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BEN LAWERS VISITERS CENTER LOCHTAY 307 Ben Laws over looking Lochtay the VW Mirobus in the photo does not indicate the date of the photograph nor does the old Land Rover strong alloy body Steel ladder chassis , short wheel base very powerfull engine.....not the place to spend on a cold foggy night but on the morrow you will say ahh The Golf The editing is the result of my playing with some automations I found and I will likely look back on them and go EWWW at a later date. See also: tailin grinding wheel meals on wheels michigan pottery wheel art hot wheels ultimate racing psp download color wheel pattern jewel tone color wheel bullet wheel nuts hot wheel collectors guide mercedes benz s 65 amg wheels hot wheels wallpapers |
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Spare wheels A bunch of train wheels sitting on a rail. It never occured to me that they would change wheels on trains. Was an awesome day outside today, so my girl and I went on a nice photo stroll. We had a great time. I can't wait till she finishes out her roll of film to see some of her shots. Spare wheel This picture was taken a the British Motor show '08 @ the Excel Centre, Docklands. This is a wheel of a new Citroen that was on display. I loved the reflection of the wheel, and besides, I was only packing a 50mm fixed lens, so could not do much more :) See also: simple color wheel 5th wheel trailers used fifth wheel toy hauler paint color wheel interactive color wheel watch ssc performance wheels fifth wheel training prayer wheel craft fisher price power wheels car |
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Cameo cinema Cameo cinema, Tollcross, Edinburgh - as featured in the film L'illusionniste - ?3.30 for pensioners! In the film, the sign outside is different, but the interior is exactly the same! Cameo Cameo oh Cameo. I remember going to your parties when I was 16. Anyone remember the promoter Horatio? How about years later when Back Door Bambi was here? See also: lighted luggage wheels table top prize wheel transformers steering wheel hot wheels track mod paint color wheel interactive white alloy wheels foo fighters wheels mp3 spinning wheel song lyrics |
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Cades-Cove-Grits-Mill-2 This is a water powered grits grinding mill, which is still an operating mill today by the national park service. The wooden water sluice channel dumps water, that is diverted from a nearby creek, onto the top of the large wooden wheel. IMG 6307 Falls Mill & Country Store Belvidere, TN Back of the mill. Falls and the wheel. See also: hot wheels trick track power loop kawasaki wheel loader japan wheel horse garden tractors car wheel shop volk rays wheels pick up truck wheels black off road truck wheels |
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Beautiful Wheel London Eye, also known as the Millennium Wheel. Shot at night, handheld close to ground level, leaning base of camera on the floor, and getting the correct angle by using my fingers as spacers between the bottom of the lens barrel and the paving slabs! Reletively long exposure to bring out the colours, using a sigma 12-24mm. Great lens on a 5d mk ii Crayon wheel A flickr cliche! :-) Strobist info - Canon 430ez to camera left. I tried to shoot this in one go, but I couldn't get the crayons to line up exactly so this is a composite of 12 seperate images. I knew that secondary school maths would come in usefull one day! :-) See also: wheel alignment setback logitech g25 racing wheel playstation 3 wheel hubs for sale wheel works oakland ca color wheel chart complimentary colors spinning wheel bobbin custom wheels online truck wheels bbs wheel nuts |
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Mattel Hot Wheels 1969 Custom Dodge Charger 1968 Release Date 1968 Mattel Hot Wheels 1969 Custom Dodge Charger with a 1968 date stamp and made in the USA. Check out the size of those wheel wells. It has a Hemi, of course! Custom Hot Wheels '53 Cadillac Pickup Interesting Hot Wheels vehicle. Seems to be a converted Caddy Pickup. In the bed of the Caddy Pickup appears to be a Pinewood Derby racer. Very cool! See also: wheel cover center bullet wheel nuts wheel bearings ojibwe medicine wheel big wheel rims canadian tire wheel covers dually wheel covers john deere wheel loader specifications acura tl custom wheels coolest hot wheels car |
