Misplaced Childhood Blog

31.05.2004., ponedjeljak

JOVO TANJURAČA

u seriji likova i štorija iz mog kvarta jedna od najopćEnijih jest ona o jovici đekanoviću..srbinu..rođenome u rijeci..od majke senjanke..i ćaće iz valjeva.mati mu je bila lajava mala ženica..koja strašno puno puši..i stalno nešta gnjavi...a ćaće nikad nije bilo ko kuće jer je bio doktor..ali zastupnik galenike ..tvornice ljekova..pa je stalno putovo i mažnjavo srbijanke i bosanke.. a imali su dva sina.mlađi je bio moje godište..išao samnom u školu..i bio mi izvrstan prijatelj...i epileptičar.a stariji je bio normalan do 8 razdreda a onda je usred preboljenog meningitisa prolupo skroz na skroz te posto još jedna atrakcija kvarta. naime..jovo je bio teška dobričina--što je izgleda kronično kod takvih tipova..i naglo agresivan.....a na momente totalno sumanut.ali bio je jako inteligentan.sve je taj pamtio..i učio napamet...pa je tako znao sve o suncu..mjesecu..kosmosu..medicini..unutrašnjim organima..totalno lud lumen. pa bi tako dok smo igrali nogometa..trčo usporedo s nama..i na sav glas..uspuhan..recitiro imena sazviježđa...mjesečevih mijena....pa onda naglo skrene na izlučivanja iz jetre..ili na resekciju zubala...koje bi do detalja izveo..a nogomet..i sve druge športove..obožavao fanatično..i igrao sve....i sve redovito dobivio..fanatičan do ludila..izuzetne fizičke snage... tako recimo dok se biramo tko će u koju ekipu da zaigramo nogić..najebo redovito onaj tim u kojem nije bilo jove. ni tule car iz franje čandeka...nije bio bolji od jove...ali taj nije dolazio na naše malo igralište ispod zgrade..a svaki pokušaj da ih sparimo pa da igraju jedan protiv drugog..su propali jer jovo nije volio tuleta i smatro ga kretenom...i gledo ga onako kao da će ga svaki čas odvalit..pa je tule od njega bježo...ali u to doba je bio popularan u srbiji..narodni pjevač po imenu¸,....boro drljača..pa je naš susjed glišo..inaće predsjednik kućnog savjeta kad je vidio kako ludi jovo igra nogomet..izjavio...boro draljača..naš jovo tanjurača....jer ovaj je zbilja tanjuro gadno po terenu..ubijo noge igračima.. i kido ruke golmanima..... ali najveći njegov grif je bio taj da kad bi nešto nekom objašnjavo....e..taj nebi znao stat.ako se recimo uputiš na bas..i žuriš u grad ili školu..a sreo si jovu ispred zgrade..najebo si skroz..jer taj te odma ispita kako si..pa onda jesil gledo dnevnik..pa jesil čito novina..pa ako se slućajno zajebeš pa kažeš da nisi čito novina..eto ti jove da ti ispriča cijeli sadržaj..a ako želiš ..zna on i one od jučer...i što je najgore...stvarno idot zna..sve napamet...a još gore...taj bi išao opredo sa čovjekom i nebi ga pustio na miru..i nema načina da se njemu objasni,..da recimo žuriš na bas..ne..jer bi te jovo pratio..i unišao s tobom zajedno i na bas..i tamo bi nastavio...ili ako ga te prati u lift..pa ti nešto priča..onda izađe na tvom katu..i melje dok ti otključavaš stan..i još za tobom uđe i tvoju vlastitu kuću..a ..ajd izbaci napolje agresivnu budalu od 90 kila..poremećenog uma.... naš jovo je bio i vrlo direktan.satima bi znao djevojcicama od 8 godina ispred zgrade što skaču preko lastika..objašnjavat tajne masturbacije...u stilu..i kad zamislim njeno tijelo...uzme ud u ruke..i pokretom gore dole mogu dočarat..njezine obline...e ..da...totalni psiho je bio jovo naš. kad je počeo rat i ono sranje..đekanovići su se izjasnili kao teški četnici..i zbrisali u srbiju.nedugo zatim..došli su do nas glasovi da u beogradu ima neki jovo đekanović..što radi u osobnom osiguranju arkana...to je bila najveća sprdnja ikad na turniću......navodno..koga arkan pokaže..toga jovo prebije..al prvo mu objasni koji će ga sve organi boljet..koliko dugo...i tako..povijest bolesti..prvo ti izvadi medicinski karton..a onda te ubije od batina.... e jovo tanjurača je bio lumen...sigurno. uz ovaj tekst se puši "nepal"...i slušaJU..THE LENINGRAD COWBOYS

- 18:18 - Komentari (4) - Isprintaj - #

22.05.2004., subota

PSAJKODELIČNA ŠTORIJA ANBALIVABLE O MAJSTORU TULETU HEROJU MOJE ULICE

evo još malo istinitih štorja sa turnića i u vrijeme mog djetinstva a ovdje prenosim nešto o životu našeg tuleta..kapetana nogometne reprezentacije mulaca ulice franje čandeka njihovog glavnog gurua i inspiratora..introspektivno mirnog..i naglo bijesnog..nažalost mentalano zaostalong..ali ova priča nije tu zato da sprda zaostalog dječaka..odnosno čovjeka..već tu zato što smo svi mi klinci sve to vidjeli našim očima..... dakle naš tule je kada sam ja imo 10 ili 11 godina imao otprilike 30.ali to zna zvučat malo strašno jer što da te neki malo zaostali tip počne mlatit..a stalno se drži samo sa djecom jer u njegovoj glavi svijet odraslih ne postoji... imali smo nekad davno dakle..te predivne turnire u nogometu..ulica protiv ulice..a mi u dubrovačkoj smo imali izvrstan tim..ali voljeli se jako sprdat međusobno ..ali posebno sa onima koji su nas htjeli pobijedit..ili su bili slabiji od nas.tako su druge ulice razvile neku vrst opsesije..samo da nas dobiju. i tako je vijeće klinaca nakon niza njihovih teških gubitaka odlučilo izabrat novog kapetana da ih vodi..i izabraše oni našeg tuleta..nogometnog fanatika..i luđaka ubojita šuta.a taj šut je bio strašno ubojit..jer je on bio stariji od nas..pa zamisli sad dijete od 10 godina na golu a zapjenjeni tule dere špicom po golmanu..strah i trepet. i tule je odma uzo strvar u svoje ruke i noge i otpočeo teške i mukotrpne pripreme njihove ekipe sve u cilju da nas napokon dobiju.i naporni su treninzi počeli..trčanje po požarnim stepenicama nebodera od 25 katova...obukli svi iste dresove i trenirke..klinci od 10 ili nešta više godina vježbaju sklekove po hladnim hodnicima nebodera...svi moraju pit cedevitu 3 puta na dan da ojačaju..strogo im je zabranjen sex(zamisli ti tu stegu za klince)..a u igru ulaze i brižni roditelji kojim je dosta frustrirane djece..i kupuju svojim klicima svima u timu kopačke puma najnovije..najbolje kožne lopte..štitnike za koljena..sve. a dotle mi u dubrovačkoj se sprdamo ..čekamo dan utakmice..pijemo koktu slovensku i rastežemo bazoka žvake..i padamo od smijeha kad vidimo tuletovu izabranu vrstu kad svi strogo postrojeni klinci izlaze iz nebodera franje čandeka 32a..i rade sklekove i vježbe rastezanja..nasred autobusne stanice.... e sad nešta više o samom tuletu..dakle radi se o odraslom čovjeku sa mozgom djeteta..ali kako to sve nije nikad..samo tako ..tako i naš tule koristi svoju snagu i oprobava je na svom šutu po golu...a ponekad i da opali nekom šamar ako ga jako zajebava.e sad nije on agresivan..i stvarno je dobar tip..ali dobar onako kako samo bolesni ljudi znaju bit... nosi nadeblje cvikere koje sam ikad vidio..ja sam tada nosio oko -8..i to je vrlo jaka dioptrija..ali bi skidao cviker kad igram nogomet..ali tule nikad nije skido svoje durbine jer nebi vidio doć kući..a imo je takav cviker koji je imo više slojeva..i onih krugova unutra..ma najmanje -15...i velike majmunske uši..nisko čelo..nabijen ..široka..nižeg rasta..baš nekako neugodan za vidit..i umjetno zubalo u ustima...zaposlen u vešeraju riječke bolnice..fura ona kolica sa ukakanim gaćama i posteljinom..i pri tome se pravi doktor..a kad ga neka cura samo onako krišom pogleda..ili se nasmije kad vidi tog tipa..on uzvrati najširim osmjehom kojeg ima..i pri tome se redovito zajebava sa zubalom..ga onako pljucka van..i uvlači natrag..vrlo šarmantno... i tako se dan tekme približio ..a mi ostali paf..kako klinci svi slušaju našeg tuleta..a roditelji iz njihove zgrade čak planiraju osnovat i klub..... i došao je napokon i taj dan i veliki okršaj je počeo.došli gledat glasovitu tekmu i klinci iz drugih škola i kvartova..od zameta..i krnjeva..do pehlina i rujevice..podmurvica..pa čak i iz grada.....i nije prošlo samo par minuta prvoj poluvremena već oni vode protiv nas sa 1:0..strijelac neki pikavac po nadimku pinka..dade nam gol na korner tuleta. joj nevolje evo 2:0..ponovo jebeni pinka,,kojeg je tule tako spremio da nam pije krv..bježi ko lud i niko ga nemože stignit.mi nemožemo nit preć na protivničku stranu jer je ludi tule shvatio stvar preozbiljno i radi tzv.profi faulove na centru..i krši nas svom snagom..i nosi po dvojicu.mi definivno tonemo..al još uvijek zajebavamo i kad tule dobije loptu i poleti ko lud mi svi stanemo igrat..i hvatamo se za trbuhe od smijeha i plačemo..a tule samo doda pikavcu pinki..i već je 3:0...a tek je 20 minuta tekme prošlo. i kužimo sad mi da je vrag uzo šalu..i stanemo malo i igrat i to dugim loptama i nabacivanjem samo danas ovaj luđak nemože stić..i tako ti ja zavrnem jednu loptu jako u zrak..naš visoki đani..stručnjak za igru glavom malo primiri loptu glavom i spusti je na nogu..al taman kad je htio opalit..sustigne ga naš tule i pokosi svom snagom..ovaj se skljoka..penal!!!! mali jasko bosanac..puca penal..i daje gol..dakle 3:1..ali mi se više ne keberimo..jer je naš đane..jako strado..krv kipti iz ranjegog koljena..i sad je stravno dosta..i kažem ja dečkima..moramo ove pobijedit..s što manje kontakta..ali ako pobjedimo ovi bi mogli tražit revanš pa će bas tule opet ubijat po terenu..zato ćemo izgubit..i nećemo tražit revanš te ostat zdravih nogu..ekipa mi odgovori u jedan glas: idi u kurac...i mi uđosmo u drugo poluvrijeme drhtureći..i usranih gaća ali habri kako nikad do tad.jer naša prednost je bila ta što smo stvarno znali igrat..te smo sada morali svu uporabit svoju moć i znanje da ove pretrčimo. al eto ti ga na..samo što smo počeli tule uvali lakat malom jasku bosancu..ovaj izleti van bez zuba.nastade tuča.nas deset na životinju tuleta..udarm ja budalu šakom po glavi a on se smije..ovca(naš ponos ekipe),..ga munu nogom u leđa..a on ništa..kad sudija..(radnik ine na obližnjoj pumpi)..prekide tekmu dok se malo nesmirimo..i onda nekako ipak nastavišmo... i sad ti ja pokušavam opet nenako podignit tu loptu..da je dobacim do kiklopa čuleta..koje je viši od đania..ali lopta preleti i njega i taman kad sam pomislio da ode u kurac..lopta se nekako još zavrne..i uleti na svačije čudo u gol...3:2.ajme kakva radost..taman kad je sve počelo tonit..a mi plavi od batina..i još kao bonus bijesni tule opali svom inače dobrom golmanu šljagu radi primljenog gola i ovaj odleti kući sav uplakan... i nastavi se tekma a mi stisnismo još malo..al avaj tule uzme sam loptu i zajedno s njom uđe u gol jer se naš golman u strahu izmaknio..i to je sad 4:2 kadli tule od svog naraslog sebeljublja više nikom ne želi dat lopte od svoje ekipe..pa nit izvrsnom pinki..koji mu opsova mater..a on njemu vritnjak..te tako i pinka ode kući sav zaplakan.a mi se nekako dohvatimo lopte..i foka robi je proturi kroz noge blesavom tuletu..koji se svom snagom prevali na njega..ali sudija poštuje prednost..i lopta dotrakenja do ovce koji je svojom zdepastom nogom zavrne prema golu..pritom padne..ali lopta uleti u gol..i eto 4:3.erupcija slavlja u našoj ekipi ovakva se bitka ne dešava često.a samo što su tuletovi krenili sa centra..mršavi kiko izgubi loptu..a kiklop čule je doda do alena mog najboljeg prijatelja a ovaj..jednu cimu..pa drugu cimu...i eto ga goooooollllllll.....4:4..tule je vać sad lud..a beton igrališta sav od tragova kopački njegova tima..a plavi od njihovih krampona..i eto još je pet minuta dokraja tekme..a pinka se vratio sa svojim ćaćom..i sad oni stoje sa strane..i čekaju kraj tekme..i tekma se nastavi..ja sjebem tuleta u našem kaznenom i zabijem mu svojski lakat u grlo..i to je penal 2 minuta prije kraja..a moja me ekipa psuje iz sveg glasa..i dobivam ćepe sa svih strana..koda igramo američke zuje..kadli kapetan tule uhvati loptu da će pucat..i uzme zalet skroz od svojeg gola..i poleti tako prema lopti sa daljine od 15..16 metara..i tom trku taman prije lopte..posklizne se i padne te slomi nogu..........erupcija oduševljenja u našoj ekipi..tiranin je sjeban..mene sad svi ljube..ponovo počinje sprdnja..i šala..a tuletov tim gleda u čudu..i nekako ih hvata strah..ostali klinci koji gledaju tekmu ne mogu se načudit što se tu sve zbiva..a neki se kunu da nikad nisu gledali napetije utakmice..ljudi iz obližnjih zgrada do igrališta su svi na balkonima i prozorima gledaju ovu bitku protiv levijatana... i sad mi potežemo loptu sa centra..ja dobacim alenu..alen ovci..ovca..živcu ludnici..on kiklopu čuletu..ovaj..podigne..alen uleti i iz voleja svom snagom razbije golmana i gol...........gooooooooooooooooool.....5:4--i kraj utakmice..mora je gotova..i nemožemo vjerovat..a tule koji nije dao da ga odvedu već slomljene noge u svom ludom fanatizmu šepa po igralištu tuće svagog koga može dohvatit..a mi u deliriju..klnci da tribini također..ljudi zvižde sa nebodera..ludnica. i najedamput u tu svu galamu uleti pinkin stari sa nučakama..stane ganjat jadnog tuleta..onako slomljene noge ..a mi smijeh..kad ga sustignu..a ovaj se jadan okrene..i poćne pljucat van protezu i govorit kroz zube..ali barbaš ljušbomir..ja šam vam jaško boleštan..vidštite..a ovaj ga nemilosrdno opići nučakom po faci..pukoše tuletovi durbin-cvikeri..a proteza se smrvi..krv svuda šiklja..katastrofa.svi se razilaze i bježe kući jer ja na teren stigo veći luđak od tuleta i to naoružan..a to je pinkin stari.faca opsjednuta romanima u stilu "bleka stene"..koje je i istetoviro na ruci... netko je iz zgrada zvao policiju..a mi svi zbrišemo kraj onog gore "boravka"..i gledamo na igralište dok se cajci raspravljaju tko je koga i zašto... i eto tako je sve završilo u krvi i nimalo zabavno..al moja je ekipa puna smijeha i rugancije i ovu štoriju prepričavamo i dan danas kad se strenemo..a tule je naravno živ i još uvijek šljaka u vešeraju i gonja kolica i pozira ko da je magistar znanosti.. nedugo nakon tog događaja..po govoranciji klinaca iz franje čandeka..pinkin ćaća..je navratio na poziv tuletove stare kod njih da im popravi televizor..i ovaj je došo..pa se usput pomirio sa tuletom..a ovaj je kad je ljubomir pinka..izlazio iz kuće za njim bacio prave osti..noštrene ko sam vrag..i umalo ga poterfio... nakon nekoliko mjeseci opet se tuletu pokvario televizor..al ga je navodno odlućio popravit sam..pa je poslao po sve klice koji imaju hrabrosti da mu stupe u stan..da im pokaže kako je izvrstan majstor..i u svom perfomingu pred klincima skuži da je otvorio teve a nije isklučio struju plane iskra ..zapali zavjesu..eto požara....sve sad gori a tule se dere..vratrogasci stižu a televizor leti kroz prozor sa petog kata..direkt na cestu...pored autobusa... jednom je više godina nakon toga svega..ja sam već bio prvi srednje..tule bio ispred svog ulaza..a njegovi bivši suigrači..sad već ojačali..zajebavaju tuleta..a ovaj ti diže neku betonsku gromadinu i za njima da ih smlavi..a ovi utekoše u svoj portun pa u lift a tule baci gromadu na vrata lifta i sjebe i vrata i lift..i ove unutra usere žive od straha... nedavno sam se nešto šesticom vračo iz grada doma..kad čujem na prvim vratima neko komešanje..ljudi se smiju i plaču a neke cure jojfujaju..i deru se u čudu..a kad tamo naš tule u akciji ponovo pljuca zubalo..ali sad ga vadi i maše s njim po zraku..i konta komade... tule se zove goran valjda ga je majka zamijelila za nekog drugog..mi smo oduvijek znali da mu jedino ime tule.

