sylvia Rhone. "He crosses musical boundaries with an appeal that goes beyond genre, format, race, language, and culture. Cudi lives easily in the hip-hop, indie rock, pop, and R&B worlds - a diversity that shows in his innovative music and his all-embracing persona. He is a born storyteller who brings a positive, life-affirming message to his brilliant lyrical flow and compelling music. There are no clichés in what Cudi does. He is a breath of fresh air - a dynamic and important new voice, not only in the next phase of hip-hop, but as a groundbreaking trendsetter who represents the future. I am thrilled to welcome Kid Cudi into the Universal Motown family." KID CUDI released his first mixtape, A Kid Named Cudi, in July, 2008 as a free download sponsored by New York streetwear company 10 Deep, leading to an introduction and signing to Kanye West's G.O.O.D. Music imprint, and in turn, to Cudi's co-writing of four tracks on the platinum Kanye West album 808s & Heartbreak, including the Top 5 single, "Heartless" and stepping out in a featured vocal on "Welcome to Heartbreak." He followed this up with his first Official single; "DAY N NITE" "day 'n' nite" dominated with #1 rankings at multiple radio formats.

Try

01. Backwards Down The Number Line 5:37
02. Stealing Time From The Faulty Plan 4:40
03. Joy 4:24
04. Sugar Shack 4:03
05. Ocelot 3:35
06. Kill Devil Falls 5:28
07. Light 5:03
08. I Been Around 1:57
09. Time Turns Elastic 13:29
10. Twenty Years Later 5:09

Joy is the title of Phish's fourteenth studio album, scheduled for release on September 8, 2009. Phish collaborated with producer Steve Lillywhite on the album, having worked with Lillywhite previously on 1996's Billy Breathes.

Try

1. The Door
2. Follow You(with special guest Brandon Heath)
3. Via Dolorosa
4. Pure Bride
5. Carry Me On Your Back
6. New Creation
7. Lift Your Eyes Up
8. Weak Man
9. Love Is On The Move
10. Learn to Love
11. Holy Spirit Have Your Way
12. My Jesus(BONUS)

Leeland is a Christian pop and rock band hailing from Baytown, TX. Though the lead singer, Leeland Mooring, was only 17 during the recording of their debut album, their music has been widely accepted. Also, in spite of their overtly Christian lyrics, their melodic-driven sound has appealed to the secular market as well.The band's original line-up included Jeremiah Wood, but he left the band in late 2006, and was replaced by guitarist Matt Campbell in late spring of 2007. Leeland has released two studio albums, and received a Grammy Award nomination and two Dove Award nominations for their debut album Sound of Melodies. Love Is on the Move is the third studio album.

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01. Rehab (Intro) 00:34
02. Moving Mountains 03:27
03. Miss U 04:48
04. Drunk 04:00
05. Capable 04:33
06. Radio 04:16
07. Bourbon (Crack Song) 03:48
08. Rehab (Interlude) 00:41
09. Let's Blaze 04:05
10. This Life (Punches) 04:01
11. Kurt Kobain 04:26
12. Good Man, Bad Man 03:47
13. The Ballad Of Jimmy Roscoe 03:22
14. Represent 05:02

Try

1. No Love Blues
2. Datura
3. Rusty Gold
4. Never Coming Out
5. Count the Stars
6. Keep Me Up
7. Black Rabbit
8. Giving Up Time
9. Shasta
10. Terrible Pain
11. No Death

Voices everywhere, caught again in the devil's snare,' belts lead vocalist and guitarist Alex Robins of San Francisco-based Or, the Whale on the second song of the band's newest album. The song, Datura, is a rollicking ode to the hallucinogenic properties of jimson weed but could just as easily be a description of the band itself. On the heels of 2007's Light Poles and Pines, featuring the band's debut single Call and Response - which earned them a coveted spot on Radio & Records Top 100 Americana Artists of 2008; an appearance on Good Morning, America; and attention in USA Today, Paste, and Billboard magazines - comes the band's much-anticipated self titled second album, Or, the Whale is a band that will rock you, make you dance, and maybe even inspire you to contribute to their amazing vocal pyrotechnics - voices everywhere, indeed.

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1.Digital Age
2.Scotland Yard
3.Desire
4.Break Me
5.In The End
6.Born
7.A Feather Afloat
8.The Big Exit
9.Lullaby
10.Pressure
11.1969
12.All Together Now (Bonus)
13.Home (Bonus)

A band from the Central Coast of New South Wales. After The Fall debuted strongly onto the Australian music scene in 2004 releasing their self-titled debut of that same year. Rollingstone Magazine named it one of the Top 50 Albums of 2004 and After The Fall were also welcomed into triple J’s Hottest 100. The same accolades were afforded to their second album and after a busy 3 years the band took a break from touring and locked themselves in their home studio on the central coast of NSW writing material for their third album

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1. Midnights
2. In The City Of Gold
3. Serio
4. Francisco (Y Los Trece De La Fama)
5. The Bismarck
6. Thief
7. Between The Squalls
8. Nightmoves
9. Dark That I Love
10. Great Leap Forward
11. Happiness Made Easy

Lost Valentinos are a psychedelic/indie band from Sydney, Australia. They released two EPs under the band name The Valentinos but changed their name in mid 2007 to Lost Valentinos due to the threat of legal action by soul artist from the 1950s, Bobby Womack & The Valentinos. Lost Valentinos have been described by NME as “A skittering shitstorm of punk fury, disco beats and psychedelic excursions, the sonic invention of M83, Can and My Bloody Valentine melding with the panty-poking fun of Wham!, The Pixies and The Human League.”

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01 – Game Over (Original) 03:15
02 – Game Over (Superbass Remix) 04:49
03 – Game Over (Superbass Remix Radio Edit) 03:36
04 – Game Over (Chris Kaiser Remix) 06:56
05 – Game Over (Chris Kaiser Dub Remix) 06:56
06 – Game Over (Davespoon Remix) 06:06
07 – Game Over (Delta Heavy Remix) 05:21
08 – Game Over (Cooly G Remix) 03:11

Try

01. What She Came For (Drums Of Death Remix) 04:18
02. What she Came For (Tigerstyle Remix) 03:28
03. What She Came For (Lee Mortimer Vocal Remix) 06:24
04. What She Came For (Lee Mortimer Dub) 06:25

Try

01. Bad Boys feat Flo Rida (Moto Blanco Dub) 08:13
02. Bad Boys feat Flo Rida (Moto Blanco Radio Edit) 03:28
03. Bad Boys feat Flo Rida (Moto Blanco Vocal Mix) 07:15
04. Bad Boys feat Flo Rida (Radio Edit)

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1. Boys and Girls (Single Version) - 3:02
2. If I Changed (B-Side) - 3:42

Try

01. Straight Through My Heart (Dave Aude Radio Remix) 03:53
02. Straight Through My Heart (Mike Rizzo Funk Generation Radio) 03:47
03. Straight Through My Heart (Jason Nevins Radio Remix) 03:39
04. Straight Through My Heart (Mike D Radio) 03:28
05. Straight Through My Heart (Mr. Mig Radio) 03:20
06. Straight Through My Heart (Matt Pederfast) 04:17
07. Straight Through My Heart (Straight Through My Heart Original) 03:30
08. Straight Through My Heart (Dave Aude Club Remix) 06:44
09. Straight Through My Heart (Dave Aude Dub Remix) 06:16
10. Straight Through My Heart (Mike Rizzo Funk Generation Tv) 03:45
11. Straight Through My Heart (Mike Rizzo Funk Generation Dub)06:26
12. Straight Through My Heart (Jason Nevins Dub Remix) 05:38
13. Straight Through My Heart (Jason Nevins Mixshow Remix) 05:40
14. Straight Through My Heart (Mr. Mig Club) 07:53
15. Straight Through My Heart (Boothpimps Club) 05:48
16. Straight Through My Heart (Boothpimps Dub) 04:30

Try

1. 368
2. Hocus Pocus
3. Sticks 'N' Stones
4. The Man's Machine
5. Emily's Heart
6. Chaka Demus
7. Spider's Web
8. Castro Dies
9. Earth, Wind And Fire
10. British Intelligence
11. Jilly Armeen

'Kings And Queens' is the second album from Jamie T and comes some two and a half years after his Mercury Music Prize nominated debut 'Panic Prevention'. Not one to be pigeonholed, Treays originally went in a folk direction before scrapping the idea for "being too boring" and opting instead for a collection of songs that takes influence from the whole musical spectrum. The lyrical tales of messy nights in London andthe state of British society are still there, but this timeare backed by a more focused mix of indie, punk, ska and hip hop.

Try

01. Million Dollar Bill (Radio Edit) 3:24
02. Million Dollar Bill (Freemasons Radio Edit) 3:49
03. Million Dollar Bill (Freemasons Mixshow Edit) 5:00
04. Million Dollar Bill (Freemasons Club Mix) 8:10

Try

1. "Bullhead's Psalm" (1:20)
2. "The Sweetest Curse" (4:31)
3. "Jake Leg" (4:23)
4. "Steel That Sleeps the Eye" (2:38)
5. "Swollen and Halo" (6:35)
6. "Ogeechee Hymnal" (2:36)
7. "A Horse Called Golgotha" (5:21)
8. "O'er Hell And Hide" (4:22)
9. "War, Wisdom and Rhyme" (4:26)
10. "Blackpowder Orchard" (1:01)
11. "The Gnashing" (4:18)
12. "Bullhead's Lament" (2:59)

Blue Record is the second LP released by the sludge metal band Baroness. Blue Record is slated for release on October 13, 2009. It is considered the sister album to the previous album.

Try

1 Coward
2 When the Bottom Fell Out
3 Chinaberry Tree
4 Chain
5 We Hovered With Short Wings
6 Philip Guston
7 Concord Country Jubilee
8 Flirted With You All My Life
9 It Is What It Is
10 Granny

Vic Chesnutt is the real deal, a man who lives for music and who has tirelessly deployed his impish, surly, witty, unflinching perspective in hundreds of songs featuring brilliantly unique wordsmithery and a profound playfulness that thumbs its nose at a life of seriously hard knocks. Vic’s prolific writing – chock of full of real irony, wonderful turns of phrase, humour, rage and tenderness, brutal literalism and ornate observation – constitutes a truly original voice and reflects a truly indomitable spirit.

Chesnutt has worked with many collaborators over his twenty-year music career. His first album for Constellation, North Star Deserter (2007), featured the members of Silver Mt. Zion (among other label-affiliated musicians in Constellation’s home town of Montreal) and Fugazi’s Guy Picciotto. USA music magazine Paste ranked this album the best of his numerous collaborative records over the last dozen years. North Star Deserter was highly acclaimed and signaled a true return to form for Vic Chesnutt, but remained criminally overlooked in the USA. A core group of players emerged from this first recording to accompany Vic on two European tours in support of the album: Thierry Amar (bass), Efrim Menuck (guitar), Jessica Moss (violin) and David Payant (drums) all of Silver Mt. Zion, along with Guy Picciotto (guitar). Together with studio members (and occasional live players) Nadia Moss (piano, organ) and Chad Jones (guitar), this same troupe has reunited for Vic’s second Constellation album, once again recorded by Howard Bilerman at Hotel2Tango in Montreal.

At The Cut picks up where North Star Deserter left off, with the explosive opening tune “Coward” displaying all the epic soaring thrust this band is capable of. Vic debuted this song as part of Jem Cohen’s ‘film hallucination’ Empires Of Tin when it was performed live with the touring band at the 2007 Vienna Film Festival. Re-recorded for At The Cut, it certainly does cut to the chase, as Vic bellows “I am a coward” to trigger a massive unison instrumental line, reinforcing the tune’s double-edged opening lyric (and Frank Norris quote) “The courage of the coward – greater than all others”. From this bracing beginning, however, At The Cut quickly changes temperature and temperament, settling into what is arguably the most intimate, pensive and heartbreaking work of Vic Chesnutt’s career. Cowardice, courage, mortality, tenacity, defiance, mourning and memory are its themes. Throughout the album, and even on the two tracks that blister and blast with this rocking band – “Coward” and “Philip Guston” – there is a lyrical intimacy and directness, a searingly raw honesty to Vic’s voice and words, that finds no parallel in his body of work to date.

Side One of At The Cut traces a gorgeous arc. Following the clarion call of “Coward” is “When The Bottom Fell Out”, a classic solo Vic tune, recorded live off the floor, the vocal tethered to the simplest of acoustic guitar lines, the fatalistic lyric delivered steadfast and strong. “Chinaberry Tree” finds the band in a lovely, loose, rollicking swing as Vic hacks away, “throwing myself at the cut / with a force heretofore unknown to me” and belting out the song’s eponymous chorus amidst intertwining lead guitars and violin. “Chain” features one of the album’s strongest arrangements, with piano and guitar figures deployed beautifully to support a fine bit of minimalist, oblique metaphysics from Mr. Chesnutt. “We Hovered With Short Wings” closes the side in a slow burn, with the rhythm section laying down a languorous groove over which Vic, in sweet falsetto, sings one of the finest poems he’s ever penned.

Side Two does not relent. “Philip Guston” hits the reset button – the record’s most angular and snarling tune (and a close contender for album opener) with some great guitar and drum work seesawing against the staccato verse structure. Memory and mortality are the commanding themes for the remainder of the album: “Concord Country Jubilee” is a sweet pastoral childhood reminiscence, “Flirted With You All My Life” a quite literal ode to the dance with death, delivered with a perfect and unaffected mix of exuberance, defiance and insouciance. “It Is What It Is”, as the penultimate tune and the album’s one cascading river of words, has Chesnutt piling one nugget upon another in a wonderful stream of vainglorious (auto)biography, a first-person testimonial that begins (while also quoting W.H. Auden) “I am a monster like Quasimodo / or Caliban, the natural man / ‘giving wild ripostes to my reflection’” and concludes with a masterfully poetic declaration of secularism “against the looming blackness”. The album closes with “Granny”, which should pretty much tear your heart out; a devastatingly tender and deeply affectionate portrait, without the slightest hint of anything mawkish, clichéd or over-sentimental.

For an album so overtly shaped by ruminations on mortality, by a man from Athens, GA who certainly knows of what he sings (having survived a car accident at age 18 that confined him to a wheelchair and has subjected him to an endless cavalcade of complications, procedures, emergencies and towering medical bills ever since), it is both refreshing and unbelievably heartwarming to hear how Vic Chesnutt sidesteps any of the obvious Southern Gothic tropes, lyrically and musically. No vaulted arches, gaping abysses or burning fields here – no ‘voicing’ of the preacher or the devil, no putting on airs. Vic manages to sing so authentically and wholeheartedly from and about his sense of place (the South, the wheelchair, 21st century America) because he refuses to sentimentalise any of it and rails against his personal fate without bitterness, without apology, with a sardonic and sometimes angry poetics of the passionately humanist and secular variety: wholly framed by the back porch, championing a humble wisdom, a sincere ethics (without moralising) and a natural literateness, certainly permitting a wisecrack or three, but never allowing for anything hackneyed or cornball or fake. We think At The Cut is a bona fide classic by a man better positioned than most to sing it strong and true.

Try

1. Live Fast Die Old
2. Try This At Home
3. Dan's Song
4. Poetry Of The Deed
5. Isabel
6. The Fastest Way Back Home
7. Sons Of Liberty
8. The Road
9. Faithful Son
10. Richard Divine
11. Sunday Nights
12. Our Lady Of The Campfire
13. Journey Of The Magi

Continuing his meteoric rise, celebrated folk-punk singer-songwriter Frank Turner will release his third studio album, Poetry of the Deed, on Sept. 8, via Epitaph/Xtra Mile. Already a household name in the UK, the acclaimed troubadour has his sights set on winning over US fans with his ardent roots driven acoustic rock and relentless touring.

With the help of Grammy nominated producer Alex Newport (Death Cab For Cutie, At The Drive-In, Two Gallants), Turner captures the essence of his fervent live show with Poetry of the Deed. Powerfully candid and charismatic, Turner's hardcore roots shine through with fiery passion as he embarks on a lyrical journey of life experiences that speak to listeners with great honesty and authenticity.

From the epic country-punk rambler "The Road," to the anti-folk manifesto "Poetry of the Deed," to the political rants of "Sons of Liberty" and the rousing punk anthem "Try This At Home," Poetry of the Deed establishes Turner as one of the most inspiring and lyrically gifted songwriters of the last few decades.

Try

1. The slayer
2. Tremble dragonfly
3. I lay there in front of me covered in ice
4. You are a jaguar 5. Iris didn't spell
6. Crack teeth
7. On the captain's side

Beginning with her first Constellation release in 2006, Carla Bozulich’s Evangelista project has steadily been gaining recognition for its complex beauty and fierce, raging appeals. Bozulich has been knocking these and many other ideas into form for two decades (Neon Veins, Ethyl Meatplow, The Geraldine Fibbers, Scarnella). Evangelista is the best and the brightest, filled with adventurous risk taking that sometimes whispers and licks, sometimes pulls the listener so close that it is hard to breathe, sometimes screams in ritual satisfaction. A consistent bucking of categorization ensues. When pressed, Carla calls it Gospel Noise.

Evangelista landed on the cover of UK music magazine The Wire in June 2008, following the release of the group’s second album, Hello Voyager (which also made The Wire and several other mags’ year-end lists). Bozulich/Evangelista has also recently appeared at numerous prestigious music festivals, including FIMAV (Musique Actuelle) in Canada, Le Weekend in Scotland and the Ruhrtriennale in Germany.

The new Evangelista album Prince Of Truth stays true to the band’s uncompromising and compelling combination of delicate coaxing love and wicked cathartic awakening sonic voyage. Not so much confessional as ritual/processional and invitational says Bozulich: “inviting the listener to come clean, to defy or just be near people you believe in, to sit down, all of us together and make sense of the fact that there is no logic and perhaps no Truth at the base of anything, that we must open up and up and up because if we do not we are just fish gone belly-up in the stream – there is a Prince inside us that will grow into nothing more or less than an everyday person moving free, armed with the salvation of sound and love.”

Having toured extensively throughout North America and Europe during the year-and-a-half following the release of Hello Voyager, Evangelista has coalesced around a core trio, with Bozulich and bassist Tara Barnes now joined by keyboardist/sound artist Dominic Cramp. Returning to Montreal and the Hotel2Tango studio where the previous two Evangelista records were made, the new album was co-written by the above trio along with several members of their extended Montreal family, most notably Lisa Gamble (who played everything from musical saw to bike wheel). Gamble also occasionally joins the band on tour (as do a wide cast of misfits from around the globe).

