Show Me the Way Home, Honey

petak, 31.01.2014.

John Henry Barbee - I Ain't Gonna Pick No More Cotton

Styles: Country Blues, Prewar Country Blues, Delta Blues
Recorded: 1964
Released: 1981/1989
Label: Storyville/Amiga
File: mp3@ 320K/s
Size: 91.6 MB
Time: 37:43
Art: Front

1. Dust My Broom (James) - 3:21
2. Hey Baby (Barbee) - 3:28
3. That's All Right (Crudup) - 3:35
4. Early Morning Blues, No. 1 (Barbee) - 3:33
5. I Heard My Baby (Barbee) - 4:05
6. I Ain't Gonna Pick No More Cotton (Barbee) - 4:26
7. Worried Life Blues, No. 2 (Major) - 3:24
8. Miss Nelly Grey (Barbee) - 3:15
9. Tell Me Baby (Broonzy) - 3:07
10. John Henry (Traditional) - 4:31

Personnel:
John Henry Barbee - Guitar, Vocals

Note: rec. Copenhagen, Denmark, Oct. 8, 1964 only one month before he died in jail.
This rec. released several times as
- Portraits in Blues Vol. 9 (Storyville 671171)
- I Ain't Gonna Pick No More Cotton (Storyville 616013)
- John Henry Barbee (Storyville/Teichiku ULS-1814-R)
- Blues Roots Vol. 2: Guitar Blues From The Memphis Area (Storyville/Teldec 6.23701)
also released in Serbia 1981 (PGP RTB 2220636)
- Blues Roots Vol. 3 (Storyville SLP 4037)
- Blues Collection Vol. 11 (Amiga 856281)
and finally
- Blues Masters Vol. 3 (Storyville STCD 8003) with bonus tracks

Same day Barbee rec. some tracks at the Folk Club in Copenhagen and that rec. released on album John Henry Barbee & Sleepy John Estes: Blues Live (Nov 1967).

I Ain't Gonna Pick No More Cotton



Baby Tate - See What You Done Done
Robert Wilkins - The Original Rolling Stone



Posted by muddy

Oznake: John Henry Barbee, Country Blues, Prewar Blues, Delta Blues

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Michael Hakanson-Stacy - News From The Corner Store

Styles: Country Blues, Acoustic Blues, Modern Acoustic Blues
Released: 1994
Label: Time & Strike
File: mp3@320K/s
Size: 115,0 MB
Time: 50:15
Art: full

1. Georgia 12 String - 3:43
2. Long Winter Blues - 3:11
3. Step by Step - 3:02
4. Lily on Horseback - 1:20
5. News from the Corner Store - 2:50
6. SMall Talk - 3:18
7. Hard Times - 3:42
8. Dawn - 2:06
9. Shake It On Down - 4:19
10. The Rooster - 3:54
11. Education - 4:23
12. Whitingham Revisited - 2:34
13. God Don't Like It - 3:04
14. Gonna Go With Jesus - 3:11
15. Bullrush Blues - 3:11
16. G.K.'s Teetotaler's Blooze - 2:20

Notes: Michael Hakanson-Stacy has surely spent a lot of time playing music. From high school bands to his solo work, he has done his share of picking and sliding. His latest album is entitled "Two Bit Blues." What's unusual about this one is that he plays everything! From a truckload of resonator guitars to various mandolins, electric guitars and harmonica, this one is all him.
Many are updated versions of crowd favorites and some are brand spanking new like the title track and others. This one comes in a cardboard, factory sealed sleeve (eco-friendly) and notes on the songs are available upon request. We hope you like it real nice! Be sure to book Michael for a rootsy concert in your neighborhood. He's produced 27 projects for the Time & Strike label, many before roots music was cool.

News From The Corner Store



Eugene Powell - Blues At Home 3
Cary Tate & Alonzo Burks - Blues At Home 5



Posted by muddy

Oznake: Michael Hakanson-Stacy, Country Blues, Acoustic Blues

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četvrtak, 30.01.2014.

Sara K. & Chris Jones - Are We There Yet? Live in Concert

Styles: Folk-Blues
Label: Stockfisch
Released: 2003
File: mp3 @320K/s
Size: 164,0 MB
Time: 71:39
Art: front

1. Dementi - 0:42
2. (Would You) Break My Heart - 3:34
3. Anymore - 5:35
4. All Your Love (Turned to Passion) - 8:17
5. In the Fall (Maggie's Dream) - 4:34
6. Turned My Upside Down - 7:43
7. Stop Those Bells - 6:13
8. Ball 'n Joint - 5:22
9. Running Away From You - 7:08
10. He Got You - 5:49
11. Water Falls - 3:38
12. Blind-Hearted - 7:36
13. Vincent - 5:21

Notes: Sara K. is an American singer-songwriter based in Santa Fe, New Mexico. Her music includes genres like blues, folk as well as jazz. She plays a custom 4-(bass)-string acoustic guitar. She withdrew from music business in 2009.
Jones was born in Reno, Nevada. At the age of five, he began playing the guitar. A few years later, he decided to become a professional musician and when he was 11 years old. Jones died in sept 2005.
Sarah also makes an appearance on Chesky Records sound system benchmarking record, The Ultimate Demonstration Disk.
This live album "Live in Concert" (2003) won her the German music magazine AUDIO/stereoplay's "Hifi Music Award 2003" for audiophile CDs.
I guess you have never heard a voice like this. It is a live recording with intemacy. Small room and a small crowd. She is well supported here by Chris Jones, bening his acoustic blues guitar all arround her.~excellent-recording.com

Are We There Yet? Live in Concert



John Craigie - The Apocalypse Is Over
Luther Dickinson And The Sons of Mudboy - Onward & Upward



Posted by muddy

Oznake: Sara K., Chris Jones, Folk-Blues

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Paul Jones & Dave Kelly - Live in London

Styles: Acoustic Blues
Label: Carinco
Released: 2011
File: mp3 @320K/s
Size: 143,5 MB
Time: 62:40
Art: front

1. Drop Down Mama - 4:51
2. Come On In My Kitchen - 4:05
3. Room And Board - 3:16
4. (Sittin' On) The Dock Of The Bay - 4:54
5. Key To The Highway - 4:23
6. I Can't Be Satisfied - 4:12
7. When The Leevee Breaks - 4:22
8. Noah Lewis Blues - 3:45
9. Come Back Baby - 4:05
10. Sonny Boy Williamson - 3:48
11. How Can A Poor Man Stand Such Times And Live - 5:13
12. Workin' - 3:07
13. I Feel So Good - 3:55
14. Resting On Jesus - 4:14
15. You Got Me Running - 4:23

Personnel:
Paul Jones (born Paul Pond, 24 February 1942, Portsmouth, England) is an English singer, actor, harmonica player, and radio personality and television presenter.

David 'Dave' Kelly (born 13 March 1947, Streatham, South London), is a British blues singer, guitarist and composer, who has been active on the British blues music scene since the 1960s. He has performed with the John Dummer Blues Band, Tramp, The Blues Band, and his own Dave Kelly Band.
His sister, Jo Ann Kelly, was also a blues singer, and she and Dave participated in many musical projects together.
Kelly is a disciple of Fred McDowell.

Live in London



John Crampton - Blues Plus
In loving memory of Jo Ann Kelly



Posted by muddy

Oznake: Paul Jones, Dave Kelly, Acoustic Blues

- 22:54 - Comments (0) - Print - Link for this post

srijeda, 29.01.2014.

Dry River - Lost In The World

Size: 86,2 MB
Time: 36:23
File: MP3 @ 320K/s
Released: 2013
Styles: Acoustic Blues, Harmonica Blues
Label: Dry River
Art: Front

01. Lost In The World (3:30)
02. I Got A Thing (3:32)
03. Death Comes Knocking (5:24)
04. Breakfast (2:38)
05. Lay Down And Die (4:46)
06. Shine Your Light On Me (3:19)
07. Tryin' (2:36)
08. Free Man (3:41)
09. Lightning Rod (1:49)
10. Lovesick Blues (5:03)


Dry River is a guitar-harmonica duo from Southern California, featuring Oliver Althoen on guitar and vocals, and Dave Scriven on harmonica. "Lost in the World" is their first effort together. All the songs on this album are originals, composed by Oliver. The style ranges from blues to folk and country; and the mood goes from brooding and desperate to exuberant, and ultimately to transcendent.


Lost In The World



Various - Back Porch Blues [King Snake]
Dean Haitani - Guitar And Harmonica Blues (feat. Kenny Sutherland)

Posted by kamane

Oznake: Dry River, Harmonica Blues, Acoustic Blues

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Charlie Parr - I Dreamed I Saw Paul Bunyan Last Night / Hollandale

Album: I Dreamed I Saw Paul Bunyan Last Night
Size: 139,9 MB
Time: 59:42
File: MP3 @ 320K/s
Released: 2013
Styles: Acoustic Blues Folk, Soundtrack
Label: Chaperone Records
Art: Front

01. Midnight Has Come And Gone (10:35)
02. 1890 ( 3:42)
03. Coffee's Gone Cold ( 3:46)
04. True Friends ( 4:33)
05. Jesus On The Mainline ( 4:22)
06. Just Like Today ( 5:52)
07. Cheap Wine ( 5:09)
08. Rattlesnake ( 3:13)
09. Ain't No Grave Gonna Hold My Body Down ( 2:47)
10. Worried Blues ( 2:25)
11. St. James Infirmary ( 3:48)
12. Up Jumped The Devil ( 5:37)
13. John Henry ( 3:46)


Every now and again we stumble upon an artist through a song in a film, TV series or even an advertisement. In the case of Minnesota’s Charlie Parr, it is the last of the three. Remember that ad for a certain telephone telecommunications company that had some hip dude fold up his apartment? Well, the song in that ad was Parr’s ‘1922 Blues’. Soon enough the songman was supporting Paul Kelly and charming his way onto the stage of The Falls, Sunset Sounds, Southbound and Wave Rock. Several of his songs would also be included in the soundtrack to the 2010 Australian film, Red Hill. Influenced by the likes of Charlie Patton, Bukka White and Revered Gary Davis, Parr’s east coast blues style makes the 12-string guitar and banjo sing. The tour supports his latest release, 2013’s Barnswallow, but if you’re a fan you may also want to check out Charlie Parr: Last Night I Dreamed I Saw Paul Bunyan. Produced by Chaperone, in conjunction with The Meeting Team and Les Sangliers Associatifs, Last Night… is a unique multimedia package featuring a DVD of the film Meeting Charlie Parr, a vinyl LP containing 40-odd minutes of material recorded during the film production and an mp3 download card for the nine tracks.


I Dreamed I Saw Paul Bunyan Last Night


Album: Hollandale
Size: 97,2 MB
Time: 41:54
File: MP3 @ 320K/s
Released: 2014
Styles: Folk
Label: Chaperone Records
Art: Front

01. I Dreamed I Saw Paul Bunyan Last Night (10:55)
02. Hollandale ( 8:47)
03. I Dreamed I Saw Paul Bunyan Last Night (Pt. 2) ( 8:51)
04. Barn Swallows At Twilight ( 4:20)
05. Clearlake ( 9:00)


The venerable Duluth folk musician Charlie Parr is set to release a distinctive new album on January 28, Hollandale, filled with unvarnished instrumental songs inspired by early 20th Century folk blues. The new collection, Parr's 12th full-length album, was engineered specifically for vinyl, and will be released by Duluth's own Chaperone Records.

Parr also had the opportunity of working with Low's Alan Sparhawk on the new record, and he has graciously shared a lovely new song from the record, "Barn Swallows At Twilight" that features the duo's deft collaboration.

"The songs will never come out that way again, but that's alright," Parr says about the improvisational heart of his new material. "They'll come out some other way, and that's what I love about this style of music. Without lyrics occupying the songs, the (challenge) was to create something that makes sense. I was more relaxed recording than ever before."

The sprightly music featured on Hollandale is driven forward by Parr's unique tunings on his Resonator and banjo, as the masterful musician crafts evocative story-lines in his songs even without singing a word. The stark, spacious wonder of Parr's surroundings color his new material, bringing his listeners with him to Duluth and beyond through his studied, expressive sounds.


Hollandale



John Craigie - The Apocalypse Is Over
Mr. Matthew James - Worried Blue

Posted by kamane

Oznake: Charlie Parr, Folk-Blues

- 20:54 - Comments (0) - Print - Link for this post

utorak, 28.01.2014.

Cousin Joe - New York and New Orleans Blues 1945-1951

Styles: Piano Blues, Jazz Blues, Jump Blues, New Orleans Blues
Label: EPM
Released: 2002
File: mp3 @320K/s
Size: 143,2 MB
Time: 62:29
Art: full

1. Bad, Bad Baby Blues - 3:00
2. Broken Man Blues - 2:35
3. Just Another Woman - 2:57
4. Wedding Day Blues - 3:09
5. Desperate G.I. Blues - 3:04
6. Boogie Woogie Hannah - 2:56
7. You Ain't So-Much-A-Much - 2:48
8. The Barefoot Boy - 2:53
9. If You Just Keep Stick - 2:36
10. When You're Mother's Gone - 2:58
11. It's Dangerous to Be a Husband - 2:46
12. Death House Blues - 2:44
13. Don't Pay Me No Mind - 2:56
14. Bachelor's Blues - 2:44
15. Bad Luck Blues - 2:58
16. Box Car Shorty and Peter Blue - 2:49
17. Beggin' Woman - 2:54
18. Sadie Brown - 2:49
19. Love Sick Soul - 2:29
20. Looking for My Baby - 2:53
21. High Powered Gal - 2:55
22. Second Hand Love - 2:24

Notes: Few blues legends have the presence of mind to write autobiographies. Fortunately, Pleasant Joseph did, spinning fascinating tales of a career in his 1987 tome Cousin Joe: Blues from New Orleans that spanned more than half a century.
Growing up in New Orleans, Pleasant began singing in church before crossing over to the blues. Guitar and ukulele were his first axes. He eventually prioritized the piano instead, playing Crescent City clubs and riverboats. He moved to New York in 1942, gaining entry into the city's thriving jazz scene (where he played with Dizzy Gillespie, Sidney Bechet, Charlie Parker, Billie Holiday, and a host of other luminaries).
He recorded for King, Gotham, Philo (in 1945), Savoy, and Decca along the way, doing well on the latter logo with "Box Car Shorty and Peter Blue" in 1947. After returning to New Orleans in 1948, he recorded for DeLuxe and cut a two-part "ABCs" for Imperial in 1954 as Smilin' Joe under Dave Bartholomew's supervision. But by then, his recording career had faded.
The pianist was booked on a 1964 Blues and Gospel Train tour of England, sharing stages with Muddy Waters, Otis Spann, Brownie McGhee and Sonny Terry, and Sister Rosetta Tharpe and appearing on BBC-TV with the all-star troupe. He cut a 1971 album for the French Black & Blue label, Bad Luck Blues, that paired him with guitarists Gatemouth Brown and Jimmy Dawkins and a Chicago rhythm section -- hardly the ideal situation, but still a reasonably effective showcase for the ebullient entertainer (it was reissued in 1994 by Evidence) ~AMG.

New York and New Orleans Blues 1945-1951



Champion Jack Dupree - Champion Of The Blues
Memphis Slim and Roosvelt Sykes - Double-Barreled Boogie



Posted by muddy

Oznake: Cousin Joe, Piano Blues, New Orleans Blues, Blues Jazz

- 19:27 - Comments (0) - Print - Link for this post

Little Brother Montgomery - Complete Recorded Works 1930-1936

Styles: Piano Blues
Label: Document
Released: 1992
File: mp3 @320K/s
Size: 175,0 MB
Time: 75:21
Art: full

1. No Special Rider Blues - 2:53
2. Vicksburg Blues - 2:56
3. Louisiana Blues - 3:28
4. Frico Hi-Ball Blues - 2:33
5. The Woman I Love Blues - 3:38
6. Pleading Blues - 2:53
7. Vicksburg Blues No. 2 - 2:58
8. Mama You Don't Mean Me No Good - 3:12
9. Misled Blues - 2:43
10. The First Time I Met You - 2:46
11. A&V Railroad Blues - 2:34
12. Tantalizing Blues - 2:48
13. Vicksburg Blues, Part 3 - 3:10
14. Louisiana Blues, Part 2 - 2:56
15. Santa Fe Blues - 2:33
16. Something Keeps A-Worryin' Me - 2:47
17. Out West Blues - 2:46
18. Leaving Town Blues - 3:00
19. West Texas Blues - 2:50
20. Never Go Wrong Blues - 3:07
21. Sorrowful Blues - 2:57
22. Mistreatin' Woman Blues - 3:09
23. Chinese Man Blues - 2:45
24. Farish Street Jive - 2:35
25. Crescent City Blues - 2:36
26. Shreveport Farewell - 2:36

Notes: This single CD from the European Document label has all of Montgomery's 26 prewar recordings as a leader. Two solo numbers are from 1930, including "Vicksburg Blues"; there are a couple songs from 1931 and four duets with guitarist Walter Vincson from 1935. The remainder of this release features Montgomery during a marathon session on Oct. 16, 1936 that resulted in 18 solo selections. All the numbers except the final three on this CD have vocals by Montgomery, but the most rewarding selections are those three instrumentals. On "Farish Street Jive," "Crescent City Blues" and "Shreveport Farewell," Little Brother Montgomery shows just how talented a pianist he was, making one regret that he felt compelled to sing (in a likable but not particularly distinctive voice) on all of the other numbers. A very complete and historic set.

Complete Recorded Works 1930-1936



Memphis Piano Red - Blues At Home 4
Sue Keller - Ol' Muddy



Posted by muddy

Oznake: Little Brother Montgomery, Piano Blues

- 18:45 - Comments (0) - Print - Link for this post

ponedjeljak, 27.01.2014.

Pat Thomas - His Father's Son

Styles: Modern Acoustic Delta Blues
Label: Broke & Hungry
Released: 2008
File: mp3 @320K/s
Size: 92,4 MB
Time: 40:21
Art: front

1. Dance With The Red Dress On - 2:52
2. 61 Highway - 4:24
3. Big Fat Mama - 3:38
4. Standing At The Crossroads - 3:26
5. Mule Plow Line - 3:27
6. Sugar Mama - 3:08
7. Dimples - 4:30
8. Cairo Blues - 2:59
9. Rainbow At Midnight - 2:37
10. Leland's Burning Down - 2:10
11. The Woman I Love - 3:02
12. Beefsteak Blues - 3:28
13. Hidden Track - 0:34

Personnel:
Pat Thomas - Guitar, Vocals
Lee Williams - Drums (1,3,7,10,11)

Notes: Pat recently came to the attention of the wider blues world through his appearance in the critically acclaimed documentary 'M For Mississippi: A Road Trip Through The Birthplace Of The Blues'. Yet his appearance in the film only hints at the full depth of his talents. At 49, Pat could hardly be described as a young man. But in the world of rural bluesmen, where the median age is closer to 70, he’s practically a kid. Yet his music hearkens back to a much earlier time – an era when juke joints, house parties and free-flowing moonshine were more than a cultural artifact; they were a way of life. This is the music Pat grew up with; the music he learned at the feet of his father, the late great James 'Son' Thomas. The elder Thomas was one of the Delta’s most celebrated blues artists during the last several decades of the 20th century. He recorded numerous times for a wide variety of labels, and he played major festivals both at home and abroad. Of his 13 children, only his son Pat, has followed in his musical footsteps. Most of the songs in his repertoire are those he heard his father play. And although Son Thomas has been dead for more than 15 years, he is never far from Pat’s thoughts. Pat can often be found sitting by his father’s grave in Leland, Mississippi, playing his father’s songs on a battered guitar. As evidenced by the 12 tracks on 'His Father’s Son', Pat Thomas belongs to a very small club of truly traditional bluesmen. Although he’s heard playing an electric guitar on two tracks and is joined by drummer Lee Williams on a few more, most of the CD features just Pat on an old acoustic guitar, playing songs of an earlier age, many of which were old when his father began performing them a half century ago. Recorded over two days in August 2008, Pat’s debut CD offers strong proof that the old traditions die hard. Fans of down-home blues won’t want to miss this one. And those who know and love the music of James “Son” Thomas will find that Pat truly is his father’s son.