- 06:48 - Komentari (0) - Isprintaj - #

21.05.2004., petak

damira

..napomena, uz ovaj tekst se slušaju CULTURE CLUB damir je bio moj frend iz razreda..i moj susjed..više od pola iz djece iz škole je u biti živilo u tim našim susjednim neboderima pa smo se viđali i doma..i nakon škole..i imalo se filing da si uvijek sa istim ljudima..i u školi i nakon škole..dakle damir je stanovao na desetom katu..dva ispod mene..i bio je ljepuškast..mama ga depilirala kad je išao u peti razred..a bilo je stvarno čudno vidit klinca od 11 godina depiliranog pazuha..pa smo ga svi imi..jaki dečki...a ja sam uzgred bio slab..i mršav..ali opako razvijene zlobe..pa se ubrajam u jake..jer ja bi smislio zlo koje bi drugi provodili..zvali..damir..curica. i nosio je damir jako uske hlačice..imao od kose crne načinjen kokot..koji mu je mama redovito gelom održavala..ko je vidio i znao uopće što je gel..u petom osnovne..onda..kad sam ja bio mlad...kupovala mu uske majice..i napete donje gačice..na tjelesnom bi damir izlegledo ko totalna nategnuta lutkica...a njegova mati je bila malo svima nama čudna..u svemu tome..jer..vidilo se dobro da ženi radi gen..pa je nosila izuzetno velike štikle kojima bi nogom otvarala vrata od lifta..i režila neobično dugim glasom...ima li koji jebać da mi otvori ova jebena vrata ili ne....a često bi naišo neki jebać..i tako....ona je bila bicikl koji su svi stariji redovito vozili ..pa ja vjerujem da je ni moj vlastiti stari nije poštedio..... no..damir je bio druga štorija..redovito ulickan..drukčiji i slađi od nas odrapanaca..a nekako u to vrijeme i kod nas su počeli radit geni..pa smo jako počeli dodijavat curama i pipat ih i navlačit...a redovito smo kad nije bilo u blizini cura..pipali i damira.... a on bi se jadnik odma sam još više ponudio..tako da se njegova slatka ispupčena guza mogla pipat uvijek...i bila je uvijek dostupna..al jaki bi to iskorištavali..pa premda se naš damirić..u nastavku.."damira"..voljela pipkat..desilo bi se da po nekoliko jakih muškarčina..koji su nešto morali objahat..i trljat svoje kitice o nešto..najaše na jadnu damiru..i izgaze je skroz.... naravno da taj pederluk nije osto nezapažen kod drugih razreda..i kad su drugi klinci čuli da se naša damira daje pipat non stop..navalili svi da je pipaju..a damira bi se samo slatko naguzila..i nabacila široki osjmjeh...i šapnula..ma daj budalo..nemoj me samo jako....a eto pročulo se to idiotsko ponašanje i kod učitelja..a ubrzo i kod roditelja..pa je mene moj stari bijesan..sa vojničkim kajišom u ruci pito...jesil i ti pipo damira..?...nisam...NISI....???...jesam malo...a on kajišom..jebo ti pas mater..pedersku..ljubice jel vidiš da ti je sin pederčina..pa opleti kajišom .... i pošto sam ja bio vrlo zloban i ponekad gadno osvetoljubiv kao klinac..smislio ja kao vratit pederčini damiri..sve te batine..jer nisam mogo sjedit u školi kolko me stari prebio..i osmislio vrlo gadan..i čudovišan plan....damira treba zatvorit u lift lift zaglavit..a njemu nikako nedat makar dva sata da izađe van..a unutra nek s njim bude..najjači majmun iz kvarta..begonja..zvan teška stoka..koji je imo najdeblju kitu među nama klincima..i pišo i po par metara daleko...i bio jako agresivan..čak su ga i stariji izbjegavali..jer je bio sin još jačeg ..starog begonje ..dalmatinskog ribara...koji je bio visok ko posejdon....i režio bi na sve koji mu se približe..a njegovog sina si imao spomenit i bijo si mrtav čovik... i tako ti ja vrbujem tešku stoku za moj plan..i kažem ti ja stoci..jel begonja jel bi ti volio malo guzit našu damiru....a on se uflati za jaja..i veli bi ja..al nemgu ga stignit uvijek mi pobjegne..a i drugi ga uvijek objaše prije mene..tako da se ja samo prevalim preko njih svih..al njega rijetko dohvatim..a ja reko..evo ja ću ti namjestit damiru i to do gola...a njemu se oči raširiše..i on proguta slinu.....kako? gdje?.... i tako ti ja smislio kako.ja sam trebo izać ranije iz škole..i dočekat se damire kad se ova bude vračala iz škole..a na 5 katu vrata od lifta su malo štekala..i kad bi ih čovjek malo onako iz vana naglo potegnio..lift bi se zaglavio..na moment..pa je to bilo izvsrno za cimat cure..i bilo koga tko se nađe taj tren u liftu..a ako bi povuko i držo 60 sec neprekidno..lift bi se skroz zaglavio.....a negdje na 7 katu bi trebo čekat begonja i naglo upast u lift i izguzit damira do ludila...nakon što ja izađem na petom i budem cimo lift tako da se on zaustavi na svakom katu..jer ako lift ide recimo gore cimneš jednom..lift se zaustavi..ali polako nastavi u pravcu u kojem je krenio..i zaustavi se na slijedečem katu..a onda krene dalje..dakle samo dvije cime su potrebne..do sedmog.. i tako ti ja zgibam se tehničkog odgoja..i to blok sata..ranije doma..ostavim stvari ..i usput maznem krafnu što mi mati otavila..mlatim krafnu..stojim u grmlju kod parkića..i čekam..i eto ti damira i to samog..a begonja nabija loptu ispred dučana..a ja bris kroz grmlje i reko teškoj stoci..evo je ide...a on bris u moju zgradu na sedmi čekat...i stalno se nateže za jaja dok trči..a ja odem stepenicama na treći kat..pogledm kroz razbijeni vanjski prozor..damira je upravo ušla u zgradu..poletim po hodniku..i vidim da je lift već prošo dole..dakle damira ulazi i lift ti krene gore...i ja blejim na staklu od lifta....i lift prođe damira stvarno unutra..a ja jednu cimu..lift se zacima .na šestom..pa drugu cimu..i lift ti stane na sedmom..i teška stoka..stupi u lift.. a damira kriknu... i sad ja više nemugu čekat--želim i ja vidit što se zbiva..i odma ti šmugnem i ja na sedmi..kad begonja tuče damiru jer ova neće da se skine...ubija jadnog deška od batina...skidaj gaće..veli teška stoka i zada ovom malom dečkiću takav šamar...da mu je glava odletila natrag i svom snagom lupila u lift..evo i krvi..a mene panika što sam to učinio...i stupim ti ja u lift..jer lift je zakočen i ne ide nikud..a nema kog da nam pomogne jer tek je 13 sati..i ljudi su još skoro svi na poslu..a ja ti stupim u lift i pokajnički dreknem..begonja pa nemoj ga toklko mlatit...a on ti mene zgrabi i uvuče u lift ..a onda se skidaj ti..pizda ti materina...i sad ja i damir mlatimo svom snagom po teškoj stoci..a lift se trese..oće otpast..užas..kad begonja slučajno rukom pogodi gumb za kočenje lifta i lift otkočen krenu..gore...i sad putujemo..i dalje se mlatimo..meni pukoše civikeri..stoka ima gadnu ogrebotinu od damirinih brižno njegovanih noktiju.....i najedamput ti begonja pritisnu ponovo taj gumb za kočenje lifta..i zaustavi nas na 15 katu..izvadi šibice iz đepa i veli..ako se neskinete obojica ..zapalit ću lift..i kresne jednu šibicu..damir puhne..i ona se ugasi..te on dobije gadnu šljagu..i nastade opet gurancija..ni ne možemo izać iz lifta jer debeli kreten je okernut leđima prema vratima..i u stupici smo..kad on ti zapali drugu šibicu..i ona mu upaljena ispadne..i to je sad naučna fantastika..zapaljena prođe kroz onaj mali otvor između lifta i vrata...ali tko će sad mislit o tom...stigurno će se izgasit do dole..je 14 katova.....i ponovo nastade tuča usred bijelog dana nikog da nam pomogne..ovaj mlati čas mene čas jadnog damira..kadli najedamput..neki dim prokulja..ispod lifta...joj jebote begonja zbilja zapalio lift--i to ono smeće što se nakupilo ispod na prizemlju,,i sad to gori..kulja i smrdi..eto ti gadnog sranja..lift gori..jebote ako dohvati kablove odošmo i mi..begonja ti izleti iz lifta.i trk niz stepke.. a imi isto za njim..al se zaustavismo..i odlanišmo..puni batina..i rasplakani..stigoše i vratroprasci..sad se sve uzjebalo...gasi se lift..i prizemlje..a majstor zgrade sa predsjednikom kućnog savjeta..ide od kata do kata..damir zbriše svojoj kući..a ja svojoj...pa na balkon.da vidim ima li igdi begonje..a on napolju.čaka što će se desit..a ja za krumpir..i naciljam bezveze..i drknem ga tim ogromnim krupirom prljavim posred glave..sa 12 kata ga pogodio iz prve...jer to je sad bio bijes pravednika..... ali damira se od tog događaja skroz promijenila..i zamrzila dečke...i zamisli kad je dospio u osmi razred mi smo još uvijek drkali a on onako liep uredan i zgodan..našao prvu curu..helenu..iz 8be...i eto dok se sad damir fino grli..mi pederi samo drkamo i neznamo što bi sa sobom..damir fino posto muškarac... e...pravda uvijek dođe na svoje..na ovaj il na onaj način.a damira ozdravila skroz..nedugo zatim..uslijedile su druga cura..pa treča..i.. u srednjoj školi a upiso je ekonomsku ko i ja..damir je dio tip na kojeg su sve cure padale bez rezerve...muževan..bijelih zuba...uzak..dotjeran..blag..a jegova guza tajni predmet svakog ženskog razgovora...

