TOP TEN MAKEUP FOUNDATIONS - ALMAY MAKE UP COUPONS - KANDEE THE MAKEUP ARTIST BLOG.
Top Ten Makeup Foundations
- (foundation) an institution supported by an endowment
- (foundation) the basis on which something is grounded; "there is little foundation for his objections"
- (foundation) lowest support of a structure; "it was built on a base of solid rock"; "he stood at the foot of the tower"
- The lowest load-bearing part of a building, typically below ground level
- A body or ground on which other parts rest or are overlaid
- A woman's supporting undergarment, such as a girdle
- Top Ten is one of the many spin-offs of Horrible Histories. Each book is made up of ten short stories made with a common theme, author or (cultural) background. The books retell the stories in as abridged versions, shortened to appeal to younger readers.
- TopTen is an Estonian record label which has started the career of a number of successful Baltic chart acts, including the internationally successful girl group Vanilla Ninja, who are currently the label's most successful act.
- Top 10 is a superhero comic book limited series published by the America's Best Comics imprint of Wildstorm, itself an imprint of DC Comics.
- Cosmetics such as lipstick or powder applied to the face, used to enhance or alter the appearance
- The combination of qualities that form a person's temperament
- an event that is substituted for a previously cancelled event; "he missed the test and had to take a makeup"; "the two teams played a makeup one week later"
- The composition or constitution of something
- cosmetics applied to the face to improve or change your appearance
- constitution: the way in which someone or something is composed
Pat Benatar 2
Patricia Mae Andrzejewski was born in Greenpoint, Brooklyn to Andrew and Mildred Andrzejewski, a sheet-metal worker and a beautician. Her family moved to Lindenhurst, New York on Long Island, when she was 3 years old. "I have wonderful childhood memories of picking berries in the 'woods' by our house, driving to the 'docks' on the South Bay to get freshly harvested clams", she recounted once.
Patti (as she was known) became interested in theater and began voice lessons, singing at Daniel Street Elementary School her first solo, a song called “It Must Be Spring,” at age eight. She said, "As a kid, I sang at any choir, any denomination, anywhere I could." At Lindenhurst Senior High School (1967-71), Benatar participated in musical theater, playing Queen Guinevere in the school production of Camelot, marching in the homecoming parade, singing at the annual Christmas Tree Lighting ceremony, and performing a solo of "The Christmas Song" on a holiday recording of the Lindenhurst High School Choir her senior year.
Benatar was cut off from the rock scene in nearby Manhattan though because her parents were "ridiculously strict - I was allowed to go to symphonies, opera and theater but I couldn't go to clubs". Her musical training was strictly classical and theatrical. She said, "I was singing Puccini and West Side Story but I spent every afternoon after school with my little transistor radio listening to the Rolling Stones..."
Training as a coloratura and accepted to The Juilliard School, Benatar surprised family, friends and teachers by deciding a classical career was not for her and pursued health education at the State University of New York at Stony Brook. At 19, after one year at Stony Brook, she dropped out to marry her high school sweetheart Dennis Benatar, an army draftee who trained at Fort Jackson, South Carolina, and then served with the Army Security Agency at Fort Devens, Massachusetts, before being stationed at Fort Lee, Virginia. Specialist (E-4) Dennis Benatar was stationed there for three years, and Pat worked as a bank teller in Richmond, Virginia.
In 1973, Benatar quit her job as a bank teller to pursue a singing career after being inspired by a Liza Minnelli concert she saw in Richmond. She got a job as a singing waitress at a flapper-esque nightclub named The Roaring Twenties and got a gig singing in lounge band Coxon's Army, a regular at Sam Miller's basement club. The band garnered enough attention to be the subject of a never-aired PBS special, and the band's bassist Roger Capps also would go on to be the original bass player for the Pat Benatar Band. The period also yielded Benatar's first and only single until her eventual 1979 debut on Chrysalis Records: "Day Gig" (1974), Trace Records, written and produced by Coxon's Army band leader Phil Coxon and locally released in Richmond. Her big break came in 1975 at an amateur night at the renowned comedy club Catch a Rising Star in New York. Her rousing rendition of Judy Garland's "Rock-a-Bye Your Baby With a Dixie Melody" earned her a call back by club owner Rick Newman, who would become her manager. Benatar said:
I came in from Virginia one night. I had straight red hair and I wore a dress. I sang a Judy Garland song and I don’t know what happened, I never sang in New York before in my life, even though I grew up there, everybody just went crazy. I didn't do anything spectacular. I don’t know what happened, it was just one of those magical things. [Rick Newman] came right in and said, 'Let's talk about you playing here some more...' Newman said, 'It was 2:45 in the morning. We had 30 performers and she was about #27. I was on the other side of the room drinking with some friends--then I suddenly heard this voice!'
The couple headed back to New York following Dennis' discharge from the army, and Benatar went on to be a regular member at Catch A Rising Star for close to three years, until signing a record contract. Catch A Rising Star was not the only break Benatar got in 1975. She landed the part of Zephyr in Harry Chapin's futuristic rock musical, The Zinger. Benatar's first foray into rock. The production, which debuted on March 19, 1976, at the Performing Arts Foundation's (PAF) Playhouse in Huntington Station, Long Island, ran for a month and also featured Beverly D'Angelo and Christine Lahti. Benatar noted: "I was 22 by the time I started to sing rock, so at first I was very conscious of technique and I was overly technical. That proved to be inhibiting so it was a disadvantage until I began to sing intuitively. That’s the only way to sing rock – from your gut level feelings. It's the instinct that the best singers have."
Halloween 1977 proved a pivotal night in Benatar's early, spandexed stage persona. Rather than change out of the vampire costume she had worn to a Greenwich Village cafe party that evening, she went on-stage wearing black tights, black eyeliner
Foundation & powder
See notes for more info :)
Related topics:
new make up
drag make up tutorial
with no make up on
japanese make up products
how to make dress up games
50's makeup styles
the best mineral makeup
|