His Father's Son



James 'Son' Thomas - Mississippi Delta Blues Man
Jesse Fuller - Jazz, Folks Songs, Spirituals and Blues



Posted by muddy

Oznake: Pat Thomas, Delta Blues

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Blind Arvella Gray - The Singing Drifter

Styles: Acoustic Country Blues, Folk-Blues, Acoustic Chicago Blues, Songster
Label: Conjuroo
Released: 1972/2005
File: mp3 @320K/s
Size: 125,0 MB
Time: 53:45
Art: front + back

1. There's More Pretty Girls Than One - 2:21
2. John Henry - 7:01
3. Arvella's Work Song - 3:20
4. Take Your Burden To The Lord - 4:03
5. When The Saints Go Marching In - 4:19
6. Standing By The Bedside Of A Neighbor - 2:40
7. Those Old Fashioned Alley Blues - 7:48
8. Gander Dancing Song - 4:24
9. Stand By Me - 2:23
10. What Will Your Record Be - 2:14
11. If I Could Hear My Mother Pray Again (Previously Unreleased) - 2:40
12. Motherless Children Have A Hard Time (Previously Unreleased) - 3:49
13. Take My Hand Precious Lord (Previously Unreleased) - 2:55
14. Cryin' Holy Unto The Lord (Previously Unreleased) - 2:08
15. Standing By The Beside Of A Neighbor (Outtake) (Bonus Track) - 1:34

Personnel:
Blind Arvella Gray - Dobro, Vocals

Notes: Blind Arvella Gray's real or imagined life story is, in some respects, a more complete creative statement than the actual music he made. Born Walter Dixon in Texas in 1906, he lost his eyesight and two fingers on his left hand due to a shotgun mishap (Gray's account of the incident involved several different plot possibilities), and he turned to street singing to keep things afloat. At some point in the 1940s he landed in Chicago, where he became a fixture at the Maxwell Street open-air flea market, playing his National Steel guitar and singing a mixed bag of blues, gospel, spirituals, work songs, and field hollers. By the early '70s he had released three 45s on his own Gray Records label, had four songs on a British import album called Blues from Maxwell Street, and had been featured in the video documentary And This Is Free. On September 22, 1972, he recorded his only album, The Singing Drifter, at Sound Unlimited Studios in Harvey, IL. The LP was issued on the tiny Birch Records label that same year, and quickly sold out its limited run in the Chicago area, where Gray's Maxwell Street presence had made him somewhat of a local celebrity. This reissue of The Singing Drifter on Conjuroo Recordings contains the complete original album, and adds four bonus tracks (plus an unlisted fifth bonus track, an alternate take of "Standing by the Bedside of a Neighbor"). Gray was hardly a skilled guitarist, as the missing fingers on his left hand limited him to slide playing, and he wasn't a particularly distinctive singer, either. What he had working for him was a certain joyful élan, which is why seeing him in person was undoubtedly more powerful than hearing him on record. The rhythms and vocal lines are very similar here track to track, which gives The Singing Drifter the illusion of being one long street song. The exceptions are a spirited rendition of what was Gray's unofficial theme piece, "John Henry," and a pair of field hollers, "Arvella's Work Song" and "Gander Dancing Song," where Gray sings accompanied only by his light handclapping. As an embodiment of the old street singer and songster tradition, Gray was undoubtedly a delight to see and hear at the market on a fine summer's morning, but a good deal of his presence is lost when all you have is his voice and guitar in the speakers. The Singing Drifter is certainly a valuable archival release, and those who saw him perform on Maxwell Street (Gray died in 1980) will treasure this disc for the memories it provokes, but it is truthfully a rather so-so musical document. In the end, it was Gray's physical presence as he stood playing that National Steel on the corner, and the long, storied journey (embellished or not) he took to get there, that was the real creative act.

The Singing Drifter



Blind Willie McTell - Searching The Desert For The Blues
Various - Good For What Ails You: Music Of The Medicine Shows (1926-1937)



Posted by muddy

Oznake: Blind Arvella Gray, Country Blues, Folk-Blues, Chicago Blues, Songster

- 22:14 - Comments (0) - Print - Link for this post

nedjelja, 26.01.2014.

Eddie Lee Jones And Family - Yonder Go That Old Black Dog

Styles: Acoustic Blues
Label: Testament
Released: 1995
File: mp3 @320K/s
Size: 88,5 MB
Time: 38:41
Art: full

1. Yonder Go That Old Black Dog - 2:15
2. Baby, Please Don't Go - 1:56
3. She's Mine, She's Yours - 3:55
4. Oh Graveyard, You Can't Hold Me Always - 1:56
5. You're Gonna Need My Help Someday - 2:23
6. Slide Instrumental - 1:20
7. Stop And Listen - 2:52
8. I May Never See You Anymore - 2:29
9. I Got A Yellow Gal - 1:59
10. John Henry - 4:31
11. I Won't Be Troubled No More - 2:49
12. I'm Talking 'Bout You - 1:26
13. Keep Your Lamp Trimmed And Burning - 3:06
14. Instrumental - 1:37
15. Let That Liar Alone - 1:44
16. Which Way Does The Blood Red River Flow - 2:15

Notes: In 1965 folklorist Bill Koon was out for a walk near Lexington, GA, when he happened across Eddie Lee "Mustright" Jones playing guitar on a porch. Intrigued, Koon walked up and introduced himself, quickly realizing that Jones' archaic song repertoire, which bounced between old black spirituals, early blues, and interpretations of fiddle dance tunes, was something special. He returned with a reel-to-reel recorder and taped several hours of Jones singing and playing, often with interjections and unsolicited vocals from Jones' family and friends. The results were released on Pete Welding's Testament label. Little else is known about Jones, but his music has a wonderful, ragged charm.

Yonder Go That Old Black Dog is a very special album, perhaps more important for the atmosphere it sets than for the quality of the actual recordings. Compiled by folklorist Bill Koon from field recordings he made after encountering Eddie Lee "Mustright" Jones playing guitar on a porch in Lexington, GA, in 1965, the album has the feel of an early 19th century African-American singalong, with Jones' family and friends adding spoken interjections and impromptu background vocals to whatever Jones is singing. The material isn't blues as such, although Jones' guitar playing and slide work definitely has a bluesy tone to it, but tends to drift closer to folk spirituals and guitar renditions of fiddle dance tunes. Nothing here is slick or polished, but the easy, communal intimacy of hearing Jones and his family tackle "Yonder Go That Old Black Dog," "I May Never See You Anymore," "I'm Talking 'Bout You," "Let That Liar Alone," the blues spiritual "Keep Your Lamp Trimmed and Burning," and the folk chestnut "John Henry" makes this a valuable document of how families entertained themselves before radio, television, and computers came along to alter everything. Insular, gentle, amateur, and endearing, Yonder Go That Old Black Dog is a fascinating album, intended mostly for music scholars, but with an undeniable charm that should appeal to the casual listener.

Yonder Go That Old Black Dog



Celso Salim & Rodrigo Mantovani - Diggin' The Blues
Cliff Aungier - The Acoustic Blues



Posted by muddy

Oznake: Eddie Lee Jones, Acoustic Blues

- 22:23 - Comments (1) - Print - Link for this post

VA - Plantation Blues Cotton Patch & Tobacco Belt Blues

Size: 159,5 MB
Time: 68:05
File: MP3 @ 320K/s
Released: 2005
Styles: Country Blues, Delta Blues
Label: Saga Jazz France
Art: Front

01 Garfield Akers - Cottonfield Blues (3:20)
02 Son House - Government Fleet Blues (6:51)
03 Joe Callicot - Fare Thee Well Blues (3:11)
04 John Fox - The Moaning Blues (3:02)
05 Blind Joe Reynolds - Third Street Woman Blues (2:42)
06 Robert Hill - I'm Going To Write And Tell My Mother (2:56)
07 Robert Petway - Rocking Chair Blues (3:03)
08 Mississippi Matilda - Hard Working Woman (2:54)
09 Pine Top Slim - Applejack Boogie (2:27)
10 Dan Pickett - Baby How Long (2:43)
11 David Wylie - Shackles Around My Body (2:59)
12 Blind Boy Fuller - I'm A Stranger Here (2:56)
13 Richard Trice - Lazy Bug Blues (2:16)
14 John Tinsley - Keep Your Hands Off Her (2:26)
15 Willie Trice - Come On In Here Mama (3:15)
16 Bull City Red - Black Woman And Poison Blues (3:02)
17 Floyd Council - Looking For My Baby (2:52)
18 Bob Campbell - Worried All The Time (2:56)
19 Cedar Creek Sheik - V-8 Ford (2:49)
20 'Roosevelt Antrim' - Complaint To Make (3:25)
21 Sonny Jones - I'm Pretty Good At It (2:48)
22 Alec Seward - Little Annie Blues (3:07)


Plantation Blues-Cotton Patch & Tobacco Belt Blues. 22 track digipak collection of often haunting but ultimately uplifting original Blues recordings from the late '20s up until the early '50s, written and recorded by artists who lived the Blues on a day to day basis. Features tracks from Son House, Garfield Akers, Blind Joe Reynolds, Mississippi Matilda, Richard Trice, Cedar Creek Sheik, Roosevelt Antrim, Blind Boy Fuller and more.


Thanks to DrPeak.
Plantation Blues Cotton Patch & Tobacco Belt Blues



Brownie McGhee - Brownie's Blues
Juke Boy Bonner - Life Gave Me A Dirty Deal

Posted by kamane

Oznake: Various Artists

- 21:42 - Comments (0) - Print - Link for this post

subota, 25.01.2014.

The Blue Rider Trio - Early Morning Blues (Discs 1 & 2)

Ben Andrews, a talented guitarist and singer who performed in the North Carolina-Virginia-Maryland area, emerged in 1990 to make this superior set. Teamed in a trio with Mark Wenner on harmonica and bassist Jeff Sarli, Andrews performs vintage country blues by the likes of Robert Johnson, Blind Willie McTell, Leadbelly, Blind Blake, Mississippi John Hurt, and others, contributing two songs of his own ("Freight Train Boogie" and "She Don't Do Me Wrong"). Andrews captures the magic of the early era without merely copying the past, creating a set that fans of early country blues will definitely want to acquire. ~ Scott Yanow

Ben Andrews (vocals, acoustic guitar); Mark Wenner (harmonica); Jeff Sarli (bass).

Recording information: Mapleshade Studios. Personnel: Ben Andrews (vocals, guitar); Mark Wenner (harmonica); Jeff Sarli (electric bass).

Album: Early Morning Blues (Disc 1)
Bitrate: 320K/s
Time: 49:43
Size: 113.8 MB
Styles: Country blues
Year: 2010
Art: Front

[4:29] 1. Gallows Pole
[4:18] 2. Preachin' The Blues
[4:40] 3. Stomp Down Rider
[2:56] 4. Old Blue Goose
[5:03] 5. Early Morning Blues
[3:59] 6. Cincinnati Rag
[6:15] 7. Pay Day
[3:30] 8. Walkin' Blues
[2:48] 9. Georgia Rag
[3:45] 10. Freight Train Boogie
[3:32] 11. Statesboro Blues
[4:24] 12. She Don't Do Me Wrong

Early Morning Blues (Disc 1)



Album: Early Morning Blues (Disc 2)
Bitrate: 320K/s
Time: 47:13
Size: 108.1 MB
Styles: Country blues
Year: 2010
Art: Front

[2:43] 1. Salty Dog
[4:02] 2. Easy Rider
[3:43] 3. Last Fair Deal Goin' Down
[4:22] 4. Death Have No Mercy In This Land
[4:29] 5. Ride Till I Die
[3:34] 6. Make Me A Pallet On The Floor
[3:05] 7. Black Betty
[4:10] 8. Stagolee
[5:06] 9. Kokomo blues
[3:50] 10. Silver City Bound
[2:26] 11. Long Tall Momma
[2:47] 12. See See Rider
[2:49] 13. Diddy Wa Diddy

Early Morning Blues (Disc 2)

Mo' Albums...
Jessie Mae Hemphill, Hezekiah & The House Rockers - Mississippi Blues Festival
CW Ayon - Lohmador

Posted by azzul

Oznake: Blue Rider Trio, Piedmont Blues, Delta Blues

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Braithwaite & Whiteley - Sugar & Gold

Bitrate: 320K/s
Time: 39:41
Size: 90.9 MB
Styles: Acoustic blues
Year: 2008
Art: Front

[4:33] 1. Freedom Train
[5:19] 2. Sugar And Gold
[3:55] 3. Children Go Where I Send Thee
[3:44] 4. Woke Up This Morning
[3:33] 5. Mary Ann Shadd
[3:03] 6. The Ballad Of Alexander Milton Ross
[1:31] 7. Pioneer Medley
[3:15] 8. The Road Is Long
[3:35] 9. By The Shores Of Lake Huron
[2:16] 10. Woke Up This Morning (Reprise)
[4:52] 11. Go Down Moses

Diana Braithwaite's personal history as the direct descendant of American Blacks that were able to escape to freedom in Canada through the Underground Railroad lead to the creation of a multimedia musical history workshop that Braithwaite and Whiteley have taken to primary and middle schools across North America. This Underground Railroad workshop has been performed over 5 years to more than 60,000 students and community groups across the country.

Braithwaite was dubbed a "national treasure" by Bluz FM radio host Danny Marks. Toronto born and raised, her ancestors traveled to Canada from Virginia, via the Underground Railroad. A gifted and captivating performer, Diana was chosen by Sarah McLachlan to open Lilith Fair at the Molson Amphitheatre, before 18,000 people, Her talent, and authentic blues shows have led her into the company of such stalwarts as Mel Brown, Albert Collins, John Lee Hooker and Jeff Healey. Appearances at shows in North America, U.K. and Europe led to her reputation as a world-class blues singer.

Kansas born Whiteley moved with his family to Toronto, where as a teen-age performer he met blues legend Lonnie Johnson, who taught and encouraged him. During the late 70's he toured and recorded with Leon Redbone, appearing with him on Saturday Night Live. He also met a great mentor in legendary Chicago piano player Blind John Davis, who had been the house piano player at Bluebird Records, Whiteley toured and recorded with Davis, as well as building a solid reputation as a multi-instrumental session player, appearing on over 200 recordings, and as a solo artist, leading to numerous Canadian Maple Blues Awards as both songwriter and horn player of the year, and a Jazz Report Magazine Blues Album of the Year Award. In 2010 Whiteley was awarded the prestigious BLUES WITH A FEELING AWARD, for lifetime achievement in the blues.

Together, Braithwaite and Whiteley continue to expand their horizons, and please audiences young and old.

Sugar & Gold

Mo' Albums...
Eric Bibb, Rory Block & Maria Muldaur - Sisters & Brothers
Aurore Quartet - S/T



Posted by azzul

Oznake: Braithwaite & Whiteley, Acoustic Blues

- 16:53 - Comments (0) - Print - Link for this post

46 Long - Time's Right

Bitrate: 320K/s
Time: 54:03
Size: 123.8 MB
Styles: Acoustic/electric blues
Year: 2007
Art: Front

[ 3:26] 1. Time's Right
[ 3:19] 2. Aberdeen
[ 3:59] 3. My Baby's Away
[ 6:37] 4. Drop Down Mama
[ 4:41] 5. East 13
[ 3:03] 6. Shame On Me
[ 5:32] 7. Death Letter
[ 3:43] 8. Midnight Special
[ 5:09] 9. Put A Spell On You
[ 4:05] 10. Arzikin Wuta
[10:22] 11. Music For Murder

46 Long (Jonathan Reynolds – Guitar/Vocals, and Blake Taylor - Harmonica / Vocals) has been supplying the greater Cincinnati area with high-energy semi-acoustic Blues since the spring of 2001. The duo released "Savor Every Second" in January 2003 to critical acclaim and eventually went on to be nominated for a Cincinnati Entertainment Award (CEA) for Best Blues 2003.

Once dubbed "the finest dancing White Boy in all of Boston" by Luther Guitar Junior Johnson, Jonathan's musical roots trace mainly to Knoxville where he played with Defenders of the Faith, the late Sarah Jordan's "Jordan Project," and hosted the regionally famous Sassy Ann's Blue Jam. He also spent several years playing guitar (among other things) in West Africa. Blake, a native New Yorker, left his classical voice and piano training behind to play Rock and Blues for tipsy dancing babes in late-night smoky clubs. Nice work if you can get it. Along the way Blake has fronted Smokestack Lightning in northern England, Blues Cult in Cincinnati, and various other "hired harp" work along the way, most recently with Blues goddesses Mary Ann Kindel and Cheryl Renee, as well as with Jon Justice. Blake has also flirted with rock stardom by sitting in with Jason Ricci and with Spoon.

"Time's Right" represents four years of loving, careful, and sometimes agonizingly slow work. We’re confident that you don’t have anything quite like it in your record collection. We sure don’t. Sure, there are other guitar/harp Blues duos out there, but somewhere since our beginnings in 2001 as an acoustic Blues group, we’ve become something different. We hope you like it. We may be over-educated middle class white boys, but somewhere along the line we learned to throw down anyway. Come on out - just give us a shot... if we don't deliver, we'll buy you a beer.

Oh, and the name? Put it this way, at 6'3" and 215 lbs, Blake is the little one.

Time's Right

Mo' Albums...
Liz Vice - There's A Light
VA - No Less Than Wireless (Dutch Blues Unplugged)



Posted by azzul

Oznake: 46 Long, Acoustic Blues

- 14:50 - Comments (0) - Print - Link for this post

petak, 24.01.2014.

Blind Willie Johnson - Dark Was The Night

Styles: Acoustic Texas Blues, Blues Gospel, Pre-War Gospel Blues, Slide Guitar Blues
Label: Legacy
Recorded: 1928-1931
Released: 1998
File: mp3 @320K/s
Size: 158,8 MB
Time: 69:21
Art: full

1. I Know His Blood Can Make Me Whole - 3:04
2. Jesus Make Up My Dying Bed - 3:14
3. It's Nobody Fault But Mine - 3:11
4. Mother's Children Have A Hard Time - 3:23
5. Dark Was The Night - 3:21
6. If I Had My Way I'd Tear The Building Down - 3:10
7. Bye And Bye I'm Gion' To See The King - 2:53
8. The Soul Of A Man - 3:15
9. Lord I Just Can't Keep From Crying - 3:03
10. Keep Your Lamp Trimmed And Burnin' - 3:05
11. Let your Light Shine On Me - 3:11
12. John The Revelator - 3:19
13. Praise God I'm Satisfied - 3:12
14. Good Moves On The Water - 3:00
15. Trouble Will Soon Be Over - 3:08
16. Churh, I'm Fully Saved Today - 3:08
17. Go With Me To That Land - 3:05
18. When The War Is On - 3:03
19. Take Your Burden To The Lord And Leave It Here - 2:57
20. I'm Gonna Run To The City Of Refuge - 3:24
21. You'll Need Somebody On Your Bond - 3:06
22. Take Your Stand - 2:59

Notes: Even in the blues, a style capable of wrenching unexplainable emotions from its audience, Blind Willie Johnson has few equals. With a voice capable of alternating effortlessly between sublime, trembling tenor and the sound of pure gravel, and unparalleled skill with the bottleneck (and knife), Johnson recorded 30 sides for Columbia (1927-1930) that stand as a high-water mark for both country blues and raw gospel. Given the fact that his entire output has been issued by both Yazoo and Columbia, it's difficult to imagine opting for this single disc. Anyone looking for more material will be forced to purchase sets with redundant selections. Still, if you are only seeking one collection, you cannot go wrong with Dark Was the Night. Included are both "God Moves on the Water" and "Dark Was the Night, Cold Was the Ground," which are both utterly necessary, along with the classics "Praise God I'm Satisfied," "Jesus Make Up My Dying Bed," "John the Revelator," and 11 others. "God Moves" is a slide masterpiece in which Johnson's guitar interjections and responses become as captivating as his voice and a tale of the Titanic sinking at the will of God. "Dark Was the Night" is an otherworldly performance of gorgeously spun slide lines and Johnson's wordless moaning, aimed straight at the heart. Everything else on hand is nothing less than emotionally rich, consummately executed and spiritually charged blues at its very best.

