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utorak, 29.11.2011.

ENGLISH PUB FURNITURE - PUB FURNITURE


English Pub Furniture - Basset Furniture Reviews



English Pub Furniture





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Deacon Brodie's Tavern




Deacon Brodie's Tavern





On the corner of Lawnmarket and Bank Street.

William Brodie (28 September 1741 – 1 October 1788), more commonly known by his prestigious title of Deacon Brodie, was a Scottish cabinet-maker, deacon of the trades guild and Edinburgh city councillor, who maintained a secret life as a burglar, partly for the thrill, and partly to fund his gambling.

By day, Brodie was a respectable businessman, member of the burgh council and deacon (or president) of the Incorporation of Wrights and Masons. Part of his job in building cabinets was to install and repair their locks and other security mechanisms and repair door locks. He also served on a jury. He socialised with the gentry of Edinburgh, meeting poet Robert Burns and the painter Sir Henry Raeburn. He was also a member of The Edinburgh Cape Club.

By day, Brodie was a respectable businessman, member of the burgh council and deacon (or president) of the Incorporation of Wrights and Masons. Part of his job in building cabinets was to install and repair their locks and other security mechanisms and repair door locks. He also served on a jury. He socialised with the gentry of Edinburgh, meeting poet Robert Burns and the painter Sir Henry Raeburn. He was also a member of The Edinburgh Cape Club.

At night, however, Brodie became a burglar and thief. He used his daytime job as a way to gain knowledge about the security mechanisms of his clients and to copy their keys using wax impressions. As the foremost wright of the city, Brodie was asked to work in the homes of many of the richest members of Edinburgh society. He used the illicit money to maintain his second life, including five children, two mistresses who did not know of each other, and a gambling habit. He reputedly began his criminal career around 1768 when he copied keys to a bank door and stole ?800. In 1786 he recruited a gang of three thieves, Brown, Smith and Ainslie.

The case that lead to Brodie's downfall began later in 1786 when he organised an armed raid on an Excise office in Chessel's Court on the Canongate. Brodie's plan failed and Ainslie was captured. Ainslie agreed to turn King's evidence, to avoid transportation, and informed on the rest of the gang. Brodie escaped to the Netherlands intending to flee to the United States but was arrested in Amsterdam and shipped back to Edinburgh for trial.

The trial started on 27 August 1788. At first there was no hard evidence against Brodie before the tools of his criminal trade were found in his house; copied keys, a disguise and pistols. The jury found Brodie and his henchman George Smith, a grocer, guilty. Smith was an English locksmith responsible for a number of thefts, even stealing the silver mace from the University of Edinburgh.

Brodie and Smith were hanged at the Tolbooth on 1 October 1788, using a gallows Brodie had designed and funded the year before. According to one tale, Brodie wore a steel collar and silver tube to prevent the hanging from being fatal. It was said that he had bribed the hangman to ignore it and arranged for his body to be removed quickly in the hope that he could later be revived. If so, the plan failed. Brodie was buried in an unmarked grave at the Parish Church in Buccleuch. However rumours of his being seen in Paris circulated later and gave the story of his scheme to evade death further publicity.

Popular myth holds that Deacon Brodie built the first gallows in Edinburgh and was also its first victim. Of this William Roughead in Classic Crimes states that after research he was sure that although the Deacon may have had some hand in the design "...it was certainly not of his construction, nor was he the first to benefit by its ingenuity".

The dichotomy between Brodie's respectable facade, and his real nature inspired Robert Louis Stevenson to write The Strange Case of Dr Jekyll and Mr Hyde. Stevenson's father had furniture made by Brodie.

Deacon Brodie is commemorated by a pub of that name on Edinburgh's Royal Mile, on the corner between the Lawnmarket and Bank Street which leads down to The Mound, and a close (or alleyway) off the Royal Mile has been named after him. There is also a pub in Ward Road, Dundee named after him. A pub in New York City carrying his name sits on the south side of the famous west side 46th Street Restaurant Row between 8th Avenue and 9th Avenue, closer to 9th Avenue.

In 1975 publisher Hamish Hamilton published a book by Forbes Bramble about his life: The Strange Case of Deacon Brodie.

In 1997 a TV movie of the same name was made starring Billy Connolly.











Kes




Kes





Kes (1969) was Ken Loach's second feature film, and marks his move away from the self-conscious experimentalism of his earlier work.

As before, Loach developed a close partnership with the author of the source work, in this case Barry Hines, on whose novel A Kestrel for a Knave the film is based. Loach worked with both Hines and producer Tony Garnett to adapt it as a film script.

The dominant theme of Kes is the way in which the education system stifles the talents of many young working-class children, offering them little choice but to follow the narrow path laid out for them by an industrial capitalist society which sees them as fit only for unskilled manual or office work. This theme runs through much of Loach's work.

The influence of Italian neo-realism film-making can be traced in Kes, as in Poor Cow (1967). Loach explained, "the camera's job was to record in a sympathetic way and to be unobtrusive, not to be slick." Loach and his cameraman Chris Menges didn't, as is common in fiction films, mark spots for the actors to hit, but instead tried to accommodate the actors' movements. Loach, though, has admitted that throughout his films, including Kes, "I lay traps, as it were," for example by moving furniture. The apparent simplicity and directness of Loach's filming thus contains an element of manipulation which is hidden from both the audience and the actors.

Casting is also a striking feature of Kes. Colin Welland, as the English teacher, Farthing, was the only professional actor in the cast, although several, notably Brian Glover as the bullying Games teacher, went on to acting careers. All of the pupils, including Dai Bradley, who gives a remarkably natural performance as Billy, came from the Barnsley school in which the film was shot, while the headmaster was played by the school's own head. As with several Loach films, many of the adult cast were found in local clubs where they worked as entertainers and comics. Loach has commented that he casts for "authenticity of age, class or region," believing that even skilled actors cannot disguise their class origins under the close scrutiny of the camera.

Initially, there were difficulties in getting Kes shown, and it had a patchy release after opening in Doncaster. Since then, however, it has become one of Loach's best known and admired films.

Cast

Billy Casper DAVID BRADLEY
Jud Casper FREDDIE FLETCHER
Mrs Casper LYNNE PERRIE
Mr Farthing COLIN WELLAND
Mr Sugden BRIAN GLOVER
Mr Gryce BOB BOWES
maths teacher GEOFFRY BANKS
milkman DUGGIE BROWN
pub entertainer JOEY KAYE
librarian ZOE SUNDERLAND

Credits

Director KENNETH LOACH
©/Production Company Woodfall Film Productions
Production Company Kestrel Films
Released Through United Artists
Producer TONY GARNETT
Production Supervisor DAVID GRIFFITH
Assistant Director KEITH EVANS
Continuity PENNY EYLES
Adaptation BARRY HINES, KENNETH LOACH, TONY GARNETT
Based on the novel 'Kestrel for a Knave' by BARRY HINES
Director of Photography CHRIS MENGES
Editor ROY WATTS
Art Director WILLIAM McCROW
Music Composed/Conducted by JOHN CAMERON

Ros Cranston Screenonline











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