desing by: dark sword dancer



Him-Funeral Of Hearts
Love's the funeral of hearts
And an ode for cruelty
When angels cry blood
On flowers of evil in bloom

The funeral of hearts
And a plea for mercy
When love is a gun
Separating me from you

She was the sun shining upon
The tomb of your hopes and dreams so frail
He was the moon painting you
With its glow so vulnerable and pale

Love's the funeral of hearts
And an ode for cruelty
When angels cry blood
On flowers of evil in bloom

The funeral of hearts
And a plea for mercy
When love is a gun
Separating me from you

She was the wind, carrying in
All the troubles and fears you've for years tried to forget
He was the fire, restless and wild
And you were like a moth to that flame

The heretic seal beyond divine
A prayer to a god who's deaf and blind
The last rites for souls on fire
Three little words and a question: why?

Love's the funeral of hearts
And an ode for cruelty
When angels cry blood
On flowers of evil in bloom

The funeral of hearts
And a plea for mercy
When love is a gun
Separating me from you
The 69 Eyes-Framed In Blood
Would you give me the key to the empire of bliss
Gimme a substance to dismiss
Everybody's searching for a difference
Everybody 's searching for deliverance
Gimme just another reason to live

Things you can resist
Things you cannot
They're just framed in blood

Would you give me redemption in your kiss
Gimme something that I already miss
Everybody's searching for a difference
Everybody is searching for providence
Gimme just another reason to live

Things you can resist
Things you cannot
They're just framed in blood

blog jednog gotičara

četvrtak, 16.08.2007.

Tristania-Biografia

Tristania's music is usually classified as gothic metal with doom metal influences, due to its strong ties with the genre's history, and the band making use of styles and traits typical of the gothic metal genre.

On their first releases the band had a sound based on black metal riffs with dominant eerie keyboard and powerful drums, which releases Tristania put a lot of focus around operatic female vocals, haunting choruses and classical instruments such as pipe organ, flutes and violins. Those gothic elements enrich their fast-paced heavy black metal riffing giving it added depth.

Tristania uses heavy black metal riffs with atmospheric keyboard and choirs. There was a bigger focus on the death vocals of Morten Veland. A strong influence in their music is doom metal, which can be heard in the slow, melancholic riffing. This combination of death vocals with female operatics and majestic gothic choruses is believed by many fans to have reached its pinnacle on their Beyond the Veil album.

In recent years Tristania stepped back from the bombastic layer-over-layer productions and focused more on balancing the various vocal styles and progressing their sound without losing the overall feeling.

On their fourth album Ashes the vocal duties were done by the following:
(Operatic) female vocals - provided by Vibeke Stene.
Death Vocals (grunts, growls and screams) - done by Kjetil Ingebrethsen and guitarist Anders Hřyvik Hidle.
Clean vocals (hollow baritone) - provided by Řsten Bergřy.

Their newest album, Illumination, featured the same vocalists minus Kjetil. The amount grunts on the the said album is very reduced when compared to their previous work, and the ones that do appear are courtesy of Vorph from the band Samael.

[edit]
Biography

Tristania was formed at the end of 1996 by Morten Veland, Einar Moen and Kenneth Olsson from the remains of their previous band Uzi Suicide. Later, Anders H. Hidle and Vibeke Stene joined the band, along with bassist Rune Osterhus. In May 1997 their first EP, Tristania, was released. The same year Tristania released its first full length album, Widow's Weeds. A year later, following the Angina single, they recorded their second full length album, titled Beyond the Veil, which is thought by many fans to be not only the best Tristania project but also the album which best represents the band's sound. The music is considered very atmospheric and full of deep melodic passion. Morten Veland was by then almost like a leader to the group, as he composed most of their works, wrote lyrics, played guitar and sang growling vocals. He was fired (according to his version of events) from the band after the release of Beyond the Veil due to what the remaining members refer to only as "musical and social differences".

In 2001 their third album, World of Glass was released. This album was a little different in style and the departure of Veland was significant, as the sound of this album was a combination of typical 'Tristanian' sound. The growling vocals on this album were sung by Ronny Thorsen, a member of Trail of Tears, and the clean vocals were sung by Jan Kenneth Barkved and Řsten Bergřy. Bergřy then joined the band as a permanent member, and so did Kjetil Ingebrethsen, who was in charge of singing growling vocals.