Read more

Dark Was The Night



John Dee Holeman - John Dee Holeman & The Waifs Band
Various - Angola Prison Spirtuals



Posted by muddy

Oznake: Texas Blues, Blind Willie Johnson, Gospel, Slide Guitar Blues

- 22:52 - Comments (1) - Print - Link for this post

Doug Cox & Friends - BoneBottleBrassOrSteel

Styles: Americana, Roots, Slide Guitar Blues
Released: 1996
Label: Mala Hat Mountain Music
File: mp3@320K/s
Size: 100.8 MB
Time: 44:02
Art: front

1. Fanfarinette - theme to CBC's Discdrive - 3:00
2. Good Morning Blues w/ Long John Baldry - 3:35
3. Wrapped Around Your Finger - 4:18
4. Dave Macon Rag/Strawberry Creek - 2:51
5. Musta Notta Gotta Lotta - 6:01
6. In The Days of the Pied Pumkin - 3:57
7. While My Guitar Gently Weeps - 3:46
8. Red Haired Shake - 1:55
9. The Layoff - 0:53
10. The Circle Game - 2:47
11. Suicide Creek - 3:14
12. Riley's Lullabye - 2:21
13. I Like To Slide w/ Ellen Mcilwaine - 5:19

Notes: Doug is joined on his second CD by a who's who of Acoustic Roots music including performances by Long John Baldry, Bob Bossin, Clive Gregson, David Grier, Ken Hamm, Ellen McIlwaine, John Reischman, Tony Trischka, Shari Ulrich and Diamond Joe White.
...a grand exploration of the diverse tones and moods that can be cast by a Dobro or a slide guitar... ~ by Robert Moyes, Monday Magazine, Victoria, BC
Cox hits every style the dobro can accomodate with its acoustic slithering, including blues with Long John Baldry, newgrass with Tony Trischka, David Grier and John Reischman, cowboy poetry with Diamond Joe White, as well as hard rock and mellow rock. The common thread is that he hires the best players for each style, and with Cox being among the most expressive of Dobro players, the results are stunning. ~ from the Chicago Tribune; by David Duckman
...everyone on the CD had a ball and the results show the versatility of the man and his Dobro...  ~ from Folk Roots Magazine
This is actually Doug Cox and friends like Long John Baldry, Bob Bossin, Ken Hamm, David Grier, John Reischman and plenty of others singing to and accompanying a lot of excellent dobro and slide guitar playing. Cox is the indefatigable Victoria singer-writer-instrumentalist with Travels With Charley and a great lover of guitar-based roots music. Here he indulges all his passions from blues to folk, including a great instrumental of Joni Mitchell's Circle Game, John Baldry singing on Leadbelly's Good Morning Blues and the gnarly I Like To Slide with Ellen McIlwaine. ***1/2 ~ by John P. McLaughlin, The Vancouver Province
...like his first disc, it sports an impressive line-up of guests...Cox sweeps across a lot of musical territory, from the theme to CBC-FM's DISC DRIVE program to the Dave Macon Rag, over to a tribute to Shari Ulrich's old '70s group Pied Pumkin to his ba! ckin g Diamond Joe White on a piece of social-comment poetry titled The Layoff. The production is first rate as are the liner notes and hopefully Bone Bottle Brass or Steel will give Cox some recognition on a national rather than only a regional level. ~ by Peter Nort, The Edmonton Journal ~cdbaby
Read more

BoneBottleBrassOrSteel



Dan Baker - Pistol In My Pocket
Kelly Joe Phelps - Roll Away The Stone



Posted by muddy

Oznake: Americana, Doug Cox, Roots, Slide Guitar Blues

- 22:44 - Comments (0) - Print - Link for this post

četvrtak, 23.01.2014.

Van Hunt - Blues At Home 1: Recorded In Memphis, Tennessee (1976-1978)

Size: 162,7 MB
Time: 69:47
File: MP3 @ 320K/s
Released: 2013
Styles: Piano Blues, Memphis Blues
Label: Mbirafon
Art: Front

01. Sitting Here Drinking (Sweet Charlene & Mose Vinson) (3:39)
02. No More Dogging (Mose Vinson) (2:17)
03. Early in the Morning, About the Break of Day (Take 1) (Van Hunt & Mose Vinson) (4:33)
04. Early in the Morning, About the Break of Day (Take 2) (Van Hunt & Mose Vinson) (2:40)
05. Nobody's Business but Mine (2:18)
06. That’s All Right (Sweet Charlene & Mose Vinson) (2:46)
07. Forty-Four Blues (Sweet Charlene & Mose Vinson) (2:02)
08. Tin Pan Alley (Sweet Charlene & Mose Vinson) (2:37)
09. Mississippi River Blues (Take 1) (2:13)
10. Don't the Moon Look Lonesome (Take 2) (Mose Vinson) (2:42)
11. Just a Closer Walk With Thee (Van Hunt & Mose Vinson) (2:13)
12. You Don't Need Me No More (Mose Vinson) (2:43)
13. I Never Knew What Love Would Do (Van Hunt & Mose Vinson) (3:27)
14. Long Lonesome Road (Van Hunt & Mose Vinson) (3:11)
15. Careless Love (Mose Vinson) (1:56)
16. Corinna, Corinna (Van Hunt & Mose Vinson) (2:27)
17. Old Blue Jumped a Rabbit (Take 1) (Mose Vinson) (2:32)
18. Old Blue Jumped a Rabbit (Take 2) (Mose Vinson) (2:53)
19. Pinetop's Boogie Woogie (Mose Vinson) (2:14)
20. The Darktown Strutters' Ball (Van Hunt & Mose Vinson) (2:06)
21. Crump and Jim Kinnane (1:13)
22. Jelly Selling Blues (Take 2) (Van Hunt & Mose Vinson) (2:25)
23. Troubled World (3:58)
24. Sunnyland Special (Van Hunt & Mose Vinson) (3:21)
25. Mose Vinson Discusses Old Blue Jumped a Rabbit (Mose Vinson) (1:30)
26. Mrs. Van Hunt Discusses Crump and Jim Kinnane (0:30)
27. Mrs. Van Hunt Discusses Bottleneck Technique (2:14)
28. Mrs. Van Hunt and Mrs. Ruth Ogilvie Discuss Repertoire (0:54)


Mbirafon presents its new “Blues At Home” CD Collection, with a wide range of artists and documents, that offer research-based, in-depth information for the public worldwide. With a sober and fluent design this new collection answers every demand of the modern blues audience who expect full usability with computers and mobile devices. Every volume has been carefully produced, giving listeners the all important confidence that the material featured is as high-quality as it is authentic.

On December 1972, with the help of the legendary harmonica player Hammie Nixon, using a professional portable equipment, I had the chance to start recording blues in Memphis. The documentary research continued in July 1976, ending in July 1982. A series of informal sessions was held during the course of my five trips through Tennessee, Mississippi, and Louisiana, featuring well known, but also little known, and unknown musicians. A collection of tapes and photographs was created and kept in my private archive. In order to preserve these materials I transferred to digital those I thought were best, and by 2013 the 15-volume “Blues At Home” CD Collection was ready for release.

The first volume of the Mbirafon “Blues At Home” Collection, this CD features one of the most intense voices of the blues, Van Zula Carter Hunt. This central figure in the Memphis blues scene was born in 1901 in Somerville, Tennessee, but spent her whole life in Memphis, where she was living on South 4th Street when I met her in 1976. She started singing and playing at age five, performing with her brother and cousins in a group called Somerville Family Band. Around the late 1910s, she moved to Memphis and began her professional musical activity, traveling for several years with minstrel shows. She played with local blues artists such as Sleepy John Estes, Frank Stokes, Gus Cannon, and Memphis Minnie. In November 1930, she recorded “Selling The Jelly” (issued under the name of the Carolina Peanut Boys) in Memphis for Victor Records. She also recorded some gospel sides as a chorus member with Rev. E.D. Campbell for Victor in 1927. Van Hunt was rediscovered, through the referral of Dewey Corley, by Gene Rosenthal, who recorded her for the Adelphi label in 1969-1970.
Mose Vinson was born in Holly Springs, Mississippi, in 1917. He learned how to play the piano at the age of five from his mother, who played the organ at church. His father, also a musician and a piano player, taught him his first musical elements and some early blues. Vinson started playing in public in 1932 around the age of 15 and was spotted for his talent by some white managers in 1936. He studied and learned to read music, and joined a band in Nashville for six years. He recalled leaving Holly Springs at an early age and traveling in the areas of Mississippi, Tennessee, and Arkansas, reaching Memphis in 1945, where he lived for the rest of his life. While in Memphis, Mose’s piano style was influenced by several musicians, mostly active in local cabarets and nightclubs where he gained some of his musical experience. He also performed during those years with B.B. King for black audiences, recalling Memphis Slim and Walter Davis as well. During the ‘50s, he recorded for several labels, including Sun Records, with Joe Hill Louis and Jimmy De Berry. Mose Vinson stopped playing at clubs around 1962, and in 1969-1970 was rediscovered and recorded by Gene Rosenthal for Adelphi Records. One of the best-known and respected Memphis piano blues players, he performed in the River City and abroad until his death in 2002 at age 85.
Van Hunt’s daughter Sweet Charlene Peeples was born in Memphis, Tennessee, in 1936. She received her musical training mainly in church vocal groups and during the late 1940s and 1950s in local nightclubs. She performed professionally on several Memphis stages. A very reserved person, Charlene stopped her musical activities during the early 1970s, although she made a few public appearances in 1971 at both the River City Blues Festival and the Wolf Trap National Park Festival in Virginia, and at the Beale Street Music Festival in 1979. In 1976 and 1978, I had the chance to record various sessions with Mose Vinson, Van Hunt, and Sweet Charlene. This CD features four examples of Van Hunt on vocal and guitar, and various tracks accompanied by Mose Vinson’s piano. There are also blues and boogie solos by Mose Vinson plus four pieces sung by Sweet Charlene with his piano accompaniment. All tracks have been fully digitally remastered in 2013 from the original tapes. ~Giambattista Marcucci


Blues At Home 1



VA - Bukka White & Others: Blues At Home 7
Sam Chatmon - Blues At Home 2

Posted by kamane

Oznake: Van Hunt, Mose Vinson, Sweet Charlene, Memphis Blues, Piano Blues

- 19:19 - Comments (0) - Print - Link for this post

John Craigie - The Apocalypse Is Over

Size: 105,6 MB
Time: 45:18
File: MP3 @ 320K/s
Released: 2013
Styles: Blues Folk
Label: Zabriskie Point Records
Art: Front

01. Innocent In My Arms (4:14)
02. Ain't Comin' Back (3:12)
03. Rachel (4:16)
04. We Ain't Leaving This Bar, Patrick (Til We Find You Some Love) (5:46)
05. Before Lafayette Turns Off Its Lights (4:07)
06. Preservation Hall (4:20)
07. Free Drinks For Everyone (3:16)
08. I Wrote Mr. Tambourine Man (6:09)
09. Goddess Of New Orleans (5:41)
10. Keep It Warm (4:12)


Folk music with some New Orleans flavor

For the past decade, John Craigie has “lived the life romantic” of a continuously touring folk-singer, taking his unique musical style across the United States and the world. A singer, songwriter and storyteller, he stays true to the essence of folk music, and the traditions of the seminal writers of our past century. With timeless melodies and insightful lyrics—interspersed with witty storytelling—his songs take many poetic turns before bringing his listeners back home. His themes range from social commentary to personal empowerment, political satire, and modern love.

John’s live performances – in private homes, cafes, festivals, and sold-out venues – inspire and delight his audiences, who welcome him like a long-lost son and return to see him whenever he visits. He has traveled around the world, having played in all 50 states and beyond, bringing his music to nearly every corner of the planet. His fans span generations, political ideologies and geographic locations, but they are all charmed by the dynamic yet humble troubadour peering out from under his signature cap.

John Craigie writes, sings, and plays for the people.


The Apocalypse Is Over



Various - Classic Appalachian Blues From Smithsonian Folkways
Luther Dickinson And The Sons of Mudboy - Onward & Upward

Posted by kamane

Oznake: John Craigie, Folk-Blues

- 19:06 - Comments (0) - Print - Link for this post

srijeda, 22.01.2014.

The Chieftains - The Wide World Over

Styles: Traditional Irish Folk, Traditional Celtic, Traditional Folk, Celtic Folk, Traditional Country
Released: 2002
Label: RCA Victor
File: mp3 @320K/s
Size: 164,1 MB
Time: 71:15
Art: Full

 1. March of the King of Laois; Paddy's Jig; O'Keefe's - Chattering Magpie (Reels) - 4:23
 2. The Foggy Dew (feat. Sinead O'Conner) - 5:00
 3. I Know My Love (feat. The Corrs) - 3:24
 4. Cotton-Eyed Joe (feat. Rickey Skaggs) - 2:46
 5. The Magdalene Laundries (feat. Joni Mitchell) - 4:56
 6. Live From Matt Molloy's Pub - 2:19
 7. Shenandoah (feat. Van Morrison) - 3:52
 8. The Munster Cloak; An Poc Ar Buile; Ferny Hill-Little Molly - 6:11
 9. Morning Has Broken (feat. Diana Krall & Art Garfunkel) - 2:54
10. Morning Dew; Women of Ireland - 2:57
11. Mo Ghile Mear (feat. Sting) - 3:19
12. Carolan's Concerto (feat. The Belfast Harp Orchestra) - 3:01
13. Guadalupe (feat. Linda Rondstadt & Los Lobos) - 3:30
14. Full of Joy (feat. the Chinese Ensemble) - 3:22
15. Here's A Health to the Company - 3:03
16. Chasing the Fox (feat. Erich Kunzel & The Concinnati Pops Orchestra) - 4:09
17. Long Journey Home (feat. Elvis Costello & Anuna) - 3:20
18. The Rocky Road to Dublin (feat. The Rolling Stones) - 4:17
19. Redemption Song (feat. Ziggy Marley) - 4:23

Note: One of the elements that's made the Chieftains the stellar Celtic band in the world is their love of innovative collaborations with mainstream pop stars. The Wide World Over: A 40-Year Celebration gathers into a single collection some of the Irish ensemble's most memorable moments, including predictable alliances with artists such as Van Morrison, who sings "Shenandoah" to additional backing by the Irish Film Orchestra, and unlikely pairings like the Rolling Stones, who add a rock kick and the "Satisfaction" riff to "The Rocky Road to Dublin." Cross-cultural experts Linda Ronstadt and Los Lobos demonstrate their versatility on the Mexican ditties "Txalaparta" and "Guadalupe," on which pipes and pennywhistle don't seem a whisker out of place, while Ricky Skaggs points to the Irish and British roots of American country music on the rousing "Cotton-Eyed Joe." Art Garfunkel, Sting, Sinead O'Connor, Joni Mitchell, and Elvis Costello are also featured in classic performances with the 40-year-old Irish band, while a brand-new collaboration with Ziggy Marley yields a gorgeous Don Was-produced rendition of Bob Marley's "Redemption Song." The cliché that there's a bit of the Irish in all of us proves true in this wide-ranging, constantly rewarding, and frequently surprising collection. And the tracks on which the Chieftains go it alone are also a gas. ~ Bob Tarte

The Wide World Over



The Chieftains - Down The Old Plank Road
The Chieftains - Further Down the Old Plank Road



Posted by muddy

Oznake: The Chieftains, Traditional Irish Folk, Traditional Folk, Traditional Country

- 23:38 - Comments (1) - Print - Link for this post

Lonnie Johnson - Blues Roots, Vol. 8: Swingin' With Lonnie

Styles: Jazz Blues, Piedmont Blues, Pre-War Country Blues
Label: Storyville
Released: 1964
File: mp3 @320K/s (from vinyl)
Size: 89,6 MB
Time: 39:07
Art: full

1. Call Me Darling - 3:17
2. Clementine Blues - 6:10
3. Jelly Jelly - 3:27
4. Please Help Me - 3:32
5. Raining On The Cold Ground - 4:55
6. See See Rider - 3:00
7. Swingin' With Lonnie - 3:19
8. Tomorrow Night - 2:55
9. Too Late To Cry - 3:43
10. Why Do You Go - 4:44

Personnel:
Lonnie Johnson - guitar, vocals
Otis Spann - piano (all except on #1)

Notes: Backed by pianist Otis Spann, singer/guitarist Lonnie Johnson performs blues and ballads on this well-rounded set. Included are such numbers as his old hit "Tomorrow Night," "See See Rider," "Jelly, Jelly" and a lone instrumental, "Swingin' With Lonnie." An above-average outing by the veteran bluesman.

Blues Roots, Vol. 8: Swingin' With Lonnie



Carl Leyland & Kim Cusack - Stompin' Upstairs (With Beau Sample & Alex Hall)
Lonnie Johnson & Elmer Snowden - Blues And Ballads



Posted by muddy

Oznake: Lonnie Johnson, Blues Jazz, Piedmont Blues, Pre-War Blues

- 22:57 - Comments (0) - Print - Link for this post

utorak, 21.01.2014.

Various - Living Country Blues USA: An Antology (3 Disc set)

Styles: Country Blues, Delta Blues, Piedmont Blues, Pre-War Country Blues
Label: Evidence Music
Released: 1999
File: mp3 @320K/s
Size: 170,5 MB
Time: 73:35
Art: full

Distilled from a 14 record anthology originally issued only in Germany during the early 80’s the story behind this reissue is almost as intriguing as the music contained on its three silver platters. On a fall day in 1980, two Germans hopped into an old battered station wagon crammed full of portable recording equipment and a few borrowed guitars. Heading south they embarked on an odyssey (echoing Alan Lomax) to record the startling number of blues and gospel musicians contained on this set wherever they could find them. Their travels took them from vacant fields to cramped clapboard shacks, from rickety back porches to ramshackle juke joints. The majority of tunes were taped on Mississippi soil, but artists from D.C., Maryland, Louisiana, North Carolina and Tennessee also make appearances. Best of all many of the musicians have direct lineal connections to the early giants of the pre-War blues era and aren’t shy about showing off the influences.
There are the requisite guitar pickers, but also fife and drum bands, field hollers and a fair share of oddities including Lonnie Pitchford master of the one-string amplified diddley bow (basically a wooden plank twisted with baling wire and plugged into a tiny guitar amp). He crafts an incredible trance-inducing version of Hooker’s “Boogie Chillun” on his primordial axe. Several other tunes feature the jangling lead guitar and throaty vocals of one James “Son” Thomas backed by the scraping bass lines of Cleveland “Broom Man” Jones on broom handle. Other obscure but equally brilliant stylists abound. There’s raucous street corner testifying from the likes Cora Fluker, a woman who erected a wooden church in her front yard solely for the purpose of spreading the Lord’s message, and from Flora Molton and Her Truth Band, a motley aggregate that delivers the down-home message of brotherly love via guitar, casaba, tambourine, and harmonica. The impressive array of string stylists that populate the majority of selections are rounded out by the kitchen knife wielding slide lunatic Cedell Davis and a cantankerous backwoods preacher who answers to the name Boyd Rivers.
Overall, the set is akin to a prodigious sideshow for the more arcane realms of the blues bizarre. Many of the tunes are familiar but under the passionate labors of these musician they are recast in weird and wonderful ways. These are raw and primitive renderings to be sure, but ones that are brimming with plenty of the bare veracity that make the blues so contagious in the first place. The liners are magnificent and paint the colorful lives of these performers with vividly descriptive prose. The three and a half hours and 60 tracks housed on these discs may sound like a generous helping, but the into this deep river of song for an enlightening (and sometimes harrowing) swim down the realization that there were hundreds of hours taped will leave you craving to hear more. I could go on gushing praise about these discs, but it’s just as easy to offer up this summary advice. Shell out the thirty or so bucks; shuck down to your skivvies and dive lesser traveled tributaries of the blues. By DEREK TAYLOR




Disc One

1.) Catfish Blues- James “Son” Thomas- vocal, guitar.
2.) Bye Bye Blues- Arzo Youngblood- vocal, guitar.
3.) Gonna Cut You Loose- Eddie Cusic- vocal, guitar.
4.) You Gonna Take Sick and Die- Boyd Rivers- vocal, guitar.
5.) Maggie Campbell Blues- Boogie Bill Webb- vocal, guitar.
6.) Sittin’ On Top of the World- Sam Chatmon- vocal, guitar.
7.) Move Daniel- Cora Fluker- vocal, guitar.
8.) My Babe- Othar Turner- vocal, cane fife.
9.) Boogie Chillun- Lonnie Pitchford- one-string electric guitar.
10.) Bull Cow Blues- James “Son” Thomas- vocal, guitar.
11.) Stop and Listen Blues- Sam Chatmon- vocal, guitar.
12.) Swing, Swing- Arzo Youngblood- vocal, guitar.
13.) Jazz Boogie Woogie- Stonewall Mays- vocal, guitar.
14.) Jesus on the Mainline- Boyd Rivers- vocal, guitar.
15.) Shake Your Money Maker- Lonnie Pitchford- vocal, guitar.
16.) Rock Me Mama- James “Son” Thomas- vocal, guitar, Cleveland “Broomman” Jones- broom bass.
17.) Big Road Blues- Boogie Bill Webb- vocal, guitar.
18.) My Daddy Was a Jockey- Sam Chatmon- vocal, guitar.
19.) That’s the Boogie- Napoleon Strickland- harmonica.
20.) Vicksburg Blues- Sam Chatmon- vocal, guitar.
21.) Mississippi Moan- Walter Brown- vocal.
22.) When I Lay My Burden Down- Othar Turner & the Rising Star Fife and Drum Band: Othar Turner: vocal, cane fife, Bernice Evans, Eddie Ware, R.L. Boyce- drums.

