VIOLIN SHAPED BASS : INSTRUMENTS OF ROCK MUSIC
Violin Shaped Bass
- Violin was the first album released by violinst Vanessa-Mae. It was recorded in October 1990, near her 12th birthday, and released shortly afterwards in March 1991. Vanessa-Mae contributed her royalties from the album to the National Society for the Prevention of Cruelty to Children.
- A stringed musical instrument of treble pitch, played with a horsehair bow. The classical European violin was developed in the 16th century. It has four strings and a body of characteristic rounded shape, narrowed at the middle and with two f-shaped sound holes
- bowed stringed instrument that is the highest member of the violin family; this instrument has four strings and a hollow body and an unfretted fingerboard and is played with a bow
- (violinist) a musician who plays the violin
- (shape) any spatial attributes (especially as defined by outline); "he could barely make out their shapes"
- Determine the nature of; have a great influence on
- having the shape of; "a square shaped playing field"
- Give a particular shape or form to
- Make (something) fit the form of something else
- shaped to fit by or as if by altering the contours of a pliable mass (as by work or effort); "a shaped handgrip"; "the molded steel plates"; "the wrought silver bracelet"
- Denoting the member of a family of instruments that is the lowest in pitch
- A voice, instrument, or sound of the lowest range, in particular
- The lowest adult male singing voice
- the lowest part of the musical range
- having or denoting a low vocal or instrumental range; "a deep voice"; "a bass voice is lower than a baritone voice"; "a bass clarinet"
- an adult male singer with the lowest voice
IMGP0787Fade
A ca. 1983 3/4-sized student violin, made in Hungary. Not really an extraordinary instrument at all, except that it does show some indication of faded color change over the past 27 years.
The yellow highlights and the reddish edges are probably part of the original antiquing scheme. What I thought was interesting was the footprints of the bridge, part of the varnish that was hidden from light. To a lesser extent, you can see the "shadow" of the tailpiece and some of the chinrest, on the bass, or left, side of the tailpiece. Most likely, this fiddle was far redder when it was new.
The Bass Bar
The shape is refined with a knife and small planes. I know how much wood to remove by holding the belly loosely with two fingers and tapping the plate with my finger. I shave the wood until I get a pitch of F# ( the initial pitch of the table before the f-holes were cut) which usually gets good results in the final tone of the violin. The pitch is relative to the stiffness/flexability of the belly.
Removing wood from the center of the bar lowers the pitch. Simple physics- the larger the bar, the stiffer the table. The stiffer the table, the higher the pitch of the tap tone.
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