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The resort is top notch and we had an excellent time. We loved the weather and enjoyed that while we were told it was a busy time of year for the resort, it never felt over filled or as if there were too many people there. Because of just how vast the resort is, there is plenty of room for everyone.
representative of Black life than the wreck that is Precious’ life.On the one hand, many of us who are familiar with the way the story of Black America in the 80s was told, and the way the story of the rise of imprisonment in contemporary Black America is being told, are frustrated with the spectacle of Black violence, deviance, and dysfunction that appears over and over again. We are tired of this story of pathology that we see yet again in Precious. Instead we want a story that reveals the laws and policies and economic conditions that produce concentrated poverty and its violence. We also yearn for the stories of those who sustain humanity and decency in the face of devastating poverty and marginalization. We would prefer for those stories to be told because they are, after all, far more representative of Black life than the wreck that is Precious’ life. And so, we balk at a film like Precious, rhetorically asking: Doesn’t it just recycle those old images of Black pathology? And isn’t it reviving those stories just when we are beginning to suffer so much again, just when we don’t need a convenient explanation of “they are pathological” to facilitate the nation turning its back on the responsibility to provide conditions for all citizens to lead productive lives as participants in the democracy and economy? [S]ome of us want to embrace a film like Precious because it highlights a kind of suffering that our society fails to respond to.On the other hand, some of us want to embrace a film like Precious because it highlights a kind of suffering that our society fails to respond to. Children who are poor and of color, are inadequately protected in our society. They are more vulnerable to predators, more likely to be victimized on the street and in school, and less likely to have families that are able to marshal resources to deal with trauma, mental illness, and addiction. At the same time, poor, emotionally scarred parents who become abusers have virtually no resources to repair themselves. So when we see a movie like Precious, we applaud it for encouraging sympathy and investment in young women like Precious. We think “yes, the reality of her life deserves to be depicted, maybe it will inspire action.” The film does both kinds of work on the audience at once. Strange indeed. Earlier, I referred to how the film reveals the challenge of this moment. The challenge is this: When it comes to race: critically thinking members of this society have to consider the implications of symbolism (like the Black president, or the Oscar worthy dysfunctional sexual abusing welfare mother played by Mo'nique) at the same time as we consider the messy, complicated, content of our society, without assuming that these things have a clear or consistent relationship to each other. Additionally, the film demands that we bring more to the table than just an analysis of its as a piece of art. If the film stands alone, it gets deployed and interpreted every which way. But if we use the film to open the door to conversations about society, ones that are filled with knowledge, data, and careful analysis, rather than mere anecdote and fiction, then it can do some useful work in our social and political lives. Perhaps it can inspire solutions to problems of representation and policy challenges. President Obama is on our televisions, and a young Black man is selling drugs on a corner near my home in Philadelphia. Precious is on our movie screen, and my classes are filled with brilliant young Black women pursuing degrees at a world class university. These are realities. But what relationships do these individuals have to each other and to the society at large, and how do those relationships reveal the resilience of inequality or the promise of democracy? Asking and answering these sorts of questions is key for understanding race in the 21st century United States. Imani Perry is a professor at Princeton University and regular contributor to Afro-Netizen. She is an interdisciplinary scholar who studies race and
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The twitter conversation was short but sweet. If this holds up we8217;ll be treated to a new Heroes CD possibly in the next month!
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Post je objavljen 28.09.2010. u 13:08 sati.