With Prince Of Truth, Bozulich has shaped her Evangelista group into something more intense, more committed, more complex and more sonically and compositionally obsessive than ever. Conventional song structure is mostly absent – the pieces are built from an extremely diverse set of sound sources, taking shape through layers of accumulation and juxtaposition, foreground and background, sudden shifts, suspensions and dissolutions – and Carla’s commanding voice and brilliant lyrics.

Opening track “The Slayer” is one of the most spine-tingling songs we’ve heard from Carla (and she’s offered up quite a few over the years). The lyrics testify to a force or persona of terrifying power and ambiguity – “Am I here to watch over you / Am I here to destroy you / Am I here just to think it matters what I do” – the voice cutting through the cauldron of sound circling and dive-bombing around it. “Tremble Dragonfly” follows, a haunted invocation of a “wicked flying thing”, swaddled in a gorgeously stretched and distressed string arrangement punctuated by chimes, gongs, musical saw and autoharp. “I Lay There In Front Of Me Covered In Ice” is marked by a devastating lyric and a stone cold soul organ part by Dominic Cramp. “Iris Didn’t Spell” moans forth with the dual contrabass dissonance of Thierry Amar and Jonah Fortune before breaking into a supple groove anchored by Ches Smith on drums.

“On The Captain’s Side”, which perfectly and bracingly closes the record, is a post-apocalyptic sea shanty of sorts, with lyrics penned by Tara Barnes (who also wrote the voyager-themed lyrics for “Truth Is Dark Like Outer Space” on the band’s previous album). Jessica Catron makes a cameo appearance here, singing lead vocal through a cacophony of Bozulich’s harmonic voices: “The veins in my hands expand anticipating their use / my ship will speed like the light through portals darker than the darkest night…I float in the sea alone as far as the eye can see / for luck always be on the captain’s side.”

Prince Of Truth is also a sort of Pro Tools fantasia wrought from purgatory, not only figuratively and stylistically, but quite literally as well. Initial tracking was scheduled at the Hotel2Tango studio in Montreal, with regular Evangelista collaborators Shahzad Ismaily, Lisa Gamble, Thierry Amar, Nadia Moss and Ches Smith all in attendance. On day two of the sessions, a nasty throat infection Carla had been fighting on a preceding tour evolved into a full-blown medical drama, confining her to bed for the ensuing weeks. The band went on to track the song foundations, along with a pile of extras, outtakes and overdubs, and Bozulich returned to her Los Angeles home with these stacks of tracks digitized from the analog master tapes. Over the next two months, she de- and re-constructed these sessions, adding vocals and rallying additional contributions from Nels Cline, Ezra Buchla, Devin Hoff, Jessica Catron and more.

Sprung from the obsessions of Bozulich’s instinctual, maniacally detail-oriented mind and channeled through the incantatory/seductive/soul persona of the classic chanteuse, Carla and her Evangelista band have made an album of searing and beguiling depth, the spoils of a phenomenal group of musicians occupying an entirely original zone at the intersection of improv, noise, post-industrial and musique concrete, forging an experimental gothic soul music for our impossible times.

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The Reed/Garbes duo mainly sticks to their guns, mining the same post-Suicide art-trance vein they perfected on Dream, but with Glass Fountain there’s an added emphasis on the disembodied, oscillator pop mode that Wet Hair often toy with. Fountain’s five tracks include some of the band’s simplest but catchiest songs (“Crucifix In The Waves,” “When The Right Time Comes,” etc), mesmerizing organ melodies over plink-plonky vintage drum machines with weirdo soulful singing and outer space electronics, like an outsider-punk Silver Apples or something. Hard to say exactly what universe Wet Hair are operating in and that’s probably part of why we love it so much. A killer record that gets better each spin.

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CD1

01 Swimming Field
02 Bicycle
03 Green Knight
04 Pink Stones
05 Stop Talking
06 Graphics
07 Plain Material
08 Run Out

CD2

01 Treeship

Rough trade exclusive with a bonus 30 minute cd featuring a lengthy late night summer jam. memory tapes is a one man band based in new jersey. he's been dropping bombs (as memory cassette and weird tapes) on gorillavsbear through 2008 to huge acclaim and massive blog proliferation. 'seek magic' is the debut album - limited to just 1000 copies and only available via rough trade shops. the sound is nostalgic both aesthetically and emotionally - so there is little surprise when comparisons drift to outfits such as cocteau twins, my bloody valentine, new order and boards of canada. more established pop references come through as well with echoes of classic motown and girl groups. this is the first in a steady stream of releases from memory tapes. he wants to make two albums per year. next up is a psychedelic girl group record. what is there not to love?

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A Untitled
B Untitled

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01. I’m A Brownsvillian
02. Foundation
03. Stop Pushin
04. Street Life (Feat. Demarco)
05. What I Wanna Be (Feat. Rell)
06. Rude Bastard
07. Blow The Horns
08. Brooklyn
09. Forever & Always
10. Bang Time (Feat. Styles P)
11. Riding Through (Feat. Redman)
12. Crazy (Feat. Termanology)
13. Sharks In The Water
14. Salute A G

Throughout their career, M.O.P. have epitomized hardcore hip-hop. Now, after numerous mixtapes and side projects, the firing squad returns with Foundation, their first LP in nine years.

M.O.P.’s Lil’ Fame and Billy Danze waste no time delivering their patented brand of adrenaline-pumping music. With “Crazy,” Fame makes a clear distinction between reality television and the street’s harsh realities, as he spits, “This ain’t making of the band, this is making of the ‘BLAM’!” Never wavering, the duo keep it consistent on “Ghetto,” where over a creeping guitar and a wailing vocal sample they drop more gritty details about their impoverished Brooklyn digs. The angry barbs are not misguided, though—Billy and Fizzy Womack’s relationship is deeper than rap and thoroughly explained on the Statik Selektah–produced “Forever and Always,” an ode to the group’s humble beginnings.

There are, however, a few minor miscues. Like “Make ’Em Clap,” where producer Tailor Made’s staccato drums and organ stabs never really find their groove. And “Riding Thru,” featuring Redman, falters at the hands of a lazily crafted hook, if nothing else. Luckily, “Brooklyn,” a smoky, reggae-infused anthem about the county of Kings puts the project back on its proper footing, as Billy offers assistance to overzealous tourists.

Not many groups maintain an excellence of execution after 15 years in the game, but M.O.P. are far from ordinary. If anything, Fame and Danze sound as hungry as ever, and for fans of that hardcore, Foundation is just one more dose of that raw.

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01. Never Let It Go (Produced By DJ Khalil)
02. Bang Bang (Produced By Sean C & LV)

After nearly one full decade at the absolute pinnacle of the rap game, Desert Storm/Def Jam artist Fabolous will deliver the most personal, confessional album of his career when LOSO'S WAY arrives in the physical and digital marketplace on July 28th. The new album provides an intimate glimpse into the rise of the Brooklyn-born rapper, one of today's most important and controversial players, exploring the perils that come with managing the transition from a street life to one of legitimacy.

Underscoring the autobiographical portrait of LOSO'S WAY is Fab's first long-form video project, a 30-minute film to be released in conjunction with the album. Several trailers from the film have been released, creating a huge buzz for the project online. Known for keeping his personal life separate from his rap career, Fab was inspired by Carlito's Way (Al Pacino), as he told SOHH.com recently: "I think we had some similarities. Carlito was a street dude trying to make the transition from the streets to something better. That's where I felt I was at....transitioning from the streets to a hip-hop artist."

In advance of LOSO'S WAY, two singles are building simultaneously at radio: "Throw It In The Bag" featuring fellow Def Jam artist The-Dream (produced by Tricky Stewart) was #1 Most-Added at Rhythm formats; and "It's My Time" featuring brand new Def Jam artist Jeremih (produced by the Runners) is currently exploding at the Urban format.

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01. Because Of You (Produced By StarGate)
02. So Sick (Produced By StarGate)
03. Sexy Love (Produced By StarGate)
04. Closer (Produced By StarGate)
05. Stay (Produced By Neff-U)
06. Miss Independent (Produced By StarGate)
07. Crazy (Feat. Jay-Z) (Produced By Neff-U)
08. In The Way (Produced By J.R. Rotem)
09. Go On Girl (Produced By StarGate)
10. Mad (Produced By StarGate)
11. When You’re Mad (Produced By Shea Taylor)
12. Can We Chill (Produced By Eric Hudson)
13. Part Of The List (Produced By Chuck Harmony)
14. Do You (Feat. Utada) (Produced By The Heavyweights)
15. Because Of You (Remix) (Feat. Kanye West) (Produced By StarGate & Kanye West)

Japanese only best of collection from R&B Artist Ne-Yo.

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Disc 1/2

1. Honky Tonk Stomp (Feat. Billy Gibbons) 3:03
2. Brand New Man 2:59
3. Aint Nothing Bout You 3:20
4. Billbilly Deluxe 4:20
5. How Long Gone 3:39
6. Shes Not The Cheatin Kind 3:23
7. A Man This Lonely 3:33
8. Rock My World (Little Country Girl) 3:42
9. Red Dirt Road 4:21
10. The Long Goodbye 3:51
11. Youre Gonna Miss Me When Im Gone 4:47
12. If You See Him/If You See Her (With Reba 3:59
McEntire)
13. She Used To Be Mine 3:57
14. That Aint No Way To Go 3:34
15. Boot Scootin Boogie 3:18

Disc 2/2

1. Indian Summer 4:23
2. Play Something Country 3:15
3. My Next Broken Heart 2:55
4. Cowgirls Dont Cry (Feat. Reba McEntire) 3:34
5. Lost And Found 3:47
6. Little Miss Honky Tonk 2:59
7. Its Getting Better All The Time 4:16
8. Well Burn That Bridge 2:56
9. Hes Got You 3:15
10. Only In America 4:30
11. I Am That Man 4:12
12. Husbands And Wives 3:10
13. Neon Moon 4:24
14. My Maria 3:29
15. Believe 5:40

American country band Brooks and Dunn returns with a new 2 CD album 1st and then some. These two lads are very popular for almost twenty years and they are constantly on tour, with concerts planned for 2010 already. Sadly for their fans, this will be their latest tour and then they plan to part their ways.

Brooks & Dunn are an American country music duo, consisting of Kix Brooks and Ronnie Dunn. Both Brooks and Dunn had worked as singer-songwriters before the duo’s formation, charting singles of their own in the late 1980s. They are the most successful duo from any genre, having sold more albums than all others in the Nielsen/SoundScan era.

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1. No Not One
2. Life Light Up
3. Choose
4. Song Of The Beautiful
5. You Are Able
6. A Mighty Fortress
7. My Master
8. In Your Hands
9. Marvelous Light
10. Hosanna
11. By Our Love

Christy Nockels, she is a mother of three and a full-time singer/songwriter as well as being a full-time mother and wife.

Her newest CD Life Light Up was released on June 2, 2009 by Six Step Records. The CD features 11 songs that are sure to touch your heart.

If you love contemporary praise and worship, you will love this CD. It is filled with upbeat and inspiring songs that will help you through your day.

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01. Intro [00:52]
02. Down & Out [04:11]
03. Is There Any Love? feat. Wale [03:33]
04. Cudi Get [02:22]
05. Man On The Moon (The Anthem) [03:29]
06. The Prayer [03:41]
07. Day N Nite [02:50]
08. Embrace The Martian feat. Crookers [03:37]
09. Maui Wowie [02:26]
10. 50 Ways To Make A Record [02:57]
11. Whenever [02:06]
12. Pillow Talk [03:26]
13. Save My Soul (The Cudi Confession) [02:05]
14. T.G.I.F. feat. Chip The Ripper [02:25]
15. Cudi Spazzin [03:08]
16. Cleveland Is The Reason [03:48]
17. Heaven At Nite [03:17]

A Kid Named Cudi is a mixtape by Cleveland, OH rapper Kid Cudi released by New York City street wear company 10.Deep on July 17, 2008. It was produced by Plain Pat and Emile. It has received critical acclaim and features the hit single "Day 'n' Nite" produced by Dot Da Genius. The mixtape blends various genres together from more conventional hip hop to influences of alternative rock to jazz and soul. It features Washington, D.C. rapper Wale and Cleveland, Ohio rapper Chip Tha Ripper.

Kid Cudi made a video for the last track, "Heaven At Nite" which was directed by Vashtie.

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01 Good Girls Go Bad (Funk Generation Edit) 3:40
02 Good Girls Go Bad (Moazza Edit) 4:10
03 Good Girls Go Bad (Suave Suarez On Pleasure 4:00
Ryland Remix)
04 Good Girls Go Bad (Cash Cash Remix) 4:37
05 Good Girls Go Bad (Funk Generation Club Mix) 6:53
06 Good Girls Go Bad (Moazza Club Mix) 6:52
07 Good Girls Go Bad (Funk Generation 3:39
Instrumental)
08 Good Girls Go Bad (Moazza Instrumental) 6:52
09 Good Girls Go Bad (Album Version) 3:18

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01 - Blue 2009 (Djs From Mars - Mars Attax Extended Remix) 06:38
02 - Blue 2009 (Gabry Ponte Remix) 07:00
03 - Blue 2009 (Djs From Mars - Red Planet Extended Remix) 06:38
04 - Blue 2009 (Gabry Ponte Vs. HiFi Blueprint Remix) 06:31
05 - Blue 2009 (Saint 09 Club Mix) 06:39
06 - Blue 2009 (Saint 09 Radio Edit) 03:38
07 - Blue 2009 (Original Ice Pop Radio Edit) 04:44

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01 Celebration (Album Version) 3:35
02 Celebration (Oakenfold Remix Dub) 6:31
03 Celebration (Oakenfold Remix) 6:31
04 Celebration (Benny Benassi Edit) 3:58
05 Celebration (Benny Benassi Remix) 5:29
06 Celebration (Benny Benassi Dub) 6:01
07 Celebration (Johnny Vicious Club) 8:00

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01 Wanted (Jason Nevins Extended) 6:11
02 Wanted (Jason Nevins Dub) 6:11
03 Wanted (Jason Nevins Radio) 3:04
04 Wanted (Jason Phats Vocal) 8:23
05 Wanted (Jason Phats Dub) 8:39
06 Wanted (Jason Phats Radio) 3:20

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1. Still Unbroken
2. Simple Life
3. Little Thing Called You
4. Southern Ways
5. Skynyrd Nation
6. Unwrite That Song
7. Floyd
8. That Ain't My America
9. Comin' Back for More
10. Gods & Guns
11. Storm
12. Gifted Hands

Driven by core members Gary Rossington (guitar), Johnny Van Zant (vocals) and Rickey Medlocke (guitar), along with longtime drummer Michael Cartellone, Lynyrd Skynyrd have recorded an album that very much lives up to the legacy begun some 35 years ago in Jacksonville, Florida. With the release of God & Guns, Lynyrd Skynyrd are poised to transcend all genres and appeal to many generations of music fans.

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1. Forever (Radio Edit) 5:22
2. Forever (Clean) 5:57
3. Forever (Main) 5:57
4. Forever (Instrumental) 5:55
5. Forever (Acapella) 5:56

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1. Wasted
2. Lovesongs (They Kill Me) Twiggy Ramirez Mix
3. I Came 2 Party
4. Forever or Never
5. Blasphemy
6. I Don't Wanna Know (If U Got Laid)
7. In Your Cage
8. Escape To The Stars
9. Get It On (Bang A Gong)
10. Deeper and Deeper
11. Erase and Replace
12. Touching and Kissing
13. My Obsession
14. Lovesongs (They Kill Me) Dave Aude Remix

Cinema Bizarre is a German band from Berlin formed in 2005. They started as Glam rock, Goth rock with some New Wave influence. Later the New Wave presence was increased with Electronic music elements, now merging into synthpop. They released their debut album in 2007.

BANG! is the debut U.S. album

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01. Hurt Feelings
02. Sugalumps
03. We're Both In Love With A Sexy Lady
04. I Told You I Was Freaky
05. Demon Woman
06. Rambling Through The Avenues Of Time
07. Fashion Is Danger
08. Petrov, Yelyena And Me
09. Too Many Dicks (On The Dance Floor)
10. You Don't Have To Be A Prostitute
11. Friends
12. Carol Brow

Flight of the Conchords is a Grammy Award-winning New Zealand comedy duo composed of Bret McKenzie and Jemaine Clement. Billing themselves as "Formerly New Zealand's fourth most popular guitar-based digi-bongo acapella-rap-funk-comedy folk duo", the group uses a combination of witty observation, characterisation and acoustic folk guitars. The duo's comedy and music became the basis of a BBC radio series and then an American television series, which premiered in 2007, also called Flight of the Conchords.

The second studio album,The release date of the album is October 20th, and October 26th in the UK.

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1.Gifted
2.Pull Down The House
3.Small Things
4.Killing Time
5.PS
6.Sometimes I Love You
7.5 Metres Apart
8.Terrible Things

Midlands-formed, London-based, Stricken City are a good old-fashioned indie band, just like they used to make them back in the early to mid-80s. They're a bit C81, that NME cassette you could send away for with coupons and pennies back in 1981, with shades – shards, really, jagged echoes – of female-fronted groups like Young Marble Giants and Delta 5, although they're less arty and abrasive than Raincoats and scratchier and less rhythmic than the Slits. They're also very C86, that mid-80s landmark of sloppy, slapdash, shambling guitar-pop, while the prettily dishevelled Rebekah Raa hiccups and chirrups like indie girls should. There's some oomph to their indie - they put the "ram" into ramshackle – but it's all very angular and amateurish. "We're very mistakist," they say. They leave the faults and fuck-ups in; they're part of their charm.

8 songs new mini-album,will be released on 12th October on Puregroove Records in the UK, a glorious CD/DVD package in very limited physical quantities.

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1. If A Song Could Get Me You (3.22)
2. Don’t Save Me (3.48)
3. This Is Me, This Is You (4.07)
4. Under the Surface (4.14)
5. Only a Fool (4.06)
6. Solid Ground (3.26)
7. Ten Steps (3.31)
8. This Time Tomorrow (3.20)
9. I've Heard Your Love Songs (3.38)
10. The Chase (3.33)
11. Is It Love (4.51)
12. Steal My Heart (3.48)
13. Poison Passion (3.00)

If A Song Could Get Me You is a limited edition album from Norwegian singer-songwriter Marit Larsen, and was released on August 14, 2009. The information was made available via Marit Larsen's Youtube page and Maritlarsen.de. The album consists of her greatest singles from her previous two albums "Under the Surface" and "The Chase".