- 07:06 - Komentari (0) - Isprintaj - #

EVO SAD I PRILIKE DA SE ISPRIPOVIJEDA ŠTORJA O PSIHODELIČNOM RANKU ILI GUZI LEGENDI MOGA KVARTA

MALA NAPOMENA..UZ OVAJ TEKST SE SLUŠA MUZIKA BENDA RED CRAYOLA.ZA VAS KOJI TO NEMATE..ILI NABAVITE..IL SE JEBITE. DAKLE..NAŠ JE GUZO LEGENDA STARA.DEBEL I DOBAR KO KRUV..GLUP I NAIVAN KAKO TO SAMO ON MOŽE BIT...I NARAVNO STARI METALAC.I JEDNOM SMO TAKO PRIJE PAR GODINA SLAVILI BOŽIĆ.NALIJEVAMO SE MI ŠKVADRA U OBLIŽNJEM BIRCU "ANKORA"...IMA NAS JEDNO 12-TAK..I NEŠTA KAO PJEVAMO MNOGO VIŠE PIJEMO..TKO IMA ZA PUŠIT...TAJ PUŠI..TKO NEMA ISTO PUŠI..I U JEDNOM TRENU VELI TI GUZO...HEJ DEČKI..ZAŠTO SE OVDJE GUBIMO I TOŠIMO LOVU KAD BI MOGLI DO MENE..STARI SPAVA..ALI IMA CUGE I ŽDERILA..A MOJ STARI IONAKO OBOŽAVA PIT..PA MU NEĆE BIT ŽAO AKO GA PROBUDIMO..A IMAM JOŠ BOLJU IDEJU...AJMO MU I ZAPJEVAT "OPATIJSKE OŠTARIJE"..ONAKO ZA POKOLON ZA BOŽIĆ..BIT ĆE MU DRAGO...A MI SVI UGLAS..."IDEMO" I POPNEMO SE MI NA 3.KAT..STARI SPAVA..A VELI TI GUZO...NE JOŠ..IMA I NEKIH INSTRUMENATA..JA IMAM ČINELE..JOSO DE TRKNI PO DOBOŠ ILI KASU..I A TI MARINE..DAJ DONESI GITARU..PA ČEMO OPALIT ZA PRAVO. DAT ĆE STARI PIT DO ZORE. SVI ODOŠMO PO SVIRALA..I ETO NAS..NATRAG..I SAD SE ŠULJAMO U SOBU..STARI HRČE KO ULJEŠURA...A VELI GUZO..DIRIGENT..JEN..DVA..TRI..I...."OOOOOOPPAAAATIIIJSKEEEE ..OŠTARIJEEEE".....A STARI ISKOĆI IZ KREVETA I ZALIJEPI SE ZA PLAFON...MI UMIREMO OD SMIJA...STARI JE U KOMI..VELI ON..RANKO MAGARE JEDNO..ĆA SI TO STORIL...I SVOM SNAGOM DADE JADNOM GUZI KACOT.AJME NASTADE TUČA IZMEĐU OCA I SINA.MLATE SE ONI KO VOLOVI.KAD U JEDNOM TRENU JADNI RANKO DIŽE ROLETNU..I ŽELI SKOČIT KROZ PROZOR...A STARI GA HVATA I SPUŠTA..MA DEBIL JEDAN...I JOŠ BI MI SKOĆIL....I GUZO ODUSTANE OD SAMOUBISTVA..I NEKAKO SE SMIRI...I ZAGRLI TI NJEGA NJEGOV STARI...BARBA VELJKO...I VELI TI ON NJEMU..."RANKO..SINE...VOLIM TE"...A GUZO NJEMU.."I JA TEBE TATA"...I U SLAVU POMIRENJA..SVATKO ĆE SIKAPIT IZ SVOJE BOCE...GUZO POTEGNU I OD BOCE PIVA NEOSTADE NIŠTA..A STARI BARBA VELJKO..POTEGNU IZ BOCE VINA...OD POLA..PA DO KRAJA..I PADNE NA POD..U NESVJEST...AJME VELI GUZO...STARI JE ISKAPIO BOCU MASLINOVA ULJA"...KO GA JEBE..AJMO SAD ŽDERAT PEČENKE..I PIT DO ZORE..... ali svakoj priči životnoj dođe kraj..pa je i tako guzin stari odapeo.i mi svi dobri i nježni prijatelji krenismo na sprovod.a naš gozo nakon ceremonije ima još nešto za reć samo pred nama..i on it izvali.."dragi tata veljko..pošto si čitav život mislio samo na pilo..a za mene te bolio krurac..sada udovoljavam tvojo posljednjoj želji i ostavljam ti uz grob bocu belega sa kastva...."..opet smijeh na galeriji... nije prošlo dugo i guzo si je poželio imat prijatelja za kojeg će se brinut..nabavio je sebi kujicu.najružnije pasje stvorenje kojeg je bog ikad vidio.a kako mu higijena nije nikad bila jača strana..on ti dopusti svom psu ama baš sve..čak i da spava sa njim u krevetu..i kenja mu svud po stanu pa tako i u krevet... ...i tako jadnom ti ja sa društvom naiđem da pokupim guzu pa da si idemo neš popit..i dobro..guzo odma pristane..i sad izlazimo mi van..i guzo potegne kvaku od svojih vrata..da zatvori i kvaka mu ostane u ruci..odvaljena pokidana...i veli ti guzo..ma to se dešava u zadnje vrijeme..sad ću je ostavit ovdi u ovom starom šporetu kojeg sam izbacio na hodnik pa kad se vratim ću to montirat..i tako mi izletimo van u opijanje do jaja,...i vraćamo se kući..i guzo izleti na svom katu a ja ijoš jedan frend ga držimo i pomažemo mu ga guzo ogleda vrata onako sjebana onako bez brave..i dosjeti se u trenu...hej netko mi je porovalio u stan--zovi policiju...zovi vatroprasce...PROVALAAAAAAAA...ljudi pomagajte....LOPOVi................IZ sveg glasa u 4 ujutru..i susedica nona katica izađe i stvarno vidi da je brava u krcu i zove policiju..i dvojica plavaca stignu..a ja i ovaj umiremo i šutimo cijelo to vrijeme.... ..i vadi ti ovaj jedan cajac zapisnik i veli ti on guzi..što je provala..jeste li vidli što su vam ukrali...i što van nedostaje..a veli ti njemu guzo..pojma nemam..sad ću pogledat..i u trenu se sjeti..otvori štednjak..pridrži si bravu..izvadi ključ i otvori vrata..veli on cajcu..evo izvolte vi prvi uđite pa vidite..a mi umiremo i plačemo od smijeha.. i krene iti prvi cajac u stan..ali eto samo što je ušo..stane na govno od kujice i posklizne se i padne kolko je težak..... eh guzo..guzo..kakav je to car! sve u ovoj štoriji je 100% istina i to svi na turniću znaju.još se priča i smije na taj račun. a guzo gdje god dođe potvrđuje da je sve istina..i ponosan ispija opet na ex i pada u nesvjest.

- 07:05 - Komentari (2) - Isprintaj - #

_______samo pola________

bili smo klinci.ona je bila moja prva prava simpatija.ali tko u sedmom razredu može znat što ga čeka..nakon prvog poljupca?nakon prvog dodira..i crvenjenja?bilo kako bilo ja sam na sandru navalio ko konj.dobro..dopustila mi je da je pipam koliko god želim..i bio sam začudo pažljiv..dok se nisam jako uzbudio..i htio sam da ona bude prva po svaku cijenu...i pobjegli smo iza škole...tamo kod dnevnog boravka..a bilo je popodne..pa nije bilo klinaca ...nigdje nikog..klupice prazne samo za nas..a zaklonjene šumicom..i velim ti ja mojoj sandri...ako me voliš..skini gaćice...volim te veli ona..ali nemogu još to..nisam to tako zamišljala...ali ti me lažeš..kako me voliš a neželiš skinit gaćice..samo da vidim..znaš nikad nisam vidio golu ženu uživo još...jebeni željko ludnica ima stariju sestru..pa je gleda svaki dan kad ide u wc..i viri kroz ključanicu i drka..nosi čak i njezine prljave gaćice u školu i drka za vrijeme malog odmora..ima pun džep njezinih prljavih gaćica..i stalno ih snifa...a veli sandra..pa zar i ti želiš snifat..pa to je odvratno..ne...izvlačim se ja..želim samo vidit koliko dlaka imaš..ajde daj...vidit ćeš kako je dobro...ali kako znaš da je dobro..veli ti meni moja sandra..kako znaš da je dobro..ako nisi probo...ma nisam ..ali svi znaju da je..pa da nije dobro..tko bi se onda ženio..i volio uopće...a dobro onda..veli meni sandra...ali molim te..nemoj me jako....stavi mi ga samo do pola..može?..obečaj mi!!!.....obečajem!..velim ja...i dodam..ništa se ti ne boj..sandra..ja ionako imam samo pola!!!

- 07:04 - Komentari (0) - Isprintaj - #

____KAO PUSTINJA________

u mraku ...mraku..poput magle.tko je ikad mogao odlučiti..što je bolje..vidjeti sve crno ili sve bijelo?i jedno i drugo je slijepilo..bez oblika..bez mirisa i okusa....pustinja bez boga i čovjeka.bez snage..bez vizije..bez mašte..bez snova o promjeni..bez nade.bez zadovoljstva.ikavog napretka..ili pomaka.samo postojanje je konstanta.i svijest o tome da se živi.a nevidi ništa.i nečuje ništa.i nitko ne dolazi.nema nikog da spasi... nekog.nema koraka...u daljini..nema nikakvog šuma..nema glasova u daljini..nema nikakve naznake...da itko igdje postoji..osim svijesti da postojim..samo ja...mislim da postojim..i to je jedino u što sam siguran..jer mislim..premda nevidm..nečujem..i nikog nema..nema ničeg..osim moje pustinje.ali kazna je ...prava kazna nije..ovo ništavilo..već sjećanja koja su mi ostavljena.kroz misao mi prolazi..sve..ikada doživljeno prije ...sve od glupih reklama sa radia i tevea..do šetnje kroz djetinstvo..mladost..prvu ljubav..zablude..naivnost..greške..grijehove..padove..uspjehe..bolesti..drhturenja...ushite..oproste(rijetke)..prijateljstva..izdaje..ucjene..laži..istine.. ..mučenja..trpljenja..napore..bolove..olakšanja..maštanja...snove..bježanja..vračanja..krađe..stida..potreba...rada..novca..praznih đepova..krivnji..osuda... čemu sjećanja..ako sad ničeg nema.da li je olakšanje..što nema toga svega..ili je to proklestvo...ovaj čudni mir..nemirni..mir. dali je to raj.nema napora.ali ne nemože to bit raj..jer ovdje nema ničeg doli jedine misli...zar se u raju..nebi misli susrećale..razmjenjivale..radovale..pjevale..ali ovdje nema drugih misli osim moje.nema tijela.nevidim kako izgledam..samo se sjećam da sam imao ruke i noge..glavu..lice..i sad to nemogu pronaći..samo mislim..ili možda samo mislim..da mislim..niti to sad više neznam... ili ...ili je možda pakao...slići na pakao...koji sam možda i zaslužio..ali tko me je ovdje ostavio...kako sam tu dospio..zašto se sjećam života..i toga tko sam..a neznam..i ne pamtim kako sam ovdje probuđen..i od kada sam tu..i koliko ću ovdje biti..samo znam da nije san..ovo nije san..jer ovdje se ne spava..ne diše..ne živi..samo se misli..sad..i samo unatrag...jer ispred mene je ništa..samo zid moje vlastite misli koju nemogu preskočiti. zar će ovako biti od sada...pusto..bezlićno..ništavilo..pakao je to..ali ne sjećam se da sam umro..ili da mi je netko sudio.. ipak..nema napora..nema straha..neosjećam ništa...samo se sjećam.

