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The Band Name Book

What's in a name? Ask the lead singer.
A big, open-it-anywhere book created for music fans and pop-culture followers of all ages, The Band Name Book explains how (or where) the best-named bands in history got their names. Those names are profound, clever, silly, provocative or downright obscure. This entertaining book is full of information and trivia about bands from the dawn of rock 'n' roll right up to today's Internet-based independents.
The Beatles are here, as well as Led Zeppelin, Pearl Jam, Nine Inch Nails and the Goo Goo Dolls. But the best fun is found with rock history's lesser-known groups, in Web-savvy contemporary bands, and with true originals. Among their names:
Atomic Rooster
Arctic Monkeys
The Lemonheads
The Formaldebrides
The Soup Dragons
Pavlov's Woody
Arcade Fire
Big Al and the Kaholics
Hectic Watermelon
Smorgasborgnine.
The Band Name Book includes entries on thousands of bands from more than 30 countries, divided into dozens of entertaining and irreverent categories with special notes on name origins, genres and best album titles. There are profiles of notable bands. And there's even a list of "Names Still Available" for each category.
(20081127)

Snider-Deville Collective
American, founded 2009

Crash Symbol, 2009
Multi-media installation of found object cymbal, wooden drumstick, perfume, U.S. currency

Courtesy of the artists

The Snider-Deville art collective take their name from the lead musicians of two rock bands: Dee Snider, the lead singer of Twisted Sister, and C.C. Deville, the lead guitarist of the band Poison. In this interactive installation work, the viewer encounters a number of repurposed objects. A cymbal stands stoic against the wall, accompanied by a bottle of perfume and a five-dollar bill. A drummer’s band equipment stands alone, flanked by tell-tale signs of last night’s sordid activities. A loud percussion cymbal invites the engagement of the audience while the allure of other suggestive objects beckons from the side. So much is happening at once here. But what is happening here?

Perhaps we can deduce that these artists are themselves failed musicians, without any true “hidden talent” and feeling “wild” as the self-same tagline printed in white block letters on top of the hi-hat. Indeed, one can see evidence of “wild” hitting of the cymbal when investigating the upper rim of the cymbal.

It is perhaps suitable that the Snider-Deville group offers platitudes such as these when describing their intent:

I think the Twisted Sister song, “We’re Not Going to Take it.” perfectly realizes our "bravado" while the Poison song, “I Won’t Forget You” indicates our romantic side. They both very clearly demonstrate the need to kick ass when doing both of these things, the importance of hats, hair, swimming pools, dads, mom, "hot chicks," tight pants, the importance of enormous crowds, the importance of long hair in the face of control, the truth of makeup and television, roving lights, and how the drummer is really the one that makes this all happen and stay in sync.

To probe deeper into the psychology of this collective, we must look to song lyrics of the aforementioned bands as significant evidence:


Twisted Sister

*We're Not Gonna Take It *

Oh We're Not Gonna Take It
no, We Ain't Gonna Take It
oh We're Not Gonna Take It Anymore

we've Got The Right To Choose And
there Ain't No Way We'll Lose It
this Is Our Life, This Is Our Song
we'll Fight The Powers That Be Just
don't Pick Our Destiny 'cause
you Don't Know Us, You Don't Belong

oh We're Not Gonna Take It
no, We Ain't Gonna Take It
oh We're Not Gonna Take It Anymore

oh You're So Condescending
your Gall Is Never Ending
we Don't Want Nothin', Not A Thing From You
your Life Is Trite And Jaded
boring And Confiscated
if That's Your Best, Your Best Won't Do

oh.....................
oh.....................
we're Right/yeah
we're Free/yeah
we'll Fight/yeah
you'll See/yeah

oh We're Not Gonna Take It
no, We Ain't Gonna Take It
oh We're Not Gonna Take It Anymore

oh We're Not Gonna Take It
no, We Ain't Gonna Take It
oh We're Not Gonna Take It Anymore
no Way!