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01. Ignorance 3:40
02. Ignorance (Acoustic Version) 3:41

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1. I Keep My Secrets Safe
2. Deep Down
3. Why Can't You See
4. Changing
5. On My Own
6. The Alarming Sound Of A Still Small Voice
7. Say Goodbye
8. The Worst Of Me
9. It's All Over Now
10. What Were We Made For?
11. Is This Real
12. Nothing Is What It Seems (Without You)
13. Fireflies (Light Messengers)

Southern California quintet Saosin – which consists of Reber, bassist Chris Sorenson, drummer Alex Rodriguez, and guitarists Beau Burchell and Justin Shekoski - is one of the fastest-growing headliners in rock – earning mainstage slots on the Vans Warped Tour, selling out clubs in a flash, going out with heavyweights like AFI, Avenged Sevenfold, My Chemical Romance and Taking Back Sunday and garnering an ocean of fans who’ve downloaded their songs from MySpace over five million times – all before they’ve released a full-length album.The forthcoming album, which will be released in September 2009, is largely selfrecorded, produced and mixed. “We basically built up a rehearsal studio and a big drum tracking room at Hurley and got to learn what would work best in the studio,” says Sorenson.

In January 2009, Saosin began the next phase of recording, working on a handful of tracks at a studio in Malibu, CA with producer Butch Walker (Sevendust, Fall Out Boy, Pink). Once again, with the help of Hurley, they opened up the sessions to fans via a realtime, multi-camera audio/video feed. They emerged with music for three songs and vocals for five. In February they headed back to Orange County, where they produced the remaining vocal tracks at their home studio. Saosin has released two EPs, its self-titled, full-length debut and Come Close, a live CD/DVD set. They’ve toured relentlessly – and while becoming a road warrior is par for the course when you’re in a developing rock band, Saosin has taken it to the extreme.

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01. Afterlife
02. Through My Eyes
03. The Beginning Of The End
04. United We Stand
05. Beyond Recognition
06. Another Source Of Light
07. Hate Machine
08. Severed
09. Lost
10. Revision
11. In Repair
12. Escape From Reality
13. To Remember

Canadian metallers THREAT SIGNAL will release their sophomore album, "Vigilance", on August 28 via Nuclear Blast Records.

Two songs from the album — "Beyond Recognition" and "The Beginning Of The End" are available for streaming on the band's MySpace page.

THREAT SIGNAL has just kicked off a headlining tour with THE AGONIST, FLATLINE and THY WILL BE DONE. Dubbed the "Road to Revision", the run will be followed by another headlining trek this July with THE AUTUMN OFFERING, THE AGONIST and SYBREED. During this tour, THREAT SIGNAL will be debuting material from "Vigilance".

Commented vocalist Jon Howard: "This tour is really special to us because we will be debuting five songs from our new album within an hour-long performance. I'm really excited to see how the fans react to the new material. It's a very solid tour package with THE AGONIST, FLATLINE, and THY WILL BE DONE, so the show is strong from beginning to end. This will be a heavy, brutal tour with lots of drinks and good times! We'll have our camera rolling for a DVD so put on your metal face and come rock out."

In a recent interview with Spine Language blog, Jon Howard stated about THREAT SIGNAL's decision to play new, as-yet-unreleased material as part of the band's current live performance, "We feel that we've been playing the same show for too long. We've been playing songs from 'Under Reprisal' for almost five years! The reactions have been amazing so far. Sometimes it feels as if they know the songs already! So with that said we have totally broken the rule. We are playing five songs from the new album, 'Vigilance", and six from 'Under Reprisal'. So you get a good blend of new and old. I think people are craving new shit, so even if they do stand and nod their head, I don't care, I know they are just taking it all in!!"

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01. The Invitation
02. Welcome To The Masquerade
03. Fire It Up
04. Bring Me To Life
05. E For Extinction
06. Watching Over Me
07. The Part That Hurts The Most (Is Me)
08. Scream
09. Look Away
10. Foward Motion
11. Outta Control
12. Smack Down
13. Already Home

Welcome to the Masquerade is the sixth studio album by Canadian hard rock band Thousand Foot Krutch. It is due for release on September 8, 2009. During an interview with Jesusfreakhideout.com, Trevor McNevan, the band's frontman, stated, "Yeah, I think the new record is definitely more aggressive. In some areas, it's the heaviest we've ever been." The album will contain thirteen tracks.

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1. Relator
2. Wear And Tear
3. I Don't Know What To Do
4. Search Your Heart
5. Blackie's Dead
6. I Am The Cosmos
7. Shampoo
8. Clean
9. Someday

2009 collaboration between the singer/songwriter and actress/vocalist. Includes eight original compositions by Pete/Scarlett in the spirit of Serge Gainsbourg's recording with Brigitte Bardot. The album re-enacts the tempestuous course of a love affair on the rocks. The album had its genesis in the aftermath of a breakup in 2006. After Yorn was unable to sleep for a week, he finally dozed off, only to wake with a start just minutes later. What had awakened him was a dream. "I sat up in bed, and the whole thing was in my head, fully formed," Yorn says, sounding as if he still doesn't quite believe it. "I suddenly felt like I really needed to make a record in the style of Serge Gainsbourg and Brigitte Bardot. Not that it had to sound like that, but it had to be a guy-and-girl conceptual thing. So then I asked myself, 'Who's Brigitte Bardot today? It's Scarlett Johansson.'" Featuring an interpretation of the classic 'I Am the Cosmos' by the late Chris Bell co-founder of Big Star.

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1. Papillon (Edit)
2. Papillon (Instrumental Edit)
3. Papillon (Album)
4. Papillon (Album Instrumental)

New single by UK post-punk band Editors. New song is perfect mix of new wave and post punk. Album version of this song is longer by 2 minutes.

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Disk 1:

1. Occam's Razor
2. The Blind House
3. Great Expectations
4. Kneel and Disconnect
5. Drawing the Line
6. The Incident
7. Your Unpleasant Family
8. The Yellow Windows of the Evening Train
9. Time Flies
10. Degree Zero of Liberty
11. Octane Twisted
12. The Séance
13. Circe of Manias
14. I Drive the Hearse

Disk 2:

1. Flicker
2. Bonnie the Cat
3. Black Dahlia
4. Remember Me Lover

Blackfield is a collaboratory musical group between Porcupine Tree founder and lead singer Steven Wilson and Israeli rock singer Aviv Geffen.

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01 Crystal Visions
02 Too Young to Love
03 Dominos
04 Love in Vain
05 At War With the Sun
06 Velvet
07 Golden Pendulum
08 Frisk
09 A Brief History of Love
10 Tonight
11 Countbackwards From Ten

This London duo use gritty beats, droning guitars, abstract effects and dreamy vocals to create a soundscape that is arty yet tuneful. They have previously supported TV On The Radio, Florence & The Machine, Crystal Castles and Klaxons.
Milo Cordell is son of 1960s pop producer Denny and runs the Merok label, which has released cutting-edge dance acts Klaxons and Crystal Castles. Robbie Furze is a former guitarist with electro-punk singer Alec Empire and is also a founding member of the band Panic DHH.

To date they have released three singles - Too Young To Love/Crystal Visions (House Anxiety), Velvet and Stop The World (4AD). They are currently recording their debut album at the Electric Ladyland Studios in New York which is set for release after the summer.

Despite only a handful of releases to date, London duo Robbie Furze and
Milo Cordell aka The Big Pink have built up quite a buzz around the
release of their debut album. Their name is a bit misleading - they
have no Band or Bob Dylan-esque qualities to their music but rather mix
80s and 90s shoe-gazer influences with synth beats to produce their own
bold unique sound

Opener Crystal Visions builds slowly with crackling synths to a
pulsating wall of sound and a feedback laced outro, letting you know
exactly what to expect from the rest of the album. The distorted
feedback drenched sound continues on Too Young To Love before a
complete change with upcoming single Dominos. It is the most pop-like
number on the album with an instantly memorable melody and infectious
chorus - this one could well be a mainstream hit

At War With The World is one of many stand out tracks with that
layered, feedback drenched sound that so typifies the band, crooning
vocal and sensitive lyrics. Previous single Velvet is another one
Mixed by Alan Moulder (My Bloody Valentine), his influence is evident
and the result is fantastic. It's a huge number with a catchy melody
underneath soaring vocals, a wall of guitar noise and programmed beats

A Brief History Of Love is a big low tempo ballad that benefits from
guest female vocals to create a mesmerising duet before the album
closes with Countbackwards From Ten another slow burner

And these tempo changes keep you guessing, The Big Pink's music is far
from predictable. It is reminiscent of the best bits of the 90s indie
scene but with the added depth of synths and the wall of guitar
'noise'. A Brief History Of Love is a brilliantly bold debut that would
be an asset to any record collection - it will draw you in further with
every listen

Try

1 Glades
2 Fixed Wing
3 Montage
4 Balcone
5 Push It
6 Running
7 Heat
8 Tmdp
9 Too Much

It has been a long journey for Jeffrey Addison and Gavin Rough of TMDP. After spending the last decade creating music together, the collaborative electronic production duo just released their debut ‘TMDP’ on Do Right Music.
Determined to set themselves apart from the standard laptop produced electronic music, Addison and Rough have crafted a unique fusion of disco and electro stemmed from their love of melody and song writing. Drawing on influences from no genre in particular, TMDP have created a sound that has become distinctively their own.

Their self-titled debut “TMDP” is a collection of songs that flow seamlessly together to create a complete listening experience. Much different from their dance-floor driven live performances, fans can expect an introspective, well-crafted album of dance-floor pop songs as well as melody driven slow jams.

TMDP on www.halcyondigi.com. Not happy with merely DJing their music, TMDP perform live by turning the stage into their own private studio, and are quickly being recognized as one of Toronto’s hardest working electronic acts and was recently voted #13 of 25 on Now Magazine Watch List for 2009.

Their self-titled debut “TMDP” is a collection of songs that flow seamlessly together to create a complete listening experience. Much different from their dance-floor driven live performances, fans can expect an introspective, well-crafted album of dance-floor pop songs as well as melody driven slow jams. Spring 2009 will see TMDP embark on a nationwide tour of Canada as they prepare for world domination.

Try

01. Lovestruck
02. Cool Stuff
03. Understand
04. The Sun Is Cruising
05. Fragile
06. Road Meets The Sky
07. Black Sand
08. Deranged
09. Come Around Again
10. 1991

he Fauns formed in the summer of 2007, initially a three piece they have expanded into a live performing six piece fronted by vocalist Alison Garner.

Unashamedly influenced by the shoegazing sound of the late eighties and early nineties they are now causing ripples on the Bristol live circuit with their sculptured soundscapes.

2007 & 2008 Have been devoted to creating a collection of beautiful, loud, melancholic music with smudged guitars and vocals. During this period, tracks have appeared on "The Secret Garden" and "Just Like A Daydream" shoegaze compilations.

Several tracks by The Fauns are being remixed at the moment which will be used as bonus and compilation tracks. Most notable of the remixers is Loop frontman Robert Hampson who has completed several mixes of "Lovestruck". The Fauns have remixed tracks for 93 Million Miles From The Sun, One Unique Signal and Seerauberjenny so far which will be released at some point in the future.

The Fauns have released their debut album entitled "The Fauns" on Laser Ghost Recordings. This is on sale now but will have an official launch date of October 3rd. Laser Ghost will licence the album to labels outside of the UK. A 7" and more Youtube videos are in the pipeline.

Try

01. Boarding Pass
02. Plane
03. Three Song Cutoff
04. Set Me Free
05. It Still Hurts
06. Don't Say It
07. Low
08. Cowboy Hat
09. Lost And Found
10. Cubicle
11. The King Is Dead

I Wish I Could Film Tonight in Black and White - Caffeine Sunday's new album - is now officially released and available for buying, enjoying and playing really loudly in your earbuds or while cruising Whyte. It features 11 fresh new tracks by the Edmonton synthpop duo, and is their first new album since 2001's Karmaland.

Try

01 In Between
02 Ghosts
03 Snowstorm
04 Danger
05 Heavy
06 Caught in My Dreams
07 I'm Going to Listen to My Heart
08 Pocket of Grace
09 Somehow
10 Shine the Light
11 To Be Loved

Canada's Scott Orr has been quietly making quiet music for a little while now, having self-released Miles From Today in 2007. The songwriting on Ghost Party though, is likely to elevate Orr to the next level and may even see him pick up a label, if not some decent distribution.

Ghost Party began life when Orr discovered newfound acoustics in his basement as it was being renovated. And where he previously recorded in meticulous silence, this time Orr allowed his environment to contribute to the overall sound. Which is why one can hear a cat at the end of 'Danger', for example.

Musically, Orr shares a similar space as Iron & Wine, Conor Oberst and Nick Drake, with hushed vocals and gentle melodies that waft on the breeze. Like Beam, Oberst & Drake, Orr also knows the power that pop can play within a song, and as such he works hard to find that hook, that special something that lures the listener. This pop sensibility is most evident on the opener 'In Between', and 'Danger' (which sounds a bit like a Ben Gibbard track), whilst tracks like 'Caught In My Dreams' and 'I'm Going to Listen to My Heart' both have strong country undertones - yet palatable for those who don't realise they like the genre.

Some tunes, like 'Ghosts' and 'To Be Loved' entice you like an early morning swim: It's hard to get started, but you enjoy them so much when you get there, you really don't want them to end.

Orr's first album was available as a free download, which may have been a good move as it helped get his name out there. Similarly Ghost Party is available to stream from his website for those that prefer the try before you buy method.

Try

01 Baiulus
02 Fragile Meadow
03 Heirloom
04 An Ocean and Peril
05 Old, Dim Light
06 Walked-On Wood
07 Dandelion
08 Madagascar
09 Reverence for Fallen Trees
10 I Shall Cross This River

The Black Atlantic is the Groningen (Holland) based acoustic pop band formed around singer and songwriter Geert van der Velde, former frontman for legendary hardcore band Shai Hulud.

The Black Atlantic will be releasing their debut album “Reverence for Fallen Trees” as part of the In A Cabin With international recording series, in September of 2009 (digitally) for free, and in October (physically; vinyl + CD).

In February, 2008, The Black Atlantic contacted the international recording project “In a Cabin With” (IACW) about a possible recording session. IACW were immediately enthusiastic and plans for a late 2008 recording, to take place in a log cabin, were made. The cabin, owned by van der Velde’s in-laws is located in the small town of Saranac Lake, in the heart of the Adirondack Mountains of Upstate New York.

For this recording, drummer Marcel Wolthof was re-enlisted alongside singer-songwriter Kim Janssen on various instruments. Janssen co-wrote some of the songs for the recording and has permanently settled in and joined the band.

The title of the album “Reverence for Fallen Trees” is a metaphor for “honour the dead”, referring to van der Velde’s grandparents, 3 of whom passed away recently in the past year. The album deals with such topics as ‘remembrance’ , ‘grief’, ‘family’, ‘love’, ‘disenchantment’ and ‘overcoming’, eloquently worded and brought to life in natural methaphors and direct references to this period in his family history.

Musically the new songs showcase a much wider variety of instrumentation and willingness to experiment with sounds and soundscapes, and the use of multi-layered vocal harmonies; inspired by such acts as Bon Iver, Fleet Foxes and the Beach Boys. Rhytmically the group has chosen for a much more minimal, percussive approach touring with only a snare drum, floor tom and cymbal.

Try

1. Wicked Blood
2. Dew in the Grass
3. Orion & Dog
4. Turn the Dirt Over
5. O Maria!
6. White Water, White Bloom
7. Spirit Horse
8. The Orchard
9. The Traitor
10. Winter's Heir
11.Stanislaus (Bonus Track)

Much like Iron & Wine or many similar indie outfits, Sea Wolf is the project name of a sole singer/songwriter who drafts in other musicians as the occasion warrants. That singer/songwriter is Alex Church, a California native who looks to local authors like John Steinbeck and Jack London (whose 1904 novel The Sea Wolf provided the band name) for inspiration. Born in the small former gold rush town of Columbia and raised by a musically inclined, peripatetic mother (in his bio, Church claims to have spent a year living in a tent in the French countryside as a child), Church attended the prestigious NYU film school, then settled in Los Angeles and formed the indie rock band Irving in 1998. As one of three songwriters in Irving, Church soon found himself with a clutch of songs that didn't fit the band's dreamy '60s-inspired psych-pop sound. Church and various friends played a handful of Los Angeles gigs as Sea Wolf between 2003 and 2005, when Church made a batch of home recordings that he completed in Seattle with Irving's producer Phil Ek. Signing with the indie label Dangerbird Records, Sea Wolf released their debut EP, Get to the River Before It Runs Too Low, in the spring of 2007, with a full-length album following. To tour behind the record, Church assembled a stable lineup with himself on vocals and guitar, Aaron Robinson on guitar, Lisa Fendelander on keyboards, Theodore Liscinski on bass, Aniela Perry on cello and Byron Reynolds on drums.

Try

1. Return To Zero
2. Strangers
3. Bridge & Tunnel
4. After The End
5. Love Etc.
6. Fine
7. Vanilla
8. Halo
9. Out Of Mind
10. Mixed Melodies
11. Secret Land
12. HK/SF/LA

Ming & Ping are an American electronic pop band from Los Angeles, CA. The group consists of Hong-Kong born identical twin brothers Ming and Ping.and their producer/creative director Bao Vo. The band was formed in 2002 in San Francisco, CA and released their first full length album in 2004 entitled "mingping.com" with Chicago indie label Omega Point Records.

Ming & Ping has gained a following largely from their songs appearing in snowboarding films and other sports film, television, and promotional spots from major companies like Bombardier Ski-Doo, Transworld Snowboarding, Oakley, Alliance Wakeboard, Mack Dawg Productions (MDP), among others.