- 07:04 - Komentari (0) - Isprintaj - #

____________AUGUST 3.777. ____________

napomena; uz ovaj tekst se slušaju _____JUDAS PRIEST_______ kroz maglu pristiže moja sudbina.i kao da se milion strahova slilo u jedan strah.i kroz crijeva trče voda i ostatci plijena od jučer.još uvijek osjećam kako sviježa krv mili niz moja usta..i prste..koje halapljivo oblizujem.i sad kad se smrt rapidno približava..ja mislim na meso..na strast proždiranja..i opet bi ždero..trgo..kido..zubima uvijek crvenim..od žrtve..sad kad ništa ne osjećam doli straha....strah me uzbuđuje..a progone me kao zvijer..već danima.i čujem njihove glasove..koje mi donosi vjetar..i da..miris njihovog znoja..sad su sasvim blizu... oduvijek sam znao.da nisam isti kao oni.oni ubijaju oruđem..ja golim rukama.oni imaju prijevozna sredstva.ja ruke i noge.oni imaju instrumente da vide na daljinu..i crvene zrake što probijaju tamu noći.ja imam samo svoje oči.oni imaju druge da ih vode do plijena.a ja njuh.oni se koriste prirodom..kradu od nje...uništavaju je..devastiraju na svakom koraku..truju potoke..sijeku drveće..plešu na kiseloj kiši koju proizvode oblaci ispušteni iz njihovih tvornica..ja živim sa prirodom..ja sam dio nje. oni uvijek imaju isprike.za sve što oni ubiju..ili potroše da bi se prehranili..a nikad im dosta..imaju opravdanja..u brojnosti..u tehnici..u vlašću nad svijetom.ja se ne stidim ničega..i nemam kajanja pred onim što ćinim...jer ja se samo hranim. oni su izgradili ceste za svoje strojeve i vozila.i pruge.oni plove rijekama i jezerima..i morima..oni truju sve vode.oni su stavili sebe u okove od betona..koje dižu pod oblake..žive u tim košnicama..gledaju u elektronske kutije sa pokretnim slikama..hipnotizirani..izgubljeni..suludi..zatvoreni. ja trčim preko polja..i šuma..radujem se plavetnilu neba..ako ga još negdje slučajno vidim... ...jer nebo je crno.i nevide se više zvijezde..samo sa najviših mjesta..do kojih samo ja znam put..može se još vidjeti sjaj večernjeg neba..i onda se sjetim kako je to nekad bilo..dok nije bilo njih..dok nisu zamračili nebo. a godina je 3.777..mjesec je august....a ljeto nepostoji već hiljadu i po godina.postoji samo još sječanje na toplinu i kiše koje su nas hranile vodama..nekad... a ovakvi kao ja..smo njihovi najveći neprijatelji.jer smo još uvijek živi.i jer nismo dio njihovog plana. ljudi se danas uzgajaju.za hranu. ja sam jedan od onih koji je uspio pobjeći..i sad živi slobodan..progonjen.. jedina hrana mi je meso.njihovo.ubijam da bi živio.ne da bi im napakostio..jer ne mrzim nikoga..bez obzira što su učinili...što su sjebali svijet.dapače..razumijem ih..čekali su boga tako dugo..i po putu negdje izgubili vjeru.nitko nije došao..nit krist..nit alah..nit sotona.. i sad su očajni.oči su im davno upale u čaj.

- 07:03 - Komentari (0) - Isprintaj - #

_____________T a a L_____________

taal link dakle..taal su francuzi.najluđi.glazba je luda kombinacija fuzzion/jazza,prog rocka i metala...utjecaji cabarea..i općenito art stav..su evidentni..popis instrumenata koje rabe je vrlo dug..od flauta i saxova..melotrona..više vrsta klavijatura...udaraljki..svega tu ima...i ovo su pravi nasljednici cantebury škole prog rocka..osjeća se gong u soundu..i caravan i camel...malo i jethro tull..uz vrlo moćne gitare..i egzibicije king crimsonovskog tipa...strašan bend.obavezno preslušati..nabaviti ili ukrasti. Original, innovative, inspired: that's one of the ways you could describe the debut album "Mister Green" of this french progressive rock band TAAL. They manage to mix influences from jazz, metal, celtic, classic and other music styles into a very surprising sound, while playing a huge number of instruments. The strength of their album is surely the instrumental part, lead vocals are not very present. Naturally, you will find some touches of the other bands like PINK FLOYD, AYREON or DREAM THEATER, but TAAL is one of the most promising groups of the last year. Second album from this French progresive rock band is difficult to describe. The band uses heavy guitarwork as a cornerstone of their sound but it is augmented by violin, sax and flute. Stylistically it jumps around a bit touching on classical music, symphonic rock, gypsy folk and dare I say it...even metal. Looking forward to their next album! Taal Mister Green 2000 Taal Skymind 2003

- 00:11 - Komentari (705) - Isprintaj - #

19.05.2004., srijeda

______PRODAJA HEAVY METAL CD-OVA_______________

- 09:02 - Komentari (0) - Isprintaj - #

16.05.2004., nedjelja

_________OZRIC TENTACLES_______

OZRIC TENTACLESLINK PIXEL DREAM....sanjam boju...vrtim se u krug..mislima..dušom..i tijelom..SPIRALMIND...a misli padaju u WATERFALL CITY...i ja sam napokon tu..PYRAMIDION...letim kroz kulturu mačke...HIDDEN STEP...I građevina..toliko velikih..usred pijeska...usred ničega..dali ljudskom rukom stvorenih?..TA KHUT....i tu u zemlji faraona..nalazim skriveni svijet u sebi..moj osobni..ERPLAND..

- 18:55 - Komentari (0) - Isprintaj - #

____________kiNgStOn WaLL_____________

KINGSTONE WALL page at aural KINGSTONE WALL SU BILI PONAJBOLJI FINSKI PSYCH/PROG BAND.IZDALI SU SAMO TRI ALBUMA..ALI SVA TRI SU KULT.POD VELIKIM SU UTJECAJEM DEEP PURPLE,LED ZEPPELIN..I HAWKWIND..SA JEDNE STRANE...I I NJIHOVIM SUVREMENICIMA OZRIC TENTACLES SA DRUGE...PA ZVUČE KAO NEKI CROSSOVER..HARD ROCKA I AMBIENTALNE PSHIHODELIJE.SVA TRI ALBUMA SU IM ODLIČNA..ALI DRUGI..KINGSTONE WALL II..JE NAJBOLJI[I]. Kingston Wall was a hard-edged progressive rock band from Finland highlighted by the inspired and inventive guitar playing of Petri Walli. Though their influences (Led Zeppelin, Jimi Hendrix) can be heard often in the music, the band did not lack for an identifying sound. Walli had traveled in India and you can hear this Eastern influence in much of the music. Lyrically, the songs largely concern themselves with mythology, psychedelics, and the standard love/love gone wrong theme. The primary weakness of the band's songs lies in the vocals. At times they're okay, but often Walli's Finnish accent hampers the English lyrics, making them sound almost cartoonishly heavy metal-like. Formed in Helsinki in 1987 (with a different drummer), the band didn't release it's first album until 1992. II, their most accomplished album, came out in 1993 and refined the sound somewhat, adding some broader and more exotic textures and even some acoustic guitar. Musically, they seemed to be taking a different direction by the time of III Tri-Logy, which had a more techno-oriented sound and incorporated synthesizer. Yet, after playing their last show in December 1994 (in a prison), they called it quits. Walli committed suicide six months later by jumping off a church tower. While Kingston Wall existed they had not much more than a cult following, releasing all their albums on their own label, Trinity, and only performing outside of Finland once (in Estonia). Since the band's demise, though, they've become more of an influence on other artists and a CD of trance remixes (The Freakout Remixes) of their songs was released in 2000[/I].

- 12:04 - Komentari (0) - Isprintaj - #

____________FaRfLuNg____________

farflug page at aural farflung page FARFLUNG SU NAJDALJE OD SVIH SPACE ROCK BANDOVA OTIŠLI U HAWKWIND SMJERU.JAKI UTJECAJ LEGENDARNOG HAWKWINDA OSJEĆA SE U SVAKOM FARFLUNG ALBUMU.FARFLUNG SU IZRAZITO PSYCHE BAND.GITARE SU MOĆNE..I STVARAJU SONIČNI ZID OD SOUNDA..RITAM SEKCIJA..POMALO PUNKERSKA..VOKALI..IZRAZITO HAWKWINDOWSKI.BAND IDEALAN ZA DANAŠNJE GENERACIJE KLINCA I FRIKOVA KOJI TRAŽE NOVE I UZBUDLJIVE PSYCHEDELIC BANDOVE. If any band of the past decade is the true embodiment of Space Rock it is indeed Farflung. I remember some years ago ordering their first two CD's from the Flipside label and being instantly blown away by the high energy blend of space rock, punk, krautrock, and lysergic cosmic freakouts. Starting as an outgrowth of Pressurehed, Farflung has consistently been one of the most exciting bands carrying the Space Rock banner. And listening to their music it's clear that this is a banner that is as brightly lit as an exploding supernova. DISCOGRAPHY: 25,000 Feet Per Second Flipside 1995 The Raven That Ate the Moon Flipside 1996 So Many Minds, So Little Time Cleopatra 1997 The Belief Module Bad Acid 1998 9 Pin Body Brainticket 2002

- 12:02 - Komentari (0) - Isprintaj - #

___________o Z r i C T e N Ta C L e S__________

ozric link ozric media archive DAKLEM OZRIC TENTACLES SU JEDNO SAJKODELIČNO ČUDO. pravi hibrid..space rocka,hard rocka,pomalo metala,prog rocka,ravea,trancea...bend je defintivno link..između psihodelije 60.-tih..i prog/kraut rocka 70-tih,ambijentalne i new glazbe..80.-tih...onaj tko nije čuo ..možda to nemože nit vjerovat..s druge strane u globaliziranom svijetu..takvi bendovi mogu ostat potpuno nepoznati... ozric tentacles su instrumentalni bend.i jedan od najboljih bendova na svijetu u rock žanru uopće.od albuma preporučam sve.eto toliko. OZRIC TENTACLES are simply put, legends of the UK underground. Inspired by a myriad of musical genres and musicians from Kraut-rockers KRAAN to guitar maestro Steve VAI, from ethnic Arabic to electronic techno, from HENDRIX to HILLAGE. OZRIC TENTACLES' music is a fusion of sounds, styles and genres that cannot be categorized nor plagiarized, such is its complexity. The essence of the OZRIC TENTACLES remains essentially a free-willed musical unit oblivious to fashion trends and intent on exploring instrumental experimental music with an obsessive zeal. Formed in the early eighties, the Ozrics began life as a free-form psychedelic vehicle for jamming, attracting a dedicated fan-base at grassroots level by playing at all the free festivals to fans of space-rock, dub, psychedelia, and later on when the festivals had developed into raves, to fans of house and techno. Having then developed their own cottage industry - studio, label, tour bus, dedicated following - the Ozrics eventually achieved top ten album status in the UK with their 1993 album "Jurassic Shift". It was, and still is, an astonishing accomplishment for a band with no celebrity status, and no major record label backing. To date, the band have released 20 albums, a vast body of music that is both complex and fascinating in its scope and vision. The new live double album, "Pongmasters Ball" was recorded at their sold-out show at London's Shepherds Bush Empire earlier this year. The DVD of this show will be released in September. OZRIC TENTACLES are: Ed WYNNE (guitar, keyboards) - John EGAN (flute, vocals) - PAZZA (bass) - SEAWEED(keyboards) - SCHOO (drums, percussion). [I] ________________DISCOGPRAPHY_______________ 1984 Erpsongs European 1985 Tantric Obstacles European 1986 Live Ethereal Cereal Dovetail 1987 There Is Nothing Dovetail 1988 Sliding Gliding Worlds Dovetail 1990 Erpland Snapper 1990 Pungent Effulgent Original 1991 Strangeitude Original 1991 Afterswish Dovetail 1992 Live Underslunky Snapper 1993 Jurassic Shift Original 1994 Arborescence Dovetail 1995 Become the Other Snapper 1997 Curious Corn Snapper 1998 Spice Doubt Snapper Music 1999 1984-91 Afterswish Original 1999 Waterfall Cities Phoenix Rising 1999 Floating Seeds Snapper Music 2000 Swirly Termination Snapper 2000 The Hidden Step Snapper 2002 Live at the Pongmaster's Ball Madfish 2003 Jurassic Shift [Bonus Track] Snapper 2003 Pungent Effulgent [Snapper] Snapper 2004 Spirals in Hyperspace Magna Carta 2004 Pongmasters Ball [live] Madfish _______COMPLIATIONS...BOXES...______ 1989 Bits Between the Bits Dovetail 1993 Vitamin Enhanced Alex x 1994 Oz Box Dovetail x 2000 Erpland/Pungent Efulgent/Become the Other Snapper 2000 There Is Nothing/Live Ethereal Cereal Recall 2000 Bits Between the Bits/Sliding Gliding Worlds Recall 2001 Tantric Obstacles/Erpsongs Original 2002 Pungent Effulgent and Strangeitude Recall 2003 Arborescence/Become the Other

