27 ROAD BIKE TIRES

Crazy Mountains: Learning from Wilderness to Weigh Technology (S U N Y Series in Environmental Public Policy)

Reality is slipping away, writes David Strong in Crazy Mountains, and is being eroded by a glut of technological devices and commodities. But all is not lost if we learn to care for the things at the center of the good life. Written in the tradition of Walden and A River Runs Through It with philosophical clarity and literary power, this book opens with a vivid account of the Crazy Mountains of Montana, an island of high, craggy peaks, forest, meadows, and rushing streams, surrounded by the sweep of the high plains. A newly-bulldozed road and a planned timber sale jeopardize the wild character of the range and trigger the wide-ranging reflections of this remarkable book. Technology is transforming Earth in increasingly extensive ways, and Strong urges us to awaken from the spell of technology-from the unexamined belief that its devices and commodities make our lives good. He warns that even an environmental ethic can be subverted by the glamorous pull of the consumer culture. From wilderness we learn what things are real and how this reality can re-order our lives, our communities, and our nation. We learn another way to be. This is a one-of-a-kind book. It soars gracefully, yet presents a comprehensive vision of the challenge wilderness offers to our contemporary culture.

Take a look at this crazy tandem mountain bike! It is owned by Malan
from Maverick Cycles in Somerset West. He and Grant (extreme left)
rode it! They came bombing past me on the downhill bits! It takes
courage to head into rocky and dusty tracks on a bike that is this
large and heavy!

It was a fantastic ride this morning - about 35km's in the mountains
on Lourensford farm above Somerset West.

Downhill mountain biking is crazy. Finished my second day of it today. We have seen bears and deer. I have gotten air and crashed. Lots of fun though - very sore. It really is a full body workout.

Brokeback Mountain is a sweeping epic that explores the lives of two young men, a ranch hand and a rodeo cowboy, who meet in the summer of 1963 and unexpectedly forge a lifelong connection. The complications, joys and heartbreak they experience provide a testament to the endurance and power of love. Heath Ledger and Jake Gyllenhaal deliver emotionally charged, remarkably moving performances in "a movie that is destined to become one of the great classics of our time" (Clay Smith, The Insider). Starring: Heath Ledger, Jake Gyllenhaal, Michelle Williams, Anne Hathaway, Linda Cardellini, Randy Quaid, Scott Michael Campbell, Anna Faris, David Harbour Directed by: Ang Lee

A sad, melancholy ache pervades Brokeback Mountain, Ang Lee's haunting, moving film that, like his other movies, explores societal constraints and the passions that lurk underneath. This time, however, instead of taking on ancient China, 19th-century England, or '70s suburbia, Lee uses the tableau of the American West in the early '60s to show how two lovers are bound by their expected roles, how they rebel against them, and the repercussions for each of doing so--but the romance here is between two men. Ennis Del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal) are two itinerant ranchers looking for work in Wyoming when they meet and embark on a summer sheepherding job in the shadow of titular Brokeback Mountain. The taciturn Ennis, uncommunicative in the extreme, finds himself opening up around the gregarious Jack, and the two form a bond that surprisingly catches fire one cold night out in the wilderness. Separating at the end of the summer, each goes on to marry and have children, but a reunion years later proves that, if anything, their passion for each other has grown significantly. And while Jack harbors dreams of a life together, the tight-lipped Ennis is unable to bring himself to even consider something so revolutionary.

Its open, unforced depiction of love between two men made Brokeback an instant cultural touchstone, for both good and bad, as it was tagged derisively as the "gay cowboy movie," but also heralded as a breakthrough for mainstream cinema. Amidst all the hoopla of various agendas, though, was a quiet, heartbreaking love story that was both of its time and universal--it was the quintessential tale of star-crossed lovers, but grounded in an ever-changing America that promised both hope and despair. Adapted by Larry McMurtry and Diana Ossana from Annie Proulx's short story, the movie echoes the sparse bleakness of McMurtry's The Last Picture Show with its fading of the once-glorious West; but with Lee at the helm, it also resembles The Ice Storm, as it showed the ripple effects of a singular event over a number of people. As always, Lee's work with actors is unparalleled, as he elicits graceful, nuanced performances from Michelle Williams and Anne Hathaway as the wives affected overtly and subliminally by their husbands' affair, and Gyllenhaal brings surprising dimensions to a character that could have easily just been a puppy dog of a boy. It's Ledger, however, who's the breakthrough in the film, and his portrait of an emotionally repressed man both undone and liberated by his feelings is mesmerizing and devastating. Spare in style but rich with emotion, Brokeback Mountain earns its place as a classic modern love story. --Mark Englehart