Try

01. Friends And Traitors 3:13
02. They Can't Keep Us Down 2:08
03. Wounds 2:59
04. Afraid 2:10
05. Slipping Into Coma 2:38
06. City Of Cold 3:14
07. Volcano Is Me 3:38
08. Disbelief 2:41
09. My Last Day 3:00
10. I Have To Pretend 2:37
11. Words And Phrases 4:24
12. Keeping It To Yourself 1:35
13. Never Negotiate 3:11
14. Out 4:00

Raised Fist release their new album Veil Of Ignorance, available from
September 7th 2009 via Burning Heart Records. Produced by longtime
friend Daniel Bergstrand (In Flames, Meshuggah), who also teamed up
with Raised Fist on their previous records, the Swedish heavyweights
have delivered 14 intense tracks filled with the ferocious brutality
the band is known and loved for within the hardcore scene, as well as
the metal community

"Expect nothing more from us than a "fifth studio album", let the music
talk for itself" says the singer Alexander "Alle" Hagman. "Raised Fist
specialists, notorious critics and trendsetters all around the world
will have their say. After that we go on tour and blast every one of
them off their high horses.... just like every single time before"

Try

01. Saturn And The Moon 1:55
02. Wait A Day 1:22
03. Nashville 2:07
04. Knock Wood 2:19
05. Cosmic Pilot 1:02
06. Calm, Cool 2:14
07. Flashing Yellow 6:25
08. Parkbench 2:29
09. Iscandar 1:17
10. Corner 3:22
11. Fate 2:04
12. Em Pulse 1:51
13. Are You In Love With 6:33
Me/Interstellar

Re-mastered release of the debut full length album (via Squirtgun Records) by
legendary lofi-indie-grunge band Orange Glass released originally in 1996. A
must have for any fan of the 90's indie sound.

Try

01: The Miner's Son: 02:36
02: North of the 23: 02:02
03: Portland 3:15: 03:01
04: Fifty Four: 02:47
05: Roaring Forties: 02:09
06: A Black and White Picture: 02:07
07: Eastside Burning: 02:14
08: Believers: 02:30
09: Armentieres: 03:06
10: Together Again: 02:34
11: New Race: 02:57

Fans of quality folk-punk prepare yourselves for the next top act to hit your stereos – all the way from Australia we are proud to present you with The Go Set. Formed in 2003, the sound of The Go Set is hard to categorize as it encompasses a variety of musical styles. From the traditional celtish sounds, to folk, to seventies punk, lyrically backed with political and social conscious lyrics, avoiding cliches and including their own sense of humour. An explosive cocktail of Dropkick Murphys and Flogging Molly, mixed with the songwriting style of Billy Bragg. Their new album goes a litlle back to their roots: less balads, more Punk, compared to their previous album A Journey For A Nation. In early 2008 the band hit the European stages for the first time and have left a firm and lasting impression with fans across the continent. A new tour is in the works for June/ July, including some dates in the UK. Watch out for them and enjoy their entertaining show with a cold lager in your hand.

Try

1. Back and forth 4:02
2. Beautiful things 3:15
3. Heres my heart 3:23
4. Burning heartbeats 3:03
5. Lets grow old together 3:56
6. Its over 3:44
7. If im broken 3:33
8. Heres to the girls 3:09
9. Estranged 3:31
10. Headed home 3:36
11. Dont cry 3:52
12. Break my fall 3:53
13. Quiet place 4:08

A 2007 EP hinted at the sort of honest, quirky fare Lanae’ Hale, a 24-year-old Florida transplant, had to offer. Now, her first full-length Centricity album, Back & Forth, makes good on that promise as an engaging collection of highly crafted melodic and lyric expressions. Eschewing standard pop cliches, Lanae’ carves out her own unique and personable creative space on the new project, allowing her songs to unfold unexpectedly and with a strong dose of self-revelation born of her own sense of struggle.

Tag-team produced by Mark Hammond (Nichole Nordeman, Ashley Tisdale) and Allen Salmon (Seabird, This Beautiful Republic) Back & Forth is constructed with an underlying sense of “before and after.” Some songs reflect the psalmlike intensity of a journey through the darker moments of life, while others celebrate the freedom, hope and redemption that ultimately follows.

Try

1. Killing Floor - Howlin' Wolf
2. Don't Go No Farther - Muddy Waters
3. I'm a King Bee - Slim Harpo
4. Need Your Love So Bad - Little Willie John
5. Sittin' on Top of the World - Mississippi Sheiks
6. Corrine Corrina
7. Shine on Me
8. Judgement
9. John the Revelator - Blind Willie Johnson
10. Evil (Is Going On) - Howlin' Wolf
11. Baby Please Don't Go - Lightnin' Hopkins
12. Nobody's Fault But Mine - Blind Willie Johnson
13. Dust My Broom
14. Key to the Highway - Big Bill Broonzy
15. No Depression in Heaven - The Carter Family
16. When the Levee Breaks - Memphis Minnie
17. Shake 'Em on Down - Bukka White
18. Jesus Make Up My Dying Bed - Blind Willie Johnson
19. Smokestack Lightning - Howlin' Wolf
20. (I'm Your) Hootchie Coochie Man - Muddy Waters

2009 collection of tracks that inspired American Alt-Rock favorites Kings Of Leon. Having formed in 1999 in Nashville, the three Followill brothers, Nathan, Jared and Caleb, plus their cousin Matthew, as The Kings Of Leon, have trodden a long road to overnight success. But, with their headlining slot on the Pyramid stage at Glastonbury in June 2008 and the release of their fourth album Only By The Night later that year, they have finally arrived as one of the biggest pulls in the UK. 20 tracks. Snapper.

Try

01. Careless Love 3:03
02. Hell's A Place 2:42
03. Nothing's Alright 4:03
04. No Great Leap 3:34
05. Forest Of Tears 3:17
06. Paris Is Burning 3:58
07. Someday Soon 3:59
08. Marbridar 3:44
09. Fourteen Hour Day 3:23
10. Snow And Rain 1:55
11. Tirade Of A Shitty Mom 6:23
12. Juice And Sage 2:00

One Hundred Dollars debut album was released in small quantities in Canada via
Bluefog in July 2008. Since then, the band has achieved international success
after their SXSW performance this year and has been pegged "what country music
would have been like had it not been taken over by the pop world" - authentic
and real

Forest Of Tears hits U.S. record stores September 1st 2009 and is due to be
released in Europe/Japan this fall.

Try

1. Gold 3:20
2. Reach For The Stars 3:15
3. Spotlight 3:01
4. When The Sun Goes Down 4:17
5. Ive Got Your Number 3:54
6. Is This Love 4:41
7. Feel So Good 4:01
8. Everybody 3:14
9. Haunt Me 4:39
10. Devotion 4:26
11. Serious 4:40
12. Believe 3:31
13. Mans World 3:39
14. Dead Fish 8:52
15. Anthem 10:49

Antonie Clamaran’s latest album Spotlight. This fine collection of house music from Sony Music features 15 singles

Antoine Clamaran was born in Paris. In the early 90’s, his local fame interested Maximum FM, the leading parisian dance radio station at that time. Impressed by his mixing gift, Clamaran gained a huge audience and started to be booked for one off parties. But Palace headquarters (Palace in Paris is the NYC equivalent of Studio 54) asked him to run the mythical Gay Tea Dance every Sunday, instead of french icon Laurent Garnier.

In 1992 Clamaran, eager to get involved into production, teamed up with Laurent Pautrat. Their first Production “I’ve got music in me” by 400hz made him one of the most promising french producers. Released on House Trade Records, this track was licensed by BMG France and sold over 100,000 units.

Try

01. megamix (jody den broeder club) 08:42
02. megamix (jody den broederextended club) 06:11
03. megamix (jody den broeder mixshow) 06:11
04. megamix (jody den broeder radio mix) 04:06
05. million dollar bill (main version) 03:24

Try

01. celebration (benny benassi dub mix) 06:05
02. celebration (paul oakenfold remix dub) 06:37
03. celebration (paul oakenfold remix) 06:37
04. celebration (johnny vicious club) 08:01
05. celebration (felguk love remix) 06:38

Try

01. Single Ladies (Put A Ring On It)
02. Diva
03. Ego
04. Halo
05. If I Were A Boy
06. Smash Into You
07. Sweet Dreams
08. Broken Hearted Girl
09. Scared Of Lonely
10. That’s Why You’re Beautiful
11. Hello
12. Radio
13. Video Phone
14. Ego (remix ftg. Kanye West)
15. Why Don’t You Love Me
16. Honesty (Billy Joel cover)
17. Save The Hero
18. Satellites
19. Disappear
20. Ave Maria

I Am.. Sasha Fierce Platinum Edition is an enhanced version of Beyonce s multi-platinum release I Am... Sasha Fierce. The new version features 16 tracks from the original version with 4 bonus audio tracks including the Kanye West remix of 'Ego'. The DVD (NTSC/Region 0) contains all 8 of Beyonce's videos from I Am... Sasha Fierce album plus a 20 minute 'behind the scenes' of her video shoots documentary. Sony. 2009.

Try

01. Hit It On The Road (Clean)
02. Hit It On The Road (Dirty)
03. Hit It On The Road (Instrumental)

As if the tremendous success of his sophomore album, Love vs. Money (the only project to get Nathan S.‘s “Near-Classic” stamp of approval thus far in ‘09.), wasn’t enough, The-Dream is hoping to clean up once again with the LP’s re-release, entitled The Hangover Version. On lead single Hit It On The Road, Dream clues the ladies in on just how versatile he really is, delivering rapped verses over Tricky Stewart‘s synth-heavy boardwork (once again). The-Dream’s bars will likely spur a debate among readers—is he cut out for spitting, or should he stick to singing? Regardless, fans will get to enjoy the best of both worlds on Love vs. Money: The Hangover Edition (which has no set release date) and his upcoming junior album, Love King (hitting stores and online retailers just in time for Christmas).

Try

01 Do it big (feat. Busta Rhymes & Icewater) (Prod. by Flipmode)
02 Cocaine (feat. Slaine & U-God) (Prod. by Da Beahtoven)
03 Click Click (feat. Icewater) (Prod. by Jamie Franks)
04 My piano (feat. Ghostface, Dion & Hi-Tek) (Prod. by Hi-Tek)
05 Let’s get it (feat. Three 6 Mafia) (Prod. by SC)
06 Knuckle up (feat. Pimp C & Icewater) (Prod. by Trife)
07 I’m a boss (feat. Rick Ross & Icewater) (Prod. by Ez Elpee)
08 Where it started at [NY] (feat. Jadakiss, Papoose, Talib Kweli, Hi-Tek & Dion) (Prod. by Hi-Tek)
09 Hip-Hop Tribute (feat. Icewater) (Prod. by Emile)
10 Original man (feat. Lord Jamar & Kasim Allah) (Prod. by Preservation)
11 Tell me how you like it (feat. Remy Ma & Icewater) (Prod. by Supa Dave West)

Try

01. Holiday (Radio Edit) [ 3:41]
02. Holiday (Extended Mix) [ 6:02]
03. Holiday (Rnb Mix) [ 3:24]
04. Live Large N In Charge [ 3:51]

Try

CD

1. Paradise 3:50
2. Never Ending Song Of Love 3:01
3. Garden Party (with Don Henley, & Timothy B. Schmit) 3:51
4. I Don't Care (Just As Long As You Love Me) 2:27
5. Back Home Again 4:26
6. I'll Be Ther 2:57
7. Change In The Weather 4:03
8. Moody River 3:09
9. Heaven's Just A Sin Away 2:32
10. Fallin' Fallin' Fallin' 2:30
11. Haunted House 4:36
12. When Will I Be Loved (with Bruce Springsteen) 2:37

DVD

1. The Making Of The Blue Ridge Rangers Ride Again 41:49
2. Intimate Acoustic Performances: Change In The 35:37
Weather/Heaven's Just A Sin Away
3. Comin' Down The Road DVD Preview 2:14

What happens when one American legend takes on 12 American
classics? If that legend is John Fogerty, the simple answer
is musical magic. On The Blue Ridge Rangers Rides Again
Fogerty reinvents such treasures as the Everly Bros.' "When
Will I Be Loved" (a stunning duet with fellow Rock & Roll
Hall of Famer Bruce Springsteen), Rick Nelson's "Garden
Party" and John Denver's "Back Home Again" with uncommon
grace and unbridled zest. As longtime Fogerty fans will
recall, the Blue Ridge Rangers made their first appearance in
1973 when the Grammy winner released an album of classic
covers (including "Jambalaya" and "She Still Thinks I Care")
under that moniker. The name was deceptive: the Rangers were
Fogerty and Fogerty alone. He played all the instruments
including drums. The thought of revisiting the Blue Ridge
Rangers as a vehicle to create another set of beloved covers
has never been far from Fogerty's mind. "I thought about it
at least once a month," he says. "I told myself if I ever get
to do this again, I'm going to have real guys playing; I'd
find the best guys I could and have fun and so that's what
happened this time." Indeed, on The Blue Ridge Rangers Rides
Again, Fogerty surrounds himself with such top-flight
musicians as Buddy Miller (guitar), Greg Leisz (pedal and lap
steel, mandolin and dobro), Jason Mowery (fiddle, mandolin
and dobro) and Kenny Aronoff (drums). They circle and entwine
each other in joyous musical call and responses (complete
with hooting and hollering), weaving in and out of each song
Call it a country record if you must, but it's really the
sound of America. And the sound of Fogerty: real instruments
real talent. No artifice. Fogerty, who arranged and produced
the set, encouraged his fellow musicians to bring their own
ideas to the songs. The album's great live feel comes from
the fact that the basic tracks were recorded in three or four
takes over a seven-day period. Then, the players hung out in
the studio during each other's overdubs, egging on their
compatriots. "It seemed to be a very rewarding way to make
music," Fogerty says. "I really believed in the songs and the
vibe. There was not really a preconceived notion. There [was]
an openness, but the thing has to ring true to how I feel."
Nowhere is that openness more evident than on 1964's "Haunted
House." Fogerty & Co. take what many considered a novelty
song made famous by Jumpin' Gene Simmons about an alien and
turn it into a full-on rave-up. "It was my idea that I wanted
it to basically be a country jam," he says. "It was a vehicle
to have the musicians trade verses. This was important to me;
to hear that fun." And therein lies another key to the
album's unforced grace. When recording cover songs, it may be
tempting to labor over whether to remain faithful to the
original or to morph the song into a new creation, Fogerty
discarded any such worries and simply went with his gut. "If
when I get done with a particular song and I don't have any
more questions, I'm pretty sure it's done," he plainly says
While it may seem odd this member of the Songwriters Hall of
Fame and author of such iconic tunes as "Proud Mary," "Bad
Moon Rising," "Born on the Bayou," "Fortunate Son" and
"Who'll Stop the Rain," would turn to tunes penned by others
remember that he is also a great lover of music. (The lone
Fogerty composition on the set is the swampy "Change in the
Weather," originally on 1986's Eye of the Zombie.) Many of
the songs have been Fogerty favorites for decades and have
as he puts it, "become part of my DNA." Some selections, such
as "When Will I Be Loved" and "Moody River," go back to his
adolescence. Many, such as John Prine's "Paradise" and John
Denver's "Back Home Again," are from revered contemporaries
"I Don't Care (Just As Long As You Love Me)" is a salute to
one of his musical heroes, Buck Owens, and his groundbreaking
guitarist and Buckaroos' leader Don Rich. Others were last
minute additions. Miller brought "Fallin', Fallin', Fallin'"
to Fogerty's attention while the band was in the studio in
Los Angeles. "I'm not sure if I've ever heard that one
before," Fogerty says, "but it was delightful and was a good
vehicle to bring the band together with that sort of western
swing." The criterion for inclusion on the album was a
deceptively simple one: "If I'm allowed to just get up with a
bunch of people in a country bar somewhere, these are the
songs I'll do," Fogerty says. "There was some talk in the
beginning about having some [theme]; personally, I wasn't
buying into that. To me, the common thread is really about
presenting a certain feeling about music." Otherwise, he
says, the pressure of fitting tunes into a preselected theme
weighs down the process "like bowling balls in your
knapsack." The song most likely to surprise listeners is a
remake of Pat Boone's last No. 1 in 1961, the unlikely murder
ballad "Moody River." "I can imagine Pete Seeger singing it
There are so many things to sink your teeth into," Fogerty
says. "By the way, Pat sings his butt off. I think our
version is far more eerie sounding than Pat was allowed to
do. "Garden Party," a song by another former teen idol, holds
special significance for Fogerty, who inducted Nelson, who
died in 1985, into the Rock & Roll Hall of Fame in 1987. Like
Nelson, Fogerty has remained true to himself and his music
even when doing so was extremely painful. "I'm the guy who
didn't sing his own songs for 25 years because, basically
those songs had been taken away from me and also used in ways
I really disagreed with," Fogerty says, referring to his
decades-long battle with Saul Zaentz over his publishing
"Therefore, I could really identify with a guy saying, 'If
memories were all I sang, I'd rather drive a truck.'" The
Eagles' Don Henley, a fan of the first Blue Ridge Rangers
album, and Timothy B. Schmit provide sumptuous harmonies on
"Garden Party." "The Eagles were born to sing those parts,"
Fogerty says. "We were all fans." The most personal song for
Fogerty is Denver's "Back Home Again." The message of
returning to a loved one's arms after a journey "involves [my
wife] Julie and my emotions towards her," he says. Plus, he's
a tremendous Denver fan. Fogerty vividly recalls halting an
interview during the 1985's Farm Aid to hear Denver perform
However, Denver's angelic voice haunted him when he thought
about cutting the track: that is until Julie convinced him to
try. "I thought I didn't have a prayer of doing it justice
but Julie really kept insisting; she kept empowering me and
enabling me.I was terrified of it. I don't sound like John
Denver. Somehow I found another way to sound alright." The
album closes with Fogerty and Springsteen's yearning take on
"When Will I Be Loved," marking the first time the two
legends and longtime admirers of each other have recorded
together. "I've wanted to do something with Bruce forever
probably 20-some odd years," Fogerty says of his tour mate on
the Vote for Change outing. Fogerty traveled to Springsteen's
New Jersey home to record the Boss's part. "The hardest part
was it was in a very high range for Bruce's voice, but he got
it done. He didn't complain; he didn't wimp out. It sounds
great. It was remarkable how much of a chance he would take."
But in the end, as Fogerty notes, whether he was recording
with Springsteen or the Eagles or with the band, when it came
to making The Blue Ridge Rangers Rides Again, "I just sing my
own style." And no one does that better than John Fogerty

Try

01 - Lynyrd Skynyrd - Still Unbroken
02 - Lynyrd Skynyrd - Simple Life
03 - Lynyrd Skynyrd - Little Thing Called You
04 - Lynyrd Skynyrd - Southern Ways
05 - Lynyrd Skynyrd - Skynyrd Nation
06 - Lynyrd Skynyrd - Unwrite That Song
07 - Lynyrd Skynyrd - Floyd
08 - Lynyrd Skynyrd - That Ain't My America
09 - Lynyrd Skynyrd - Comin Back for More
10 - Lynyrd Skynyrd - God & Guns
11 - Lynyrd Skynyrd - Storm
12 - Lynyrd Skynyrd - Gifted Hands

It is 2009 and Lynyrd Skynyrd is putting out another record, which I suppose proves that much like the Confederate flag, no matter how outmoded and obsolete, Southern rock just won't go away. In order to drive that point home harder, the band has named its 12th studio album God & Guns, as if to say, "This album's only intended for real Americans." Song titles include, "Skynyrd Nation," "Southern Ways," and "That Ain't My America." Carry this baby north of the Mason-Dixon line and it just might explode.

