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WARNING: unedifying racism and sexual gossip thinly disguised as history and published in the Daily Mail. Don't say I didn't warn you.

The following is an extract from: "The royal gigolo: Edwina Mountbatten sued over claims of an affair with black singer Paul Robeson. But the truth was even more outrageous..."

By Michael Thornton (and published in the Daily Mail)

"Leslie Arthur Julien Hutchinson was born on March 7, 1900, in Gouyave, a small fishing village on the island of Grenada. His parents saved hard to send him to the best local school and he became something of a child prodigy at the piano. When he was 14, his father swept him off to a brothel, an experience which his biographer, Charlotte Breese, believes 'frightened and distressed him: he lost something more important than he gained - his childhood innocence'.

At 16, his parents paid to send him to medical school in America, but he ditched his studies and headed straight for Harlem, capital of the jazz scene, where he married a black Anglo-Chinese girl, Ella Byrd, and fathered a daughter, Lesley. His father cut off his allowance. For a while he was destitute, but not for long. His overpowering good looks impressed one of New York's first families, the Vanderbilts, who scoured the art world for talent and introduced him to wealthy patrons of the jazz scene, where he soon made his name as a pianist alongside other jazz legends such as Fats Waller and Duke Ellington.

Arriving in Paris in 1924, and already flagrantly bisexual, he found a gay lover and patron in the composer Cole Porter, who wrote a hit song clearly based on Hutch's character:

I should like you all to know
I'm a famous gigolo,
And of lavender my nature's got just a dash in it...

The handsome West Indian stud now added screen sirens Tallulah Bankhead and Merle Oberon to his conquests. In London, where he arrived in 1927, the West End's leading male matinee idol, Ivor Novello, also became his lover. The biggest musical star of the day, Jessie Matthews, after a performance, heard Hutch singing to his own piano-playing in the orchestra pit one night. Transfixed by his melodious, dark velvet voice, she immediately urged him to become a solo cabaret performer.

Within a year, he had won recording contracts and had become a highly paid headliner at top London nightspots the Cafe de Paris, the Cafe Anglais and Quaglino's. He bought a Rolls-Royce, a grand house in Hampstead, patronised London's best tailors, spoke five or six languages and was on friendly terms with the Prince of Wales.

But he was still a black man in an era of racial discrimination. When he entertained at lavish Mayfair parties, his fee was large, but he was often obliged to go in by the servants' entrance. This embittered him.

Evelyn Waugh satirised Hutch as the social-climbing upstart, Chokey, in his novel, Decline And Fall: 'He's just crazy to meet the aristocracy, aren't you, my sweet?'
Replies Chokey: 'I sure am that.'
Says Mrs Clutterbuck: 'I think it's an insult bringing a n***** here.'

The first scandal surrounding him came in 1930, when he made the debutante Elizabeth Corbett pregnant. Her father vowed vengeance and pursued Hutch through the courts. Elizabeth managed to get a Guards officer to marry her. They had a society wedding in Sloane Square but she was already three months pregnant, and it was not until she was in labour that she warned her husband the baby might be black. He was appalled. The child was removed at birth and put up for adoption.

But the enduring scandal of Hutch's life was his relationship with Edwina Mountbatten. A BBC producer, Bobby Jay, recalled their outrageous behaviour to Hutch's biographer, Charlotte Breese: 'I was at a grand party. Edwina interrupted Hutch playing the piano. She kissed his neck and led him by the hand behind the closed doors of the dining-room. There was a shriek, and a few minutes later she returned, straightening her clothes. Hutch seemed elated, and before he returned to the piano, told me that, with one thrust, he had flashed [propelled] her the length of the dining-room table.'

Although both had their liaisons, there can be no doubting the distress the affair caused [Lord] Mountbatten. The reality was that he was unable to satisfy his sexually voracious wife. Edwina showered costly keepsakes on Hutch: a jewelled gold cigarette case, a gold ring with her coat of arms engraved on the inside and a gold and diamond watch. One night, a visibly distressed Mountbatten stumbled into Quaglino's restaurant and told the bandleader, Van Straten: 'I am lonely and sad and drunk. That n***** Hutch has a p**** like a tree-trunk, and he's f****** my wife right now.'

Hutch was to pay a heavy price for the affair. After The People case, Buckingham Palace refused to have him on any Royal Command Performance bill, and Lord Beaverbrook gave orders that Hutch's name was never to be mentioned again by any of his papers. During World War II, Hutch was one of

This summer will be the opening of the Pixie Boutique on Pixie Isle. FiFi and Trixie LaBlume, have been preparing all year for their fashion show at The La Dolie Opera House. This would be the first fashion show for the two pixie sisters who had left The Phantom Chillarie Theatre Group just last year to pursue their love for designing.
Their debut line will consist of a variety of cutting edge bustiers with vintage ribbons and tulle skirts layered over funky leggings. There will be lots of frills and glam in this collection, complete with dazzling Austrian Crystal colorful tiaras and blown glass flutter rings to accompany the pixie wings.

Pictured here is Polly Andrews, the lead model for the show, who was just featured on the cover of The Faerie Princess Magazine and in The Pixie Times. Polly with her velvety blonde hair, comes from the Rouge Agency and so does her friend Lisette, a new up coming model with gorgeous violet eyes and radiant long brown hair.

To show no hard feeelings that the La Blume sisters didn't renew their contract, The Phantom Chillarie will provide the props and flowers for the show, along with some advertising, other sponsors include: The Paris Magic Group, Hollowood Bank and Trust, Langley Grace Designs and The Garden Bug Cafe.

Every show has a theme, FiFi and Trixie choose a carnival theme. They even transformed the Opera House into an acting Carnival with Pierrots, Ballerinas, Acrobats, and a Lion Tamer, all courtesy of The Percy Peapack Carnival which opens on the Isle two days later. Some of the models will ride down the runway on elephants costumed in LaBlume clothing, others will roller skate while eating cotton candy and the rest will walk with balloons and candy apples.

At the end of the show, guests will be ushered into the opera promenade where they will be given either cotton candy light puffs or sparklers. Then the models, circus performers and The LaBlume Sisters will be whisked away in the Vintage Hot Air Balloons, in an eclectic blend of shapes and designs followed by a magnificant firework display.

I was impressed with the show, however, Lisette, who has no last name, seemed weird, quite strange if you ask me, there was just something about her that bothered me, I don't know what it was, she just did. What's even more strange is that the owner of The Phantom Chillarie has never been seen, only his liason, Groman Felsaunt, who is the appointed, head of the Chillarie. I asked my parents why no one has seen him, they claim, its because of his involvement with the dark arts. Rumors have circulated that he has a secret den where he tortored Pixies and Wizards for their magic, but it can't be proven.