- 11:54 - Komentari (0) - Isprintaj - #

________________A t R o X_____________

atrox official link Atrox su čudo i misterija.nikad ovakav heavy metal nije odsviran niti otpjevan.vokal..cura po imenu geisha..je i zaista to kako se zove..pjevanje je fenomenalno..ali i čudno..na momente šizofrenično..pa ovaj bend zovu i shitzo_metal band.jako su psihodelični..stvaraju horor atmosferu..ali vokal je jako atmosferičan i čist.utjecaji dead metala su evidentni..ali i hard rocka i prog/psyche rocka 60-tih i 70-tih. ovo treba poslušat da bi se vjerovalo.načudnji bend koji sam dosad imao prilike čuti.jedino se mogu usporedit sa kult gothic bandom i norveške..the 3rd and the mortal...naime jako su njima slićni. defintivno vrijedi poslušati..ako imate živaca na bacanje.ako nemate ..nebih baš preporučio..jer iako nemaju ekstremno brutalnu svirku..imaju ludu..jezivu atmosferu.brrrr. The band was fonded 1988 under the name Suffocation which was changed to Atrox in 1990. Founder members were: Skei (guitars, now in Manes), Svenn (bass), Gersa (vocals), Knarr (drums, later in Bloodthorn and Manes) and Gunder (guitars, later in Godsend), however none of these guys are in the band anymore. They music style was doom/death metal, they recorded a demo and played a couple of gigs. In 1991 Eivind (guitars,also in Manes) replaced Gunder and in 1992 the band recorded the "Mindshadow" demo. Knarr left the band in 1993 and the other guys recorded the demo "Dead Leaves" with Tomas (Entropy Nova) as a session drummer. Larry (drums, now in Maelstrom) joined the band in 1994 and Atrox recorded a demo that was never "released". Skei left the band, Rune (guitars, now in Tactile Gemma) and Dagga (guitars) joined the band and this line-up played a couple of gigs before getting offers for record deals from Head Not Found and Danza Ipnotica. In 1996 Monika (vocals and synth, also in Tactile Gemma) joined Atrox, Svenn left and Tommy (bass, later in Griffin) joined . With this line-up (Gersa, Eivind, Larry, Rune, Dagga, Monika and Tommy) Atrox released a 7" entitled "Silence the Echoes" (with one new song and one song from "Dead Leaves") on Danza Ipnotica and an album entitled "Mesmerised" (mostly songs from the previous demos)on Head Not Found, both in 1997. We played a few gigs and after Gersa left the band in 1997 we recorded two demos and spread to labels. We signed with Season of Mist in 1998. The same year Tommy, Larry and Dagga quit and Tor Arne (drums, also in Mist Enticer and Minstrel) joined. With guest bass player Hingst Hirrbel we recorded "Contentum" which was released in 1999 on Season of Mist. Tom (bass, also in Bethzaida, Mist Enticer, Maelstrom and more) joined the band for a brief time and we played a few gigs. He left the band before we recorded "Terrestrials" in 2000 again with Hingst Hirrbel playing the bass. The album was releasewd in 2001 on Season of Mist. Daniel (bass, also in The Embraced) joined the band in 2001 and we signed a deal with code666. Rune left the band and Ole Marius (guitars, Manifest) joined. Daniel left and Peter (bass and vocals, also in Fig Leaf and Griffin) joined. With the line-up Eivind, Monika, Tor Arne, Ole Marius and Peter, Atrox are now recording a new album to be released in 2003. Over the years Atrox has gone through major musical development from death metal via doom/death to more melodic and experimental/progressive/avantgarde metal. Musical influences -------------------------------------------------------------------------------- Black Sabbath, Voivod, Cynic, Led Zeppelin, Meshuggah, Anathema, Medieval, ethnic music and much much more... Similar artists -------------------------------------------------------------------------------- Atrox can appeal to fans of Arcturus, DHG, Ved Buens Ende, Voivod, Cynic, Aghora, 3rd & the Mortal, In the woods, Fear of God, The Gathering, Mr Bungle, Peccatum, Madder Mortem, Devil Doll, D. Galas. Group Members -------------------------------------------------------------------------------- Eivind - guitars Monika - vocals & synth Tor Arne - drums Ole Marius - guitars Erik - bass For complete Band Members info see the band page. Instruments -------------------------------------------------------------------------------- Guitars, bass, drums, synth, vocals, egg slicer and samplings ______________DISCOGRAPHY__________ Orgasm Code666 2003 Track list: 1. Methods Of Survival 2. Flesh City 3. Heartquake 4. Burning Bridges 5. This Vigil 6. Tentacles 7. Secondhand Traumas 8. Pre-Sense Line-up: Eivind - guitars; Monika - vocals & synths; Tor-Arne - drums; Ole Marius - guitars; Pete - bass, vocals & mogg Terrestrials Season of mist 2002 (SOM 058) Track list: 1. Lay 2. Ruin 3. Mare`s nest 4. Nine eishes 5. Human inventions 6. Mental nomads 7. Changeling 8. The bedlam of the bedlam 9. Translunaria 10. Look further Line-up: Eivind - guitars, samples; Rune - guitars, samples, bass; Monika - vocals, synth, lyrics, Tor-Arne - drums. Additional musicians: Hingst Hirbel and Christian Reppen - bass Contentum Season of mist 2000 (SOM 021) Track list: 1. Sultry air 2. Unsummoned 3. Lizard dance 4. Panta Rei 4b. Gather in me no more 5. Ignoramus 6. Letters to Earth 7. Serenity 8. Homage 10. What crawls underneath 11. Torture 12. Outro Line-up: Eivind - guitars; Rune - guitars, samples, sounds Monika - vocals, synths; Tor Arne - drums. Mesmerized Head not found 1997 Track list: 1. Intro 2. Stepped in misery as I am 3. Wave 4. The ocean 5. Ignoramus 6. A mind`s escape 7. Flower meadow 8. The air shed tears 9. Hinc Allae la Crimae

- 01:17 - Komentari (1) - Isprintaj - #

15.05.2004., subota

___________pSyChOtIC WaLtZ__________

psychotic official link i napokon jedan post posvećen jednom pravom heavy metal bandu.ali nikako ne nekakvom stereotipnom metal bandu koji poziva junake na junački otpor silama mediokritestva pa onda konan barbar spašava stvar a red sonja puči usnice u smjeru krvožedne publike.niš od toga.ovo je bend koji u svom izražaju ima duboke korijene u legendama s kraja 60-tih..led zeppelin,black sabbath i naraočito jethro tull.ali nije to puko recikliranje..kao što to rade bezbrojni stoner bandovi danas.psychotic waltz imaju svoj univerzalni sound..i zvuče kao niti jedan heavy bend prije njih.ima tu i naravno utjecaja vrhunske škole prog metala...utjecaji watchtower i fates warning su vrlo izraženi...ali ovaj bend ne gubi niti sekundu u originalnosti.i zaista..oni su progresivni metalni kult.sound je pun efekata..cijeli bend kao da pliva u moru psihodelije..a ipak to je vrlo snažan i moćan heavy metal. vokal..buddy lackey..je i glavni tekstopisac benda..a tekstovi poniru u najdublje tajne ljudske psihe..ljubav se susreće sa smrću..misao sa transcendencijom..tijelo sa bolom..i olakšanjem u snovima.nažalost psychotic waltz su se radi problema sa drogama raspali 1997 godine...i danas postoje frakcije benda..kao darxstar...i kao fenomenalni dead soul tribe..čiji je vođa buddy lackey..ali pod novim imenom devon graves..naime on se uspješno odvikao od heroina..i u austriji..u beču..osnovao ovaj band koji je toliko željeni nastavak psychotic waltza.i ovdje se čuje njegova flauta(da flauta u metalu!)..a ovaj put svira i lead gitaru. a sad evo diskografije benda i što o njima veli gibraltar rock enciklopedija: _________DISCOGRAPHY_________ A Social Grace (90) Into the Everflow (92) Mosquito (94) Bleeding (96) Days and Birth of a Legend (98, Compilation) Dark Millenium (99) For me personally they were most-appreciated prog-metal band for a long time, as they were more powerful and less mass-appealing than Dreamy Theater or Fates Warning. As the monicker suggests they have feeling for "heady" things (to certain extent). I have first four albums and have also heard the compilation. The line-up is (almost) usually metallic, which means two guitars, bass and drums with some keyboard programming, but then again there was a central figure, vocalist/ flutist Buddy Lackey, who also wrote lyrics (rather socio-critical). All mentioned 'bout him certainly recalls a comparison with Ian Anderson (of Jethro Tull fame - which are in turn responsible for few more intelligent approaches in hard rock and metal in the 80's), albeit I don't know, if Buddy also used to stand only on one leg during performances. Debut A Social Grace is a good mix of Watch Tower and more melodic/ harmonic riffs, quite heavy, quite complex and a bit murky. Actually melodies prevail, but dischords seep through here and there. The best picks are the sharp opener "And the Devil Cried", more controlled "Halo of Thorns" and "Another Prophet Song", elegiac "I Remember" and a few darker tracks like a "Spiral Tower". Their second, Into the Everflow is for my opinion their best. Sound of debut is mixed with 70's sympho, 60's psych, funk, alternative, etc. The "plateau" opens with anthemic "Ashes", which sounds really exalted, then continues with quite heady "Out of Mind"."Tiny Streams" is paying an homage to Black Sabbath in some way, while "Freakshow" is an appraisal of Jane's Addiction leader Perry Farrell (Lackey was seemingly great fan of Janes at that time), but is extraordinary track, where Lackey show his talents in vocal acrobatics (he gets my vote for the best singer in metal.) PW are also in longer song format contest. "Into the Everflow"and "Butterfly" are both 9+' minute long. Both shift through different atmospheres. "Little People" is interesting song whose lyrics (probably) deal with tv-soapies like Santa Barbara and the like (with which American readers are probably more acknowledged than I am -- I mean that tv-programs boasts of this more than on the ol' continent). It's hard to believe that such crap can inspire such good music. Mosquito sees the band navigate into more alternative/grungy waters (close to sound of Soundgarden circa Superunknown), but the ending result is very good, also more "spacy". Outstanding pieces: simply fantastic "Mosquito", pretty laid-back "Lovestone Blind" and maybe the best Pinky Floydy influenced number of all times, "The Mindsong", to name only few. With The Bleeding, the band shifted "back to the roots" with more modern production. Album sounds powerful but did not convince me for some reason. Still some good tracks like "Morbid", "Locust" and "Faded". Days of Birth and Legend offers some unreleased tracks and outtakes of never finished tracks plus a recorded concert from times just before A Social Grace was released. The sound is quite rough, but the effect is excellent. Tracks from A Social Grace sound darker but much much cooler. I'm not sure if the compilation contains the first Aslan demo. In the time when Days was released, Lackey went out and was replaced soon after. When Dark Millenium came out, I didn't even bother. But if you find yourself to like metallic prog, first three albums are a necessary purchase. -- Nenad Kobal