Try

1. City of Ghosts
2. Pittsburgh
3. Field
4. Tourist
5. Black Wind Blowing
6. Ain't No Friend of Mine
7. Sing Out
8. Sunlight
9. Lonely Road
10. Blood of Man

Mason Jennings (born 1975 in Honolulu, Hawaii) is an American pop-folk singer-songwriter. He is back with his second album on Brushfire Records. Due out on September 15th, the album features Mason’s trademark style, and a new plugged in sound.

Try

1. Run Run Run
2. Seesaw
3. Picturefreak
4. Sit And Wonder
5. Gravity
6. Car Crash Weather
7. Talk Through Your Hat
8. Isolation
9. Stop The Clocks
10. Waiting
11. Setting Sun
12. Seesaw (Unwired Version)
13. Picturefreak (Piano Version)
14. Gravity (Bohemian Groove Remix)

The German outfit EVERLAUNCH already is around since 1999, but including their new one ‘Suburban Grace’ has just released two albums thus far.

This 4-piece Rotenburg/Ger. based band proves best that their electrifying independent rock might be the next big thing in Germany. Guitar-walls-of-sound and up-beat drums, interwoven with sparkling vocals full of fragile melancholy. Everlaunch combine straight energy with the beauty of autumn-leaves. Up to now, more than 250 national and international shows have been played, including two G/A/S headline tours as well as various sets of dates in support of artists such as OASIS, HARD-FI, LOUIS XIV, MATT COSTA, GLASVEGAS, BLACKMAIL only to name a few. The band also gave a number of notable mainstage festival performances, such as Hurricane Festival (GER.) or Festival Rockowy in Poland. Eventually, the bands music worked its way through various European Radio stations, and not to anyone’s surprise, music magazine "Sound" declared them to be "the best newcomers of the year", while “Visions” praised their “intoxicating Indie-Pop-Rock”. Moreover, even legendary MTV rock mastermind Markus Kavka euphorically stated “that combination of punch and drive in the low end with lots of room for emotion and feeling at the same time, gives me thrills. Everlaunch seriously touches me. I hardly can say anything better about music.” Undoubtedly, the tracks are set to go stratospheric. But convince yourself! Everlaunch might easily be your cup of tea.

Try

1. Prelude
2. Last Look at Eden
3. Gonna Get Ready
4. Catch That Plane
5. New Love in Town
6. The Beast
7. Mojito Girl
8. No Stone Unturned
9. Only Young Twice
10. U Devil U
11. Run with the Angels
12. In My Time

Europe are one of the biggest hard rock bands ever coming out of the eighties, definitely the biggest coming out of Sweden. Formed in 1979 under the name Force by vocalist Joey Tempest and guitarist John Norum they took off to conquer the world at the beginning of the 80s to become one of the most successful Rock acts of the decade.

Europe sold more than 12 million albums worldwide. The band has achieved two top 20 albums "The Final Countdown" (1986) and "Out of This World" (1988) and two top 10 singles ("The Final Countdown" and "Carrie") on the US Billboard Charts.

At the peak of their career in 1986 John Norum left the band and was replaced by Kee Marcello. After ten years of living, recording, and touring together, Europe decided to take a break at the end of the 1992 tour and announced the band had split. They reunited temporarily for a one-off performance in Stockholm on New Year`s Eve 1999 and finally announced an official reunion in 2003 with the original guitarist John Norum. Since then Europe released two albums, "Start from the Dark" and "Secret Society".

The band is performing sold out gigs all over the world, gaining the respect of hard rock purists and metal fans thanks to impeccable performances.

"Last Look At Eden" is Europe's 8th Studio album

Try

01 Caroline
02 As You Die
03 Get Me Started
04 Never Alone Always Alone
05 Deadlock
06 Hours
07 End Is Near
08 Walk On By
09 Between The Lines
10 Tonight
11 The Things We Owe
12 Trigger
13 Too Late

The Darker Instinct is the third album by the Swedish rock band Takida, which formed in 1999.The name Takida comes from the character Gohei Takeda in the Japanese anime series Nagareboshi Gin.

In 2000 they recorded their first demo, "Old", and in 2005 they were signed up by Swedish indie-label Ninetone Records. They released their first single, "Losing", in January 2006 and in April 2006 their first real album ...Make You Breathe was released. Their second album, Bury the Lies, was released in May 2007. The same year the single Curly Sue made Takida known all over Sweden. It was number one on radio channel P3s "Tracks" list for ten consecutive weeks.

Try

01. We Were Aborted
02. Cheat On Me
03. We Share The Same Skies
04. City Of Bugs
05. Hari Kari
06. Last Year's Snow
07. Emasculate Me5
08. Ignore The Ignorant
09. Save Your Secrets
10. Nothing
11. Victim Of Mass Production
13. Is Anybody There (Bonus Track)
14. So Hot Now (Bonus Track)
15. Curse This English Rain (Bonus Track)
16. Cheat On Me (Live) (Bonus Track)
17. We Were Aborted (Live) (Bonus Track)

The fourth studio album from 4-piece indie rock band from Wakefield, West Yorkshire .In 2008, Q magazine described the band as "The biggest cult band in the UK".

The first Cribs record to feature the lead guitar playing of former Smith Johnny Marr alongside the three redoubtable Jarman brothers, Ignore The Ignorant balances a slightly fuller sound with the familiar choppy riffs and rabble-rousing choruses of old. To suggest the Cribs’ fourth long-player has brought a new maturity to their sound would be to threaten the worst--after all, a good deal of the appeal of songs like "We Were Aborted" and the souped-up Sonic Youth clatter of "City Of Bugs" lies in their wide-eyed juvenilia and barely-contained bursts of guitar dissonance. But it’s true that some of the finest moments here find The Cribs showing off a newly nuanced, reflective side. "Last Year’s Snow" is a wistful number that sees a cracked-voiced Ryan Jarman imploring "I want to think you won’t/Remember me like last year’s snow" over a sparkling Marr lead, while the title track balances romping drums and reverb-soaked guitars with a passionate and heartfelt anti-racist message that sees the band nail their colours to the mast with style.

Try

1.Chaka Demus (Single Version)
2.Forget Me Not (The Love I Knew Before I Grew)
3.Planning Spontaneity
4.When They Are Gone (for Tim)

Jamie Alexander Treays (born 8 January 1986), known by his stage name Jamie T, is a 23-year-old English singer/songwriter from Wimbledon, South London.

Chaka Demus EP is an EP set to be released by Jamie T on August 31, 2009. The EP is Jamie T's second release of 2009 following his critically acclaimed Sticks 'N' Stones EP in June and the title track comes from the forthcoming album Kings and Queens, set to be released on September 7, 2009. The video to the lead track was directed by Dan Henshaw and Julian Fletcher, it was inspired by the film The Cannonball Run. In the UK and Ireland the video was released online exclusively on MUZU.TV on August 14, and across all platforms on August 17.

Try

01. Quit
02. Tell Me I'm Wrong
03. Falling Apart
04. History
05. Not Gonna Let You Go
06. Fool Myself
07. Beautiful (Ugly Now)
08. Time is Running Out
09. I Don't Need This Anymore
10. This Time (I Hope You're Happy)
11. Letters
12. The Hunger

The debut record from this California based singer/songwriter is full of emotion and honesty. There is something for everyone on this disc. Acoustic guitar driven, this record is full of beautifully crafted songs with simple yet memorable melodies.

After spending most of the 90’s either playing in bands or doing solo/acoustic gigs in and around the southeast, Robert finally decided to take the plunge and purchase his own recording equipment in order to record/produce the band he was in at the time.

Through all the craziness and countless hours in the studio, Robert never stopped writing his own songs. Finally in 2007, he made the decision to leave the comfort of the major label studio gigs and focus on producing his own record. He started going back through the many songs he had written over the years and chose 11 that he thought worked well together . Along the way, Robert was hired to write and record the music for a short film. While doing this he also wrote and recorded a song for the end credits and decided that this would be a perfect cap for his record. This song, titled “The Hunger” would become the bonus track on the cd.

Try

1. Cowboy Casanova

“Cowboy Casanova” is the name of Carrie Underwood's first single off her upcoming third album Play On, out November 3.

Try

1. "Heart Heart Heartbreak"
2. "Love Drunk"
3. "She's Got a Boyfriend Now"
4. "Two is Better Than One" (featuring Taylor Swift)
5. "Contagious"
6. "Real Thing"
7. "Someone Like You"
8. "The Shot Heard 'Round the World"
9. "The First One"
10. "Chemicals Collide"
11. "Go"
12. "Love Drunk" (acoustic)
13. "Love Drunk" (Mark Hoppus remix)

"Love Drunk" is the second studio album recorded by rock/pop band Boys Like Girls.

The album was recorded half in New York City and Vancouver because there are "two different producers/production teams, two different environments, and two different styles of inspiration", stated by the band's frontman, Martin Johnson.

Try

1. "That Makes Me" (Cory Batten, Kent Blazy, Chris Young) – 3:06
2. "Voices" (Chris Tompkins, Craig Wiseman, Young) – 3:06
3. "The Dashboard" (Monty Criswell) – 3:31
4. "Gettin' You Home (The Black Dress Song)" (Batten, Blazy, Young) – 3:32
5. "It Takes a Man" (David Frasier, Ed Hill, Josh Kear) – 3:32
6. "The Shoebox" (Tom Hambridge, Jeffrey Steele) – 3:45
7. "Rose in Paradise" (Stewart Harris, Jim McBride) – 3:47
8. "Twenty One Candles" (Hill, Randy Houser, Mark D. Sanders) – 2:31
9. "The Man I Want to Be" (Brett James, Tim Nichols) – 3:27
10. "Rainy Night in Georgia" (Tony Joe White) – 4:13

With an ear toward the past and an eye on the future, Chris Young is quickly distinguishing himself as a newcomer who honors Country music's best traditions while adding a fresh new chapter to the genre's legacy. With his rich, warm baritone and penchant for writing relatable, slice-of-life songs, Young's sophomore project showcases a new traditionalist poised to take his place among his musical heroes. Features the single 'Gettin' You Home (The Black Dress Song)'.

Try

1. Begin Again (Reggae Version)

Last time around, Colbie Caillat was feeling "Bubbly," and the entire pop world seemed to want a sip. But this time, effervescence flirts with explosiveness. For her sophomore album, Breakthrough, Colbie has shaken up her sound, bringing in a wider array of producers and players, and significantly picking up the tempo at times from her debut effort's signature ballads. So keep an eye on those carbonation levels: champagne corks may fly.

You'd be hard-pressed to consider an album as accomplished and successful as Coco an accident, yet that's almost what Caillat's 2007 freshman release was. The sudden mania it created at radio and retail "was a surprise for me," Caillat says, "because I hadn't really been in this business yet. I hadn't been doing shows. I wasn't trying to get signed. I just was this girl who wrote songs and put them up on MySpace." By the time Coco was released to stores, "Bubbly" was already enough of an airplay sensation that the album debuted at No. 5. The massive success of a second single, "Realize," helped push the album to over 2 million shipments, in addition to almost 6 million individual digital tracks that were sold. "It all just happened naturally," says Caillat--"and now I have to keep up with it."

The making of Breakthrough was far more purposeful than the ramshackle sessions that became Caillat's first album. Whatever might have been lost in the way of charming naiveté is more than made up for with greater experience and heightened maturity. "When I found out I had six months to make this album it was so exciting, because my favorite part is being in the studio and having a chance to get it right. "

"We tried different versions of a lot of the songs--some raw and acoustic; some with lots of harmonies and others with 20 more instruments than needed to be there--just to see which version sounded best. We ended up having a lot of variety." But for all this diversification, there's at least one carry-over and constant: the front-and-center intimacy of Caillat's vocals, which fans already relate to coming through their ear buds like the voice of a warm and trusted friend.

Production credits for Breakthrough were split between two new helmers. One is hitmaker John Shanks, who's particularly known for his work with strong female artists like Kelly Clarkson, Sheryl Crow, Melissa Etheridge, Alanis Morissette, and the Wreckers. The other new guy behind the boards is Ken Caillat, most renowned for his work on one of the top-selling albums of all time, Fleetwood Mac's Rumours... and also, not insignificantly, for being Colbie's father. Bringing things full circle, the new album was recorded at Village Recorders in West L.A., where Ken Caillat met his future wife and Colbie's mother-to-be when they were both working there during the making of Tusk.

Both John Shanks and Ken Caillat recorded basic tracks with a band playing live in the studio while Colbie sang along in the vocal booth. Beyond that similar approach to the early sessions, though, their approaches diverged. "My dad's recording is very organic and reveals the rawness and vulnerability in a song," she says. "And John Shanks is a great pop producer. His songs are perfect for radio."

"On this record, Caillat continues, "I was able to contribute a lot more of my production ideas into the recording. I had a better sense of how I know the songs should sound and feel, and what instruments should be added or taken away from them. Because I didn't get to do that on Coco, to really be able to make these songs completely my own was a special experience for me."

No one wanted to fix what wasn't broken about Coco, of course. At this time in music-business age where new stars aren't even being added to the firmament anymore, Caillat's success was as close to overnight as it gets. Two years after its July 2007 release, the debut is still in the top 100, and stands as the 12th biggest selling digital album of all time. "Bubbly" is the 21st best selling digital track ever, with sales of more than 2.8 million, and was a No. 1 smash at Hot AC radio for 19 weeks and AC for 17. The music videos for the first album's songs were streamed over 22 million times. "Bubbly" was named song of the year at the last BMI Awards, and Colbie tied for artist of the year, for that song and "Realize." She was named the winner of Billboard's Rising Star award, too, on top of nominations for the American Music Awards and Teen Choice Awards. If the bubble ain't broke, don't pop it, right?

Coming off such rare and covetable success, expanding the sonic palette beyond the mostly acoustic base of Coco for the new album wasn't undertaken lightly. "I didn't want to stray too far too fast from what my fans are used to from me," she says. "But I did want to grow and experiment and work with different people. I searched for the right balance."

Caillat expanded her circle of co-writers as well as producers, sitting down to work with hitcrafter-turned-Idolmaker Kara DioGuardia (who helped write three tracks, including "Begin Again") and Rick Nowels, who says, "I've worked with some really good writers--Madonna, Dido, Nelly Furtado, Jewel--and I'm just really impressed with Colbie's songwriting. She's got her own voice and lyrical and melodic point of view; she's what I call a natural. And she's a proper singer-songwriter, which is a breath of fresh air today. I think everybody responds to strong songs sung emotionally, and everybody responds to real."

On Breakthrough, the emotional highs are higher, and the lows arguably lower. "All the songs are definitely about the roller coaster of being in a relationship--happy, sad, breaking up, falling in love, just the whole cycle of it," she says. At the crest of this coaster, there's the first single, "Falling for You," which might be described as wearing its heart on its sleeve, if the tune's upbeat feel didn't conjure a kind of summer sleevelessness. "I had gone out on this `friends' date, and I realized I started liking him more than I thought I did," Caillat explains. "I was on cloud nine over this guy, thinking I was falling for him, so I wrote about everything we did hanging out the day before." Think "Bubbly" squared and gone to the beach.

But, in keeping with that coaster analogy, the album doesn't lack for romantic free-falls. "A lot of the songs from both Coco and the new album are about the same poor guy that I keep torturing in some way," she laughs. Knowing that he was more invested in the relationship than she was, she's written a number of songs from this boyfriend's point of view--including the hopeful "Realize" on the last album and the resigned but brave "Fearless" on this one. "The song `Fearless' is sung by someone who's having their heart broken--but I really haven't been broken-hearted yet, so that song was me kind of switching it around from his perspective. I wrote it as him saying to me that he's fearless and this won't damage him for future relationships. The opening lines are, `It that's the way you love? You've got to learn so much.' And I really do have a lot to learn about love.

"All the songs have a different twist," Caillat continues. "It may not be exactly what happened to me, but it's happened in a situation that I've learned from or been watching. I wrote `Breaking At the Cracks' about one of my parents' friends who I've known my entire life. Everything in her life came crashing down on her at the same time: her mother died, her dogs died, then her father died, and finally her husband left her. I was on tour and my heart was hurting for her. So I started playing my guitar and crying while I was singing, imagining what it would take to get yourself out of that depression and get your life back together. That was another song that had nothing to do with me, but I was expressing someone else's emotions, like I was sending a message to the world for them."

Having just been a fan herself until recently, Caillat thinks about how her most emotional songs will click with her own followers. "Because I know a Coldplay song like `Fix You,' when I'm having a bad day, I can put it on and just pour my heart out--and then five minutes later, I'm ready for a smile again. So I want to have the perfect mixture of having those kinds of songs that you can cry to when you've had a horrible day, and these upbeat, fun songs you can listen to at the beach or when you're driving."

Breakthrough's title track is another ruminative song about a friend's experience--in this case, that of Colbie's best pal, who has long been estranged from her father and continues to desperately desire a breakthrough in her relationship with him. But when Caillat applied the title to the album, it took on a different, more celebrative, strictly personal meaning.

"I'm 24, and I'm still trying to grow up as a woman and find out who I am and be comfortable in my own skin," she says. "I had gone through this very hard time where I was really down on myself, and I just kind of wanted to take the easy route and drop everything hard that was getting in my way. And I realized I had to step up and get past that. It took me a while, but I did finally break through my fears and insecurities. And that's why I felt that that would be a great album title, especially for my younger fans."

A newly minted star who's still discovering her boundaries, Caillat tries t to stay open and even vulnerable. "You keep your guard up with some of the people that you meet. But I also think that fans should know who you are, and why be afraid of it? It's like that feeling you get when you see someone on YouTube with no makeup on or acting silly--whatever it is that you normally do--and it's like `Oh, they're doing it too, and it's okay, we can be who we are.' You just have to remind yourself not to hide what you do and who you are, because people like seeing that."