File: mp3 @320K/s
Size: 170,5 MB
Time: 73:35

Cd 1, Mississippi Moan


Disc Two
1.) Lonesome Road Blues- Guitar Frank- vocal, guitar.
2.) Baby Please Give Me a Break- Archie Edwards- vocal, guitar.
3.) The Road is Rough and Rocky- Archie Edwards- vocal, metal resonating guitar.
4.) Come On in My Kitchen- Guitar Slim- vocal, guitar.
5.) Bye and Bye, I’m Going to See the King- Flora Molton and the Truth Band: Flora Molton- vocal, tamborine, Ed Morris- guitar, Larry Wise- harmonica.
6.) Chimney Hill Breakdown- Guitar Frank- vocal, guitar.
7.) Railroad Bill- Guitar Frank- vocal, guitar.
8.) Chicken Can’t Roost Too High For Me- John Cephas- guitar.
9.) Goin’ Down the Road Feelin’ Bad- John Cephas- guitar, Phil Wiggins- harmonica.
10.) Do Lord Remember Me- Archie Edwards- vocal, metal resonator guitar.
11.) Jelly Roll Baker- Guitar Frank- vocal, guitar.
12.) I’m Feelin’ Lonesome- Guitar Slim- vocal, guitar.
13.) My Old Schoolmates- Archie Edwards- vocal, guitar.
14.) Lonesome Home Blues- Guitar Slim- vocal, guitar.
15.) T For Texas- Archie Edwards- vocal, ukulele.
16.) Diggin’ My Potatoes- Guitar Frank- vocal, guitar.
17.) Vacation in Heaven- Flora Molton and the Truth Band: Flora Molton- vocal, cabasa, Ed Morris- guitar, Phillip McTerry-guitar, Phil Wiggins- harmonica.

File: mp3 @320K/s
Size: 176,7 MB
Time: 74:23

Cd 2, Lonesome Road Blues


Disc Three
1.) Granny Will Your Dog Bite- Othar Turner and the Rising Star Fife and Drum Band: Othar Turner- vocal, cane fife, Bernice Evans, Eddie Ware, R.L. Boyce- drums.
2.) I Laid and I Wondered- James “Son” Thomas.
3.) I Can’t Stand It- Flora Molton and the Truth Band: Flora Molton- vocal, tamborine, Ed Morris- guitar, Phil Wiggins- harmonica.
4.) Mr. Freddie Blues- Memphis Piano Red- vocal, piano.
5.) Corrine, Corrina- Hammie Nixon- vocal, harmonica, kazoo, jug.
6.) Rollin’ and Tumblin’- Lottie Murrell- vocal, guitar.
7.) She’s Tailor Made- Charlie Sangster- vocal, guitar.
8.) The Hounds- Sam “Stretch” Shields- harmonica.
9.) You Got to Move- Boyd Rivers- vocal, guitar.
10.) Let Me Play With Your Poodle- CeDell Davis- vocal, guitar.
11.) Viola Lee Blues- Hammie Nixon- vocal, harmonica.
12.) Joe’s Prison Camp Holler- Joe Savage- vocal.
13.) When the Saint’s Go Marching In- Othar Turner and the Rising Star Fife and Drum Band: Othar Turner- vocal, cane fife, Bernice Evans, Eddie Ware, R.L. Boye- drums.
14.) Spoonful- Lottie Murrell- vocal, guitar.
15.) You Got to Do the Boogie Woogie- CeDell Davis- vocal, guitar.
16.) Trouble Late Last Night- Lottie Murrell- vocal, guitar.
17.) Dry Bones in the Valley- Cora Fluker- vocal, guitar.
18.) I Got a Gal ‘Cross the Bottom- Lottie Murrell- vocal, guitar.
19.) Soon One Mornin’- Hammie Nixon- vocal, harmonica, kazoo.
20.) Levee Camp Holler- Walter Brown- vocal.
21.) Precious Lord- Boyd Rivers- vocal, guitar.

File: mp3 @320K/s
Size: 145,1 MB
Time: 62:43

Cd 3, You Got to Move



Baby Tate - See What You Done Done
Archie Edwards - Blues 'n Bones

Posted by muddy

Oznake: Various, Pre-War Blues, Country Blues, Delta Blues, Piedmont Blues

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ponedjeljak, 20.01.2014.

Le Chat Mort - Le Chat Mort / Roses

Album: Le Chat Mort
Size: 60,7 MB
Time: 26:17
File: MP3 @ 320K/s
Released: 2011
Styles: Bluegrass, Blues, Swing
Label: EmuBands
Art: Front

01. Foggy Mountain Top (3:08)
02. Junco Partner (2:58)
03. Weeping Town (2:55)
04. Been All Around This World (4:32)
05. Careless Love (4:15)
06. Diamonds (2:59)
07. I Get Down (2:33)
08. Bloodshot Eyes (2:54)


Band:
Camilla Neideman – Lead vocal and snare drum
Bror David Nilsson – Banjo
Peter Strömquist – Guitar
Matti Friberg – Upright Bass

"It sounds strange, but maybe it was pure luck that few young musicians to his horror found a dead cat in the freezer, where the fall of 2007.
Shaken by his discovery wrote the song "Dead Cat Blues," and excited about how much fun it was to play together, so formed "Le Chat Mort"
Le Chat Mort's music quickly became too large for the small collective, it was born in and the short time the band began heard at clubs and festivals around the country.
Le Chat Mort has now, after over 5 years of playing in Sweden with trips to the United States, France, Germany, Holland and Denmark, earned a reputation as one of the country's most exciting and catchy bands on the label bluegrass / blues. There are many great bands in the style of American roots, but nothing that sounds like this "


Le Chat Mort


Album: Roses
Size: 73,7 MB
Time: 30:49
File: MP3 @ 320K/s
Released: 2014
Styles: Bluegrass, Blues, Swing
Label: EmuBands
Art: Front

01. Shoot Me Down (3:06)
02. Roses (2:51)
03. Didn't He Ramble (2:42)
04. Dinah (2:41)
05. Mama's Got A Baby (2:11)
06. Poor Me (2:22)
07. Eyes Closed (3:18)
08. Bye Bye Baby Bye (1:50)
09. Don't You Just Know It (2:35)
10. Fun Fun (1:51)
11. Hurt Me Too (2:45)
12. Iko Iko (2:33)


In spring of 2013, we stepped into the studio and recorded our second album, “Roses”.
This time we got a lot of inspiration from Django Reinhardt, 19302s swing music and Mardi Gras.
Even though this album is very “Rootsy,” a majority of the songs are originals written by our selfs!


Roses



Vassar Clements - Grass Routes
Mike Dowling - Beats Workin'

Posted by kamane

Oznake: Le Chat Mort, Sweden, Bluegrass, Swing, Blues Jazz

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Half Deaf Clatch - A Road Less Travelled

Size: 94,7 MB
Time: 40:56
File: MP3 @ 320K/s
Released: 2013
Styles: Acoustic Blues
Label: Half Deaf Clatch
Art: Front

01. Hard Times Just Got Harder (4:15)
02. A Road Less Travelled (4:44)
03. It Ain't About The Money (3:13)
04. A Place To Stay (3:26)
05. Summer Moon (3:46)
06. Can't Do Right (For Doing Wrong) (4:52)
07. Counting Kisses (4:17)
08. Seeing Red (3:58)
09. Roja Blue (3:45)
10. Your Choice (4:36)


I’ve known Andrew – “Half Deaf Clatch” for a while now, have seen him perform several times and we’ve even played on the same bill together. And every time he performs, he grabs the audience, who cannot help but be transfixed by his passionate vocals, his foot stomping butcher’s block and his haunting slide guitar playing.

I know the Blues are meant to be moody, but man, is this collection of songs moody!? And here the emphasis is on the songs, rather than Clatch’s trademark sound. Sure, the songs feature resonators with slide – and Clatch’s Butcher Block stomper is definitely in attendance, but it is the words and themes of the songs that impress here – I particularly like the way that Clatch’s baritone voice sounds right at home in this collection.

Hard Times Just Got Harder kicks this collection off, and for fans of Clatch we have the trademark sounds straight away; stomping feet and slide guitars back up a mournful take of a song steeped in blues tradition – with Clatch in unison on the chorus. The mood is set for the rest of the album right here – “Beg Borrow Steal, to get where you want to be”

Title track A Road Less Travelled continues the feeling of despair that hangs over this collection – “Sold up the river, shiny pennies for your dreams” “Darkness is falling – the end is drawing near” – familiar blues themes, but with a slight wisp of hope that might be found by taking “The Road Less Travelled”.

It Ain’t About The Money is where Clatch seems to set out his raison d’etre for playing the blues – “it’s all about the music, fame will come and go, it’s gonna be alright now, cos the blues is what you know” A low tuned resonator and butcher block stomper drive this song which, like any of the songs in this collection, could have been written anytime in the past 100 years. Keep on slidin’ and doin’ what you do Clatch!

A Place To Stay features banjo as well as Clatch’s usual resonator and butcher’s block stomper. And we have Clatch singing with himself too. A mournful, minor key plea for escape from day to day drudgery.

Summer Moon – a reflective piece about the end of a summer’s day “I’m down with the setting sun”

Can’t Do Right (For Doing Wrong) has a feeling of resignation that “try as you might, you can’t do right for doing wrong” – but there is a slight hint of hope “you won’t know until you take that chance”

Counting Kisses – here we have a Clatch chorus filling out the “yeah yeah” of the chorus and call and response slide guitar and vocals, and the uptempo stomping bring a sense of urgency to this song “don’t be late, no time to wait”

Seeing Red – and yet, amongst all of this gloom and doom, here we have a love song! Red is Clatch’s partner, manager and, most importantly, his muse for these blues. I can imagine that Red’s face will blush to match the colour of her hair when Clatch sings this song: ”Seeing Red I lose my head, she makes me feel insane!”

Roja Blue is a mournful instrumental that adds to the overall mood of this collection – simple, but very effective.

Your Choice with the vintage sound of crackling lets us know the origin of these blues, but Clatch’s arrangements are timeless here and are very current, as strange as that may seem for such a primitive sound.

Clatch has released several albums and e.p. collections, and has given away almost as much music as he has sold, but this collection shows the maturity that he has gained over the last couple of years – it deserves a place in any blues collection, on any blues radio show, and on the bill of any blues festival worthy of the name – a serious contender for Album Of The Year. ~Review by aycliffevillage


A Road Less Travelled



Bjorn Berge & Jan Flaaten - Berge/Flaaten
Moreland, Arbuckle & Floyd - Floyd's Market

Posted by kamane

Oznake: Half Deaf Clatch, Acoustic Blues, UK

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nedjelja, 19.01.2014.

Robbin Thompson - One Step Ahead Of The Blues

Bitrate: 320K/s
Time: 46:25
Size: 106.3 MB
Styles: Roots, Electric/acoustic blues/rock
Year: 2003
Art: Front

[4:53] 1. It's Hit The Fan
[4:38] 2. A Little Taste
[4:44] 3. One Step Ahead Of The Blues
[4:29] 4. Orange Moon
[5:05] 5. Wouldn't Wanna Be You
[5:01] 6. Get Together
[4:49] 7. Cheapeake Moon
[2:28] 8. That Old Country Song
[4:53] 9. You Can't Do That
[5:20] 10. Train Song

Robbin Thompson has a unique claim to history. He was one of the only performers to ever actually sing in front of Bruce Springsteen. That was in the early '70's when he was lead singer in an early Springsteen group called Steel Mill. Thompson's career and noteworthiness, however, extend far beyond those roots. In the years since, he has released 8 albums, won THE AMERICAN SONG FESTIVAL twice, written songs with EAGLES bassist Timothy B. Schmit, and established himself as a gifted performer, songwriter, and studio vocalist. He is also an Equity actor.

Currently, Robbin is the Vice President and co-founder of IN YOUR EAR MUSIC AND RECORDING SERVICES in Richmond, Virginia. A company that writes and produces music for commercials and films. ONE STEP AHEAD OF THE BLUES includes songs with backing vocals by TIMOTHY B. SCHMIT OF THE EAGLES, performances by DAVE MATTHEWS BAND keyboardist BUTCH TAYLOR and a song called ORANGE MOON that was recorded in SHANGHAI CHINA featuring traditional chinese instruments. Also included is a previously unreleased song by BRUCE SPRINGSTEEN called TRAIN SONG.

One Step Ahead Of The Blues

Mo' Albums...
Fjellis Fjellstrom - See You In Hell, Blind Boy
Various - Pye Blues Legends In London (3-disc set)



Posted by azzul

Oznake: Robbin Thompson, Roots, Acoustic Blues

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Rev. Gary Davis - Ragtime Guitar

Styles: Rag
Released: 1985
Label: Kicking Mule
File: mp3@256K/s (from vinyl)
Size: 61,7 MB
Time: 33:42
Art: Front (Lp)

1. Cincinnati Flow Rag - 4:42
2. West Coast Blues - 2:17
3. Buck Rag - 2:40
4. St Louis Tickle - 3:39
5. Two Step Candyman - 2:29
6. Walkin' Dog Blues - 5:10
7. Italian Rag - 3:19
8. C-Rag - 3:00
9. Waltz Time Candyman - 1:57
10. Make Believe Stunt - 4:26

Biography

Born in Laurens, South Carolina, Davis became blind at a young age. He took to the guitar and assumed a unique multi-voice style produced solely with his thumb and index finger, playing not only ragtime and blues tunes, but also traditional and original tunes in four-part harmony.
Bull City Blues, Durham, North Carolina

In the mid-1920s, Davis migrated to Durham, North Carolina, a major center for black culture at the time. There he collaborated with a number of other artists in the Piedmont blues scene including Blind Boy Fuller and Bull City Red.[1] In 1935, J. B. Long, a store manager with a reputation for supporting local artists, introduced Davis, Fuller and Red to the American Record Company. The subsequent recording sessions marked the real beginning of Davis' career. During his time in Durham, Davis converted to Christianity; he would later become ordained as a Baptist minister.[1] Following his conversion and especially his ordination, Davis began to express a preference for inspirational gospel music.

In the 1940s, the blues scene in Durham began to decline and Davis migrated to New York.[1] The folk revival of the 1960s re-invigorated Davis' career, culminating in a performance at the Newport Folk Festival and the recording by Peter, Paul and Mary of "Samson and Delilah", also known as "If I Had My Way", originally a Blind Willie Johnson recording that Davis had popularized.

Discography

Many of his records were published posthumously.

* Little More Faith, Bluesville Records, Dec. 1961
* Blind Reverend Gary Davis, Bluesville, Oct. 1962
* Pure Religion, Command, July 1964, (re-released in 1970s by Prestige)
* Blind Reverend Gary Davis, (different album of same name), Prestige, May 1964
* Singing Reverend, Stimson, (with Sonny Terry)
* Guitar & Banjo, Prestige, 1970s
* Sun is Going Down, Folkways Records, 1976
* Ragtime Guitar, Kicking Mule
* Lo I Be with You Always, Kicking Mule
* Children of Zion, Kicking Mule
* Let Us Get Together, Kicking Mule
* Lord I Wish I Could See, Biograph
* Reverend Gary Davis, Biograph
* Pure Religion and Bad Company, Smithsonian Folkways compilation album
* If I Had My Way: Early Home Recordings, Smithsonian Folkways, 1993, recorded in 1953 by John Cohen
* The Sun of Our Life, World Arbiter 2002 (previously unissued session tapes and sermon from mid 1950's)

Ragtime Guitar



Carl Leyland & Kim Cusack - Stompin' Upstairs (With Beau Sample & Alex Hall)
Sue Keller - Ol' Muddy: Riverboat Ragtime-Era Piano Sounds



Posted by muddy

Oznake: Rev. Gary Davis, Rag

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subota, 18.01.2014.

Victoria Spivey - Woman Blues!

Styles: Acoustic Chicago Blues, Classic Female Blues
Label: Original Blues Classics
Released: 1961
File: mp3 @320K/s
Size: 79,1 MB
Time: 33:54
Art: front + back

1. Christmas Without Santa Claus - 3:22
2. A Big One - 3:40
3. Let's Ride Tonight - 2:30
4. What Is This Thing They're Talking About - 4:00
5. I'm a Red Hot Mama - 3:33
6. Grow Old Together - 2:58
7. Beautiful World - 2:54
8. I Got Men All Over This Town - 5:06
9. That Man - 2:56
10. Thursday Girl - 2:51

Personnel:
Victoria Spivey - Piano, Vocals
Lonnie Johnson - Guitar, Vocals

Notes: Shortly before she formed her own Spivey label, veteran classic blues singer Victoria Spivey made a fine duo album (reissued on CD in the Original Blues Classic series) with guitarist/vocalist Lonnie Johnson whom she had last recorded with back in 1929. Spivey, 55 at the time, is also heard playing piano, and she takes four of the ten selections as solo performances. All of the compositions are hers, including "Christmas Without Santa Claus," "I'm a Red Hot Mama," "Grow Old Together" and "I Got Men All Over This Town." Recommended as a strong example of Victoria Spivey's later work.

Woman Blues!