- 23:30 - Komentari (0) - Isprintaj - #

A SAD NEŠTO O SAJKODELIJI OPĆENITO

DAKLE SVI ZNATE ZA PINK FLOYD,THE DOORS...A NEKI KOJI ZNAJU MALO BOLJE ZNAJU I ZA JEFFERSON AIRPLANE,GREATFEUL DEAD,KING CRIMSON,VAN DER GRAAF GENERATOR.TO JE DAKLE TAJ PSIHOJEBIĆNI ROCK IZRAŽAJ NAHRANJEN LSD-OM I SLIĆNIM BLJUTARIJAMA..A ODJECI TRAJU I DAN DANAS.PA ETO POVODA ZA RASPRAVU.JER DANAS ETO KRUŽI I NEKI NAJNOVIJI ECSTASY KOJI SE UZIMA KAO OTOPINA PREKO ZJENICE OKA...A MLADEŽ SE DRMUSA I KOGA BRIGA ZA ZDRAVLJE I HIGIJENU.NAVIKE SU DAKLE PROFILIRANE..I LJUDI KOJI TEŽE NEKOM MASOVNO OKUPLJENOM BIJEGU..ČITAJ "PARTIYU"..I SREDINOM 60-TIH I DANAS RADE TO NA SLIĆNE NAČINE.SJEBAVAJU SE. DALI JE ZAISTA NUŽNO DA UZ "TRANCE" ILI "TECHNO/RAVE"..ILI PAK "GOA TRANCE" MJUZ IDU I DROGE?DALI JE PRAVILO I ZA ROCK OPĆENITO?DALI JE ZAISTA MUZIKA TA KOJA ODVLAČI LJUDE DA TO RADE?ILI SE SAMO RADI O ONOME"PA PROBO SAM...KAD SU I DRUGI U ŠKVADRI"?ILI OD BIJELOGA TI RACKU STOJI 3 SATA AL ONDAK POTOM PADNE NA 30 GODINA..PA I ZABORAVIŠ DA SI MUŠKO.... ŠTO JE TO UNDERGROUND?ŠTO SUBKULTURA?ŠTO URBANA KLUTURA UOPĆE?MNOGI PISCI SF ROMANA..SU HVATALI RAZNE OPIJATE DA SE VIZIJE PROŠIRE..A TEK MRAČNJACI POPUT A.G.POA ILI C.BODLERA?OPIJUM IM JE BIO KAO "DOBAR DAN".ZAŠZTO IM JE TO BILO POTREBNO? SPACE ROCK JE JEDAN ROCK HIBDRID..ODNOSNO PSIHODELIČNI ROCK HIBRID.ŠTORIJU POČINJULINK ..DA HAWKWIND.MNOGI NISU ČULI?PA ETO..NASTAVLJAJUĆI PINK FLOYDE SA PRVA DVA ALBUMA..I AKROBACIJE BOLESNOGA BARETTA SIDA..HAWKWIND POSTAJU PSIHODELIČNO DRMALO..KOJE DAN DANAS TRAJE I IZDAJE ALBUME. NEKAD SU BILI JAKO SJEBANI.DANAS SE UGLAVNOM LIJEĆE.AL JOŠ SVIRAJU I NIJE IM DOSTA.I PRŽE GA JEBENO DOBRO.BEND NASTAJE 1969 U LONDONU...OSNIVAJU GA NIK TURNER I DAVID BROCK..A POZNATIJI ČLAN ĆE USKORO BIT I LEMMY KILMISTER..FRONTMAN MOTORHEADA..HEAVY METAL IKONE ZA SVA VREMENA.BITNO JE TO ŠTO OVI TIPOVI JAKO UBACUJU U SVOJE PJESME UTJECAJE SF ROMANA I PISACA..ČITAJU NA KONCERTIMA I DIJELOVE SF KNJIGA I PJESMICA..I DRIGAJU SE JAKONAJ.A MJUZ JE NAJČEŠĆE SMIJEŠAN.TRALJAVA JE MJEŠAVINA HARD ROCKA I PSIHODELIJE..ALI BEND NON STOP NASTUPA I POSTAJU SVE BOLJI.I NARAVNO PREZLAZE U LEGENDU.ZAŠTO HAWKIND NISU TOLIKO POZNATI U NAS KAO NEKI DRUGI LEGENDARNI BENDOVI?JER JE SPACE ROCK JEDAN ODJELJAK..HIBRID SAJKODELIJE..I PUNO GODINA SU OSTALI NEPOZNATI...PUBLICI NEKDAŠNJEG ISTOČNOG BLOKA.AMERI I DRUGI IH VEĆ ODAVNO ZNAJU. A HAWKWIND SVIRAJU NEUMORNO OD 1969.ZA VAS KOJI ŽELITE ISPORBAT NJIHOVU GLAZBU..SLIJEDI PROBRANA DISKOGRAFIJA; http://www.hawkwind.com/ 1972 - IN SEARCH OF THE SPACE 1972 - DOREMIFASOLATIDO 1973 - SPACE RITUAL 1974 - HALL OF THE MOUNTAIN GRILL 1975 - WARRIOR AT THE EDGE OF TIME 1977 - QUARK STRANGENESS AND CHARM 1980 - LEVITATION 1981 - SONIC ATTACK 1985 - THE CRONICLE OF THE BLACK SWORD 1988 - THE XENON CODEX 1992 - ELECTRIC TAPEE 1995 - ALIEN 4 1997 - DISTANT HORIZONS 1998 - IN YOUR AREA 1999 - IT IS THE BUSINESS OF THE FUTURE TO BE DANGEROUS NOVI ALBUM SE OČEKUJE. HAWKWIND SU BAND KOJI SE PRILAGOĐAVA VREMENIMA.INKORPORIRALI SU U SOUND TRANCE/RAVE UTJECAJE..PA SAD TO SA TEŠKOMETALNIOM PSIHODELIJOM IZDGLEDA JOŠ SJEBANIJE.ZA SVE ONE KOJIMA JE OVAJ TEKST NEŠTA POMOGAO..NAVALITE NA NJIH..A ZA VAS KOJI NIŠTA NEZNATE..VI NEŠTO ZAPALITE. O JE.[/B]

- 18:43 - Komentari (0) - Isprintaj - #

jer ja sam _____BLACK TATOO_____

još uvijek živi u mom kvartu.dinko zvan puhalica.bolesten je jadnik.ima astmu.zato i ima tako humani nadimak.kad smo najviše divljali on bi moro..stat i malo si zraka upuhat u svoja pluća..a ondak bi nastavio dalje divljat.zato smo ga tako i zvali,ali on nije odjustajao..i htio je imat udjela u svakoj jebenoj zlobi,akciji ili događaju..gluposti ili spletu okolnosti koje smo nastojali provocirat...mi škvadra iz dubrovačke...ili su se sranja događala onako,sama od sebe i nitko živ nije mogao na to utjecat.tako je dinko imao poseban i vrlo artistički profilran talent.znao je osrednje crtat.ali to nije sve.imao je i mašte kakva je rijetko viđena u svijetu umjetnosti.volio je dinko i tetovirat.e da.a za svaki profesionalni tatoo..potrebna je i profesionalna oprema.koju dinko naravno nije imo.zato je imao feder od kemijske olovke.prvo ga je isprobo na sebi.lijepo si je federom umočenim u plavu i crnu tintu izrezbario veš mašinu s krilima.jer je htio imat tatoo koji nitko nema.onda si je izgrebao kožu pokušavajući istetovirat kostursku glavu sa hrvatskom zastavom.i na kraju je i uspio..a crtež je bio tako jako ne-raspoznatljiv da se svidio gotovo svim glavnim idiotima u kvartu te su i oni poželjli svoj tatoo od tako iskusnog majstora.i tako ti je naš dinko potpuno na prijeteljskoj bazi i naravno besplatno istetoviro kvart.prvo je uhvatio pijano guzu(vidi storiju o guzi)...i nabio mu na ruke takva zla..za koja nikad nitko nije mogao reć...što je to na ruci..jel sul to neke rane..plavice..crnilo od kolomasti..ili crteži.vidiš..ponosno bi reko guzo..ovo je zmaj..a ovo je rođendan moje drage u srcu od zmaja....a ovo je obnovitelj rvacke..dr.franjo..a ovo ..e to ti je sotonin kurac...ja naime imam baš takav..tvrdio je.ondak je nakon što je uljepšo guzu prešo na majstora pušku.e tog je uredio zaista umjetnički.gusarska lađa kapetana kuke...je izgledala toliko dojmljivo da se moglo razbrat sa 12-tog kata ...da puška ima rupu u glavi..pardon....preko leđa zaljepljen indigo papir veličine A3.a ondak je dohvatio debelog ćirkića..koji je ondak imo otprilike 120 kila čistog sala..te mu tako dobro obradio ruke sa nizom zmajeva..sotona..križeva...a njegova salasta koža i donji pod_slojevi nisu izrdžali nalet dinkove federske najezde..i reagirali su potpunim zamrljanjem tih inače sjajnih panorama.i tako je kvart imo svojeg prvog tatoo umjetnika.crteži na svim kanditatima još uvijek stoje...onako kako ih je dinko i zamislio..potpuno nerazumljivo a ponosni ih vlasnici pokazuju po kvartu i dan danas.dal netko od nnih ima kakav hepatitis ili sidu..ili ebolu..možsa sars...nije ponznato ali čisto sumljam.jer toliko alkohola koliko oni popiju..svaki virus ili bolest može samo ubit. o posljedicama po mozak netreba niti trošiti riječi.o je.

- 17:37 - Komentari (0) - Isprintaj - #

14.05.2004., petak

___________CAPTAIN BEYOND___________

captain beyond link captain beyond european site [B]Captain Beyond su bili anglo/amerčki hard rock band sastavljen od super zvijezda..i jako podcijenjen u svoje doba.kada se iz današnje perspektive gleda..oni su bili jedni od rodonačelnika "stoner rock/metala"..koji je danas vrlo popularan..i čiji su danas glavni predstavnici QUEENS OF THE STONER AGE/KYUSS,MONSTER MAGNET,SPIRITUAL BEGGARS,FU MANCHU,BLACK LEBEL SOCIETY,THE QUILL,ELECTRIC WIZARD,SPIRIT CARAVAN.ORANGE GOLBLIN...i stotine drugih.za vokalom je bio ..za sve vas koji to ne znate..ROD EVANS( ex DEEP PURPLE),BOBBY CADWELL (ex JOHNNY WINTER BAND) na bubnjevima i perkusijama, na bassu LEE DORMAN(ex IRON BUTTERFLY)..i na gitari LARRY "Rhino" RHEINHART(ex IRON BUTTERFLY).dakle jedna strašnja ekipa muzičara..koje je proizvodila jako dobar i moćan hard rock..koji tada već 1972/73 više kao da nije bio u modi...počinjala je velika glam era s jedne i sympho/prog rock era s druge strane...dok sve to nije sjebo punk...tako da se band nakon dva albuma raspada...premda su imali izvrsnu reputaciju "uživo".ponovo se sastaju 1977..snimaju i treći album..ovaj put bez EVANS-a..i opet se raspadaju.međutim generacije novih klinaca ponovo u 90-tima otrivaju bend..i oni se ponovo sastavljau..i sviraju i danas po koncertima i pokazuju klinjama kako se to radi.u nastavku slijedi diskografija..i opis benda sa amg music guide stranica.... about their first album: "Captain Beyond" is a one-of-a-kind progressive album with rock, heavy metal and jazz influences with a "space-rock" lyrical bend. Formed by former members of Deep Purple, (Rod Evans, vocals) Iron Butterfly (Rhino, lead guitar and Lee Dorman, bass) and Johnny Winter (Bobby Caldwell, drums) "Captain Beyond" is an album that flows from riff to riff, drumbeat to drumbeat, often with various time signatures within the same song. Taking a tip from the Moody Blues, songs flow directly into each other without benefit of any lag time between selections. Taken as a whole, the album is kind of a rush, as quick, riff laden guitar lines predominate for a few songs before slowing down temporarily into a lull until the next takeoff. Lyrically, the album differentiates itself by exploring themes of the outer world and meanings of existence, often with references to the moon, sea, sun, etc. Listeners may get the feeling of taking a journey to space in a rocket ship headed for destination unknown. Musically, the album is superior in all aspects. Rod Evans has a strong rock voice, Rhino plays an enormous amount of hook-laden guitar lines, and Lee Dorman plays complex bass lines (for example, at the end of "As the Moon Speaks-Return") that leads to typically rhythmic, nimble Bobby Caldwell drumming. The tightness between musicians is enormous, never lets up for long, and leaves the listener feeling like the ride should continue for the indefinite future. — Michael Ofjord about their second album: Captain Beyond's second album must have confused the diehards. Where their self-titled debut had upheld the basic progressive heavy rock blueprint of lengthy instrumental explorations, constant tempo changes, and opaque, yet cinematic lyrics, Sufficiently Breathless downplays them for a subtler, song-oriented production. The predominant mood is snappy and businesslike; no track runs over five and a half minutes. This newfound conciseness certainly benefited such heavy-rocking efforts as "Distant Sun," even as the band stuck to their diverse guns on the moody, acoustic title track and the sleek Latin funk rock of "Bright Blue Eyes" and "Everything's a Circle." The results were intelligent and self-assured, yet the band's never-ending bad luck again intervened when vocalist Rod Evans quit in late 1973, leaving the album adrift. The band would proffer a markedly different style on their return four years later, but anyone dismissing progressive heavy rock as an oxymoron should definitely check out this album first. — Ralph Heibutzki about their third album: Captain Beyond has a rather legendary status in the ranks of hard '70s rock. Their fame is actually in the "cult status" category. Dawn Explosion, their third album, was a good disc, but really did not live up to the greatness of the first two releases. Still, in showcasing the group's unique blend of hard rock, psychedelia, and progressive-type arrangements, there is definitely some strong material present. The hard-edged and frantic "Icarus" and the nearly ethereal, building mini-epic "Breath of Fire (Part 1 and Part 2)" can arguably stand up to most of the material on the other releases. Where they falter here is on such songs as "If You Please" and "Midnight Memories," which seem to be trying to reach toward accessibility, but come much closer to banality and mediocrity. This disc cannot take away from the tremendous glory of the other albums, though, and several of the tracks old up well. — Gary Hill