That's something Caillat clearly hasn't forgotten with this bigger, better, and even more intimate album. Finding out that increased amplitude and heightened transparency aren't mutually exclusive after all--that's the stuff that true bust outs are made of.

"Breakthrough" is the follow up record to the highly successful debut release, "Coco", by Colbie.

Try

1. Wakeling (3:05)
2. A Crime From the Vine (3:14)
3. The Shadow Ring (4:53)
4. Higher Something (7:26)
5. Never Heard That Baby Cry (7:30)
6. Like A Wind (8:31)
7. Sadie Won't Come (Am I The One For Me?) (11:20)
8. Salt (7:07)
9. Maast (5:42)
10. Tenebrae (5:51)

Amish is pleased to announce the release of Theo Angell's Tenebrae (AMI-030). Tenebrae is Theo's fourth long-player and second with Amish (also see Dearly Beloved, [AMI-025]). Theo grew up in rural Oregon, was home-schooled along with his siblings by his minister father, which provided him little exposure to mainstream pop culture; the tunes on Tenebrae reflect these conditions, documenting both a reverence for and rebellion against isolation and spiritual absolutes. To that end, the title song, which is the Latin word for shadows, references a religious ceremony that involves the extinguishing of candles and a slamming of the book in advance of holy week. The album’s song-cycle reworks various primitive musical forms (tent revival, folk, psych, fill-in-the-blank with wildly counter-cultural outsider artist) to new and celebratory ends, twisting these styles into a unique brand of folk-psychedelia. For this outing, the Tabernacle Hillside Singers include, among others, Matt Valentine, P.G. Six, Tom Greenwood, Samara Lubelski and Tara Jane O'Neil. Tenebrae highlights again Theo’s unique poly-vocal pyrotechnics and will no doubt prove to be one of the most beautiful records of the year.

There are great sci-fi stories in the flesh of underground music, and Theo Angell is a monstrous storyteller—there can be no single universe to slay or streamline his genius. He cannot be contained within the medium, his voice becomes a giant amidst the twin peaks of yr speakers. Boasting an impressive amalgam of the sonic pH factor of the Pacific Northwest, sacred harmony singing/arranging and an extremely erudite upgrade on modern folk forms, Theo Angell's Tenebrae resonates deep in the annals of sonic architecture, the next step, or second tier, of the Cecil Sharp house. This addition is more like a modal bathysphere with a teleport than any kinda arcane "in the ground pool," tho' there is plenty here for one to deep one’s inner ear within the waters of tradition.

I first "heard" Angell's music when he was part of the Hall Of Fame triad, his tonal shards along with "headphones as space helmet wireless mic" never ceased to astound and it was his harmonic juxtapostions that were always a standout force in their live sets. On record that unit boasted great prowess with effortless forays into instrumental urban wormholes and pastoral greenspace and here on Tenebrae the same accents can be found, but far more “21st century” in both the production, depth of field and, most importantly, the songwriting. The vocals are extraordinary, coming across with a warm reediness conjuring up the colloquial plaintiveness of Washington Phillips crossed with a more exploratory Willie Nelson cast in acid folk modes...and this IS the real psych folk, transportive with deep attention to sonic detail and with an equally legit centrifuge of tonal color. It is as if Tenebrae refracted the early music of John Dowland and transported it thru a space age, spaced out choral family. "The family" is a solid approach here, Theo sings of various culture hordes, implements his own cult of musicians (for this aural message, the Tabernacle Hillside Singers include, among others, Matt Valentine, P.G. Six, Tom Greenwood and Samara Lubelski), and sounds himself like a harmony machine from a future wave. Obviously in the latter is where his impeccable vocal style emerges, you simply have to live this sorta colloquial song in order to sing it and Theo is the pure voice of lost America jamming with the embers of tradition. This is no small feat, and yet the familiars are so potent in his tonal magic that you feel free and yet anchored to pure folk song. This is where he darks the sun of the zeitgeist of strum and hum silver spoon folkies and stands alive as the alchemical metal. The towering offspring within Tenebrae are all light and dark, as blinding as long lost harmony from suntones rebirthed as illuminating forms in the folk vernacular. This is heady stuff, but what I found most rewarding is that it also works as an aural massage, something you want to keep playing back, perfect alongside those fave rotations real slow in the glow from the window, everything so slow when this kinda shine flows.

Try

1. Gypsy Boots
2. If You Want Fire
3. A Million Ways To Run
4. What Happens In Vegas (Follows You Home)
5. Merry Go Round
6. The One You Love [Ft. Vince Gill]
7. Poor Girls Dream
8. If I Could Be You
9. Tough With Me
10. You Tell Me [Ft. Johnny Reid]
11. Gypsy Boots (Acoustic Demo Version)

Terri Lynn Sauson (born August 5, 1968 in Montreal, Quebec), known professionally as Terri Clark, is a Canadian country music artist who has had success in both Canada and the United States. Signed to Mercury Records in 1995, she released her self-titled debut that year. Both it and its two follow-ups, 1996's Just the Same and 1998's How I Feel, were certified platinum in both countries, and produced several Top Ten country hits.

Her fourth album, 2000's Fearless, though certified gold in Canada, was not as successful in the U.S., producing no Top 10 hits. Pain to Kill from 2003 restored her chart momentum in the U.S. with "I Just Wanna Be Mad" and "I Wanna Do It All", while a 2004 greatest hits album produced the Number One "Girls Lie Too". A non-album single, "The World Needs a Drink", and the 2006 album Life Goes On were her last releases for Mercury before she signed to BNA Records in 2007. There, she released the singles "Dirty Girl" and "In My Next Life". Although the latter went to Number One in Canada, she has not released an album for BNA.

Clark's albums have accounted for more than twenty singles, including six Number Ones. "If I Were You", "Poor Poor Pitiful Me", "Emotional Girl" and "In My Next Life" all topped the country charts in Canada, "Girls Lie Too" reached Number One only in the U.S., and "You're Easy on the Eyes" was a Number One in both countries.

Try

01. Break It Out 3:40
02. I Give My Love 3:32
03. Say Say 2:48
04. I Love Who You Are 3:52
05. Life Is Beautiful 3:27
06. Angels Sing 4:14
07. Sound of Love 4:31
08. Unashamed 4:29
09. Fixation 3:19
10. Praise the Lord 5:11
11. Fill This Place 4:53
12. Im Alive 3:59
13. One Life 5:25

Press Play will release its debut project "Life Is Beautiful" through Universal Christian Music Group/Fontana Distribution on May 19. The band performs for thousands of individuals from all walks of life each week in both New York and Los Angeles, making the L.A. Dream Center its home base.

All money and proceeds from the sale of the "Life Is Beautiful" project will go directly to the Dream Center, feeding, housing and clothing millions of people each month. Located in the heart of poverty, hopelessness and violence, the Dream Center provides shelter, life rehabilitation, education, basic needs, job training and numerous resources through their 273 programs and outreaches.

In 1997, Matthew Barnett and the Dream Center joined forces with David Hanley to develop a new and exciting vision for music. This vision was to change lives with a positive and relevant voice. Press Play was established from the local community and across the nation, brought together by a common passion to see lives transformed.

In 2001, with the partnering of Angelus Temple and the Dream Center, Press Play began playing weekly in the historic 3,200-seat auditorium. David Hanley had the privilege of aiding in the design of the Temple with line-array speakers, 52-foot panoramic screen, LED stage panels, and a sound system to facilitate the band's huge sound.

A groundbreaking partnership began in 2007 between Foursquare International and the Dream Center paving the way for the launch of Dream Records. The vision of this label is to distribute a positive message worldwide through existing media outlets. Dream Record’s first release will be Press Play’s “Life is Beautiful” available MAY 19, 2009!

Try

1. 51 Pieces
2. Blue Bonnets
3. Burn Like The Sun
4. To Find My Love
5. Drag 4:46
6. Kick In The Head
7. Overtable
8. Overtable Interlude
9. Pretty Lady
10. Tomorrow
11. Confident
12. My Chances
13. Carmelita
14. Poop-Eye
15. Angel Flying Too Close To The Ground
16. Soul Agent
17. Train To Birmingham

Like the much more famous CCR, Cross Canadian Ragweed plays an uncompromising brand of road-tested, workingman's roots rock. The Oklahoma-based band also often tempers its songwriting with a reflective quality reminiscent of Texas singer-songwriters such as Jimmie Dale Gilmore and James McMurtry. HAPPINESS AND ALL OTHER THINGS finds the group sticking to the plan, delivering another set of earthy, heart-on-the-sleeve, country-tinged bar rock that often sounds like Bob Seger's "Turn the Page" come to life as a band. On songs such as the jangly, Smithereens-meets-Poco-ish "To Find My Love" and the storming twang-fest "51 Pieces" the band is loose and spirited, playing its music with an offhand confidence born from years of rocking the highways and byways of America.

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01. Intro
02. Outside My Window
03. Through My Telescope
04. Livin’ Our Lives (Featuring Conflict)
05. Champion Club
06. Touch The Sky
07. Daily Bread
08. When Will We
09. Slo-Flo
10. Hop In My Space Ship
11. Get Your Gun On
12. All Over The World
13. Outro

2009 collaboration. Bizzy Bone has teamed up with his close friend Bad Azz from The Dogg Pound clique and collaborated on this great project. Everyone already knows how well Bizzy's solo career has gone with over a million records sold. Bad Azz has been an original member of Snoop Dogg's crew and still tours extensively with them. Originally, Bad Azz was signed to Columbia records and has been featured on countless Dogg Pound releases.

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01 Return Of The North Star Ft Papu Wu
02 House Of Flying Daggers Ft Inspectah Deck Ghostface Method Man
03 Sonny’s Missing
04 Pyrex Vision
05 Cold Outside Ft Ghostface
06 Black Mozart Ft Rza Inspectah Deck
07 Gihad
08 New Wu Ft Ghostface Method Man
09 Penitentiary Ft Ghostface
10 Baggin Crack
11 Surgical Gloves
12 Broken Safety Ft Jadakiss Styles P
13 Canal Street
14 Ason Jones
15 Have Mercy Ft Beanie Sigel Blue Raspberry
16 10 Bricks Ft Cappadonna Ghostface
17 Fat Lady Sings
18 Catalina Ft Lyfe Jennings
19 We Will Rob You Ft Slick Rick Masta Killa GZA
20 About Me
21 Mean Streets Ft Inspectah Deck Ghostface
22 Kiss The Ring Ft Inspectah Deck Masta Killa

Only Built 4 Cuban Linx is a Hip-Hop classic that would serve as binoculars for not only how the general public would view Hip-Hop artists, but also and more importantly, how Hip-Hop artists would view themselves Raekwon has influenced many of the Hip-Hop aficionado’s such as Wyclef, Outkast, The Game, Mobb Deep, Jay-Z, 50 Cent, Eminem, The Lox and the late great Big Pun. Never before had the game seen the flashy swagger, coupled with the Mafioso undertones that so eloquently fit, along with the use of numerous aliases by an artist, the unprecedented skits, the Staten Island slang and the verbal techniques that Raekwon The Chef so effortlessly demonstrated in the Platinum classic album that would withstand the test of time. By possessing these rare qualities and Iron Chef credentials, the Brooklyn born “Shaolin” bred MC became one of the most versatile Hip-Hop artists that the industry has ever seen and considered by many as one of the Greatest MC’s Of All Time. Much like the career of one of his favorite artists, Marvin Gaye,Raekwon not only appeals to the male dominated street community but he also possesses the unique ability to attract a huge female following. The hoods all across America have been craving for it, the streets have been starving, and now the country is famished for the release of Only Built 4 Cuban Linx Part II (The Purple Tape).

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01. We Were Aborted
02. Cheat On Me
03. We Share The Same Skies
04. City Of Bugs
05. Hari Kari
06. Last Year's Snow
07. Emasculate Me
08. Ignore The Ignorant
09. Save Your Secrets
10. Nothing
11. Victim Of Mass Production
12. Stick To Yr Guns

The fourth studio album from 4-piece indie rock band from Wakefield, West Yorkshire .In 2008, Q magazine described the band as "The biggest cult band in the UK".

The first Cribs record to feature the lead guitar playing of former Smith Johnny Marr alongside the three redoubtable Jarman brothers, Ignore The Ignorant balances a slightly fuller sound with the familiar choppy riffs and rabble-rousing choruses of old. To suggest the Cribs’ fourth long-player has brought a new maturity to their sound would be to threaten the worst--after all, a good deal of the appeal of songs like "We Were Aborted" and the souped-up Sonic Youth clatter of "City Of Bugs" lies in their wide-eyed juvenilia and barely-contained bursts of guitar dissonance. But it’s true that some of the finest moments here find The Cribs showing off a newly nuanced, reflective side. "Last Year’s Snow" is a wistful number that sees a cracked-voiced Ryan Jarman imploring "I want to think you won’t/Remember me like last year’s snow" over a sparkling Marr lead, while the title track balances romping drums and reverb-soaked guitars with a passionate and heartfelt anti-racist message that sees the band nail their colours to the mast with style.

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1. Heart Heart Heartbreak
2. Love Drunk
3. Shes Got A Boyfriend Now
4. Two Is Better Than One [Ft. Taylor Swift]
5. Contagious
6. Real Thing
7. Someone Like You
8. The Shot Heard Round The World
9. The First One
10. Chemicals Colllide
11. Go
12. Love Drunk (Acoustic) (Bonus Track)
13. Love Drunk (Mark Hoppus Remix) (Bonus Track)

2009 sophomore album from the Boston quartet. Love Drunk has been described as a happy medium between the Pop/Rck of the debut album and the more electronic sound of bands like The Killers and Franz Ferdinand.

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01. Clouds Went That Way 4:13
02. Good Clues 2:54
03. Obscure Preferences 2:33
04. Please Don't Die 3:19
05. Cyclops Eye 4:11
06. Bounce Four 3:04
07. Healthy Living 2:44
08. Grown In Shells 3:45
09. Eye In The Sky 4:15
10. Edge Of Mess 4:24
11. Hope For The Future 3:01

UK edition including an extra track

It is amazing how far the outer boundaries psychedelic music have
spread over the past forty three years. At this point, unless you're
listening to something pretty lame, psychedelic music has burrowed
itself in just about every corner of rock'n'roll music, from the
raggedness of Roky Erickson back in the mid-60s to the meandering fuzz
drone of the more contemporary acts like Wooden Shjips. When an act
comes along such as Gary War that seems to conjure the ever-changing
zeitgeist of psychedelia out of the ether, it's remarkable. His songs
not only pay homage to the bands that have brought us to these
crossroads over the past half of a decade, but they also seem to walk
us through a sound scape of styles, and in the process, Gary War carved
out his spot in the ageless catalog of psychedelic music

Gary War, the mysterious upstart from Brooklyn, NY has just released
his debut LP this winter on SHDWPLY/DISARO Records. Playing with vast
sweeping echoes, softly sung lyrics, and infusing sonic textures
through synth-driven overtures, Gary War's album, New Raytheonport
takes us through the often banal sonics of the psychedelic form with a
fresh take on what seems at first, an aggregate of the past couple of
decades of drug-influenced music, and drops us dead center, at the
doorstep to La La Land. His tonal insobriety, from one song to the next
is a true sign of the times, where artists are driven to explore
different avenues, melding genres, vocal styles and instrumentation to
arrive somewhere new, all the while taking the listener along for the
ride. Pulling from influences that hold as much up to Chrome as they do
Syd Barret, Gary War is able to wrangle them from every corner, and he
even covers The Alan Parsons Project without sounding misguided,or a
late arriving hippie on a hotbox high. Instead, Gary War creates a
sound that wisps through the knobby branches of the past and
sumptuously uproots our notions of the boundaries of psychedelia

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1. "The Light That Failed"
2. "An Orchid"
3. "Walkabout" [ft. Noah Lennox (Panda Bear)]
4. "Criminals"
5. "Attic Lights"
6. "Shelia"
7. "Quick Canal" [ft. Laetitia Sadier]
8. "My Halo"
9. "Kid Klimax"
10. "Washington School"
11. "Logos"

Logos is the upcoming second studio album from ambient experimental project Atlas Sound. It is scheduled for release on October 20th of 2009 on the indie record label Kranky, which released Atlas Sound's previous effort, "Let the Blind Lead Those Who Can See but Cannot Feel". It is to include such guest stars as Noah Lennox (a.k.a Panda Bear) and Stereolab's Laetitia Sadier. An unmastered and unfinshed product was notably leaked in 2008 accidentally by Atlas Sound front man Bradford Cox via his own mediafire account.

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1. I and Love and You
2. January Wedding
3. Head Full of Doubt, Road Full of Promise
4. And it Spread
5. The Perfect Space
6. Ten Thousand Words
7. Kick Drum Heart
8. Laundry Room
9. Ill with Want
10. Tin Man
11. Slight Figure of Speech
12. It Goes On and On
13. Incomplete and Insecure

The Avett Brothers are a folk-rock band from Concord, North Carolina. The band is made up of two brothers, Seth Avett and Scott Avett, who play the guitar and banjo respectively, and Bob Crawford who plays the stand-up bass. They are often joined on tour by cellist Joe Kwon. Risen from the ashes of Seth and Scott's former rock band Nemo, The Avett Brothers combine bluegrass, country, punk, pop melodies, folk, rock and roll, honky tonk, and ragtime to produce a sound described by the San Francisco Chronicle as having the "Heavy sadness of Townes Van Zandt, the light pop concision of Buddy Holly, the tuneful jangle of the Beatles, the raw energy of the Ramones." The group itself eschews labels, feeling that "none would do the music the justice. It's simply left up to each person to extract his or her own account from the Avetts' music."

Their live performances showcase their use of three-part harmony and southern rock feel, and are admired for being intense, energetic, and soulful.In the past year, The Avett Brothers have gone from relative unknowns to the poster children of a brand new and rapidly growing genre of American music, described by critics and fans as "indie roots", "folk-punk", or "grungegrass".

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01. flea in your ear 07:23
02. are you in the picture 06:27
03. babaghanoush 08:19
04. do not exceed stated dose 06:12

'Temporary Pleasure' is the second album by British dance duo Simian Mobile Disco. Known for their stylish mix of synths and beats, they are quickly becoming one of the dance scene's premier acts. With a glittering cast of collaborators such as Beth Ditto, Gruff Rhys, Jamie Lidell plus many more, the follow up to 2007's 'Attack Decay Sustain Release' is a bombastic and original album. Includes the singles 'Synthesise' and '10,000 Horses Can't Be Wrong'.