Maria Muldaur - Naughty Bawdy & Blue
Sister Rosetta Tharpe - Never Alone



Posted by muddy

Oznake: Victoria Spivey, Lonnie Johnson, Chicago Blues, Classic Female Blues

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Sam Chatmon - Blues When It Rains

Styles: Acoustic Blues, Country Blues, Delta Blues
Released: 1977/2006
Label: Albatros
File: mp3 @320K/s
Size: 69,7 MB
Time: 30:27
Art: full Lp + Cd

1. St. Louis Blues - 2:25
2. That's All Right - 3:41
3. Stoop Down Girl - 3:02
4. Baby Please Come Back To Me - 4:06
5. I'm Foll About Her Loving - 2:07
6. Prowling Ground Dog - 3:22
7. Go Back Old Devil - 2:33
8. Used To Be - 3:08
9. Blues When It Rains - 1:09
10. Good Eating Meat - 3:23
11. Let's get Drunk Again - 2:19

rec. at Sam Chatmon's home in Hollandale Aug. 6 or 7, 1976

Notes: Sam Chatmon (c. 1899-1983), a celebrated singer and guitarist who spent most of his life in Hollandale, sometimes performed with his brothers in a renowned family string band billed as the Mississippi Sheiks. He embarked on a new solo career after coming out of musical retirement in the 1960s. Many local musicians have performed here on Simmons Street, known as “the Blue Front, ”once one of the most vibrant centers of blues activity in the Delta.
Hollandale Blues history dates back at least to the 1920s, when the Mississippi Sheiks, Sam Chatmon, Bo Chatmon (aka Bo Carter), Eugene Powell, Robert Nighthawk, and Houston Stackhouse performed at local drug stores, cafes, and other businesses, in addition to jukehouse parties and dances on nearby plantations. Most of the Mississippi Sheiks, a popular string band known for their hit recording “Sitting on Top of the World” (1930), were members of the Chatmon family, several of whom moved from their native Hinds County to the Hollandale area around 1928 and worked here as cotton farmers as well as musicians. In later years Sam Chatmon moved into town and took a job as a night watchman, while his brother Bo settled in Anguilla.
After blues enthusiasts began to seek Sam out in the 1960s, he traveled to play concerts and festivals around the country, most often in the San Diego area, and recorded several albums including Hollandale Blues and The Mississippi Sheik. He grew a long beard, as his fiddle-playing father had done, and endeared himself to new audiences who were entertained by his risqué double-entendre songs. In 2009 the city of Hollandale purchased Chatmon’s house at 818 Sherman Street to move it here to “Blue Front,” an area once famed for blues, liquor, and gambling. Chatmon sang about Blue Front in his song “Hollandale Blues,” but told friends he preferred less rowdy surroundings.
Author Kathy Starr, whose grandmother operated the Fair Deal café on Blue Front, wrote in The Soul of Southern Cooking: “Blue Front was a string of little cafes where everybody gathered on the weekend. It was the only place blacks had to go, to get rid of the blues after a week’s hard work in the cotton fields. Everybody lived for Saturday night to go to Blue Front. . . . if you wanted a half-pint or a pint of whiskey or corn liquor, you could get it at Fair Deal because Grandmama and the chief of police had an ‘understanding.’ . . . The Seabirds (Seeburg juke boxes) would be jammin’ all up and down Blue Front with Howlin’ Wolf, Muddy Waters, and B. B. King. Sometimes they would be there in person over at the Day and Night Café. The great blues singer Sam Chatman [sic] came to Fair Deal often. People danced, ate, drank, and partied till the break of day. Saturday night without a fight was not known.”
Among other former Hollandale area residents, Eddie “Guitar Slim” Jones went on to the greatest fame in the 1950s after moving to New Orleans. Others include bluesmen William Warren, Willie Harris, Mott Willis, J. D. Short, James Earl “Blue” Franklin, and Joseph C. Moore (“J. C. Rico”); Eugene Powell’s wife Mississippi Matilda; the Buckhanna (Buchanan) Brothers string band; and soul singer Ruby Stackhouse, better known as Ruby Andrews. ~ Mississippi Blues Trail

Blues When It Rains



Sam Chatmon - Blues At Home 2
The Blue Rider Trio - Harp, Steel And Guts



Posted by muddy

Oznake: Sam Chatmon, Acoustic Blues, Country Blues, Delta Blues

- 21:23 - Comments (0) - Print - Link for this post

petak, 17.01.2014.

Yank Rachell's Tennessee Jug Busters - Mandolin Blues

Bitrate: 320K/s
Time: 57:12
Size: 131.0 MB
Styles: Piedmont blues, Mandolin blues
Year: 1986/1998
Art: Front

[3:39] 1. Texas Tony
[5:03] 2. Girl Of My Dreams
[2:43] 3. Do The Boogie (Take 3)
[4:28] 4. Starvation In My Kitchen
[3:54] 5. I'm Gonna Get Up In The Morning
[2:18] 6. Lonesome Blues
[3:04] 7. Shout Baby Shout
[4:12] 8. Rocky Mountain Blues
[2:34] 9. Do The Boogie (Take 2)
[2:54] 10. Stop Knocking On My Door
[4:22] 11. Doorbell Blues
[3:44] 12. Move Your Hand
[2:28] 13. Get Your Morning Exercise
[3:42] 14. When My Baby Come Back Home
[4:12] 15. Up And Down The Line
[3:48] 16. Bye Bye Baby

Yank Rachell has long been a legend in the blues world. One of the few blues mandolin players, Rachell recorded several notable sessions during 1929-1941 and then was off record for 22 years. After spending time outside of music, he was rediscovered and in 1963 he performed the music on this CD reissue. Rachell (who was in his fifties at the time), is in excellent voice throughout the date although it is his mandolin work that makes this set particularly special. He is reunited with two notable friends from the 1930s (guitarist Sleepy John Estes and Hammie Nixon who is heard on harmonica and jug) and is assisted on some numbers by both Big Joe Williams and the up-and-coming Mike Bloomfield on guitars; several numbers find Rachell backed by three guitars. Yank Rachell would remain active until shortly before his death on Apr. 9, 1997. This comeback set (which adds six previously unreleased tracks to the original ten-song program) is one of his definitive recordings and is a perfect showcase of the great bluesman's talents. ~Scott Yanow

Mandolin Blues

Mo' Albums...
Sippie Wallace - Mighty Tight Woman
King Curtis - Soul Meeting



Posted by azzul

Oznake: Yank Rachell, Piedmont Blues

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Tampa Red - Sugar Mamma Blues

Bitrate: 320K/s
Time: 47:20
Size: 108.4 MB
Styles: Slide guitar blues
Year: 2009
Art: Front

[2:35] 1. (Honey) It's Tight Like That
[3:15] 2. Western Bound Blues
[2:47] 3. What Is It That Tastes Like Gravy
[3:25] 4. Sugar Mama Blues
[3:08] 5. Somebody's Been Using That Thing
[2:48] 6. You Can't Get That Stuff No More
[3:07] 7. Mama Don't Leave Me Here
[2:26] 8. They Call It Boogie Woogie
[2:45] 9. Mean Mistreater Blues
[2:52] 10. The Duck Yas-Yas-Yas
[2:46] 11. Nobody's Sweetheart
[3:05] 12. Kingfish Blues
[3:10] 13. Boogie Woogie Dance
[3:12] 14. Witchin' Hour Blues
[2:41] 15. Shake It Up A Little
[3:11] 16. Stockyard Fire

Out of the dozens of fine slide guitarists who recorded blues, only a handful -- Elmore James, Muddy Waters, and Robert Johnson, for example -- left a clear imprint on tradition by creating a recognizable and widely imitated instrumental style. Tampa Red was another influential musical model. During his heyday in the '20s and '30s, he was billed as "The Guitar Wizard," and his stunning slide work on electric or National steel guitar shows why he earned the title. His 30-year recording career produced hundreds of sides: hokum, pop, and jive, but mostly blues (including classic compositions "Anna Lou Blues," "Black Angel Blues," "Crying Won't Help You," "It Hurts Me Too," and "Love Her with a Feeling"). Early in Red's career, he teamed up with pianist, songwriter, and latter-day gospel composer Georgia Tom Dorsey, collaborating on double-entendre classics like "Tight Like That."

Listeners who only know Tampa Red's hokum material are missing the deeper side of one of the mainstays of Chicago blues. His peers included Big Bill Broonzy, with whom he shared a special friendship. Members of Lester Melrose's musical mafia and drinking buddies, they once managed to sleep through both games of a Chicago White Sox doubleheader. Eventually alcohol caught up with Red, and he blamed his latter-day health problems on an inability to refuse a drink.

During Red's prime, his musical venues ran the gamut of blues institutions: down-home jukes, the streets, the vaudeville theater circuit, and the Chicago club scene. Due to his polish and theater experience, he is often described as a city musician or urban artist in contrast to many of his more limited musical contemporaries. Furthermore, his house served as the blues community's rehearsal hall and an informal booking agency. According to the testimony of Broonzy and Big Joe Williams, Red cared for other musicians by offering them a meal and a place to stay and generally easing their transition from country to city life.

Today's listener will enjoy Tampa Red's expressive vocals and perhaps be taken aback by his kazoo solos. His songwriting has stood the test of time, and any serious slide guitar student had better be familiar with Red's guitar wizardry. ~bio by Barry Lee Pearson

Sugar Mamma Blues

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Posted by azzul

Oznake: Tampa Red, Slide Guitar Blues

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četvrtak, 16.01.2014.

Memphis Piano Red - Blues At Home 4

Size: 133,1 MB
Time: 56:57
File: MP3 @ 320K/s
Released: 2013
Styles: Piano Blues
Label: Mbirafon
Art: Front

01. Untitled Slow Boogie (2:24)
02. Baby Please Come Back To Me (3:52)
03. Red's Delight (2:55)
04. I Need Love So Bad (3:27)
05. Forty-Four Blues (3:23)
06. Barrelhouse Blues (Take 1) (2:31)
07. Pretty Little Flower (Feat. Sleepy John Estes) (3:34)
08. After Hours (0:59)
09. Pinetop's Boogie Woogie (2:00)
10. How Long, How Long Blues (4:13)
11. Barrelhouse Blues (Take 2) (2:37)
12. Going Down Slow (2:53)
13. Cow Cow Blues (2:24)
14. Mr. Freddie Blues (1:56)
15. Dark Muddy Bottom (2:50)
16. Memphis Blues (1:37)
17. Standing At The Crossroads (1:48)
18. Aggravating Papa (1:44)
19. Mother-In-Law Blues (2:37)
20. Louisiana Blues (1:56)
21. Rocky Mountain Blues (3:16)
22. Untitled Slow Boogie No. 2 (1:49)


The fourth volume of the “Blues At Home” Collection, this CD features an underrated but outstanding piano blues musician, John Williams (a.k.a. Memphis Piano Red). He was born an albino in Germantown, Tennessee, in 1904 in a family with 11 children, six of whom played musical instruments. He learned how to play piano at the age of 13 from one of his sisters and was influenced by local Germantown piano blues players. In 1930 he moved to Memphis where he started his musical activity, playing often in Beale Street bars. He hoboed and rode freight trains for more than 25 years, visiting and sojourning in various states, developing a solid barrelhouse piano technique coupled with strong, heartfelt singing. He never had the chance to record 78 rpm race records, and was discovered in the late '60s during blues revival times. Only a limited number of examples of his music have ever been released; and in most of that material, the piano is out of tune. This CD has been recorded during two long sessions held in 1972 and 1978 at his private home in Memphis, Tennessee, using well-tuned pianos. All tracks have been fully digitally remastered in 2013 from the original tapes. ~Giambattista Marcucci


Blues At Home 4



Cary Tate & Alonzo Burks - Blues At Home 5
Eugene Powell - Blues At Home 3

Posted by kamane

Oznake: Piano Blues, Memphis Piano Red

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James 'Son' Thomas - Mississippi Delta Blues Man

Styles: Delta Blues
Label: Swingmaster
Released: 1981
File: mp3 @320K/s
Size: 106,0 MB
Time: 46:18
Art: full

1. Big Leg Woman - 4:10
2. High Brown - 4:45
3. Whiskey Headed Woman - 2:26
4. Devil Blues - 4:45
5. Take A Little Walk - 2:57
6. Cool Water Blues - 4:11
7. Lonesome Road Blues - 3:54
8. Black Rat - 3:18
9. Hard Time Blues - 4:22
10. Catfish Blues - 4:09
11. My Black Mare - 3:43
12. Bull Cow Blues - 3:34

Personnel:
James 'Son' Thomas - Guitar, Vocals

Notes: Born in Eden, Mississippi, United States, Thomas was known as a folk artist for his sculptures made from un-fired clay which he dug out of the banks of the Yazoo River. His most famous sculpted images were skulls (often featuring actual human teeth) which mirrored his job as a gravedigger and his often stated philosophy that "we all end up in the clay". In 1985, Thomas had his work featured in the prestigious Corcoran Gallery in Washington, D.C. where he was introduced to Mrs. Nancy Reagan then First Lady. Thomas' skulls can also be found on display in several blues museums throughout Mississippi including the Delta Blues Museum in Clarksdale and the small Leland Blues Museum in Leland. Thomas played at numerous blues festivals and private parties throughout the area including the Mississippi Delta Blues and Heritage Festival in Greenville.
His later performances saw him accompanied by Swiss harmonica player Walter Liniger. Thomas was recorded by several small record labels and is probably best known for his album Gateway to the Delta which was recorded by Rust College in Holly Springs, Mississippi, although he remains an obscure figure outside of dedicated blues communities.
In the 1970s, he appeared in the following films: Delta Blues Singer: James "Sonny Ford" Thomas, Give My Poor Heart Ease: Mississippi Delta Bluesmen, and Mississippi Delta Blues.
He died in 1993 in Greenville, Mississippi, from a combination of emphysema and a stroke.
Thomas is buried in Leland and memorialized by a headstone placed in 1996 by the Mt. Zion Memorial Fund and paid for by John Fogerty. His epitaph consists of lyrics from one of his songs. His son, Pat Thomas, continues to play and perform his father's songs.
Read more

Mississippi Delta Blues Man



Dr. Ross - One Man Band
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Posted by muddy

Oznake: James 'Son' Thomas, Delta Blues

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Los Lobos - Los Lobos Del Este De Los Angeles

Styles: Tex-Mex, Americana, Mexican Traditions
Label: Independent
Released: 2000
File: mp3 @320K/s
Size: 91,0 MB
Time: 39:26
Art: front

1. El Canelo (Son Jarocho) - 3:47
2. El Pescado Nadador (Ranchera) - 2:43
3. Sabor A Mi (Bolero) - 3:51
4. Flor De Huevo (Son Locos) - 1:54
5. Cielito Lindo (Cancion Mexicana) - 3:44
6. La Iguana (Son Jarocho) - 3:21
7. El Cuchipe (Cancion Boliviana) - 2:21
8. Imploracion (Bolero Ranchero) - 2:33
9. Guantanamera (Guajira) - 4:48
10. La Feria De Las Flores (Ranchera) - 2:42
11. Maria Chuchena (Son Jarocho) - 3:57
12. El Bon Bon De Elena (Plena) - 3:39

Personnel:
David Hidalgo - Bass, Guitar, Guitar (Steel), Vocals
Conrad Lozano - Bass, Guitar, Vocals
Louie Pérez - Drums, Guitar
Oscar Roasa - Banjo, Guitar, Mandolin, Vocals

Notes: One of the most acclaimed American bands of the 1980s and '90s, Los Lobos were seasoned musical veterans with nearly 15 years of experience under their belts when they scored their first hit in 1987 with a cover of Richie Valens' "La Bamba." Though their time as pop stars was short, the group -- who enjoyed calling themselves "just another band from East L.A." -- won over critics and a legion of loyal fans with their bracing mixture of rock, blues, Tex-Mex, country, R&B, and Mexican folk sounds, with the band's sound ranging from gentle acoustic ballads to the outer limits of experimental rock. While often cited as one of the great bands of Latino Rock, Los Lobos' eclectic sound in fact defined them as a vital example of America's cultural melting pot.
Los Lobos were formed in 1973 by guitarist/accordionist David Hidalgo and percussionist Louie Perez, two students at Garfield High School in East Los Angeles who discovered they shared eclectic tastes in music. Recruiting two other Garfield students -- guitarist Cesar Rosas and bassist Conrad Lozano -- they put together a band which they dubbed Los Lobos del Este (de Los Angeles), a take-off on the celebrated Norten~o band Los Lobos del Norte. While their interests ranged from hard rock to free jazz, the new group began exploring the Mexican folk music they grew up with, and they soon found themselves regularly playing weddings, parties, and Mexican restaurants in East Los Angeles.
As an acoustic folk group, Los Lobos cut a self-released album in 1978, Del Este de Los Angeles (Just Another Band from East L.A.)
In 1978, when Los Lobos were paying their bills by playing weddings and Mexican restaurants in the greater Los Angeles area, they put out an independent album of their traditional Tex-Mex songs with a pumped-up rock & roll feel. The album, Del Este de Los Angeles, established their sound and provided a jumping-off point for David Hidalgo and Louie Pérez to start writing their own material. The LP has since been released by Hollywood Records on CD (not to be confused with their similarly titled box set Just Another Band from East L.A.) and is an interesting glimpse into the band on the verge of breaking away from their traditional roots and pushing into creating their own influential style.

Los Lobos Del Este De Los Angeles



Los Super Seven - Los Super Seven
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Posted by muddy

Oznake: Los Lobos, Americana, Mexican Traditions

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srijeda, 15.01.2014.

Barbara Dane - I Hate The Capitalist System

Bitrate: 320K/s
Time: 53:08
Size: 121.6 MB
Styles: Folk
Year: 1973/2012
Art: Front

[3:14] 1. I Hate The Capitalist System
[4:12] 2. Lonesome Jailhouse Blues
[2:36] 3. Detroit Medley
[5:47] 4. Deportees (Plane Wreck At Los Gatos)
[0:50] 5. Goodbye To Cold Winter
[2:30] 6. A Single Girl
[3:56] 7. Ludlow Massacre
[3:31] 8. I Don't Want Your Millions, Mister
[4:12] 9. Things Are Slow
[5:47] 10. Song Of My Hands
[3:35] 11. Bitter Rain
[2:49] 12. Song Of The Coats
[3:41] 13. The Kent State Massacre
[6:21] 14. Working Class Woman

In 1973, Paredon Records gave Barbara Dane the opportunity to speak about the struggles of the American working class on I Hate The Capitalist System. She offers social commentary on the Ludlow Massacre of 1914 and the disadvantages of capitalism to the struggle in Vietnam. She sings these 14 political ballads in a traditional folk style, accompanying herself on guitar. Liner notes include an opening essay by Irwin Silver about Kane and the inspiration for her work, lyrics and explanation for each song.

I Hate The Capitalist System

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Posted by azzul

Oznake: Barbara Dane, folk

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Ross Neilsen & The Sufferin' Bastards - Live At The Acoustic Grill

Bitrate: 320K/s
Time: 47:38
Size: 109.0 MB
Styles: Acoustic blues
Year: 2010
Art: Front

[0:39] 1. Intro
[5:52] 2. Devil Knows You're Dead
[4:08] 3. Afflicted
[8:21] 4. Walk In The Sun
[1:38] 5. Talking
[3:55] 6. Jellybean
[5:15] 7. Don't Need Love
[4:35] 8. Mailman
[2:47] 9. Talking
[5:44] 10. Daddy Taught Me
[4:10] 11. Badlands
[0:26] 12. Call Me Gone

"Live At The Acoustic Grill" is part of the Bands Official Bootleg Series and marks the third such release since 2009, the first being Ross Neilsen And The Sufferin' Bastards "What You Need Vol. 1" (2009) and the second being Ross Neilsen "Alone Vol. 1" (2009). As the name implies, this Album was recorded at The Acoustic Grill in Picton, Ontario, in the Fall of 2009 and like "What You Need Vol. 1", it consists of the full band. I must say that when I realized that this was a Bootleg, I thought I might be in for perhaps a little less then a top notch production, but I was wrong. This one comes across bright and clear with the only noticeable imperfection being the odd off/on approach to a few tracks instead of a more fade out/fade in approach. Other then that microscopic thing this, Album really is a very good production for a Bootleg.

One thing I really noticed on "Live At The Acoustic Grill", was how musically tight everyone was, and I am guessing this comes from the Monster Canadian Tours they have been on over the last few years, with 2011 being no exception with a 60+ date Summer Tour, which started May 26th and runs till September 18th, from coast to coast to coast. With all that touring, there really is no excuse not to have seen Ross Neilsen And The Sufferin' Bastards, at a venue close to you. ~John Vermilyea

Live At The Acoustic Grill

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Posted by azzul

Oznake: Ross Neilsen, Canada, Acoustic Blues

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utorak, 14.01.2014.

VA - Bukka White & Others: Blues At Home 7

Size: 136,0 MB
Time: 58:04
File: MP3 @ 320K/s
Released: 2013
Styles: Country Blues, Piano Blues, Memphis Blues
Label: Mbirafon
Art: Front

01. Bukka White - I'm Getting Ready, My Time Done Come (2:55)
02. Bukka White - The Aberdeen Blues (3:21)
03. Bukka White - Booker T.'s Doctor Blues (4:52)
04. Bukka White - Brownsville, Tennessee (3:09)
05. Bukka White - My Theme Song (Bed Springs Blues) (4:04)
06. Bukka White - Talking About Old, Talking About Young (Feat. Hammie Nixon) (1:53)
07. Bukka White - Christmas Eve (2:57)
08. Dewey Corley - Stop And Listen (3:13)
09. Dewey Corley - Just A Dream (3:16)
10. Dewey Corley - Fishing In The Dark (2:48)
11. Dewey Corley - Blues Jumped A Rabbit (3:44)
12. Dewey Corley - Dresser Drawer Blues (2:24)
13. Dewey Corley - Yancey Special (1:55)
14. Dewey Corley - Big Legged Woman (3:57)
15. Laura Dukes - Stack O'lee Blues (2:21)
16. Laura Dukes - Jimmy, You Are My Heart And Soul (2:21)
17. Laura Dukes - I Got To Get Myself Somebody To Love (1:45)
18. Laura Dukes - Little Laura's Blues (3:02)
19. Laura Dukes - Doggone My Soul (1:58)
20. Laura Dukes - Bricks In My Pillow (1:58)


The three Memphis blues musicians featured in this album were all recorded on the memorable day of 27 December 1972: Bukka White at his home; Laura Dukes at Furry Lewis’ home; and Dewey Corley at Memphis Piano Red’s home.