oh.....................
oh.....................
we're Right/yeah
we're Free/yeah
we'll Fight/yeah
you'll See/yeah

we're Not Gonna Take It
no, We Ain't Gonna Take It
we're Not Gonna Take It Anymore

we're Not Gonna Take It, No!
no, We Ain't Gonna Take It
we're Not Gonna Take It Anymore

just You Try And Make Us
we're Not Gonna Take It
come On
no, We Ain't Gonna Take It
you're All Worthless And Weak
we're Not Gonna Take It Anymore
now Drop And Give Me Twenty
we're Not Gonna Take It
oh Crinch Pin
no, We Ain't Gonna Take It
oh You And Your Uniform
we're Not Gonna Take It Anymore


Poison

*I Won't Forget You*

Late at night I close my eyes
And think of how things could have been
And when I look back
I remember some words you had said to me

It’s better to have lost
at love Then never to have
loved at all

I won’t forget you baby
Even though I could
I won’t forget you baby
Even though I should, yeah

Sometimes in my head
I can still see pictures of you
And I laugh to myself
When I think about of all those
crazy things that we used to do

Although miles come between us
Just between you and me

I won’t forget you baby
Even though I could
I won’t forget you baby
Even though I should, yeah

I should let you fade away
But that just wouldn’t be me
Oh, baby

Although miles come between us
Just between you and me

I won’t forget you baby
Memories slowly fade
I won’t forget you baby
And all the plans we made

I won’t forget you baby

It would be a cliche to say that these lyrics indicate the dual forces of soulful nostalgia and ensuing violent aggression of the members of this art collective, though in fact, this is actually the case. The poetry of this artwork clearly resides in the parataxis of these numerous, ambiguous, conflated ideas: noise, silence, confusion, direction, income, economic crash, sex for hire, love with abandon, frustration, celebration, and the ambiguous notion of what constitutes “talent.”

•Founded in 2009

•Multi-media art “installation”

•Homophone

•What else do you see?

•Hit it!!!!!!

Please feel

1.I am NOT a morning person to say the very least. Don’t even look at me till I have been up at least an hour.

2.I have a wee shopping addiction, if I go a few days without atleast buying a few things from Target I get in a huge funk.

3.I still sleep with a teddy bear my mom was given at my baby shower. His name is Teddy Beddy Bear, but I call him sleepy bears cause his eyes are droopy.

4.I had a blanket when I was a baby I called “New Soft Blankie” I left it at the bowling alley one time and we could never find it. I was scarred for life. My parents and grandparents still talk about it.

5.My Great Grandma is still alive and she is 95 years old. She even still line dances!

6.I had a creampuff ’86 Monte Carlo when I was in College…every time I stopped at a gas station or red light people would offer to buy it from me. Then, it got stolen.

7.I know in my heart that I was born to be a Mommy, one day, I pray, I will get the chance.

8.More than a few people have called me Martha Stewart.

9.I own a pair of genuine cowboy boots that I used to wear to line dance. (no, I did not buy them when it was in style to do so, I had mine way before then!)

10.I collect Eiffel Tower stuff, I have statues, pictures, X-Mas tree ornaments, glass bottle shaped like it, and even a lamp!

11.I love old southern rock music, I was raised on it. Credence Clearwater Revival, Steve Miller Band, Lynard Skynard, you name it. Oh, and I am still bitter about Proud Mary...Tina Turner butchered it! CCR is the one and only!

12.I am a little bit of a perfectionist, when it comes to cooking, crafting and sewing. I get it from my Mom.

13.I have big feet for a girl. Size 10!

14.I got my tongue pierced when I was 18, in college. I still have it in. Most days I don’t even remember its there.

15.For my job, I get to call and talk to people in the Caribbean; their accents are sometimes hard to understand.

16.I decorate my house for most every Holiday! It’s a little crazy, but I love it.

Formed in NYC in the mid-'70s by David Byrne, Chris Franz, Tina Weymouth, and ex-Modern Lover Jerry Harrison, Talking Heads soared out of their humble CBGB's beginnings to become Rock and Roll Hall of Famers and one of the most adventurous and influential bands ever. The onstage energy that propelled their rise to fame was documented in the 1982 double-LP set THE NAME OF THIS BAND IS TALKING HEADS, now available on CD for the first time. Following them through several early evolutions from '77-'81, this live gem - a 1982 Top 40 Billboard Album- is a riveting portrait of a stellar band on the rise. For its CD debut it's been expanded with over 30 minutes of rare and mostly previously unreleased bonus material.