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Fijalkowski, Stanislaw (1922- ) - 1976 Autobahn XXXV - Through Four Elements (Schleswig-Holstein Museums, Germany) Acrylic on canvas; 100 73 cm. Born in Zdolbunowo in Wolhynia in 1922. In 1944-45 Fijalkowski was deported to Konigsberg (presently Kaliningrad), where he was pressed into forced labor. It was during Poland's occupation, a particularly difficult time in Fijalkowski's life, that he undertook his first creative explorations as an artist. These efforts were entirely independent, unguided by anyone. He did not find time for systematic study in painting until after the war. Between 1946 and 1951 he attended the State Higher School of the Fine Arts in Lodz, where he was a student of Wladyslaw Strzeminski and Stefan Wegner, though he had Ludwik Tyrowicz as his thesis promoter. From among his teachers, Fijalkowski most readily names Strzeminski as an influence, perhaps because he later worked under him as an assistant (the artist taught at his alma mater from 1947-1993, becoming a full professor in 1983). He was an important presence within the group of educators who shaped the school in Lodz (known today as the Academy of Fine Arts). He also guest lectured for brief periods at a series of foreign art schools, among them the schools in Mons (1978, 1982) and Marburg (1990). He taught classes at Geissen University throughout the 1989/90 academic year. Fijalkowski began his career as an independent artist by rebelling against his master, creating works that possess a clear link to those of the Impressionists. He made an effort to delineate his own, individual creative path by taking a clear position towards tradition and the achievements of the masters, particularly Strzeminski. Towards the end of the 1950s he proceeded along a course typical of Polish painters fascinated with Informel, taking an interest in the symbolic meanings inherent in abstract expressive means. He believed that "unreal" shapes are justified in paintings when they are saturated with meaning. Years later, in writing a brief curriculum vitae, the artist added that it was approximately at this time that "...apart from interpreting reality within an esoteric dimension, there appeared [in his paintings] the need to organize the esoteric meanings inherent in form." Fijalkowski admits that the shape of his art was to a significant degree determined by the writings of Kandinsky (whose "Uber das Geistige in der Kunst" Fijalkowski translated and published in Poland) and Mondrian, and by his interest in Surrealism. These two branches of 20th century art unexpectedly combined in Fijalkowski's art to produce surprising results. At the turn of the 1950s and 60s Fijalkowski continued to search and experiment, using the canvas as a plane on which to juxtapose the essentials of Strzeminski's ordering principles with something within the realm of Surrealism that was stripped of direct metaphorical meanings and allusions. The change that occurred in his paintings consisted primarily of a gradual abandonment of pure, literally allusive form. In the painter's own words, during this time of reflection, "I attempted more boldly to create forms that did not impose a single meaning, leaving viewers fully free to access the ingredients of their personalities, that may be unconscious or repressed but are absolutely truthful. I sought, and continue to strive, to create form that is only the beginning of the work as generated by the viewer, each time in a new shape..." In Fijalkowski's works, "form" is more open the more it is modest, efficient, insinuated. Most of his compositions are constructed based on a simple set of principles whereby an almost uniformly colored background is filled in with elements that resemble geometric figures but have rounded corners and soft edges, generating a poetic mood. The decisive hues used for the backgrounds of these canvasses, however, decidedly modifies their function and meaning - at times, the background dominates the entirety of the image, becoming an abyss, a void that draws into its interior large, spinning wheels, ellipsoidal forms, or diagonal lines that cut across the painting. One could expect this repetition of forms to render both Fijalkowski's painted works and his graphic art pieces tiring (the artist has been equally active in both areas, working in cycles, though the subjects undertaken often appeared in compositions created in various techniques). This impression is only reinforced by the artist's palette, which was restricted; he willingly used "undecided colors" that were muted, cool, and only at times broken up with ribbons of categorical black. But Fijalkowski was able to extract a tension out of this monotony and uniformity, in a manner that usually remains unfathomable to the viewer. Likewise, the meanings the artist assigns to these puzzling arrangements remain largely a mystery. In the end, it is the erudition of viewers, their rooting in culture and awareness of contemporary art, finally their intuition that determine their ability to enter into a Fijalowski, Stanislaw (1922- ) - 1965 XXX (Gallery Museum Central Pomerania, Slupsk, Poland) Oil on canvas; 45 x 33 cm. Born in Zdolbunowo in Wolhynia in 1922. In 1944-45 Fijalkowski was deported to Konigsberg (presently Kaliningrad), where he was pressed into forced labor. It was during Poland's occupation, a particularly difficult time in Fijalkowski's life, that he undertook his first creative explorations as an artist. These efforts were entirely independent, unguided by anyone. He did not find time for systematic study in painting until after the war. Between 1946 and 1951 he attended the State Higher School of the Fine Arts in Lodz, where he was a student of Wladyslaw Strzeminski and Stefan Wegner, though he had Ludwik Tyrowicz as his thesis promoter. From among his teachers, Fijalkowski most readily names Strzeminski as an influence, perhaps because he later worked under him as an assistant (the