- 16:09 - Komentari (2) - Isprintaj - #

SUMMER CUMMINGS I PSAJKIK TIVI

i u najdaljim kutevima moje perverzno fantazmagorične pameti nisam to mogao sanjat.nisam mogao nit pomislit na takvu napaljenost i takvu bol.jer kroz eone samoće čije beskonaćno vrijeme je ispunjeno životom jedino u pauzama za drkanje...živio sam samo svoju mladu smrt.a taj dan sam osjetio....svoju posebnost kao biće kroz čije misli prolazi samo bedakluk.došao sam s posla.u basu sam je vidio.sjedila je nasuprot mene...i ja sam imao otvoren pogled na njezine fenomenalno uzgojene sisetine.digo mi se naravno...i počupao sve dlake u gaćama..samo onako kako on inaće zna.i tako stignem doma napaljen..i spreman sve obavit u trenu..ali ...zašto žurit...kad gold tivi..ima porniće kroz cijeli jebeni dan..i ja upalim tele od vizora..da odradim sve kako valja.a kad tamo strava.svemir..svemirski brodovi..rekoh sebi..vidi zajebo nas ovaj kablovac..trebo je to bit porno kanal..a ovo neki SF..kanal...a imamo ga tek 2 dana...a ja ga nisam nit isprobo...kad najedamput upade u sliku takav komad da sam osto bez zraka...najveći su to jebeni silikoni ikad...a za njom i druga..još bolja..ali sa nešto manjim sisama..al zato ispirsana po pizdi...skroz...i ja sad vidim moju glupost na dijelu...ma kakav kurac SF kanal...pa ja gledam najperverzniji lejzb na filmu ikad..i još na svemirskom brodu u svemiru....SEX ALIENS 4...vidim ja sad..a sisata je SUMMER CUMMINGS...a..ova probušene vagine CRYSTAL STEEL...i sad sam skroz u komi..jer drkam ko lud...mačke se buše..futurističkim umjetnjacima..svih oblika...sise od plastike se tresu...guzice šire...šupci pune prstima..lud!...evo i usporedne scene...u svemirskoj kontroli još veća koma...grupni lejzb..nigdje muškarca..nigdje kurca u budućnosti nema smijem se u sebi...jer ovo je lejzbeski film..i napokon..napokon nemoram okrečat glavu kad na ekran upadne bilder s ušima ko gorila..već su tu samo komadi..sve umjetno..vidim ja..spacesex hibridi...ajme...nemam vremena skint hlaće do kraja..već drkam ko lud... kad nekako ukrivo pomaknem nogu..onako sputan u hlačama...i pogodi me na veliko zaprepaštenje takav jebeni grč u desnoj nogi..ajme..jebemu mater...kud baš sad...mačke na tiviu se deru sve jače...a ja plačem od bola...kad netko zakuca na vrata...onako dobro...jer zvono u mene neradi...i ja se pomaknem da ćem se obuč..kad grč u lijevici me strese taman kad se ovaj u desnici malo primirio...ajme zla jebenog...ove kravetine sad već svrašavaju u ekstazi..tivi mi se puši od ženskih orgazama..a ja se sjebo skroz..a budala na vratima gnjete po njima ko sumanut..i ja sam odlučan da sad moram vidit tko je taj idiot što mi remeti moj mir dok se bavim tako važnim poslom...kad pogledam jot jedamput na ekran..a tamo raširena pizda ispirsana..a jezičina buši..i umjesto da gledam kako zakopčavam jebeni šlic..a jedva stojim na nogama...buljim u taj razvrat....povučem šlic..i zaboravim naravno da ga nisam spremio u gaće..i uhvatim kožicu....takvu bol može poslat samo bog..da kazni sinove onanove...krv...po pristima..po gaćama..a idiot na vratima udara..i sad se još i dere nešta..u sad ću mu napokon otvorit ..da vidim...kad ono jebeni inkasator...i je rezigniran opalim čovjeku šljagu..odlete cvikeri na pod hodnika..čovjek zbunjen gleda..i nešto muca ja ga ne čujem..u to se zaustavlja lift na našem katu..i iz njega izlazi moja majka...i stane na jebene cvikere i sjebe ih skroz....i vidje ona jednog čovjeka...ali skrene pogled na mene i odmah iskusnim pogledom okrije tragove krvi na mojoj podkošulji..marine..pa krvariš..što je bilo?...a ti idote..makni se sa mojih vrata..veli ona inkasatoru..udaraš ko lud po njima..to je čula i šjorica eliza..susedica..pa je otprla vrata..i ona zagalamila..je je...lupaš ko ponemel..majmun televižijski...i čovjek pobjegne niz stepenice..a ja i mati uđemo u stan...znaš..tuširo sam se kad je..budala stala lupat navrata..mislio sam tko zna tko je..pa sam na brzinu htio izać iz kade..i obuć se al sam se nezgodno noktom zakačio dole...ajd..uzmi malo niveje..veli brižna mati sve će bit..u redu..i dok se ja tako kao mažem..ona baci pogled na tivi...i veli..ajd požuri se imaš neki svemirski film na televiziji...ma ugasi ga slobodno..taj sam gledo... naravoučenije; kad se razgibavate..razgibvajte cijelo tijelo..a ne samo kurac!

- 06:04 - Komentari (0) - Isprintaj - #

13.05.2004., četvrtak

___________FINCH___

FINCH LINK Finch..su pored Focusa...vjerovatno najbolji nizozemski prog rock band.zvuk im je vrlo osjebujan...tehnički vrlo dotjeran..kombinacija..hard rocka..i prog rocka pod utjecajem kING cRIMSONA..fOCUSA..ILI vAN dER gRAAF gENERATORA.Sviraju duge solaže..imaju odličnu ritam sekciju..i zvuče jako dobro. The foundation of Dutch progrock band FINCH was laid by bass player Peter Vink and drummer Beer Klaasse (both ex-Q65 and The KJOE). They were eager to play progressive music: Peter was impressed by the symphonic rock of YES and BEER by the improvised rock of MAHAVISHNU ORCHESTRA and CREAM. After some sessions and failed efforts to find a good singer, the new band switched to instrumental music with this line-up: Peter Vink, Beer Klaasse, the 19 year old "guitar virtuoso" Joop van Nimwegen and keyboard player Paul Vink. With two Vink’s in the band the name became FINCH, the English translation from this Dutch name. The EMI sub-label Negram was willing to invest in the new progrock band, in ’75 this resulted in the debut-album "Glory of the Inner Force" (worldwide sold 20.000 copies). New keyboard player Cleem Determeijer’s interplay with guitarist Joop sounded captivating and the first album was hailed by the music press. The single "Colossus" (’75) wasn’t successful but it’s now a hugh collector’s item. In ’76 the second album "Beyond Expression" was released, it was acclaimed as Album of the week by radio and tv broadcasting company Veronica and known music magazines were very positive. The future looked bright for FINCH: sold oud concerts, worldwide sales (15.000 copies) and in Japan FINCH became almost as popular as other Dutch progrock bands FOCUS and EARTH & FIRE! Unfortunately Cleem was no longer able to combine the music with his classical study, he was replaced by Ad Wammes and, due to musical disagreement, Hans Borsboom replaced Beer Klaasse. This new FINCH line-up released the third album entitled "Galleons of Passion" in ’77, it was not received very well though the sales flagged around the 11.000 copies. It turned out to be the band’s swansong until in ’99 the Dutch record company Pseudonym Records released a 2-CD, including fine demos of the "Galleons of Passion" album and exciting live material from ’76. The first LP "Glory of the Inner Force" contains four melodic and often swinging compositions with strong echoes from YES. The keyboards sound tasteful (Hammond organ and Mellotron), the guitarwork is great with passionate solos and the rhythm-section plays solid (a grunting Rickenbacker bass). The second album "Beyond Expression" sound more original, inventive and dynamic with furious guitarplay and bombastic keyboards in four captivating and compelling tracks. A splendid album, a bit underrated because of the attention for the other Dutch progrock bands EARTH & FIRE, KAYAK and FOCUS. The third album "Galleons of Passion" is more in the vein of mid-GENESIS and sound pleasant but less captivating and contrasting. The 2-CD "The Making of...Galleons of passion/Stage" ’76” is mainly interesting because of the live-material: it’s layered with magnificent electric guitarplay (Jan Akkerman once told he was very impressed by Joop!) and great solos from Ad’s newly purchased Minimoog synthesizer. The live-CD contains the previously unreleased track "Necronomicon" (over 15 minutes), a ‘typically Seventies live progrock composition’ with lots of solos on guitar, keyboards and bass. - Erik Neuteboom [I] Finch Glory of the Inner Force 1975 Finch Beyond Expression 1976 Finch Galleons of Passion 1977 Finch The Making Of... Galleons Of Passion / Stage '76 1999[/I] [/B]

- 10:41 - Komentari (0) - Isprintaj - #

__________ANEKDOTEN__________

ANEKDOTEN LINK anekdoten su bend koji jako vuče na KING CRIMSON..ponekad i previše. no tehničko znanje i kvalitet svirke su fantastični.ko voli tehnički..ali ipak pomalo alternativni prog rock..nek navali.vrijede definitivno. Excellent heavy / hard prog band from Sweden whose music is strongly influenced by KING CRIMSON, with outstanding mellotron and cello passages. Dark moods are present all the time in their music where the distorted bass and raw drums are another trademark. Their live performances are outrageous, and those who saw them live at Progfest '94 know what I'm talking about.... "Vemod" is the sublime "Wheel" which features a cornet solo from guest Pär Ekström which strongly evokes CRIMSON circa "Lizard". "Nucleus" is their second album and must be regarded as a classic as well. There are no radical changes in direction. The band has personalized the music a bit more although there are obvious references to The CRIMSON. Definitely one of the best progressive groups in the world. "Gravity" introduces a newborn ANEKDOTEN. The music has a slightly more atmospheric tension filled style with an ear for detail, a sense for fantastic arrangements, and a superb album as result. A very interesting development and not once did I miss that cello! A definite grower. Highly recommended. Anekdoten Vemod 1993 Anekdoten Nucleus 1995 Anekdoten Live EP (Anektoden) 1997 Anekdoten Official Bootleg : Live In Japan 1998 Anekdoten From Within 1999 Suggestion Anekdoten Gravity 2003 [/B]

- 09:21 - Komentari (0) - Isprintaj - #

________________ASIA MINOR______-

ASIA LINK ASIA MINOR su bili...najbolji Turski..odnosno..Tursko/Francuski PROGressive..band.pod jakim utjecajem FOKUS-a..JETHRO TULL-a..i CAMEL-a...tako je..flaute ima u izobilju..gitare su jako moćne..solaže tehnički dotjerane..ritam sekcija izvrsna.izdali su samo dva albuma..ali koja se pamte još i dan danas u prog krugovima. evo i priče u originalu: Asia Minor's story goes like this: 1953: Guitarist/vocalist Setrak Bakirel is born. 1954: Flautist/guitarist Eril Tekeli born. 1960: Drummer Lionel Beltrami is born. 1971: Guitarist/flautist Erik Tekeli and guitarist/singer Setrak Bakirel, together with drummer Can Kozlu, formed a band while students at St. Joseph's College in Istanbul, Turkey. Win two prizes in Turkey-wide high school musical competetion. 1973: Bakirel and Tekeli move to Paris, Kozlu to Grenoble (southern France) 1974: Bakirel and Tekeli perfoming as duo named Layla. This was not only in reference to the classic Eric Clapton song, but also to a character in Persian mythology. Not surprising, as that was the source, as I recall, for Clapton as well. Later in the year, visiting Kozlu, the trio began recording tracks. Thereafter, Kozlu joined the duo and Layla in Paris. 1975: Bassist named Hervč (last name unknown) joins Layla. Perform at "the youth-center, Rue Borrego, Théâtre Mouffetard, the Faculty of Architecture, and as backing musicians for a play over three nights at the Paris Festival." 1976: Hervč leaves, JeanPhilippe Bottier joins. Band takes name of Asia Minor Process, "a title chosen by the whole group as a reference of their origins and the kind of musical style they wanted to develop, inspired by Mid-Eastern culture. 1977: Kozlu leaves, Beltrami joins...suggests band shorten name to Asia Minor. Kempler almost joins at this time as keyboardist, but doesn't. Beltrami had been a member of the bands Atlantis, Phenix, and Graal before joining Asia Minor. Bottier leaves, new bassist Paul Levy joins. Work begins on new compositions, combining elements of "Middle Eastern scales with Anglo-Saxon progressive rock, a style much admired by Eril and Setrak, though they didn't consider it a major influence. The Middle Eastern influence [...] manifests itself in the melancholy and sinuous shape of the themes and in Setrak Bakirel's nostalgic vocal style." 1978: Grime's Nicolas Vicente provides keyboards for three tracks recorded at this time; this quintet also plays at the Faculty of Architecture (May 1978). Land "five-day residency at the Drugshow in Paris." Next play in September 1978 at the Boule Noire. Record demo, almost interest CBS records into a signing, decide to self produce an album. Book studio - Maia Studios, Bondy, France. Levy splits, leaving bass duties to Tekeli and Setrak. Recording takes place over two weeks in October, but later decides band decides to remix at Studio de la Grande Armée in Paris. 1979: No takers for releasing Crossing The Line, so it is self released under their own label Ware of Asia Minor on April 19. " The band struggled hard to arouse interest in the media but without the help of a record company or PR officer they only got as far as winning a few lines' space in Rock 'n' Folk. Asia Minor's music, with its instrumental virtuosity and complexity and melodic originality, contrasted totally with the musical fashion of the time, namely punk."