The seventh volume of the “Blues At Home” Collection, this CD features one of the major Mississippi bluesmen to be rediscovered during the blues revival of the '60s. Born near Houston, Mississippi, sometime between 1903 and 1909, Bukka White learned to play guitar and piano at an early age. From 1930 through 1940, he recorded for Victor, Vocalion, OKeh, and the Library of Congress several amazing titles characterized by strong rhythms, powerful bottleneck slide guitar, and original, very personal lyrics. In 1963, after nearly 20 years of obscurity, he was luckily rediscovered in Memphis, Tennessee. From that moment, Bukka entered the Blues Revival folk festival circuit, performing in the U.S. and abroad and also recording various albums, mostly in studios or during public appearances on concert stages and in coffeehouses. This CD features the complete relaxed session recorded at his private home in Memphis on December 22, 1972, in the stately presence of Sleepy John Estes and Hammie Nixon. Although very short in duration (23:29), the session delivers surprisingly crisp and clear sound quality and contains some of Bukka's most spirited and authentic material ever recorded after his rediscovery. Also featured on this CD is some unusual material by former jug band members Dewey Corley on piano and Laura Dukes on ukulele, recorded on the same day, December 22, 1972.
Son of the accordion player Will Corley, Dewey Corley was born in 1897 in Memphis, Tennessee; other sources report St. Louis, Missouri, or Halley, Arkansas. He left home when he was a boy and starting hoboing on freight trains until he settled in Memphis in 1916, where he lived ever since. As a child he learned how to play harmonica; then, in Memphis, the bull-fiddle (one-string bass), kazoo, jug, and piano. In 1934, he recorded for the OKeh label with the Memphis Jug Band, playing the jug. During the late '30s and '40s, he collaborated with several artists and bands, including Jack Kelly's South Memphis Jug Band, Laura Dukes, Van Hunt, Frank Stokes, Sleepy John Estes, Joe Hill Louis, John “Piano Red” Williams' trio, and Willie Borum with whom he teamed up quite often. In 1940, the Application for a Social Security Number reports his home address as 316 Beale Street, and he was not married. According to Willie Borum, Dewey then married a "fat lady" whom Borum mentions as Mrs. Emma Corley. They separated later at an unknown date. Dewey sings about this woman in several blues featured on the CD. After World War II he started his own Beale Street Jug Band, performing on the bull-fiddle until the early '60s. Rediscovered by George Mitchell in 1967, he recorded several pieces on vocal, bull-fiddle, and kazoo, accompanied by Walter Miller on guitar, released on Arhoolie and Fat Possum Records. He also recorded material for Bengt Olsson and Gene Rosenthal (Adelphi Records) with different accompanists, Willie Morris among others. In 1969 and 1971, he participated in blues festivals held in Memphis and Wolf Trap National Park, Virginia. After the recordings I made in Memphis in December 1972, at John Williams' and Mose Vinson’s homes, Dewey fell into oblivion, and there is no report of further musical activities before his death in 1974.
Laura Dukes was born in 1907 in Memphis, Tennessee. Her father, Alex Dukes, had been a drummer in W.C. Handy's band at the turn of the century, just when Handy composed his three famous blues. One of four children, Laura made her first appearance on stage as a performer in 1912 at the age of five. Starting her professional activities in the early '20s as a dancer and singer in local clubs on Beale Street, she performed during the late 1920s and 1930s for medicine shows and carnivals touring in various states. She also regularly performed on Beale Street during those years. In 1933, she met the blues guitar player Robert Nighthawk (Robert McCollum) and learned guitar from him, but she soon preferred to switch to the banjo-ukulele. The two spent several years traveling together and performing, especially in juke joints in the East St. Louis area where they had met. In 1934 she recorded with the Memphis Jug Band; Laura knew and gigged with Dewey Corley when he played bull-fiddle with the band. From 1944 to circa 1956, she performed with the South Memphis Jug Band at house parties and clubs in and near Memphis. Between 1956 and 1966, she played only at home and for neighbors; she made a comeback in the late 1970s, appearing frequently in the Memphis area, in particular at the Blues Alley nightclub, and is featured in several documentary programs. She also worked for 27 years in a church nursery, taking care of children through the 1970s and '80s. The December 1972 recordings cut at Furry Lewis’s house present her only and probably best work as a solo performer for variety and skill on the ukulele. This material has been remastered and republished for the first time in its total integrity on this CD. The 1982 interview with Laura Dukes can be found in volume 14 of this series. All tracks have been fully digitally remastered in 2013 from the original tapes. ~Giambattista Marcucci


Bukka White & Others: Blues At Home 7



VA - Chicago Blues: The Chance Era
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Posted by kamane

Oznake: Various, Bukka White, Dewey Corley, Laura Dukes, Memphis Blues, Country Blues, Piano Blues

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Skip James - Hard Time Killing Floor Blues

Styles: Delta Blues
Recorded: 1964
Released: 2003
Label: Shout Factory
File: mp3 @320K/s
Size: 117,5 MB
Time: 51:17
Art: Front

1. Hard Time Killin' Floor Blues - 3:28
2. Sickbed Blues - 3:40
3. Washington D.C. Hospital Center Blues - 4:19
4. Devil Got My Woman - 6:20
5. Illinois Blues - 3:41
6. I Don't Want a Woman to Stay Out All Night - 4:45
7. Cherry Ball Blues - 3:54
8. Skip's Worried Blues - 4:22
9. Cypress Groove Blues - 4:08
10. Catfish Blues - 3:33
11. Motherless & Fatherless - 4:08
12. All Nigh Long - 4:55

rec. 16. Dec. 1964 in Falls Church, VA (first session since 1931)
The sessions (held at Spottwood's home) were formally completed on July 28, 1965. (Storyville SLP 185)
prod. by Dick Spottswood and Louisa Spottswood
rei. 1994

Personnel:
Skip James - vocals, guitar

Notes: Hard Time Killing Floor Blues was the first session Skip James recorded following his rediscovery by John Fahey and Henry Vestine in the mid-'60s. Though he had not played the blues for more than 20 years, his skills were largely undiminished, and he turns in a fantastic set here. James was the pinnacle of the Bentonia (Mississippi) sound, which combines complex fingerpicking with falsetto vocals, resulting in somewhat spooky-sounding strain of blues. James reprises several of his 1931 Paramount sides on this session, as well as a couple new tunes that chronicle the illnesses of James' latter days. Anyone with a passing interest in acoustic blues should own some James. This set would make a great starting point, especially for those who don't take well to the surface noise that can accompany his '30s sessions. The new mastering here sounds rich and warm. Highly recommended.

Hard Time Killing Floor Blues



Son House & J.D. Short - Blues From The Mississippi Delta
Dead Shrimp - Dead Shrimp



Posted by muddy

Oznake: Skip James, Delta Blues

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John Mooney - Telephone King

Styles: Contemporary Blues, Old-Timey
Released: 1991
Label: Blind Pig
File: mp3 @320K/s
Size: 82,7 MB
Time: 36:08
Art: front + back

1. Wibble Whim She When She Walk - 4:17
2. What'cha Gonna Do? - 3:16
3. Telephone King - 3:51
4. Let Me Go - 2:59
5. Please Baby Please - 3:22
6. Oh Louise - 3:23
7. Rainin' Down on My Broken Hea - 3:51
8. Ain't Done Wrong - 3:11
9. Coal Stove Mama/Please Please - 4:01
10. Please Please Please - 3:36
All songs written by Mooney

Personnel:
Kenneth Blevins - Drums
Bob Cooper - Piano
Doug James - Sax (Baritone)
Nick Langan - Harp
Rich Lataille - Sax (Alto)
John Mooney - Guitar, Guitar (Steel), Vocals, Slide Guitar
Greg Piccolo - Sax (Tenor)
Roomful of Blues - Horn
Mark Wenner - Harp
Brian Williams - Bass Fiddle


Note: In the world of blues critics, guitarist, singer, and songwriter John Mooney has long been a favorite. That's because he takes all he learned from classic Delta bluesmen like Son House and others and modernizes their stylings while adding his own unique stamp to classic Delta blues tunes. Even his original songs, often autobiographical, are steeped in the classic blues tradition. Mooney divides his time between residences in Florida and New Orleans, and usually works with a simple guitar-bass-drums trio known as Bluesiana. His vocals are powerful and inspired, and his guitar playing is often loud and electric, but so steeped in the style of House and others classic Delta bluesman, that he transcends generations in the blues idiom.
Although he is widely know among blues fans as an electric guitarist, Mooney began his career as strictly an acoustic player. This CD is a reissue of some of his early work on a small label. All in all, not quite as dark as his later work. Some good music here, though, despite a piano that overpowers the guitar on some tracks.

Telephone King



Ry Cooder - My Name Is Buddy
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Posted by muddy

Oznake: John Mooney, Contemporary Blues, Old-Timey

- 14:02 - Comments (0) - Print - Link for this post

ponedjeljak, 13.01.2014.

Sue Keller - Ol' Muddy: Riverboat Ragtime-Era Piano Sounds

Styles: Piano Blues, Early Jazz, Ragtime
Label: HVR
Released: 1993
File: mp3 @320K/s
Size: 135,3 MB
Time: 58:11
Art: front

1. Mississippi Mud - 2:51
2. The Chevy Chase - 3:28
3. Alligator Crawl - 2:40
4. Cranberry Stomp - 3:06
5. Sleepy Hollow Rag - 4:02
6. A Dream Of Sedalia - 3:09
7. Key Stone Rag - 2:21
8. Maple Leaf Rag - 3:29
9. Charleston Rag - 3:44
10. 12th Street Rag - 3:27
11. Castle House Rag - 3:30
12. New Orleans' World's Fair Rag - 4:51
13. Hanon Rag - 3:19
14. Ragtime Nightingale - 4:29
15. Wild Cherries - 2:58
16. Polyphonic Rag - 3:35
17. Red Lion Rag - 3:03


Notes: A superior ragtime/stride pianist who is not too shy to improvise a bit even on classic rags, Sue Keller has recorded several excellent CDs for her Ragtime Press label. Due to the particularly strong material on the release, this CD is a good place to begin exploring Keller's music. In addition to vintage tunes from the 1920s and a variety of rags (both famous and obscure), Keller also performs six newer rags, including her "Cranberry Stomp" and two pieces from Tex Wyndham. A well-rounded set highlighted by such numbers as "The Chevy Chase," "Alligator Crawl," "Castle House Rag," and "New Orleans World's Fair Rag."
Ol' Muddy has always been Sue's most popular Ragtime CD. Probably because it includes some of best known ragtime tunes performed with an excitement and style that makes them fresh again.

Ol' Muddy: Riverboat Ragtime-Era Piano Sounds



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Posted by muddy

Oznake: Sue Keller, Rag, Piano Blues

- 15:25 - Comments (0) - Print - Link for this post

The Chieftains - Further Down the Old Plank Road

Styles: Traditional Irish Folk, Traditional Celtic, Traditional Folk, Celtic Folk, Traditional Country, North American Traditions, Appalachian
Released: 2003
Label: RCA/Victor Records
File: mp3 @320K/s
Size: 126,7 MB
Time: 55:05
Art: front + back

1. Chieftains /w Nickel Creek - The Raggle Taggle Gypsy - 3:09
2. Chieftains /w John Hiatt - Jordan Is A Hard Road To Travel - 3:29
3. Chieftains /w Allison Moorer - Hick's Farewell - 4:27
4. Chieftains /w Tim OBrien - Shady Grove - 2:18
5. Chieftains /w John Prine - The Girl I Left Behind - 3:13
6. Chieftains /w Jerry Douglas - Rosc Catha Na Mumhain/Arkansas Traveller/The Wild Irishman - 4:19
7. Chieftains /w Emmylou Harris - Lambs In The Greenfield - 3:19
8. Chieftains /w Joe Ely - The Moonshiner/I'm A Rambler - 3:13
9. Chieftains /w Don Williams - Wild Mountain Thyme - 3:55
10. Chieftains /w Chet Atkins - Chief O'Neill's Hornpipe - 1:55
11. Chieftains /w Carlene Carter - Bandit Of Love/The Cheatin' Waltz - 3:13
12. Chieftains /w Nitty Gritty Dirt Band - The Squid Jiggin' Ground/Larry O'Gaff - 3:15
13. Chieftains /w Patty Loveless - Three Little Babes - 4:09
14. Chieftains /w Doc Watson - Fisherman's Hornpipe/The Devil's Dream - 2:10
15. Chieftains /w Ricky Skaggs - Talk About Suffering/Main Of The House - 4:34
16. Chieftains /w Rosanne Cash - The Lily Of The West - 4:21


Note: In 2002, the legendary and insanely prolific Irish ensemble the Chieftains released Down the Old Plank Road: The Nashville Sessions. Utilizing American icons like Ricky Skaggs, Del McCoury, and Lyle Lovett alongside the blossoming Gillian Welch and David Rawlings, their interpretations of traditional Irish and Appalachian staples yielded a surprisingly lucid bounty. Not surprisingly, the sessions also yielded another record. Further Down the Old Plank Road: The Nashville Sessions follows the same thread on the neo-traditional loom, pitting the Celtic heroes against such heavyweights as Doc Watson, John Prine, and the Nitty Gritty Dirt Band, while incorporating younger artists like Nickel Creek. The Chieftains, possibly the tightest veteran band still performing, have made a career out of effortless creativity and sheer enthusiasm, especially for projects like this one. On the gorgeous "Chief O'Neil's Hornpipe," Paddy Maloney's bittersweet piping effortlessly segues into Chet Atkins' understated picking. It's like listening to a couple of old friends sharing a beer on a Sunday evening. Emmylou Harris croons "Lambs in the Greenfield" that'll leave a lump in your throat, and Tim O'Brien tears through a version of "Shady Grove," fueled by the ancestral flames of its birth. Only the forced soul of Allison Moorer's "Hick's Farewell" and Don Williams' rendering of the classic ballad "Wild Mountain Thyme" keep Further Down the Old Plank Road from being a major achievement. ~ James Christopher Monger


Further Down the Old Plank Road



The Chieftains - Down The Old Plank Road
Various - Good For What Ails You

Posted by muddy

Oznake: The Chieftains, Traditional Irish Folk, Traditional Folk, Traditional Country, Appalachian

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nedjelja, 12.01.2014.

Roosevelt Sykes - Chicago Boogie

Size: 113,8 MB
Time: 47:42
File: MP3 @ 320K/s
Released: 2004
Styles: Chicago Blues, Piano Blues
Label: Delmark
Art: Full

01. Drivin' Wheel (2:52)
02. West Helena Blues (2:58)
03. Wonderin' Blues (2:18)
04. Monkey Face Blues (2:55)
05. Rock It (2:59)
06. Chicago Boogie (1:39)
07. Security Blues (3:03)
08. Soon Forgotten (2:41)
09. Green Onion Top (2:37)
10. Mail Box Blues (2:51)
11. 44 Blues (3:32)
12. Complete This Order (3:28)
13. Blues 'n' Boogie (2:32)
14. Winter Time Blues (2:48)
15. Rock It (3:01)
16. My Resolution (2:41)
17. Kickin' Motor Scooter (2:39)


This Delmark CD issue is taken from Roosevelt Sykes' first early-'50s recordings for the Regal label, with a few tracks taken from the early '60s, and issued by Delmark originally. Sykes was fresh from a long tenure with RCA Victor and Bluebird, and artistically hungry for the first time in at least a decade. The sides here reflect that fresh-start feel. Sykes performs here like a young lion artist who is trying to blow the doors off the joint to prove himself, rather than as a seasoned veteran. There are three different sessions here: one from March 14, 1950 (with Jump Jackson on drums), another from April 10, 1951 (with J.T. Brown on tenor sax, Ransom Knowling on bass, and Jackson on drums), and a final one from May 17, 1963 (with St. Louis Jimmy on vocals on four of the nine). This stuff is the Sykes' mother lode. Not only have none of these tracks ever appeared on CD before, nine of them are issued here for the very first time anywhere. Here is the piano-pumping, wailing singer, digging deep and having a ball on the title track, "Drivin' Wheel," "Rock It," "Green Onion Top," "44 Blues," and "West Helena Blues," with 12 others in the mix. Sound quality here is pretty much great and the sequencing is primo. This is an indispensable addition to any Roosevelt Sykes' shelf, and one hell of an introduction for novices. ~Review by Thom Jurek


Chicago Boogie



Various - Blues Roots: Give Me The Blues
Various - Classic Appalachian Blues From Smithsonian Folkways

Oznake: Roosevelt Sykes, Chicago Blues, Piano Blues

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Shari's 3 A.M. Sessions & The Nite Owls- Late Nite Specials

Size: 133,9 MB
Time: 57:11
File: MP3 @ 320K/s
Released: 2014
Styles: Electric/Acoustic Blues
Label: Nite Owl Records
Art: Front & Back

01. You're Gonna Go Away (5:44)
02. Into The Mystic (4:43)
03. Sure (4:49)
04. Come Together (4:58)
05. If I Had Possession Of Judgement Day (6:37)
06. Going Out To Portland (4:29)
07. Little Wing (4:17)
08. Keep Portland Weird (4:39)
09. Fallin' (4:13)
10. Rice And Chicken (3:57)
11. Norwegian Wood (1:57)
12. Nothing Can Change This Love (3:31)
13. Tortillas Beans And Rice (3:10)


Now an all-night restaurant is not really the place you’re going to expect to run into live music.. Especially if it’s well after midnight, more on this side of the crack of dawn. But there amongst the insomniacs, the truck drivers and those that are just up all night type of folks, at various Portland area Shari’s Restaurants, a group of musicians will occasionally pop in, instruments in hand and have a little jam session along with their coffee and pie. Maybe they’re just a bit restless as these usually take place after gigs, or maybe it’s because they’re musicians and working until late at night that they need to go someplace on their nights off, too.

It all started with buddies Chad Rupp and Ryan McKenzie heading down the street from their home late nights with Chad bringing in his guitar, ukulele or harmonica. Ryan had the idea to shoot video on his camera phone, which found their way to YouTube and Facebook. People seemed to be enjoying this short films and other musicians were invited to drop on by until they got to be a tight little grouping of players and Ryan’s phone became more elaborate equipment. And they collected enough prime recordings that the idea to put out a CD came to mind.

Shari’s 3am Sessions: Late Nite Specials features a handful of these friends playing alongside Chad or with others in the group. Guitar players Ben Rice, Josh Makosky and Richard Staats, bassist Calen Uhlig, vocalist Naomi Tatsuoka and keyboardist Bill Heston make up the core. Twelve tracks featuring a handful of originals and favorite covers ranging from songwriters like John Lennon & Paul McCartney, Van Morrison, Jimi Hendrix and Alicia Keys are offered here.

Tatsuoka soars on her original “Sure,” displaying quite a vocal range, which is also highlighted on The Beatles’ “Norwegian Wood” accompanied by tasteful piano from Heston. Rupp gives quite a down in the Bayou type of feel to his take on The Beatles’ “Come Together,” enhanced by resonator guitar by Rice. Makosky proves that he can pen clever lyrics with his originals “Rice and Chicken” that tells the woes of musicians and those reminiscing how things once were, “Going Out To Portland” and “Keep Portland Weird’ that he co-wrote with Mark Didier. That last track also sizzles with Makosky on cigarbox while Richard Staats keeps pace on guitar. Throughout the disc Uhlig is rock solid on his bass lines and Rice’s guitar work is extraordinary. The disc opens and closes with Rice. His original “You’re Gonna Go Away” is quite remindful of the type of music that Sean Costello put out on his last recording and the final track finds Rice doing justice to Sam Cooke. He also plays driving resonator on Robert Johnson’s “If I Had Possesion Of Judgement Day” with Makosky on second guitar, Uhlig on bass and Rupp playing rolling harmonica.