artist taught at his alma mater from 1947-1993, becoming a full professor in 1983). He was an important presence within the group of educators who shaped the school in Lodz (known today as the Academy of Fine Arts). He also guest lectured for brief periods at a series of foreign art schools, among them the schools in Mons (1978, 1982) and Marburg (1990). He taught classes at Geissen University throughout the 1989/90 academic year. Fijalkowski began his career as an independent artist by rebelling against his master, creating works that possess a clear link to those of the Impressionists. He made an effort to delineate his own, individual creative path by taking a clear position towards tradition and the achievements of the masters, particularly Strzeminski. Towards the end of the 1950s he proceeded along a course typical of Polish painters fascinated with Informel, taking an interest in the symbolic meanings inherent in abstract expressive means. He believed that "unreal" shapes are justified in paintings when they are saturated with meaning. Years later, in writing a brief curriculum vitae, the artist added that it was approximately at this time that "...apart from interpreting reality within an esoteric dimension, there appeared [in his paintings] the need to organize the esoteric meanings inherent in form." Fijalkowski admits that the shape of his art was to a significant degree determined by the writings of Kandinsky (whose "Uber das Geistige in der Kunst" Fijalkowski translated and published in Poland) and Mondrian, and by his interest in Surrealism. These two branches of 20th century art unexpectedly combined in Fijalkowski's art to produce surprising results. At the turn of the 1950s and 60s Fijalkowski continued to search and experiment, using the canvas as a plane on which to juxtapose the essentials of Strzeminski's ordering principles with something within the realm of Surrealism that was stripped of direct metaphorical meanings and allusions. The change that occurred in his paintings consisted primarily of a gradual abandonment of pure, literally allusive form. In the painter's own words, during this time of reflection, "I attempted more boldly to create forms that did not impose a single meaning, leaving viewers fully free to access the ingredients of their personalities, that may be unconscious or repressed but are absolutely truthful. I sought, and continue to strive, to create form that is only the beginning of the work as generated by the viewer, each time in a new shape..." In Fijalkowski's works, "form" is more open the more it is modest, efficient, insinuated. Most of his compositions are constructed based on a simple set of principles whereby an almost uniformly colored background is filled in with elements that resemble geometric figures but have rounded corners and soft edges, generating a poetic mood. The decisive hues used for the backgrounds of these canvasses, however, decidedly modifies their function and meaning - at times, the background dominates the entirety of the image, becoming an abyss, a void that draws into its interior large, spinning wheels, ellipsoidal forms, or diagonal lines that cut across the painting. One could expect this repetition of forms to render both Fijalkowski's painted works and his graphic art pieces tiring (the artist has been equally active in both areas, working in cycles, though the subjects undertaken often appeared in compositions created in various techniques). This impression is only reinforced by the artist's palette, which was restricted; he willingly used "undecided colors" that were muted, cool, and only at times broken up with ribbons of categorical black. But Fijalkowski was able to extract a tension out of this monotony and uniformity, in a manner that usually remains unfathomable to the viewer. Likewise, the meanings the artist assigns to these puzzling arrangements remain largely a mystery. In the end, it is the erudition of viewers, their rooting in culture and awareness of contemporary art, finally their intuition that determine their ability to enter into a di See also: ride on power wheels list of all hot wheels cars small english wheel pro comp off road wheels forged aluminum wheels zinik chrome wheels aftermarket wheel locks power wheels kawasaki brute force |
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252/365 Learning how to ride without training wheels We decided to push the kid down the hill today. Sounds cruel but works!!! No training wheels and of course she fell a few times but she got better and better. She loved zooming down that hill and made me go back today. After a few more tries she is now proudly riding her bike without her training wheels. Not just down hills but on sidewalks also. We are so proud. Training Wheels I remember riding my first bike using training wheels. I outgrew the bike fast so I had to learn how to ride the thing without them. After a few bumps and scratches, I finally did. I haven't biked for the longest of times. I miss going out and about... See also: bonded abrasive grinding wheel color wheel art lesson the best wheel locks car wheel balancing the 5th wheel tv show steering wheel lock review lawn mower wheels for sale trailer wheel chock |
