TUSCAN DECORATING IDEAS : DECORATIVE METAL WORK : DECORATIVE MIRROR SETS
Tuscan Decorating Ideas
- Confer an award or medal on (a member of the armed forces)
- (decorate) make more attractive by adding ornament, colour, etc.; "Decorate the room for the party"; "beautify yourself for the special day"
- (decorate) award a mark of honor, such as a medal, to; "He was decorated for his services in the military"
- Provide (a room or building) with a color scheme, paint, wallpaper, etc
- (decorate) deck: be beautiful to look at; "Flowers adorned the tables everywhere"
- Make (something) look more attractive by adding ornament to it
- Relating to or denoting a classical order of architecture resembling the Doric but lacking all ornamentation
- Of or relating to Tuscany, its inhabitants, or the form of Italian spoken there, which is the standard variety taught to foreign learners
- of or relating to or characteristic of Tuscany or its people
- a resident of Tuscany
- a dialect of Italian spoken in Tuscany (especially Florence)
- A thought or suggestion as to a possible course of action
- A concept or mental impression
- An opinion or belief
- (idea) the content of cognition; the main thing you are thinking about; "it was not a good idea"; "the thought never entered my mind"
- (idea) mind: your intention; what you intend to do; "he had in mind to see his old teacher"; "the idea of the game is to capture all the pieces"
- (idea) a personal view; "he has an idea that we don't like him"
The lower church of the Franciscan Monastery of Assisi
The Franciscan monastery (Sacro Convento) and the lower and upper church (Basilica inferiore e superiore) of St Francis were begun immediately after his canonization in 1228. Simone di Pucciarello donated the land for the church, a hill at the west side of Assisi, known as "Hill of Hell" (it. Collo d'Inferno - here the criminals were put to death). Today, this hill is aptly called "Hill of Paradise".
The foundation stone was laid by Pope Gregory IX on 17 July 1228, although construction may already have been begun. This impressive church was designed and supervised by brother Elia Bombardone, one of the first followers of St. Francis and the former provincial minister of Syria. The lower basilica was finished in 1230. On Pentecost 25 May 1230 the uncorrupted body of St. Francis was brought in a solemn procession to the lower basilica from its temporary burial place in the church of St. George (now the basilica of St. Clare). The construction of the upper basilica was began after 1239. Construction was completed in 1253. Its architecture is a synthesis of Romanesque and French Gothic artwork, establishing many of the typical characteristics of Italian Gothic architecture.
The churches have been decorated by the greatest late medieval Roman, Umbrian and Tuscan artists of their time, giving these churches an unequaled importance in the development of Italian art. The lower church has frescos by renowned late-medieval artists, such as Cimabue and Giotto; in the upper church are a series frescoes depicting scenes in the life of St Francis attributed to Giotto and his circle.
Pope Nicholas IV, the former Minister-General of the Order of Franciscans, raised the church to the status of papal church in 1288.
The Piazza del Loge, the square leading to the church, is surrounded by colonnades constructed in 1474. They housed the numerous pilgrims flocking to this church.
On 27 October 1986 and January 2002, Pope John Paul II gathered in Assisi with the leaders of the great world confessions to pray for peace.
On September 26, 1997, St Francis' 816th birthday, Assisi was struck by an earthquake which caused four fatalities. The Basilica was badly damaged (part of the vault collapsed, carrying with it a fresco by Cimabue), and was closed for two years for restoration.
The lower basilica consists of a central nave with several side chapels with semi-circular arches. The nave is decorated with the oldest frescoes in the church by an unknown artist, called Maestro di San Francesco. They feature five scenes from the Passion of Christ on the right side, while on the left side equally five scenes from the Life of St. Francis. By this juxtaposition, the Franciscans wanted to contribute to the idea of their founder as a second Christ.
They are connected by a low blue-painted ceiling decorated with golden stars. Most images on the lower walls have decayed to leave almost no trace, except on the right wall fragments of Virgin and Child with an Angel by Cimabue.
These frescoes, executed in tempera on dry plaster, were completed about 1260-1263. They are considered by many as the best examples of Tuscan wall paintings prior to Cimabue. As the popularity of this church increased, side chapels for noble families were added between 1270 and 1350, destroying the frescoes on the opened walls.
The first chapel on the left is dedicated to Saint Martin of Tours. It was built by Cardinal da Montefiore, and was decorated between 1317 and 1319 with ten frescoes depicting his life by Simone Martini and with a polyptych with figures of saints. These are amongst the greatest works of Simone Martini and the finest examples of 14th century painting. The use of lead white has over the years darkened several passages in these works.
(Taken from
Wikipedia, the free encyclopedia)
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