You may have thoughts to what the sound of this album is going to be like having been recorded in a restaurant setting. But you need not worry, McKenzie and the crack sharp duo of Makosky & Staats worked magic in the mixing and you cannot even tell it was done in a public place. There may be an occasional imperfection here or there, but remember this is a live recording and that is bound to happen. But Shari’s 3am Sessions: Late Nite Specials is a very well-produced recording. Once again considering the live setting and the time of night these guys have done a masterful job with bringing it all together. And I’m sure the customers dining in the wee hours probably didn’t mind the entertainment either.


Late Nite Specials



Markus James - Where You Wanna Be
Ry Cooder - My Name Is Buddy

Posted by kamane

Oznake: Shari's 3 A.M. Sessions, Nite Owls, Acoustic Blues

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petak, 10.01.2014.

Various - Angola Prison Spirtuals

Styles: Work Songs, Gospel
Label: Arhoolie
Released: 2003
File: mp3 @320K/s
Size: 172,3 MB
Time: 75:15
Art: full

1. I'm On My Way
Andy Mosely- vocal; Robert Pete Williams- guitar
2. Church On Fire With The Word Of God
Robert Pete Williams- vocal & guitar
3. What Shall I Do
Robert 'Guitar' Welch- vocal & guitar
4. Brother Norah
Angola Quartet: Willy Rafus- lead vocal, with Edward James, Ollie Brown & Burnel Jones
5. Little School Song
Tom Dutson- vocal; Robert Pete Williams- guitar
6. Dyin' Soul
Robert Pete Williams- vocal & guitar
7. Let My People Go
Roosevelt Charles- vocal
8. So Much Is Happenin' In The News
Robert Pete Williams- vocal & guitar
9. Dig My Grave With A Silver Spade
om Dutson- vocal; Robert Pete Williams- guitar
10. Brother Mosely Crossed The Water
Andy Mosely- vocal & washboard; 'Hogman' Maxey- guitar
11. I'm Stranded On The Banks Of Ole Jordan
Angola Quartet # 2: Willy Joe- lead, with Roosevelt Charles, Edward James & Willie McGee
12. I'm Goin' Back With Him When He Comes
Robert Pete Williams- vocal & guitar
13. The Old Ship Of Zion
Rev. Benjamin E. Osborne with congregation
14. When I Lay My Burden Down
Robert Pete Williams- vocal & guitar
15. See How They Done My Lord
Angola Quartet (six) from Camp A
16. Be With Me Jesus
Angola Quartet (six) from Camp A
17. Rise And Fly
Angola Vocal Group- unidentified lead singers
18. I Know I Got Religion
Andy Mosely- vocal & washboard; 'Hogman' Maxey- guitar
19. Jesus
Andy Mosely- vocal & washboard; 'Hogman' Maxey- guitar
20. I Take Jesus (Do Lord, Remember Me)
Angola Choir (Murray Ted Macon- director)
21. Each Day (Life's Evening Sun)
Angola Choir (Murray Ted Macon- director)
22. Steal Away To Jesus
Angola Choir (Murray Ted Macon- director)


Notes: The power of African American prison spirituals is without equal. If it were not for the work of a few intrepid ethnomusicologists these songs would have vanished from the collective memory of American music. Fortunately Dr. Harry Oster travelled through Louisiana in the early 1960's and recorded this music before it vanished from the tradition. Most of these tracks were released in the 1960's on LP. Now, for the first time, they are available on CD with 9 tracks that have never been commercially available. The legendary singer and guitarist Robert Pete Williams is heard on several of these raw and emotive cuts.

Originally released on LP on the Folk-Lyric label, Angola Prison Spirituals was recorded in the late '50s by the renowned folklorist and song collector Dr. Harry Oster. The first 13 cuts come from that glorious album, and for the CD reissue, Chris Strachwitz has added nine more tracks -- two from their excellent Robert Pete Williams volumes and seven more that have never been issued in any form before, all of which were recorded by Oster. Prisoners in the Angola Penitentiary recorded virtually everything here. Williams is most notable for his career after prison, but his songs here are far different from his other blues music: the disregard he has for traditional song form and its meter and rhyme lends an eerie, very present quality to the spirits evoked in his texts. Elsewhere, the chants by the Angola Vocal Group give rise to the notion that the songs considered to be traditional African-American spirituals are also constructs put on the culture by whites. Tom Dutson and Williams perform together on "Brother Norah," with its deep, ancient roots in otherworldly harmonies, and "Dyin' Soul" is spookier and more mournful than anything that most would recognize as arising from the spiritual canon. But it is on "Rise and Fly" by the Angola Vocal Group that listeners can hear the timelessness of the blues and the primitive, pre-Thomas Dorsey gospel music that sounds as if it came from field hollers more than the church pew. There isn't any music anywhere more powerful than this. There isn't any music closer to tearing the veil that separates the worlds of spirit and flesh; there isn't any music that echoes the beat of the human heart, the fear and hope in its soul, or the passion in the grain of its voice like this music does. There isn't any music like this anywhere.
Thom Jurek, Allmusic

Angola Prison Spirtuals



Fabrizio Poggi & Chicken Mambo - Spirit Of Mercy: A Collection
Cora Fluker - Look How The World Has Made A Change



Posted by muddy

Oznake: Various, Work Songs, Gospel

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Various - Angola Prisoners' Blues

Styles: Acoustic Blues, Country Blues, Early American Blues, Acoustic Louisiana Blues, Blues Revival
Label: Arhoolie
Released: 1952-1958
File: mp3 @320K/s
Size: 180,9 MB
Time: 78:58
Art: front

1. Prisoner's Talking Blues - Robert Pete Williams
2. Stagolee - Hogman Maxey
3. Electric Chair Blues - Guitar Welch
4. Black Night Is Fallin' - Hogman Maxey
5. Some Got Six Months - Robert Pete Williams
6. I'm Gonna Leave You Mama - Guitar Welch
7. I'm Lonesome Blues - Robert Pete Williams
8. Angola Bound - A Capella Group
9. Worried Blues - Hogman Maxey
10. Josephine - Guitar Welch
11. Soldier's Plea - Clara Young
12. Moon Is Rising, The - Odea Mathews
13. I'm Still In Love With You - Thelma Mae Joseph
14. I Miss You So - Vocal Group
15. Hello, Sue - Butterbeans
16. Fast Life Woman - Hogman Maxey
17. Careless Love - Otis Webster
18. Have You Ever Heard The Church Bells Tone - Roosevelt Charles/Otis Webster
19. 61 Highway - Guitar Welch
20. Strike At Camp I - Roosevelt Charles


Notes: Among the 3800 convicts in the desolate flatland of the prison farm at Angola, Louisiana, there were a surprising number of talented performers. Several of them were recorded and interviewed by folklorist Dr. Harry Oster between 1952 and 1960, and some of this material was originally issued on his Folklyric label. These are raw, powerful, largely improvised personal blues stories, as well as traditional songs. This CD features many previously unreleased items including the haunting monologue from Roosevelt Charles which ends the record, as well as unreleased tracks by women singers Odea Mathews, Clara Young and Thelma Mae Joseph.
All previously unreleased, except 1 - 7 which were on Arhoolie LP 2011

Blues doesn't get more authentic than this.... Odea Mathews echoes Bessie Smith and Ma Rainey in a surprisingly delicate voice while her sewing machine keeps time. Thelma Mae Joseph brings a bleak, desolate quality to her warbling of the pop tune 'Since I Fell for You' while the prison laundry machines rumble away behind her. But the star of the stunning set is unquestionably murderer Robert Pete Williams. This disc starts with his 'Prisoner's Talking Blues,' a rambling rumination on the state of his health and the deprivation of his family. Williams lightly strums Oster's guitar under this grim, unself-conscious monologue, climaxed by his breaking into sullen song: 'Sometimes I feel like committing suicide.
(Joel Selvin — San Francisco Chronicle)

Angola Prisoners' Blues



Smoky Babe & Herman E. Johnson - Louisiana Country Blues
Various - Oh Brother, Best Of Southern Blues



Posted by muddy

Oznake: Various, Early American Blues, Acoustic Blues, Country Blues, Louisiana Blues, Blues Revival

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Andy Squint - Down By The River

Bitrate: 320K/s
Time: 37:06
Size: 84.9 MB
Styles: Roots, Acoustic Louisiana blues
Year: 2011
Art: Front

[3:14] 1. Down By The River
[3:30] 2. Country Ham
[3:53] 3. Deep Down In Louisiana
[3:49] 4. Tenderly
[3:13] 5. Frenchmen St. Serenade
[3:58] 6. Here's To Louisiana
[3:08] 7. La Moustache
[4:18] 8. Dance The Night Away
[3:45] 9. House Party
[4:15] 10. Bottleneckin'


Louisiana roots, blues and jazz artist Andy Squint is a songwriter steeped in tradition. As a member of the Swamp Cats, Andy was a house guitarist at Tabby's Blues Box in Baton Rouge. After "The Box" closed,

Andy worked with such Louisiana Blues Hall of Fame members as Oscar Davis and Slim Harpo's guitarist, James Johnson. Andy struck out on his own in 2006 with a CD of original blues songs, Goin' to the Racetrack, which still receives international radio airplay. In 2008, Andy was a guest artist on Larry Garner's Dixie Frog Records release, Here Today, Gone Tomorrow. After relocating to High Point, NC, in 2010, Andy was awarded runner up at the Piedmont Blues Preservation Society’s solo/duo blues competition. Andy kicked off Greensboro's 25th Anniversary Carolina Blues Festival on May 7th 2011, where he also released his second CD, Down by the River.

"In 2010 I moved from Baton Rouge, LA to High Point, NC. These songs speak to this experience. Many thanks to friends old and new who have been the inspiration and support for this artistic life." ~AQ

Guitar and Vocals: Andy Squint Recorded at The Tiger Room, High Point, N.C.

Down By The River

Mo' Albums...
Bob Stroger - Bob Is Back In Town
Funny Papa Smith - The Original Howling Wolf, 1930-1931



Posted by azzul

Oznake: Andy Squint, Louisiana Blues, Roots

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četvrtak, 09.01.2014.

Dr. Ross - One Man Band

Styles: Country Blues, Delta Blues
Label: Takoma
Released: 1998
File: mp3 @320K/s
Size: 89,3 MB
Time: 39:00
Art: full

1. Dr. Ross' Rock - 1:50
2. My Little Woman - 4:33
3. Mama Blues - 3:52
4. 32-20 - 3:41
5. Chicago Breakdown - 6:11
6. Good Morning Little Schoolgirl - 3:00
7. Hobo Blues - 4:09
8. Fox Chase - 4:39
9. Goin' Down Slow - 4:22
10. The Boogie Woogie - 2:40


Personnel:
'Doctor' Isaiah Ross - Guitar, Harmonica, Vocals

Notes: Isaiah Ross was born on a farm in Tunica, Mississippi, to parents of native American origin. He began playing harmonica as a boy, and entertained at house parties with guitarist Wiley Galatin. After two spells in the army he took a job with general Motors, first in Illinois and then, in 1954, in Flint, Michigan, where he spent the rest of his life, working at the Chevrolet plant. He recorded for Sun in the early '50s but it was through later singles for Fortune and associated labels that he earned a reputation in the '60s which led to him being booked for the 1965 AFBF. After that he was frequently invited back to Europe.
This was recorded in january 1965. That year was busy for him. He played a gig at the University Of Chicago, which furnished the tracks on this CD, and either the next day or week later cut an album for Testament. In fall he joined the AFBF, playing his way round Europe and impressing the many people who had never beforeseen a one-man blues band. Despite its title, this is NOT a typical performances, since Ross plays only harmonica and guitar.


One Man Band



The Blue Rider Trio - Harp, Steel And Guts
Bukka White - The Sonet Blues Story

Posted by muddy

Oznake: Dr. Ross, Country Blues, Delta Blues

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Lightnin' Hopkins - Hootin' The Blues

Bitrate: 320K/s
Time: 32:37
Size: 74.7 MB
Styles: Acoustic Texas blues
Year: 1965/1994
Art: Front

[8:01] 1. Blues Is A Feeling
[3:35] 2. Me And Ray Charles
[3:21] 3. In The Evening
[2:27] 4. Ain't It Crazy
[4:34] 5. Last Night I Lost The Best Friend I Ever Had
[2:58] 6. Everything
[5:10] 7. I Work Down On The Chain Gang
[2:28] 8. Meet Me In The Bottom


The most important part of Lightnin' Hopkins' career was spent in juke joints in Houston, but during the early 1960s, he also became a star along the folk circuit, playing clubs that catered mostly to college students eager to hear authentic acoustic blues. Several of those shows were recorded over the years to capitalize, and while the albums don't have the same importance as Hopkins' classic blues sides of the 1940s and 1950s, they do show another side of the man, and one he seemed to take to very naturally. Hootin' The Blues is one of Hopkins' better folk club concerts, capturing him in an intense performance on acoustic guitar, rapping (in the sense of talking) about the blues and what it means as he introduces some powerful songs: "Blues Is a Feeling," "In the Evenin'," and "Meet Me in the Bottom," among others. The best moment, though, is his reinvention of Ray Charles' "What'd I Say" as an acoustic guitar number (trust me, it works), which displays the kind of fingering that must've made a young Eric Clapton want to sit down and cry. ~Bruce Eder


Hootin' The Blues

Mo' Albums...
Various - Willie Dixon's Blues Dixonary Vols. 1 - 5
Terry Garland - The One To Blame


Posted by azzul

Oznake: Lightnin' Hopkins, Texas Blues

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srijeda, 08.01.2014.

John Crampton - Blues Plus

Styles: Acoustic Blues
Released: 2008
Label: Independent
File: mp3 @320K/s
Size: 110.7 MB
Time: 48:22
Art: front + back

1. Micklepage Stomp - 5:32
2. Do The Do - 2:28
3. Little Red Rooster - 3:58
4. Maxies Gargle - 3:06
5. Stone Dead - 5:07
6. Leaving Day - 3:39
7. Skin 'n' Bone - 5:43
8. Spoonfull - 3:50
9. Just A Feeling - 4:06
10. Train I Ride - 3:14
11. No Shoes - 4:41
12. So Shy - 2:55



Notes: John Crampton was born in London. He is self taught on the guitar and harmonica. He has played in many bands including Woody and the Splinters, a hard hitting R 'n' B trio with John on vocals and lead guitar singing John's own compositions. Next was a band called Daddy Yum Yum which played a mixture of skiffle, gospel and blues. This band toured frequently and supported Ian Dury and the Blockheads and also Wilco Johnson and the Solid Senders.
After Daddy Yum Yum came a band called Big Bamboo which was an eight piece band including a brass section of trumpet, trombone and saxaphone. This band played a combination of jazz and blues.
Since then John has been playing as a solo act creating a very big and powerful sound of hard hitting and very danceable uptempo blues. John plays slide or bottleneck style on a 1930's National steel guitar with harmonica and thumping his foot on foot box to provide a driving rhythm. This style has proved very popular with audiences in worldwide. John plays mostly his own songs. His influences are Howlin' Wolf, Bukka White, John Lee Hooker and Ry Cooder.
Recently he has played played in Florida, Greece, Ireland, Norway, Germany, Switzerland, Canada, Czech Republic, Poland, France and Slovakia.


Blues Plus



Various - Back Porch Blues [King Snake]
Dean Haitani - Guitar And Harmonica Blues (feat. Kenny Sutherland)


Posted by muddy

Oznake: John Crampton, Acoustic Blues, England

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Johnie Lewis - Alabama Slide Guitar

Styles: Country Blues
Label: Arhoolie
Released: 1970
File: mp3 @320K/s
Size: 138,6 MB
Time: 59:03
Art: front

1. Hobo Blues - 4:31
2. He Met Me On A Thursday Mornin - 3:53
3. Uncle Sam Ain't No Woman - 3:45
4. Can't Hardly Get Along - 2:56
5. My Little Gal - 3:57
6. North Carolina Blues - 3:46
7. I'm Gonna Quit My Baby - 3:34
8. Baby, Listen To Me Howl - 4:26
9. You Gonna Miss Me (About Dr. Martin Luther King) - 2:31
10. Mistake In Life (Handsome Stranger) - 2:56
11. I Got To Climb A High Mountain (About Dr. Martin Luther King) - 3:15
12. My Mother Often Told Me - 2:31
13. Lewis' Little Girl Done Stole A Black Cat Bone - 4:23
14. Jumpin' Jive - 1:17
15. Poor Boy - 2:21
16. Guitar Blues (Hound Dogs On My Track) - 3:09
17. Comb My Baby's Hair - 2:52
18. Oh Lord, Tell Me Right From Wrong - 2:53


Personnel:
Johnie Lewis - Guitars, Vocals, Harmonica (13), Kazoo (14)
Charlie Musselwhite - Harmonica (5)

Notes: Johnie Lewis was a decent, if unexceptional, singer and guitarist in the Southern rural style, particularly accomplished at playing slide. Though he was born in Alabama and grew into adulthood in Georgia, Lewis spent most of his life in Chicago, moving the city in the 1930s. A painter by profession, Lewis only pursued music as an avocation, but through one of his painting jobs, he came to the notice of a filmmaker doing a documentary about Chicago blues. His appearance in that film lead to recording sessions for Arhoolie in the early '70s.
Eighteen songs recorded by Lewis in 1970 except "My Little Gal" (Jan 1971 with Charlie Musselwhite). If Lewis were one of the few practitioners of the Southern country slide blues guitar, this would be an important document. But the fact is that because there are so many similar performers in the style who recorded more prolifically and with greater imagination, it's just a solid journeyman entry in the field. Lewis does have an affable storytelling manner to his songwriting, and gets in some nifty laidback slide licks; a couple of the more ambitious tunes were inspired by Dr. Martin Luther King. ~ Richie Unterberger

Alabama Slide Guitar



Juke Boy Bonner - Life Gave Me A Dirty Deal
Bukka White - The Complete Bukka White



Posted by muddy

Oznake: Johnie Lewis, Country Blues

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utorak, 07.01.2014.

Amos Garrett - Acoustic Album

Styles: Acoustic Blues
Label: Stony Plain
Released: 2004
File: mp3 @320K/s
Size: 92,9 MB
Time: 40:34
Art: front

1. She Don't Go Nowhere (till the stars come out at night) - 2:34
2. Sam's Song - 5:04
3. Perfume and Tobacco - 4:06
4. Judgement Day - 3:16
5. Hong Kong Blues - 2:55
6. Michigan Water Blues - 3:08
7. I Hate Myself - 3:08
8. Bailey Hill Requiem - 2:45
9. Always Got Your Hands on That Guitar - 3:28
10. Grasshoppers in My Pillow - 3:03
11. Small Fry - 3:20
12. Some Musician Was to Blame - 3:43


Notes: In his career, guitarist/singer Amos Garrett has played country, folk, rock & roll, jug music, and some jazz. Born in Detroit, he has primarily worked in Canada, being a busy studio guitarist in addition to having his own solo projects. Acoustic Album lives up to its name, featuring Garrett on a variety of good-time music that includes some swing (including a couple Hoagy Carmichael tunes), country, folk, and roots music. Garrett's easygoing and warm baritone voice, friendly style, and fluent guitar picking make Acoustic Album a delightful set, one well worth savoring. ~Scott Yanow

Acoustic Album



Big Joe Williams - Walking Blues
David Graybeard - One More Shot Of The Blues



Posted by muddy

Oznake: Amos Garrett, Acoustic Blues

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John Campbell - Tyler, Texas Session

Styles: Modern Acoustic Blues
Released: 1999
File: mp3 @320K/s
Size: 126,7 MB
Time: 55:20
Label: Sound Records
Art: full

1. Walkin' Blues - 4:08
2. I Can't Be Satisfied - 4:27
3. Rollin' Stone - 5:02
4. Watch Dog Blues - 3:25
5. Driftin' And Driftin' - 4:12
6. Medley In C/Chump Man Blues - 5:35
7. My Babe - 4:09
8. Talk To Me Babe - 4:26
9. Blues In A - 3:03
10. The Sky Is Crying - 5:07
11. Terraplane Blues - 5:17
12. Mojo Hand - 6:25


Notes: This CD is a rare and historic live-in-the-studio recording of a blues legend. John Campbell recorded these magical performances as demo, years before his Electra contract and untimely death. On these recordings you will hear one man with a presumably a 1930’s era National Resophonic, a then pristine 1952 Gibson Southern Jumbo, and all his heart and soul, whisking you away on a mystical journey.
No electronic tracks were used to alter John’s renditions of these blues classics that were woven with the charm and heartfelt passion of a man who lived his craft. You’ll hear the incredible syncopation of his hands, his ethereal voice, and the beat of his foot keeping time. Robin Hood Studios captured Campbell’s complete essence; metal on wood slide guitar rattles and the very breath and snarls of a brilliant apprentice to the blues. They were also able to chronicle a musician steeped in deep country blues, whose performances during this session were not destined to be heard until now.
“Campbell imbibed the spirit of the masters of the blues. If you were lucky enough to have witnessed his shows you would have been a participant in a classroom where the blues was the subject. John gave lessons in the blues on a nightly basis. His venues became his classroom where he lectured ancient blues theory. He demonstrated piano and banjo style blues guitar methods, as well as Mississippi-delta slide technique. Audiences the world over were enthralled at his sheer finger picking ability and his thunderous right hand technique.” *
Mojo Hand, a fitting epitaph, is presented on this recording where you’ll hear John’s derelict plea of “I’m Goin’ Back to Louisiana.” Welcome home, John Campbell, welcome home.
*Excerpt from the future release of the biography, Road of the Conqueror, the Life of John Campbell. ~ devilinmycloset.net

Tyler, Texas Session



Country Blues Project - All by Myself
Kelly Joe Phelps - Roll Away The Stone



Posted by muddy

Oznake: John Campbell, Modern Acoustic Blues

- 21:31 - Comments (0) - Print - Link for this post

nedjelja, 05.01.2014.