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Some of My Strange & Lovely Skateboards Strange loves. strange, strange, strange and exhilarating & FUN Skateboards!!! orbit dirty mouth? clean it up with orbit See also: a big wheel hot wheels starter meals on wheels va power wheels dump truck remove rear wheel bearing wheel alignment tracking cost cheap auto wheels the wheels on the bus guitar chords |
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Momo Quazar Parkinson Today marks my one-year anniversary of adopting Momo, my Japanese Chin! It's amazing to see how far she's departed from her extremely shy, almost unfriendly demeanor, to become the affectionate puppy that she is now! We still have a hard time with her around strangers and dogs, but considering how she was when we adopted her at 8 mos. (she acted abused), she has really come a long way. MoMo's MoMo's means ballgames to San Franciscans, and we were out in force for Opening Day 2005. See also: kx wheels vancouver hearts steering wheel cover luggage wheels trolley digital wheel alignment ballistic wheels trailer wheel and frame in houston hot wheels deora ii factory wheels rims red steering wheel |
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Full Arcade Cabinet -- 57 Licensed arcade games* -- Hardware supports over 3000 games -- Perfect arcade look and feel: genuine arcade controls, colorful backlit marquee, T-molding, illuminated coin door -- Huge 27" Arcade Monitor -- ArcadeVGA video card perfectly reproduces original game graphics complete with authentic flicker -- Embedded PC with 2.8 gigahertz Intel Celeron processor is completely hidden inside cabinet -- Versatile control panel with two joysticks per player, dedicated four-way joystick, trackball, and spinner -- Formica laminate finish for durability and easy cleanup -- Coin door is functional and works in games* -- External volume control knob allows easy volume adjustment -- Speakers are built into the cabinet Spinner Knob with Jackson vernier6 Knob with nicely done homebrew spinner. Appears to have been a concentric knob set up with a Jackson type vernier drive mounted to the rear of the knob See also: downloadable color wheel the steel wheels band wheel alignment problem power wheels atv spinolution spinning wheels wheel horse lawn tractors hot wheels shoes |
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Wagon Wheel Sampler Platter @ Black Angus Steakhouse Wagon Wheel Sampler Platter ($12.99) Crispy Fried Garlic-Pepper Zucchini, Buffalo Chicken Tenders, Loaded Potato Skins, and Shrimp Cocktail. Wagon Wheel Wagon Wheel in the landscaping of the local chain steakhouse, to make it look like "authentic country". Heh. See also: angle grinder buffing wheel 15 alloy wheels for sale atv beadlock wheels racing mag wheels generating electricity water wheel fifth wheels rv wheel alignment problem |
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Vintage Vixen Hell Yeah! I love muscle cars.. and I had a chance to get behind the wheel of one of these beauties. *happy elated sigh* ....pure heaven. *wiggles her arse in the smooth leather seats* ^.^ DSC01173 Dashboard shot taken at a vintage muscle car show. The guy who built this car sure knows how to make a good looking interior. See also: vanagon wheel spacers tiny love wonder wheel wagon wheel ranch texas hot wheels cake design custom fifth wheel cars with heated steering wheel car steering wheel shakes pink power wheels wheel bearing failure causes |
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Seddon Speed Wagon! A passive speed warning sign illumintaes ahead of CTO485K, a 1972 vintage Seddon Diesel 32/4 tractor unit, as it makes its way down Main Road, Watnall in Nottinghamshire. I'm pretty sure that the immaculate vehicle belongs to Jack Stirland, a Nottinghamshire based haulier who owns several vintage trucks. Date of Liability 01 04 2011 Date of First Registration 03 07 1972 Year of Manufacture 1972 Fuel Type Heavy Oil Export Marker Not Applicable Vehicle Status Licence Not Due Vehicle Colour RED Cannibalized Kenworth Cabover An old Kenworth semi tractor that has been stripped of its fifth wheel and rear axles. (and maybe much more, I didn't take a really close look) Now it sits alongside the rail road tracks in Cando, ND. See also: 15 inch custom wheels spinning wheels 4 wheels madness 3 kleen wheels set of 2 wheel works mansfield free power wheels hello kitty steering wheel cover |
SUZUKI GRAND VITARA SPARE WHEEL COVER : SUZUKI GRAND VI
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Suzuki Grand Vitara When you discover Iceland in wintertime, you have to drive a 4x4. We hired this one, but I don't understand Suzuki named this the Grand Vitara.... The car is o.k. but very small. 2008 Suzuki Grand Vitara Photographer: Zane Merva zane [at] autoinsane.com A Road Test and image gallery featuring the 2008 Suzuki Grand Vitara will be available soon at AutoInsane.com See also: mag wheel shops tractor wheel rims spinning wheels lyrics wagon wheel banjo tab bbs wheel weights smart car wheel size stack racing wheels new 3 wheel car ships wheel coffee table |
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