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01 Energy
02 Go!
03 Strawberryfire
04 Tidal Wave
05 Please
06 The Rainbow
07 Seems So
08 Same Old Drag
09 The Bird That You Can't See
10 Shine a Light
11 20 Cases Suggestive Of...
12 Ruby
13 Signal in the Sky
14 Can You Feel It?
15 Winter Must Be Cold
16 Sun Is Out

2009 compilation from the Indie Pop veterans. The shiny pop centerpiece of the famed Elephant 6 collective, The Apples In Stereo was born of Robert Schneider's infatuation with recording and his near-pathological compulsion to write the perfect Pop song. Citing Pet Sounds-era Beach Boys as their root text a decade before it was en vogue, Schneider and former and future band members used their basement-D.I.Y. beginnings as a launching pad into a kaleidoscopic galaxy of sound. Constantly mutating from debut album Fun Trick Noisemaker through recent opus New Magnetic Wonder, that galaxy has expanded from 4-track recordings made in Schneider's bedroom to 100-track sonic experiments complete with new musical scales. Collecting the Apples' most well-known songs, #1 Hits Explosion reminds us that Pop music is the art of the song, the art of sounds assembled in a pattern designed to give joy. For over fifteen years The Apples in stereo have taught us that three minutes can change your life. #1 Hits Explosion will make sure we don't forget it.

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1. Energetic [Radio Edit] [New]
2. Control [New]
3. Crazy About [New]
4. I Did it for Love [Ft. Sean Garrett]
5. Did Ya
6. Look Whos Talking
7. Eat You Up
8. Obsessed
9. Touched
10. Scream
11. Girls on Top
12. Dress Off
13. Hypnotic Dancefloor
14. Energetic

2009 release, the U.S. debut album from the Korean superstar who has taken Asia by storm ever since she released her debut album in 2000 at the age of 13. Influenced by Janet Jackson, Nelly and other hot Hip Hop and R&B artists, Boa conquered her home country before heading off to Japan to become even more popular than ever. As she has matured musically, she has managed to make a successful transformation from young pop star to mature artist. In 2009, after nearly a decade in the business, she now releases her American debut album.

Here is the Retail version of BoA's re-release of her debut English Album. This is the deluxe edition which includes 2 new songs and a new version of "Energetic".

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1. "Party In The USA" (Main)
2. "Party In The USA" (Instrumental)

Try

1 The Songs Of The Weak Will Die
2 I'll Never Pull It Off
3 Let's Go Dancing
4 Been Such A Long Time
5 Guns Tonight
6 The Dive
7 Commit Self-Portrait
8 Your New World
9 This Is Not The Time

Superfamily is a pop rock band from Moss, Norway.

Superfamily debuted with an EP in 2004, called Champagne EP.Prior to the release, the band received rotation on NRK P3 and Radio Tango.The band achieved mainstream popularity with the release of their second album, Warszawa, in 2007. The same year, the band won Spellemannprisen in the pop category.

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1. Perfect 4:28
2. Try the Best You Can 4:59
3. She Knows What Boy She's After 3:15
4. No One Cares 4:27
5. Bigger Numbers 4:34
6. Beirut 6:22
7. Choice Marks the Master From the Fool 3:33
8. Bend the Rules 6:09
9. I Want You To Be Sad I Want You To Be Happy 4:57
10. History Repeats Itself 3:48

Robert Post (born Robert Řien Fylling, 1979, Langevĺg, Norway) is a Norwegian singer-songwriter. Post won two awards, Best Male Artist and Best Video, at Norway's equivalent of the Grammys, Spellemannprisen, in 2005 for his debut album. He has also toured with Aimee Mann, Rufus Wainwright, Ray Lamontagne, Texas, Natalie Imbruglia and Jason Mraz.

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1. That Makes Me
2. Voices
3. The Dashboard
4. Gettin' You Home
5. It Takes A Man
6. The Shoebox
7. Rose In Paradise [Ft. Willie Nelson]
8. Twenty-One Candles
9. The Man I Want To Be
10. Rainy Night In Georgia

With an ear toward the past and an eye on the future, Chris Young is quickly distinguishing himself as a newcomer who honors Country music's best traditions while adding a fresh new chapter to the genre's legacy. With his rich, warm baritone and penchant for writing relatable, slice-of-life songs, Young's sophomore project showcases a new traditionalist poised to take his place among his musical heroes. Features the single 'Gettin' You Home (The Black Dress Song)'.

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1. I Keep My Secrets Safe
2. Deep Down
3. Why Can't You See
4. Changing
5. On My Own
6. The Alarming Sound Of A Still Small Voice
7. Say Goodbye
8. The Worst Of Me
9. It's All Over Now
10. What Were We Made For
11. Is This Real
12. Nothing Is What It Seems (Without You)

Saosin's New album In Search Of Solid Ground is the highly anticipated Sophomore release of the Southern California Quintet. Maintaining a hair-raising energy level throughout, the album, In Search Of Solid Ground, is the much-awaited end product of writing, tracking and mix sessions that Saosin fans have witnessed online in real time since last summer, with songs written and tracks demoed in the Costa Mesa, CA studio of global youth brand Hurley, where they self-produced several final album tracks. In early 2009, Saosin worked with producer Butch Walker (Sevendust, Fall Out Boy, P!nk) which resulted in 5 songs on In Search Of Solid Ground. They also worked with John Feldman (The Used, Good Charlotte, Story Of The Year) who produced 2 tracks and with Lucas Banker/Logan Mader (Five Finger Death Punch, Soulfly, Machine Head) on 1 album track. Band guitarist Beau Burchell mixed all songs on In Search of Higher Ground.

Saosin is comprised of Cove Reber (vocals), Chris Sorenson (bass), Alex Rodriguez (drums), Justin Shekoski (guitar) and Beau Burchell (guitar).

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1. Jacob's Ladder 3:04
2. Back At One 4:51
3. I Do (Cherish You) 3:28
4. Loving Every Minute 3:49
5. Back On Earth 3:36
6. High, Low And In Between 3:30
7. Wish You Were Here 4:30
8. In My Arms 4:35
9. Places I've Never Been 3:55
10. 19 Somethin' 3:49
11. Time Machine 3:35
12. When You Think Of Me 4:26
13. Don't Laugh At Me (Live From Balad, Iraq) 4:14

Daryl Mark Williams (born August 8, 1973 in Cleveland
Tennessee) is an American country music artist, known
professionally as Mark Wills. Signed to Mercury Records
between 1996 and 2003, he released five studio albums for the
label Mark Wills, Wish You Were Here, Permanently, Loving
Every Minute and And the Crowd Goes Wild as well as a
greatest hits package. In that same timespan, he charted
sixteen singles on the Billboard country charts. After
leaving Mercury in 2003, he signed to Equity Music Group and
charted three more singles. Two of these were later included
on his sixth studio album, Familiar Stranger, which was
ultimately released on the Tenacity label in 2008

Of his albums, Wish You Were Here is the best-selling, with a
platinum certification from the RIAA. This album's title
track became his first Number One country hit in 1999, with
the late 2002-early 2003 "19 Somethin'" becoming his second
and final chart-topper. Besides these, six more of his
singles have reached Top Ten on the charts: debut single
"Jacob's Ladder", "Places I've Never Been", "I Do (Cherish
You)", "Don't Laugh at Me", "She's in Love" and a cover of
Brian McKnight's "Back at One"

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1. Gypsy Boots
2. If You Want Fire
3. A Million Ways To Run
4. What Happens In Vegas (Follows You Home)
5. Merry Go Round
6. The One You Love [Ft. Vince Gill]
7. Poor Girls Dream
8. If I Could Be You
9. Tough With Me
10. You Tell Me [Ft. Johnny Reid]
11. Gypsy Boots (Acoustic Demo Version)

Terri Lynn Sauson (born August 5, 1968 in Montreal, Quebec), known professionally as Terri Clark, is a Canadian country music artist who has had success in both Canada and the United States. Signed to Mercury Records in 1995, she released her self-titled debut that year. Both it and its two follow-ups, 1996's Just the Same and 1998's How I Feel, were certified platinum in both countries, and produced several Top Ten country hits.

Her fourth album, 2000's Fearless, though certified gold in Canada, was not as successful in the U.S., producing no Top 10 hits. Pain to Kill from 2003 restored her chart momentum in the U.S. with "I Just Wanna Be Mad" and "I Wanna Do It All", while a 2004 greatest hits album produced the Number One "Girls Lie Too". A non-album single, "The World Needs a Drink", and the 2006 album Life Goes On were her last releases for Mercury before she signed to BNA Records in 2007. There, she released the singles "Dirty Girl" and "In My Next Life". Although the latter went to Number One in Canada, she has not released an album for BNA.

Clark's albums have accounted for more than twenty singles, including six Number Ones. "If I Were You", "Poor Poor Pitiful Me", "Emotional Girl" and "In My Next Life" all topped the country charts in Canada, "Girls Lie Too" reached Number One only in the U.S., and "You're Easy on the Eyes" was a Number One in both countries.

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01 High Without the Hope 3
02 My Will Is Good
03 Oslo Campfire
04 In the Meantime
05 Tree Bones
06 Sour Milk / Salt Water
07 Threadbare
08 Calm Me Down
09 Leap Year
10 Next Season
11 (((Darkness Visible)))
12 Love Me Through
13 High Without the Hope 72

As 2009 began, Port O'Brien started to prepare songs for what was to become Threadbare. What started as a light-hearted and loose effort quickly turned into a dense, introspective work following the tragic loss of Cambria's younger brother. They started recording at their friend Jason Quever of Papercuts' living room studio in San Francisco. The songs were given a certain warmth and intimacy that couldn't be achieved in a larger space. The sense of comfort they found gave them the ability to fully realize the weight of the songs. "In the Meantime" explores the desire for contentment in tumultuous times. "High Without the Hope" bookends the album, illuminating the emotion and sense of loss that was felt throughout the recording process.

After spending weeks recording with Jason, the band felt they could work in a more open space. They worked on the more celebratory and rhythmic songs in Los Angeles with Aaron Espinoza of Earlimart at the Ship recording studio. "My Will is Good" and "Oslo Campfire" describe the liberation that follows in the wake of making active changes in one's life following tragedy.

These sessions create Threadbare. Its become somewhat of a two sided record with dark, haunting, and at times meditative songs paired up with the untiring, somewhat aggressive and punchy anthems that Port O'Brien is becoming known for. The last few years have seen many adventures for the band. The creation of this record came with continuing changes both within the band personally, and sonically. Port O'Brien will continue to evolve. In the meantime, Threadbare stands as another mark this young band is leaving.

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1. Wide Open
2. I Break Everything
3. Amerillo Sky
4. Why
5. Big Green Tractor
6. Oh My Highway
7. Drum Solo
8. Johnny Cash
9. Relentless
10. You're The Love I Wanna Be In
11. Laughed Until We Cried
12. I Use What I Got
13. She's Country
14. Asphalt Cowboy
15. Hicktown

On March 6, 2009, a sold out Knoxville (Tenn.) Coliseum crowd found out what millions of Jason Aldean fans already knew: he's a rising star and a damn fine entertainer. The concert was lights out and over-the-top. Those lucky enough to attend experienced not just an I-can't-wait-to-tell-myfriends- about-this show, but also benefited from the sum of years of hard work and determination. "Wide Open Live And More!" captures Jason Aldean at his rockin' country best. All the hits are here--"Amarillo Sky," "Why," "Hicktown," "Relentless," "She's Country," "Johnny Cash," "Laughed Until We Cried" and "Big Green Tractor"--and so are the live show favorites like "Wide Open," "I Break Everything I Touch" and "Asphalt Cowboy," among others. Not only does Jason sing his hits, he connects with his audience and offers them an escape, if only for the night. That's what real entertainers do.

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1. Dialectic Chaos
2. This Day We Fight!
3. 44 Minutes
4. 1,320'
5. Bite The Hand
6. Bodies
7. Endgame
8. The Hardest Part of Letting Go... Sealed With a Kiss
9. Head Crusher
10. How The Story Ends
11. The Right To Go Insane

Endgame is the upcoming twelfth studio album by American heavy metal band Megadeth, set to be released on Roadrunner Records on September 15, 2009. It will be the first album featuring guitarist Chris Broderick, following Glen Drover's departure in 2008.

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1. Landmines (Battlefield Japanese bonus track)

Try

01. Ready For Love 03:42
02. Mission Is You 03:03
03. Burning Out 03:45
04. My Bloody Valentine 03:52
05. Ugly 03:22
06. Shine Like A Superstar 02:55
07. Suffocate 03:51
08. Words Are Not Enough 04:07
09. Perfection 03:16
10. Boys Will Be Boys 03:33
11. Love Is The Law 04:10
12. Exposed 03:30

Tata Young (born Amita Marie Young, December 14, 1980 in Thailand) is a Thai singer, model and actress. After becoming a Thai superstar in her early teens, she became an international success with the release of her first English-language album I Believe in 2004. She remains one of the most popular performers in Thailand, and is a perennial "favorite" pick by magazines and music-video channels.

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1. A Day In My Life
2. Keep Your Head Up
3. Falling Faster
4. Gotta Make You Mine
5. Shoes!
6. I Still Love You
7. Wait
8. Mary Jane
9. Strut My Stuff
10. Try
11. Here To Stay
12. Friend In Me
13. You Say

Not that The Love Willows doesn't speak to young adults. In fact, most of Hey! Hey! tracks the evolution of their own relationship. "It's all about fetishes, love and hate," says Hope. "It's a product of what we've gone through as a couple, the battles and the glories, everything that's happened in the past few years." The accessibility of their songs also belies their inventiveness and, oftentimes, their subtle sophistication. "I feel like we bring something different to the table," says Ryan, who produced and engineered the album. The pair recorded Hey! Hey! in the attic studio of Ryan's parents' home outside of Atlanta, with Ryan playing every instrument and both of them songwriting. The tunes are brightly colored - much like Hope and Ryan when they perform live, with swaths of neon yellows, pinks and greens adorning their clothes and gear. The first single, "Falling Faster," is mid-tempo romantic narrative; "A Day in My Life" reveals their sly complexity, with Hope's enthusiastic vocals layered over sonic themes which embrace pop conventions as they tip a hat to both Irving Berlin and Brian Setzer. "Strut My Stuff," featured on the season finale of "The Real World: Hollywood," is a quirky tune with a music-box riff throughout, while "Shoes," a tribute to soul over soles, is equal pop and polka. Other tracks are more straight-ahead, from the punchy "Gotta Make You Mine" to the encouragement of "Keep Your Head Up." Hope Partlow was born near Memphis and grew up on her dad's collection of country music: from Jim Reeves to Patsy Cline. She was six when she did her first paying gig, earning $25 for singing Johnny Cash's "Folsom Prison Blues." At sixteen she saw the release of her first solo album through Virgin Records and toured with the likes of Jesse McCartney, but an executive shake-up at Virgin sent her back to square one. Ryan Wilson grew up in Atlanta with a variety of pop/rock influences, from classic (The Beatles, The Beach Boys, Queen, ELO) to modern (Weezer, Jellyfish, Jimmy Eat World, The Format). He played in bands in and around Atlanta until auditioning as a guitarist for Hope's touring band a half-dozen years back. The admiration was mutual - and immediate. "I saw his curly hair from behind, and I thought, `He's cute, I hope he can play,' and he was awesome," says Hope. "When I first saw her, I was like, `This could be trouble,' Ryan recalls. "And when I heard her sing... I never heard a vocal like that live and in person. I was like, `Wow, that's real, raw talent.'" Hope moved in to Ryan's parent's attic where he began courting her by building a recording studio. In lieu of college life, they began writing songs together with the vow to do things their way, making music that they felt. Decca Records felt it, too, signing the duo on the spot after the label's first listen to their demos. "I feel like everything has happened for a reason and we're getting closer and closer to that reason," says Hope. "I feel like people are so ready for something new." Whether new or maybe just fun, it's all fine for The Love Willows. Hey! Hey!

An Atlanta duo that wants young audiences to have fun, singer Hope Partlow and guitarist/vocalist Ryan Wilson have crafted a buoyant debut album, Hey! Hey! that is unabashedly upbeat. You might even smell the cotton candy in this collection of enjoyable pop/rockabilly tunes, like spinning through an amusement park where childlike pleasures can be found in even the simplest of rides.

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1. Happy Kwaanza
2. Maggie the Gay Activist
3. Sturdy Germans & Pol***s
4. Nervous Pills & Boxes of Wine
5. Katie Couric (Again!!!)
6. President Suze Orman
7. I Met Gayle
8. Maya Angelou Is Insufferable
9. Justin Out-Blacks T.I.
10. Somebody Has To Blow Trump
11. Kelly Vs. Bethany
12. A Dude Named Danielle
13. Congratulations (Speidi)

Kathleen Mary "Kathy" Griffin (born November 4, 1960)[1] is an American actress, stand-up comedian, media personality, and LGBT rights advocate. A self-proclaimed "D-list celebrity", Griffin first gained recognition for her supporting role on the NBC sitcom Suddenly Susan, and is now the star of the Bravo reality show Kathy Griffin: My Life on the D-List, for which she won two Emmy Awards as executive producer. She has also worked as a voice artist and red carpet commentator, in addition to several other career pursuits.

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CD 1/2

01. Evacuate The Dancefloor 3:27
02. Hold On 2:58
03. Everytime I Hear Your Name 3:14
04. Ready Or Not 3:02
05. Fever 3:21
06. Hold Your Hands Up 3:47
07. Breathless 3:12
08. Dangerous 3:01
09. Why You Had To Leave 3:39
10. What About Me 3:13
11. Draw The Line (Yanous Candlelight Mix) 3:57
12. Faded 2:50

CD 2/2

01. Evacuate The Dancefloor (Extended Mix) 5:28
02. Evacuate The Dancefloor (Rob Mayth Remix) 5:31
03. Evacuate The Dancefloor (Ultrabeat Remix) 4:55
04. Evacuate The Dancefloor (Wideboys Remix) 6:07
05. Evacuate The Dancefloor (Chriss Orlega Big Room Remix) 6:31
06. Evacuate The Dancefloor (Lockouts Mirror Ball Remix) 5:25
07. Evacuate The Dancefloor (Cahill Remix) 6:49
08. Faded (Extended Mix) 4:27
09. Faded (Dave Ramone Remix) 5:51
10. Faded (Wideboys Electro Club Mix) 6:07
11. Faded (Lior Magal Remix) 5:28
12. Faded (Giuseppe Ds Dark Fader Club Mix) 7:21

Evacuate the Dancefloor is the third studio album released by German dance act Cascada. It was released in the United Kingdom on July 6, 2009, a week after the lead single "Evacuate the Dancefloor".