The band's fourth album – Ashes (2005) – was the first of Tristania's albums on the SPV label after their contract with Napalm Records expired. The album takes the once heavily atmospheric gothic sound of the band and replaces it with a decidedly more progressive style. The choirs are gone, as are the more challenging vocal parts reminiscent of World of Glass and Beyond the Veil. Hidle and Einar Moen add their vocals to certain tracks on the album. Two of the songs were actually written by the Tristania.com webmaster, Kjartan Hermansen ("Libre" and "Circus") while the song "The Wretched" is based on "Ascending: Descending" – a poem by Hermansen. Also on Ashes, the violins of Pete Johansen – which so often accompanied the previous Tristania albums – were replaced by the cello melodies of Hans Josef Groh. The album marked a lyrical and musical simplification of the band from the days of Morten Veland, more so than the first album without Veland, World of Glass.

The Ashes Tour in Europe (minus Einar Moen, who remained at home to work on more material for the band, but is still an active member) brought about another change for the band, the addition of a second guitarist – Svein Terje Solvang – who previously played with the band for touring purposes. His addition to the band as a permanent member in May 2005 is the first time Tristania has had a two-guitarist team since Beyond the Veil.

In April 2006, Kjetil Ingebrethsen left Tristania to embark on a lower level musical career.

On February 27 2007, Vibeke Stene left the band due to personal reasons.

- 18:38 - Komentari (0) - Isprintaj - #

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Counters ImageChef.com - Custom comment codes for MySpace, Hi5, Friendster and more sve o metalu i sranja i sranja i sranja

Him-Vampire Heart klikni ovo nista ti nece bit e da nije bitefight http://blue-max.myminicity.com/
You can't escape the wrath of my heart
Beating to your funeral song
All faith is lust for hell regained
And love dust in the hands of shame

Let me bleed you this song of my heart deformed
And lead you along this path in the dark
Where I belong until I feel your warmth

Hold me like you held on to life
When all fears came alive and entombed me
Love me like you loved the sun
Scorching the blood in my vampire heart

I am the thorns in every rose, you've been sent by hope
I am the nightmare waking you up from the dream of a dream of love

Let me weep you this poem as heaven's gates close
And paint you my soul scarred and alone
Waiting for your kiss to take me back home

Hold me like you held on to life
When all fears came alive and entombed me
Love me like you loved the sun
Scorching the blood in my vampire heart

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Misfits-Dig Up Her Bones

Anything is what she is
Anywhere is where she's from
Anything is what she'll be
Anything as long as it's mine

And the door it opens is the way back in
Or is it the way back out?

Anyplace is where she'll be
Anyplace, she'll see you from
Lies and secrets become your world
Anytime, anywhere she takes me away

And death climbs up the steps one by one
To give you the rose that's been burnt by her son

Point me to the sky above
I can't get there on my own
Walk me to the graveyard
Dig up her bones

I have seen the demon's face
I have heard of her death place
I fall down on my knees in praise of the
Horrible things that took her away

And death climbs up the steps one by one
To give you the rose that's been burnt by her son

Point me to the sky above
I can't get there on my own
Walk me to the graveyard
Dig up her bones






http://cdnll.img1.imagechef.com/w/071023/sampafa475244bbea809.jpgsrc="http://www.metrolyrics.com/scroller/scroller2.swf?lyricid=2147467564&border=2&bordert=80&bgfont=0xC0C0C0&bg=http://www.metrolyrics.com/scroller/bgpic/bluedisco.jpg&filter=0x000000&filtert=25&txt=0xFFFFFF&fontname=arial&fontsize=11&speed=2" quality="high" width="180" height="210" name="scroll" align="middle" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" />
Bullet For My Valentine Lyrics
Waking The Demon Lyrics
Him-Sweet Six Six Six
There are things you should know
The distance between us seems to grow
But you're holding on strong
Oh how hard it's to let go, oh so hard to let go

I'm waiting for your call and I'm ready to take your
six six six in my heart
I'm longing for your touch and I welcome your sweet
six six six in my heart

I'm losing my faith in you
You don't want it to be true
But there's nothing you can do
There's nothing you can do - Yes, I've lost my faith in
you

I'm waiting for your call and I'm ready to take your
six six six in my heart
I'm longing for your touch and I welcome your sweet
six six six in my heart

How long we have to wait
For love is fading so slowly
I know it's too late
Oh my god you're so lonely

I'm waiting for your call and I'm ready to take your
six six six in my heart
I'm longing for your touch and I welcome your sweet
six six six in my heart
I'm ready for your call and I'm ready to take your six
six six in my heart
I'm longing for your touch and I welcome your sweet
six six six in my heart
In my heart
In my heart
In my heart