WINDOW COVERINGS FOR ARCHED WINDOWS. WINDOW COVERINGS F
WINDOW COVERINGS FOR ARCHED WINDOWS. WHOLE HOUSE FAN WITH SHUTTER.
Window Coverings For Arched Windows
- A thing used to cover something else, typically in order to protect or conceal it
A layer of something that covers something else
layers, see k o s h a.
- (trademark) an operating system with a graphical user interface
- (window) a framework of wood or metal that contains a glass windowpane and is built into a wall or roof to admit light or air
- A computer operating system with a graphical user interface
- (window) a transparent opening in a vehicle that allow vision out of the sides or back; usually is capable of being opened
- An opening in the wall or roof of a building or vehicle that is fitted with glass or other transparent material in a frame to admit light or air and allow people to see out
- An opening in a wall or screen through which customers are served in a bank, ticket office, or similar building
- a transparent opening in a vehicle that allow vision out of the sides or back; usually is capable of being opened
- a framework of wood or metal that contains a glass windowpane and is built into a wall or roof to admit light or air
- a transparent panel (as of an envelope) inserted in an otherwise opaque material
- A pane of glass filling such an opening
- Provide (a bridge, building, or part of a building) with an arch
- arced: forming or resembling an arch; "an arched ceiling"
- An arch is a structure that spans a space while supporting weight (e.g. a doorway in a stone wall). Arches appeared as early as the 2nd millennium BC in Mesopotamian brick architecture and their systematic use started with the Ancient Romans who were the first to apply the technique to a wide
- Have the curved shape of an arch
- Form or cause to form the curved shape of an arch
- constructed with or in the form of an arch or arches; "an arched passageway"
Europe - Turkey / Istanbul - Aya Sophia
A section of the original architecture of Hagia Sophia
Groundplan of the Hagia Sophia
One of the mighty stone columns with metal claspsHagia Sophia is one of the greatest surviving examples of Byzantine architecture. Of great artistic value was its decorated interior with mosaics and marble pillars and coverings. The temple itself was so richly and artistically decorated that Justinian proclaimed, "Solomon, I have outdone thee!" (???????? ?? ???????). Justinian himself had overseen the completion of the greatest cathedral ever built up to that time, and it was to remain the largest cathedral for 1,000 years up until the completion of the cathedral in Seville in Spain.
Justinian's basilica was at once the culminating architectural achievement of late antiquity and the first masterpiece of Byzantine architecture. Its influence, both architecturally and liturgically, was widespread and enduring in the Eastern Orthodox, Roman Catholic, and Muslim worlds alike. The largest columns are of granite, about 19 or 20 metres high and at least 1.5 metres in diameter; the largest weigh well over 70 tons apiece. Under Justinian's orders, eight Corinthian columns were disassembled from Baalbek, Lebanon and shipped to Constantinople for the construction of Hagia Sophia.
The vast interior has a complex structure. The nave is covered by a central dome which has a maximum diameter of 31.24 metres (102 ft 6 in) and a height from floor level of 55.6 metres (182 ft 5 in), about one fourth smaller and greater, respectively, than the dome of the Pantheon. The dome seems rendered weightless by the unbroken arcade of 40 arched windows under it, which help flood the colourful interior with light. Due to consecutive repairs in the course of its history, the dome has lost its perfect circular base and has become somewhat elliptical with a diameter varying between 31.24 m (102 ft 6 in) and 30.86 m (101 ft 3 in).
The dome is carried on pendentives — four concave triangular sections of masonry which solve the problem of setting the circular base of a dome on a rectangular base.At Hagia Sophia the weight of the dome passes through the pendentives to four massive piers at the corners. Between them the dome seems to float upon four great arches. These were reinforced with buttresses during Ottoman times, under the guidance of the architect Mimar Sinan.
At the western (entrance) and eastern (liturgical) ends, the arched openings are extended by half domes carried on smaller semi-domed exedras. Thus a hierarchy of dome-headed elements builds up to create a vast oblong interior crowned by the main dome, a sequence unexampled in antiquity. Despite all these measures, the weight of the dome remained a problem, which was solved by adding buttresses from the outside.
All interior surfaces are sheathed with polychrome marbles, green and white with purple porphyry and gold mosaics, encrusted upon the brick. This sheathing camouflaged the large pillars, giving them, at the same time, a brighter aspect.
On the exterior, simple stuccoed walls reveal the clarity of massed vaults and domes. The yellow and red colour of the exterior was added by the architect Fossati during the restorations in the 19th century.
Ayasofya (Hagia Sophia), Istanbul
The current building was originally constructed as a church between 532 and 537 AD
Hagia Sophia is one of the greatest surviving examples of Byzantine architecture. Of great artistic value was its decorated interior with mosaics and marble pillars and coverings. The temple itself was so richly and artistically decorated that Justinian proclaimed, "Solomon, I have surpassed thee!" (???????? ?? ???????). Justinian himself had overseen the completion of the greatest cathedral ever built up to that time, and it was to remain the largest cathedral for 1,000 years up until the completion of the cathedral in Seville in Spain.
Justinian's basilica was at once the culminating architectural achievement of late antiquity and the first masterpiece of Byzantine architecture. Its influence, both architecturally and liturgically, was widespread and enduring in the Eastern Orthodox, Roman Catholic, and Muslim worlds alike. Under Justinian's orders, eight Corinthian columns were disassembled from Baalbek, Lebanon and shipped to Constantinople for the construction of Hagia Sophia.[7]
The vast interior has a complex structure. The vast nave is covered by a central dome which has a maximum diameter of 31.24 meters and a height from floor level of 55.6 meters, about one fourth smaller than the dome of the Pantheon. The dome seems rendered weightless by the unbroken arcade of 40 arched windows under it, which help flood the colourful interior with light. Due to consecutive repairs in the course of its history, the dome has lost its perfect circular base and has become somewhat elliptical with a diameter varying between 31.24 and 30.86 m.
The dome is carried on pendentives — four concave triangular sections of masonry which solve the problem of setting the circular base of a dome on a rectangular base. At Hagia Sophia the weight of the dome passes through the pendentives to four massive piers at the corners. Between them the dome seems to float upon four great arches. These were reinforced with buttresses during Ottoman times, under the guidance of the architect Sinan.
At the western (entrance) and eastern (liturgical) ends, the arched openings are extended by half domes carried on smaller semi-domed exedras. Thus a hierarchy of dome-headed elements builds up to create a vast oblong interior crowned by the main dome, a sequence unexampled in antiquity. Despite all these measures, the weight of the dome remained a problem, which was solved by adding buttresses from the outside.
All interior surfaces are sheathed with polychrome marbles, green and white with purple porphyry and gold mosaics, encrusted upon the brick. This sheathing camouflaged the large pillars, giving them, at the same time, a brighter aspect.
On the exterior, simple stuccoed walls reveal the clarity of massed vaults and domes. The yellow and red colour of the exterior was added by the architect Fossati during the restorations in the 19th century.
Ref:Wikipedia
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