With the release of their first single "Evacuate the Dancefloor", people heard their sound change toward modern electropop. Cascada's lead singer Natalie Horler explained that "You do evolve and progress and we're very proud of what's come of it." trying to distance themselves from Lady Gaga's electropop sound. Previews of the album began to appear on YouTube on June 23, 2009. The lead single, Evacuate the Dancefloor, features a variety of synthesizers. Different basslines and new instrument sounds contrast to the traditional style of Cascada of which was the only styling used in previous songs. "Fever" for instance features a standard dance music beat with electropop synths and is also the only song on the albums that is censored. "Ready Or Not" is a monumental throbathon that's a throwback to the cheesy floor-fillers of the 90s eurodance. "Hold On", "Dangerous" and "Everytime I Hear Your Name" are classy eurodance anthems with pulsating beats, swirling synths and vocoder effects. "Breathless" mimics Kelly Clarkson's pop-rock sound with pulsating synths and the drum beats of "Evacuate the Dancefloor".

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01 Fever [Extended Mix]
02 Fever [Radio Edit]

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01. What We Talkin’ About (Featuring Luke Steele of Empire of the Sun)
02. Thank You
03. D.O.A. (Death Of Auto-tune)
04. Run This Town (Featuring Rihanna And Kanye West)
05. Empire State Of Mind (Featuring Alicia Keys)
06. Real As It Gets (Featuring Young Jeezy)
07. On To The Next One (Featuring Swizz Beatz)
08. Off That (Featuring Drake)
09. A Star Is Born (Featuring J.Cole)
10. Venus Vs. Mars
11. Already Home (Featuring Kid Cudi)
12. Hate (Featuring Kanye West)
13. Reminder
14. So Ambitious (Featuring Pharrell)
15. Young Forever (Featuring Mr Hudson)

International superstar and multi-media mogul, JAY-Z confirms the most highly speculated date in recent music history. Friday, September 11, 2009 is the official release date for the eagerly anticipated BLUEPRINT III. The follow up to JAY-Z’s instant classic BLUEPRINT (2001) and the critically acclaimed BLUEPRINT II (2002); BLUEPRINT III is the final installment in the BLUEPRINT series.

The Blueprint 3 is the upcoming eleventh studio album by American rapper Jay-Z, set to be released in the US on September 11, 2009 (UK released September 14), which is 8 years after the release of the first Blueprint. It will be the final installment in The Blueprint trilogy, preceded by the critically acclaimed The Blueprint (2001) and the commercially successful The Blueprint˛: The Gift & The Curse (2002). On May 20, 2009 Jay-Z confirmed that he bought out the remainder of his contract from Def Jam Records in order to start his contract with Live Nation, and therefore The Blueprint 3 will be released under Roc Nation and distributed by Atlantic Records.

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1. Energetic (Radio Edit)
2. Crazy
3. About Control

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1. Want (New Album Edit)
2. Want (Bluint Laser Remix)
3. Want (Buzz Junkie Club Remix)
4. Want (Buzz Junkie Radio Edit)
5. Want (Cassette Club Remix)
6. Want (Shapshifters Nocturnal Mix)
7. Want (Shapshifters Vocal Mix)

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1. “1 Samuel 15:233
2. “Psalms 40:23
3. “Genesis 3:233
4. “Philippians 3:20-213
5. “Hebrews 11:403
6. “Genesis 30:33
7. “Romans 10:93
8. “1 John 4:163
9. “Matthew 25:213
10. “Deuteronomy 2:103
11. “Isaiah 45:233
12. “Ezekiel 7 and the Permanent Efficacy of Grace”

The Mountain Goats‘ John Darnielle has been lauded by many folks, us included, as one of the best lyricists around. And for his next songwriting subject, he’s drawing inspiration from a rather hefty source: the Bible. In fact, each song on his band’s October release, The Life of the World to Come, earns its title from a specific verse.

Here’s what Darnielle had to say about the whole venture in a statement:

“I guess the obvious question is going to be: ‘John, have you had some sort of religous awakening?’ and while I guess lots of people might want to be coy about answering that, that’s never really my style, so: no. It’s not like that. It’s not some heavy-narrative-distance deal either, though, and it’s not a screed. It’s twelve new songs: twelve hard lessons the Bible taught me, kind of. More than that I’d want to wait to say until some people have heard it, which won’t be long. Will there be more news soon, quite soon? Like, next week, even? Oh yes there will!”

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1. Haven't Met You Yet

Canadian singer Michael Bublé is getting ready to release his fourth studio album "Crazy Love" on October 9th!! Bublé describes this album as the "ultimate record about the inevitable roller coaster ride of relationships." Here we have first single "Haven't Met You Yet" which was written by Bublé, Alan Chang and Amy Foster.

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1. Intro
2. Fire On The Inside
3. Whatever It Takes
4. Secrets And Regrets
5. Better Off Now
6. Not Without A Fight
7. Will You Be There
8. Shine
9. Call To Action
10. You Will Lose It All
11. You Are Not The End

Pillar is a Grammy-nominated Christian rock band currently located in Tulsa, Oklahoma.Confessions is the sixth studio album .Rob Beckley commented about the album, "I had never had goose bumps listening to our own music before, but this album is just on a whole different level. We're indebted to everyone who played a role in pushing us out of our comfort zones. And I couldn't be more proud of our band."

Beckley further describes the concept as, "1 John 1:9 says, 'If we confess our sins, God is faithful and just to forgive us our sins and cleanse us from all unrighteousness.' Every song on this album could be broken down to 'If you just confess.'" Under this umbrella, recurring themes on Confessions include unity, commitment and perseverance.

When Blaine Barcus, VP of A&R, Provident Label Group talked about the album he spoke highly of it saying, "the album features songs which range from muscular, guitar-driven gut rock to beautiful, orchestral ballads. "Confessions is the kind of album that will make CHR radio listeners fans of rock music. The goal was that every single song on this album would be a great fit for radio, and I think the overall project reflects that goal. Rob and the guys poured themselves into the music and this project really delivers

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1.Courons dans les bois
2.Canyon
3.Alerte
4.Le plus beau des sentiers
5.Adele
6.Songe eveille
7.Havilah
8.Nomade
9.Couper les moteurs
10.Rainbow
11.Aube claire

Osmosaďc is a french Montreal based duet. Their music includes folk, pop, celtic, rock, country and latin influences filled with intricate vocal harmonies.

Mario Landry started playing guitar at the end of his adolescence. In 1989, with the help of a friend, he forms "Clockwork 7", his first group. Three years later, after few shows, the venture ends. Too absorbed by the management of a small enterprise, music is shelved. Then comes an artistically unproductive period which will last six years. In 1998 he takes private classes in guitar and singing. During that period, he shares with an old member of Clocwork 7, Christopher Cousineau, many evenings where they mutually enrich their respective musical universe. These encounters, although periodical, will remain a major influence for him.
In the year 2000, he's brought together again with a friend from way back, Viviane Lamy, who has a few compositions up her sleeves without any precise career plan. After having cumulated a few private classes in singing, guitar playing and drawing she is thinking more and more seriously about giving a direction to her artistic skills. It is in taking the decision to actively search for new opportunities that she decides to call her old friend to make a demo. The demo ends up turning into an album project bringing together their respective "répertoire". Before beginning the recordings, they decide to fly to Europe, a way to gain inspiration and play with a few ideas. These ideas will add themselves to the material already developed and will favor the birth of Osmosaic. Once back, they transform a section of the house they both now live in, into a real laboratory. They play around with images, texts and music. A recording studio is set up. Just the time needed to gain a few technical notions about sound recording and graphic design and the launching takes place. The result of this first project comes to life in September 2004 and is called "Un", Their first

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1. Agent For H.A.R.M.
2. Gemini Man
3. Heart Out of Season
4. Red Zone Cuba
5. Squirm
6. Prince Of Space
7. Rocketship X-M
8. King Dinosaur
9. Castle Of Fu Manchu
10. Time Of The Apes
11. Atomic Brain
12. Crawling Eye
13. Teenage Strangler
14. Werewolf One

Invasion U.S.A. is the fourth studio album released by the punk rock band, The Riverdales. It has been six years since their last album, Phase 3 and fifteen years since their original formation. This album features song-titles almost exclusively based on old sci-fi movies of the 50's and 60's. Particularly the ones seen on the popular 1990's television program, Mystery Science Theater 3000.

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01. Intro
02. Vogue
03. Into The Groove
04. Everybody
05. Express Yourself
06. Holiday
07. Lucky Star
08. Where's The Party
09. Who's That Girl
10. Causing A Commotion
11. Like A Prayer
12. Open Your Heart
13. La Isla Bonita
14. Like A Virgin
15. Borderline
16. Papa Don't Preach
17. Dress You Up
18. Material Girl
19. Burning Up
20. Re-Intro
21. Human Nature
22. Justify My Love
23. Erotica
24. Bye Bye Baby
25. Don't Cry For Me Argentina
26. Ray Of Light
27. Deeper & Deeper
28. Music
29. Candy Shop
30. Miles Away
31. Nobody Knows Me
32. Mother & Father
33. Sorry
34. Hung Up
35. Give It To Me
36. Heartbeat
37. 4 minutes
38. Incredible
39. 4 minutes (reprice)
40. Secret
41. Keep It Together
42. Americal Life
43. Frozen
44. Hollywood
45. Die Another Day
46. What it Feels Like For A Girl
47. Don't Tell Me
48. Jump
49. Get Together
50. I Love New York
51. Celebration

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1. Begin
2. Sleep
3. Time Of Day
4. We Fight
5. Looking At Your Face
6. Continue To Call
7. Running
8. New Orleans
9. Stella
10. Something Like?
11. What U Do 2 Me
12. All Around The World
13. I Love Myself
14. Shining Through The Trees

The first time we heard 29 year old Nino Moschella we knew he had a magic touch. Gritty, soulful, and honest, his vocal styling and unique funk productions were a must-have for Ubiquity. Imagine our surprise when we learned that this golden voice belonged to a rough n’tumble Irish-Italian-American character from around the way.

Fellow Bay Area crooner Bart Davenport bought Nino Moschella to our attention. He mailed us a demo of tracks that had been recorded at Moschella’s home studio. Working on only a 4-track tape machine, hand claps and broom-stick banging took the place of the usual computer driven drum loops. Innovating with limited resources his lo-fi studio situation provided the perfect gritty back-drop to a big and bold vocal talent. Moschella’s demo was a series of well-written songs with a unique and blend of 1960s soul and funk mixed with even a little bit of indie-pop and folk.

Moschella carries his DIY demo spirit through to his debut album, The Fix, to be released late May 2006. His first official release from this album is, “The Real Better Believe EP”, which the influential music blog Music For Robots calls “absolutely fabulous…a record that Steve Wonder should be making in 2006.” It also caused DJ Mag to label the EP “Single of the month” and state, “Cut from the same cloth as soul/funk legends Stevie Wonder, Prince, Betty Davis and Sly Stone, 29 year old, multi-instrumentalist Nino Moschella is what they call in A&R circles “a right f*cking find”.”

Leading off with “Better Off”, Nino plays almost all the instruments (as with most of his tracks) and makes most of the noises from drums to beat boxing. It’s a minimal production keeping only the most essential elements in a bass-line driven rock n’soul style. On “Are You For Real” lo-fi stoner grooves on top are backdrop for Moschella who starts off subtle in falsetto but slowly builds to climatic scream. And on “Believe In Yourself” he adds a little gospel to the mix with a trippy organ section mid-way through.

The Fix album continues the EP’s fusion of genres and eras. With one foot firmly planted in the present Moschella’s musical mash-up is also a reminder that there were days when bands like Jimi Hendrix played on the same bill as Led Zepplin, The Grateful Dead and Sly and The Family Stone. On The Fix he has found his own way of blending rock, soul, and funk and blurring the lines between electronic and acoustic music.

Born into a musical family Moschella’s father was perhaps his first musical influence. “My dad sings and plays guitar. He started out in the choir and singing doo-wop in the Bronx,” explains Moschella. “My mom sings lullabies, I had a great uncle Nino who played the violin and my grand folks were always singin’. You know, typical loud Sicilian folks always carrying on.” Nino Moschella now lives with his wife Mia and recently born daughter in Friant, California, close to Yosemite, in a round house his father built with friends in the late 1960s. They also built a music studio on the property which is where most of his album is being recorded. There’s nothing much but trees, creeks, coyotes, the sun, moon and stars to keep them company.
Moschella’s first musical outing was at the tender age of 5 years old. His father told him to keep time on the snare drum for his rhythm and blues band because their drummer failed to show up for practice. “It was a rim shot on the three. I couldn’t reach any of the peddles, so I kept it simple,” jokes Moschella. But his drumming aspirations grew, and before deciding he’d write and sing, Moschella was set on being a jazz drummer. In fact he plays drums, beatboxes and bangs random items around the studio all over the album in-progress in addition to playing the majority of the instrumentation, too. “I play drums, bass, guitar, stuff with strings, stuff with skin, hand claps, string bass on my sweat shirt tassels,” lists Moschella. “I’m workin’ on my keys. I’m workin’ on all that shit…always.”

When Ubiquity Records first made contact with Moschella, propping up the bar at local East Bay haunt The Ivy Room, it was clear that he had not previously heard of Ubiquity and was someone with musical influences that didn’t include the typical list of current funk and soul faves. He even suggested we might file his records between Caruso and Louie Prima, “In with the other Italian soul singers,” he joked. Of his influences Moschella says, “In the last couple of years I discovered Donny Hathaway’s music and voice. That dude was incredible,” and added, “If I find myself getting clouded or too heady, I’ll put on some Miles or Oscar Peterson or the Montgomery Bros. or Jimmy Smith. That seems to help center me on why I do this. You know, to play, express, communicate, and have fun. It seems like every other day something blows my mind even if I’ve heard it a thousand times. If American culture is blessed in only one way it is definitely the depth and richness of our music.”

Playing the demos to a few label friends earned Moschella comparisons to everyone from classic soul artists like Michael Jackson to Little Beaver, and new acts like Little Barrie or Amp Fiddler.

A new addition to his family, a bouncing baby girl called Estrella Icilda Rosemary Moschella Birdsong (!), has helped shape his recent recordings. And when he’s not in the studio, or playing Poppa he confesses he’s probably carrying out other Sicilian traditions either “Making love or making food.”

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01 - Dennis Jones - Brand New Day.mp3
02 - Dennis Jones - Dont Worry About Me.mp3
03 - Dennis Jones - Im Good.mp3
04 - Dennis Jones - Kill The Pain.mp3
05 - Dennis Jones - Blue Over You.mp3
06 - Dennis Jones - Sunday Morning Rain.mp3
07 - Dennis Jones - Home Tonight.mp3
08 - Dennis Jones - Try Not To Lie.mp3
09 - Dennis Jones - I Want It Yesterday.mp3
10 - Dennis Jones - Him Or Me
11 - Dennis Jones - Hot Sauce

The new release "Pleasure & Pain" from Blues artist Dennis Jones has something for everyone that enjoys this style of music. This is Dennis' third release on his own label Blue Rock Records. If you've heard the first two CD's you already know you're in for a great musical experience as this CD represents the continuing maturity of Dennis'song writing, guitar playing and musical style. Starting with the swinging sound of "Brand New Day" to the pulsating "Don't Worry About Me" and the jump blues of "I'm Good" there's one thing that ties them all together and that's the Blues. All the songs are original compositions adding to what's already a stable of songs from this exciting artist. With the addition of new bass player Sam Correa, the trio has reached a whole new level and the live shows have been over the top. Check it out for yourself.

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01. so much of it water
02. pale from flickering
03. a thousand sharpened nails
04. a cluster of starlings
05. rolling at our feet
06. another shower fall
07. three bodies

"Rid the of Tree it’s Rain" is a new EP of vocal based organic electronica from DoF, released on CD by Abandon Building. DoF (aka Brian Hulick) is one of the most prolific voices of underground electronic music, releasing eight albums (both physical and digital) along with a small armada of comp tracks and remixes over the last 6 or 7 years. DoF initially came to the attention of discerning file sharers with his inclusion on a compilation hosted by the Soulseek community. His unique blend of disjointed IDM inspired percussion and lush playful melodies attracted the attention of the UK record label Highpoint-Lowlife, who released the debut "If More Than Twenty People Laugh, It Wasn't Funny".

Hulick then combined forces with the U.S. label Abandon Building, who selected his EP "Mine is May" as their second release. The response was nothing short of amazing. DoF's next full length "Sun Strength and Shield" met with similar success, ending up on several best of the year lists.

Now DoF has returned with "Rid the of Tree it’s Rain" 7 new songs in the vein of "Red Pine Pasture" with organic percussion complementing the digital beatwork. The result is one of the most perfect summer albums a pair of ears could ever hope to meet. Every track is drenched in sunshine and warm regard, with Hulick's understated yet poignant lyrics painting portraits of fond memories and forgotten dreams.

There is little one can say about DoF that isn’t best left said by the music itself. He is not only one of the pioneers of the electro-acoustic movement but continues to reinvent it every couple of years. "Rid the of Tree it’s Rain" " has some of DoF's finest guitar work, each note seeming more joyful than the last. The drums are a choppy fusion of glitch and Afro-Cuban jazz that almost dares the listener not to bob their head. The vocal content forgoes the use of irony or theatrics, instead plotting a straight path to your heart. Go ahead and give it a listen. Your ears will thank you.

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1. We Weren't Born To Follow

We Weren't Born to Follow is the first single to be released off the upcoming eleventh studio album by rock band Bon Jovi. The new album The Circle is set to be released on November 10, 2009 and will be produced by John Shanks. The single premiered on radio on August 17, with tour plans in support of the album to be announced in October.

We Weren't Born To Follow will be used as a promotional song for MLB (Major League Baseball) game which will begin on 7 October. For the last two years Bon Jovi promoted Major League Baseball with the song I Love This Town from the album Lost Highway.

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