Baby Tate - See What You Done Done

Styles: Prewar Country Blues, Piedmont Blues
Recorded: 1961
Released: 1994
Label: Prestige/Bluesville
File: mp3 @320kbps
Size: 86.3 MB
Time: 34:35
Art: full

1. See What You Done Done - 3:05
2. Dupree Blues - 4:04
3. What Have I Done To You - 2:41
4. Baby, I'm Going - 3:05
5. Hey Mama, Hey Pretty Girl - 2:16
6. When Your Woman Don't Want You Around - 2:40
7. My Baby Don't Treat Me Kind - 2:48
8. Trucking Them Blues Away - 2:08
9. Baby, You Just Don't Know - 3:18
10. Lonesome Over There - 2:24
11. Thousand Woman Blues - 2:43
12. I Ain't Got No Loving Baby Now - 2:37

Personnel:
Baby Tate - Guitar, Vocal


Notes: Charles Henry Tate was born in Georgia, but moved as a child to Greenville, South Carolina, where he knew Blind Boy Fuller. After serving in the Army in WW II, he moved to Spartanburg, and was active in that city's blues scene when not poursing his trade as a bricklader. Tate recorded in the '60s through his association with Pink Anderson, and again in 1970, although few titles from the later sessions have been issued, and none on CD. Tate wasn't an originator, and he'd learned most of his song two or three decades before he recorded them, but his version are lively, meaningful and personalized; even at his most Fullerish he wasn't a mindless imitator. It's easy to identify the bricks that Baby Tate used to built his music, but the mortar which binds them together is his considerable talent as singer and picker alike.

See What You Done Done



John Dee Holeman - John Dee Holeman & The Waifs Band
Smoky Babe - Hottest Brand Goin'



Posted by muddy

Oznake: Baby Tate, Prewar Blues, Piedmont Blues

- 23:40 - Comments (0) - Print - Link for this post

Cary Tate & Alonzo Burks - Blues At Home 5

Size: 120,9 MB
Time: 51:27
File: MP3 @ 320K/s
Released: 2013
Styles: Country Blues
Label: Mbirafon
Art: Front

01. Cary Tate - Bumble Bee Blues (2:11)
02. Cary Tate - The Honeydripper (2:07)
03. Cary Tate - Untitled Blues (2:18)
04. Cary Tate - Early One Morning, About The Dawn Of Day (2:01)
05. Cary Tate - Catfish Blues (Take 1) (2:26)
06. Cary Tate - Catfish Blues (Take 2) (2:27)
07. Cary Tate - Catfish Blues (Take 3) (4:39)
08. Cary Tate - Coal Black Mare (2:33)
09. Cary Tate - Blues All In My Bread (1:57)
10. Cary Tate - What's That Smells Like Gravy (Take 1) (1:36)
11. Cary Tate - What's That Smells Like Gravy (Take 2) (1:26)
12. Cary Tate - How Many More Years (2:24)
13. Cary Tate - Bluebird Blues (2:52)
14. Cary Tate - Going Down Brownsville (4:47)
15. Cary Tate - Cary Tate Discusses The Meaning Of The Blues (0:41)
16. Cary Tate - Cary Tate Discusses Repertoire And Guitar Style (0:49)
17. Alonzo Burks - Catfish Blues (2:16)
18. Alonzo Burks - Train I Ride (2:34)
19. Alonzo Burks - Will The Circle Be Unbroken (2:09)
20. Alonzo Burks - Back Door Friend (2:29)
21. Alonzo Burks - Louisiana Blues (2:17)
22. Alonzo Burks - Smokestack Lightning (2:19)


The fifth volume of the “Blues At Home” Collection, this CD features a totally unknown musician from Henning, Tennessee, a very prolific area from which several outstanding blues artists came – Noah Lewis, Charlie Pickett, and John Henry Barbee, for example. Cary Tate was born in Henning, Tennessee, in 1905, and was discovered in the summer of 1976 in Humboldt, Tennessee, through the help of Hammie Nixon, and two sessions were recorded at Tate’s home there. Less than one year later, Tate was murdered under obscure circumstances in Humboldt, and the recordings presented on this CD remain his last testament. Rooted in the traditional blues of South Western Tennessee, Cary Tate was an accomplished vocalist whose intensity was coupled with skill on the guitar in a range of styles.
The CD also includes six tracks by Alonzo Burks (a.k.a. Lonzo Burkes, born 1919 in Madison, Mississippi), another unknown artist discovered in Flora, Mississippi, in the summer of 1978, through referral of William “Do Boy” Diamond’s nephew Eugene. Alonzo Burks has spent most of his life in the Flora area working as a farmer and tractor driver for a local landowner named W.E. Wesby. When I met him he was holding an electric guitar, playing in local juke joints with a small combo, earning the nickname of “Boogie Children.” Burks repertoire presented here includes well-known Post-War blues recordings conveniently readapted by him, plus a traditional gospel title. All tracks have been fully digitally remastered in 2013 from the original tapes. ~Giambattista Marcucci


Blues At Home 5



Eugene Powell - Blues At Home 3
Sam Chatmon - Blues At Home 2

Posted by kamane

Oznake: Alonzo Burks, Cary Tate, Country Blues

- 16:53 - Comments (0) - Print - Link for this post

subota, 04.01.2014.

Bjorn Berge - Bjorn Berge

Styles: Modern Acoustic Blues, Modern Electric Blues, Blues-Rock
Released: 1997
Label: Bonnier Amigo Music Group
File: mp3@ 320K/s
Size: 92.2 MB
Time: 39:51
Art: full

1. Don't the road look rough and rocky - 3:34
2. Death letter - 3:00
3. Midnight on the stormy deep - 4:43
4. Shake for me - 2:35
5. Stones in my passway - 2:45
6. Angel band - 2:49
7. Goin' to Brownsville - 3:24
8. Left her behind - 3:23
9. Just rode in your town - 2:36
10. I wish you would - 2:57
11. Hellhound on my trail - 3:53
12. Saddle my pony - 4:07

Notes: Bjorn Berge takes the Blues and Rock to the next level! He performes with and without band. You wouldn’t notice the difference. The man is a band on his own. Maybe thats why ‘they’ call him the ‘string-machine’. Even the drumming is taken care off in a ‘sole-man-performance’. Just a kick of a heavy, worn out boot on a wooden box for basedrum for example. His fingers play like he sold his soul to ,… His voice speaks for itself. Blues to the utmost ground!
Bjřrn’s first solo album is called Bjřrn Berge. All instruments played by himself.

Bjorn Berge



Bjorn Berge & Jan Flaaten - Berge/Flaaten
Bjorn Berge - Live In Europe



Posted by muddy

Oznake: Bjorn Berge, Modern Acoustic Blues

- 22:58 - Comments (0) - Print - Link for this post

Various - Blues Roots: Give Me The Blues

Styles: Chicago Blues, Acoustic Blues, Piano Blues, Delta Blues
Released: 1979
Label: Storyville
File: mp3@320K/s (from vinyl)
Size: 205.2 MB
Time: 89:38
Art: front

Side 1
1. Smoky Babe - Boogy - 2:40
Smoky Babe (vocals, guitar)

2. Avery Brady - I Don't Want You No More - 2:57
Avery Brady (vocals, guitar)

3. Doug Quattlebaum - Good Woman Blues - 4:44
Doug Quattlebaum (vocals, guitar)

4. Huddie Ledbetter - Frankie And Albert, parts 1 + 2 - 2:38
Huddie Ledbetter (vocals, guitar)

5. Arthur Weston - Someday Baby - 1:36
Arthur Weston (vocals, guitar), George Robertson (harmonica)

6. Big Joe Williams - Long Road Blues - 2:13
Big Joe Williams (vocals, guitar)

7. Big Bill Broonzy - You Better Mind - 2:12
Big Bill Broonzy (vocals, guitar)

Side 2
8. Clarence Edwards - Mean Old Frisco - 3:23
Clarence Edwards (vocals, guitar), Cornelius Edwards (guitar), Butch Cage (fiddle)

9. Bert Logan - Four O'Clock In The Morning - 2:47
Bert Logan (vocals, guitar), Russ Logan (vocal, washboard), Big Joe Williams (guitar)

10. Big Joe Henry Miller - Down Here By Myself - 4:14
Big Joe Henry Miller (vocals, guitar), Jimmy Lee Miller (guitar)

11. Arthur 'Big Boy' Spires - 21 Below Zero - 2:40
Arthur 'Big Boy' Spires (vocals, guitar), Johnny Joung (guitar)

12. Johnny Young - Green Door Blues - 4:03
Johnny Young (vocals, mandolin), John Lee Graunderson (guitar), John Wrencher (harmonica)

13. Arthur Weston - Roll Me Over Slow - 2:41
Arthur Weston (vocals, guitar), Big Joe Williams (guitar), George Robertson (harmonica)

Side 3
14. Champion Jack Dupree - Back Door Special - 2:47
Champion Jack Dupree (vocal, piano)

15. Roosevelt Sykes - Southern Style Piano - 5:29
Roosevelt Sykes (piano)

16. Henry Brown - Low Down Drag - 4:39
Henry Brown (piano)

17. Memphis Slim - Funky Blues - 4:25
Memphis Slim (piano)

18. Jimmy Yancey - Yancey Special - 4:17
Jimmy Yancey (piano)

19. Sunnyland Slim - Sunnyland's Boogie - 2:57
Sunnyland Slim (piano)

Side 4
20. Speckled Red - Cow Cow Blues - 3:36
Speckled Red (vocal, piano)

21. Otis Spann - The Skies Are Blue - 3:36
Otis Spann (vocal, piano)

22. Memphis Slim - A Letter Home - 3:05
Memphis Slim (vocal, piano)

23. Otis Spann - Boots And Shoes - 3:15
Otis Spann (vocal, piano)

24. Memphis Slim - Rebecca Blues - 4:55
Memphis Slim (vocal, piano), Sonny Boy Williamson (vocal, harmonica)

25. Willie Mabon - I'm The Fixer - 3:04
Willie Mabon (vocal, piano), Billy Emerson (organ), Lacy Gipson (guitar), Jack Myers (bass), Al Duncan (drums)

26. Champion Jack Dupree - I Just Want To Be Free - 4:32
Champion Jack Dupree (vocal, piano)

Notes: Recorded mostly between 1960 and 1965, except track 4 NY 1939 and track 18 Chicago 1950
05. Jimmy Brewer - Big Road Blues, Even though shown on the cover as well as on the label track listing and even though there's a picture and a short bio of Jim Brewer in the liner notes - this Jim Brewer track is actually / erraneously? not included; instead there's the following Arthur Weston track !!! ~ www.wirz.de

Blues Roots: Give Me The Blues, part 1
Blues Roots: Give Me The Blues, part 2

or

Ziddu



Memphis Minnie - Queen Of The Blues
Buddy Guy & Junior Wells - Alone & Acoustic



Posted by muddy

Oznake: Big Bill Broonzy, Big Joe Williams, Champion Jack Dupree, Chicago Blues, Delta Blues, Doug Quattlebaum, Leadbelly, Memphis Slim, Otis Spann, Piano Blues, Roosevelt Sykes, Sunnyland Slim, Various

- 22:54 - Comments (0) - Print - Link for this post

četvrtak, 02.01.2014.

Markus James - Where You Wanna Be

Styles: African-West, New Acoustic, Acoustic Blues
Label: Firenze Records
Released: 2001
File: mp3 @320K/s
Size: 85,0 MB
Time: 37:07
Art: front

1. Desert Flower - 4:24
2. Where You Wanna Be - 3:37
3. Way To Go - 4:52
4. In The Sun - 3:59
5. Cross The River - 3:27
6. Some Things(You Never Shake) - 6:00
7. Sunlight And Zero - 3:35
8. Oh My - 3:29
9. Endless - 3:40


Notes: Markus James is originally from Virginia and the DC area, where his first musical memory, from the age of four, is of a blind blues singer he saw many times playing on a sidewalk. Markus first encountered West African stringed music at the Smithsonian Folklife Festival when he was mesmerized by the Gambian Kora player and singer, Alhaji Bai Konte. After playing in various rock and R&B groups, Markus moved to the SF Bay Area where he pursued his interests in African, Indian, and Gamelan music, while also writing and recording original music in various rock styles. He travelled in West Africa and also Haiti, studying traditional ensemble drumming, before first visiting Mali in 1994, when he made his way to the village of Niafounke to meet Ali Farka Toure. It was then that he first recorded with Wassoulou musician Solo Sidibe, and this became the "where you wanna be" album, released 6 years later. He has produced several programs for PRI's Afropop Worldwide, notably "Ali Farka Toure: Live From Niafounke". Markus has returned to Mali many times, where he has written and recorded blues-influenced music with traditional Malian musicians, notably his 2002 release "nightbird", which has been warmly received by critics in the US and Europe.
His collaborations in Timbuktu with Hamma Sankare (Calabash player on Ali Farka Toure's tours and albums), Hassi Sare (master of the one-stringed Njarka violin), and Solo Sidibe (who plays the Kamele N'Goni, the hunter's harp of the Wassoulou people) are the subject of the documentary film and upcoming CD / DVD release "Timbuktoubab". This group has performed at the Festival In The Desert in 2003 and 2004, as well as in Timbuktu and other towns and villages in Northern Mali.
In the US, Markus tours with a group featuring Wassoulou musician Mamadou Sidibe. They have performed on numerous radio shows, including PRI / BBC's "The World", at festivals, and in clubs, and have an album due in early 2005.

Where You Wanna Be



Markus James - Snakeskin Violin
Habib Koité & Eric Bibb - Brothers in Bamako



Posted by muddy

Oznake: Markus James, African-West, New Acoustic, Acoustic Blues

- 22:20 - Comments (0) - Print - Link for this post

BabaJack - Exercising Demons

Styles: Acoustic Blues, British Folk, Traditional Folk
Label: Independent
Released: 2010
File: mp3 @320K/s
Size: 118,8 MB
Time: 51:53
Art: full

1. Big Man Blues - 4:22
2. Sweet Jelly Love - 5:00
3. Going Down - 5:17
4. Parade - 4:49
5. Big Summer Rising - 5:02
6. Dog Tired - 4:41
7. The Last Train - 3:50
8. Religion - 6:21
9. I Walk on Diamonds - 4:05
10. The Well Song - 8:20


Notes: This is a CD that is going to grab you by the shoulders and shake you around for a bit, resettling your mind into a new locale on a wide-open range. It can seem serene and be flowing smoothly and in a blink erupt with a power and energy you never saw sneaking up on you. It is folky and then goes to almost violent tribal rhythms that display the sheer power of the music being generated. There are gypsy rhythms intertwined with African beats, drone, blues, and folk music. BabaJack is comprised of Trevor Steger on acoustic Dobro and wine box guitars, harmonica and vocals; Becky Tate vocals, drum, and stomp, with Aron Attwood on drums, bass, percussion and vocals (he also produced the disc) and they are joined by about five of their cohorts on various tracks on various instruments. The songs they unleash on the unsuspecting—they did write all of them—are well written and show the versatility of this group with their friends.
The singing, mostly done by Becky, is always full of emotion and very evocative and expressive. Though her voice comes very close to the level of surrender to the song, it is the musical rhythms that carry them. It is as much as what they don't play, the spaces they create and don't play into, as what they do play that creates the tension in the songs. Becky's voice has a gritty edge to it that gives it added texture along with Trevor's percussive guitar playing, particularly when he is using his slide. Though it might sound as if it could be hibildy gibbery it is a very cohesive disc that earns repeated listenings with its musicianship.

Exercising Demons



Babajack - The Maker
Moreland, Arbuckle & Floyd - Floyd's Market



Posted by muddy

Oznake: Babajack, Acoustic Blues, British Folk, Traditional Folk

- 22:08 - Comments (0) - Print - Link for this post

srijeda, 01.01.2014.

Brownie McGhee - Brownie's Blues

Styles: Country Blues, East Coast Blues, Piedmont Blues
Label: Bluesville
Released: 1960
File: mp3 @320K/s
Size: 89,7 MB
Time: 39:12
Art: full

Digital Remastering, 1990 Kirk Felton
Fantasy Studios, Berkley

1. Jump, Little Children - 4:36
2. Lonesome Day - 5:25
3. One Thing For Sure - 3:20
4. The Killin' Floor - 3:41
5. Little Black Engine - 3:44
6. I Don't Know The Reason - 4:03
7. Trouble In Mind - 4:55
8. Everyday I Have The Blues - 5:15
9. Door To Success - 4:09


Notes: Brownie's Blues was originally released by Bluesville Records in 1962. Supported by his longtime accompanist Sonny Terry, as well as second guitarist Benny Foster, Brownie turns in a nicely understated record that's distinguished by surprisingly harmonically complex and jazzy guitar work. AMG

An interesting album in a number of ways. First of all, it's one of the few albums that have both Brownie and Sonny Terry on it in which only Brownie sings - not even a "whooop" from Sonny. One wonders why. You have to go back to a Savoy date from 1955 to see that happening again, and all the way back to 1952 date for Jackson to find Sonny singing and Brownie only accompanying on guitar. (Wonder how this made Sonny feel.)
It also marks the only time I know of when a second guitar was added when Sonny and Brownie were working alone together. Bennie Foster's guitar bolsters Brownie's work, but since such an addition was never used before or afterwards, it makes you wonder what made them try it here.
Anyway, some great tracks went down on this date. ONE THING FOR SURE reworks the "Gonna reap what you sow" idea in an 8-bar format. Memphis Slim's TROUBLE IN MIND is taken just a tad too slow and begins to drag a bit, but LITTLE BLACK ENGINE, a 24-bar blues taken in cut time, is a train song that is captivating and even swings nicely. A fine addition to the Brownie McGhee repertory. ~ Bomojaz

Brownie's Blues



Archie Edwards - Blues 'n Bones
Sonny Terry And Brownie McGhee - Hometown Blues



Posted by muddy

Oznake: Brownie McGhee, Sonny Terry, Country Blues, East Coast Blues, Piedmont Blues

- 21:08 - Comments (0) - Print - Link for this post

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a few words
  • Jan 23, 2014
    We have created a new place that we called the garret, there you can post your albums as much as you want.
    Become a regular visitor of our garret.


    We are a group of friends from different parts of the world which has one important thing in common, our love for the blues. We are here to promote blues and blues musicians who we think deserve more attention and that is the only purpose of this blog.
    Never forget that these compressed files will never have the quality that can provide Cd, so whenever you can buy a Cd and support the artists. Artists will repay us with more great music.
    The C-box is only for messages related to this blog and for your requests. We'll try our best to get and post your requested album.
    Always leave your name/nick/aka when submitting a comment on the C-box or comment box of the post.

    Entering Comments: For those who don't read Croation here is a translation of the comment box of the post.
    Choose Anonymous, add your comment, enter your nick and click on POŠALJI.
    Thank you for visiting. We will appreciate any feedback from you.

    Sincerely, Divin' Ducks

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