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...AND THE LEGEND OF SPACE ROCK...____HawkWinD___

HAWKWINDHAWK LINK HAWKWIND...tonem u snove o ratovima za začin.jašem na crvu.živim na udaljenim..nepoznatim svijetovima.MAGNU...me vodi.a ja sam MASTER OF THE UNIVERSE.ali znam SPACE IS DEEP...i da je putovanje stresno i naporno..pogibeljno..kao..BRAINSTORM.ali kroz sve te nevolje uspijevam čak i zbrisat..jer imam SILVER MACHINE....ali SONIC ATTACK...se bliži..i ja znam duboko u sebi..da nemogu živjeti bez nje..LOVE IN SPACE...I nemogu dopustiti da je odnesu..ANGELS OF DEATH...ili nakaze svemira..ALIEN 4...ali koja me god subina stigne..ja ću preživjeti..trascendentirati jer ja sam..PSYCHEDELIC WARRIOR.

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THE BEST SPACE ROCK BANDS OF TODAY___pOrCuPiNe TrEe____

PORCUPINE TREELINK nebo se izmiče...THE SKY MOVES SIDEWALK...i mjesec svoju sjenu baca..ponovo..MOONLOOP...pretvaram se u sve dugine boje...COMA DIVINE..odlazim na put.....VOYAGE 34......bez povratka?..

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12.05.2004., srijeda

AGLAGARD

ANGLA LINK E OVO JE JEDNO ČUDO OD BANDA..LUDOG IMENA.ONI SU POD VELIKIM UTJECAJEM KING CRIMSONA..I ĆINI SE ŽELE BIT POD SVAKU CIJENU LUĐI OD NJIH.PREPORUČAM SVIM ISTINSKIM LJUBITELJIMA PROG ROCKA. [B]In the summer of 1991 Tord Lindman and Johan Högberg were looking for musicians with an interest for the progressive and innovative music of the early seventies. Thomas Johnson and Jonas Engdegĺrd replied to their ads and eventually they met and listened to each others material. They became friends very fast and started writing and arranging songs immediately. In September Mattias Olsson joined the group and influenced the music with his classical training as a drummer. Anna Holmgren joined Änglagĺrd in the spring of 1992 replacing the previously engaged flute player. With their line-up completed the band played several appreciated concerts in their hometown Stockholm. In April they visited Studio Largen and recorded a demo. The following two months were spent rehearsing and arranging the material for their first album "Hybris". The record was the result of not only four months hard work in the studio but the harvest of a one year struggle of creating music far from the commercial, musical nonsense of today. The progressive rock scene raved about the album and eventually the band was invited to play at the annual Progfest in L.A. in May 1993. The new track "Gĺnglĺt frĺn Knapptibble" was recorded in August 1993, because the English magazine Ptolemaic Terrascope wanted to release a single to come with the magazine. It was during a period of energetic flow that the song (which is an early version of "Skogsranden" from the "Epilog"-album) grew to something crazy and funny. In December the band toured the U.S. playing their own compositions as well as a couple of cover-versions. "Epilog" was recorded in the summer of 1994. While "Hybris" featured some moments of somberness, "Epilog" finds this emotion intensified in an all-instrumental setting which is sometimes aggressive, sometimes contemplative and almost always heavy with wistfulness and stoicism. The music sometimes sounds closer to the band's Scandinavian roots than the more overt symphonic progressive of their first album. Flute and mellotron are both given prominent roles in defining the morose nature of the sound here, while electric guitar and organ are often at the forefront of the harder sections. At this time the band was already falling apart. In November Änglagĺrd headlined the first day of the Progfest in L.A., which would become their last concert. The band stopped rehearsing and writing. A year later they met again to edit the recordings made during the Progfest which were eventually released as "Buried Alive". THE END Well, not really. 2002 saw the band rehearsing again, without Tord Lindman, though. "Wether it is an annoying nostalgia thing or an actual effort time will tell", said Mattias Olsson. After countless rehearsals the band finally returned to the stage in June 2003, playing a highly anticipated headlining show in their hometown Stockholm. Eventually they appeared at the German Freakshow-Festival and at NEARfest in the United States, both a huge success for the band and an unforgettable experience for the audience. After a few more shows in France and Belgium, Änglagĺrd are currently taking a break, focusing on their jobs, families and other musical activities.[I] D I S C O G R A P H Y The Largen Demo cassette 1992 1. Ifrĺn klarhet till klarhet 2. Jordrök 3. Kung Bore 4. Vandringar i vilsenhet Hybris (info) LP 1992 1. Jordrök 2. Vandringar i vilsenhet 3. Ifrĺn klarhet till klarhet 4. Kung Bore CD 1992 1. Jordrök 2. Vandringar i vilsenhet 3. Ifrĺn klarhet till klarhet 4. Kung Bore CD 2000 / 2003 1. Jordrök 2. Vandringar i vilsenhet 3. Ifrĺn klarhet till klarhet 4. Kung Bore 5. Gĺnglĺt frĺn Knapptibble Gĺnglĺt frĺn Knapptibble Bonus single in Ptolemaic Terrascope N° 5 1994 *. Gĺnglĺt frĺn Knapptibble Epilog (info) LP 1994 1. Prolog 2. Höstsejd 3. Saknadens fullhet 4. Rösten 5. Skogsranden 6. Sista somrar CD 1994 / 2003 1. Prolog 2. Höstsejd 3. Rösten 4. Skogsranden 5. Sista somrar 6. Saknadens fullhet Progfest '94 Double-CD compilation 1994 *. Höstsejd Progfest '94 Day One Video (VHS/NTSC) compilation 1994 *. Höstsejd *. Ifrĺn klarhet till klarhet Buried Alive (info) CD 1996 1. Prolog 2. Jordrök 3. Höstsejd 4. Ifrĺn klarhet till klarhet 5. Vandringar i vilsenhet 6. Sista somrar 7. Kung Bore[/[/I]B]

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_________AVANT GARDEN______

AVANT LINK AVANT GARDEN SU AMERIČKI BAND SA SAMO JEDNIM ALBUMOM PODIGLI PRAŠINU U PROG/PSYCHE KRUGOVIMA.SOUND IM JE KOMBINACIJA KING CRIMSON..FOCUS..I JETHRO TULL..ILI CAMEL UTJECAJA.AKO VOLITE FLAUTE..I SAX..U KOMBINACIJI SA HARD ROCK GITARAMA..I LUDOM RITAM SEKCIJOM OVO JE BEND ZA VAS.NA LINKU IMA MP3-CA I FINIH FOTKI.

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________OMNIA OPERA_____________

OMNIA LINK OMNIA OPERA SU BILI PRAVI SPACE ROCK KRALJEVI ENGLESKE.ALI SU RASPALI JOŠ SREDINOM 90-TIH.SOUND JE MJEŠANAC HAWKWINDA I OZRIC TENTACLES..I SNIMILI SU PAR NAJBOLJIH SPACE ROCK ALBUMA IKAD. Discography ALBUMS Red Shift DELEC CD/LP 044, 18th Nov '97 Omnia Opera DELEC CD/LP 011, 24th May '93 CASSETTES Live Private Cassette Release 1989 Celebrate For Change Private Cassette Release 1987 Beyond The Tenth Private Cassette Release 1986 Compilation Appearances: "Annihilation (Edit)" on Pick & Mix, DELEC CDD 023, October 1995 "The Awakened" on Fun With Mushrooms Compilation, LP/CD, Delerium Records DELEC CD/LP009. 1993. "Radar Ghosts" on Music of The Spheres, Switchback Records, SW0003, 1989. Related Items: Omniasphere self-titled Private Cassette release

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_________DJAM KARET_____

DJAM LINK DJAM KARET JE AMERIČKI KULT BAND...SVIRAJU INSTRUMENTALNI SPACE ROCK...I NAJBOLJI SU CALIFORNIJSKI PSYCH BAND.SVIRAJU DUGE INSTRUMENTALE....AMBIJETALNOG/HARD ROCK IZRAŽAJA.UTJECAJI SE KREĆU OD TANGERINE DREAMA..KRAFTWERKA..AMON DULLA..DO LED ZEPPELIN ILI HAWKWINDA...A IMA I UTJECAJA ART OF NOISE.AKO VAS ZANIMA PRAVA PSHODELIJA..SA DUGIM HARD ROCK SOLAŽAMA..KLIKNITE NA GORNJI LINK.IZVRSNI SU.GARANTIRANO. IZDVOJENA DISKOGRAFIJA: 1987 - THE RITUAL CONTINUES 1989 - REFLECTIONS FROM THE FIREPOOL 1991 - BURNING THE HEART CITY 1994 - COLLABOLATOR 2001 - NEW DARK AGE 2001 - ASCENSION 2004 - THE NIGHT FOR BAKU

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_______eLoY______

ELOY LINK [B]eloy su njemački bend..i dugo godina najbolji njihov bend.u ranoj fazi su imali puno utjecaja jethro tulla i pink floyda..ali kako je bend napredovo tu se više profilirali kao prog bend..floydovskog tipa.produkcija im je jako dobra..sviraju duge brojeve...i imaju često konceptualne albume.savršena im je glazba za sf filmove.sviraju i dan danas.evo malo i o njima. Taking their name from the "Eloi", the futuristic race of people in H.G. Wells' The Time Machine, ELOY was initially formed in 1969 in Germany. Inspired by THE SHADOWS and THE BEATLES, they became one of the major bands in the progressive rock scene highly influenced by the space rock of PINK FLOYD. They started off in Germany as a hard rock band with a political bent, but soon drifted into a spacier progressive rock sound. They have had a number of turnovers, with a major split in the 1980s that resulted in a move into more of a mainstream direction. Based mainly on founder Frank BORNEMANN's guitar solos, their music evolved to include more synthesizers and choirs. They produced many albums between 1971 and 1998 with different line-ups. Their best period is the mid to late-70's with the trippier space-rock of "Inside" and "Floating" (with Manfred WIECZORKE later of JANE). "Dawn" is actually one of the better of the symphonic-era ELOY albums, perhaps even the best. "Ocean" is a concept album about Atlantis, and one of the pillar albums of the German symphonic scene, and certainly worth checking out. They followed up with "Silent Cries and Mighty Echoes", the year later to even greater success. During 1993-1994, ELOY released three best of collections and it wasn't until 1994 with the release of "The Tides Return Forever", that they recorded and toured again is released and the band reappeared live on stage for several successful shows in Germany. Their last album "Ocean 2", released in 1998, was a surprising come back of a progressive rock band, which stopped recently their stage-appearances. Eloy Eloy 1970 Eloy Inside 1973 Eloy Land Of Nobody 1973 Eloy Daybreak / On the road 1973 Eloy Floating 1974 Eloy Power And The Passion 1975 Eloy Dawn 1976 Eloy Ocean 1977 Suggestion Eloy Eloy Live 1978 Eloy Silent Cries And Mighty Echoes 1979 Suggestion Eloy Colours 1980 Eloy Planets 1981 Eloy Time To Turn 1982 Eloy Time to turn / Through a somber galaxy 1982 Eloy Performance 1983 Eloy Metromania 1984 Eloy Codename Wildgeese 1985 Eloy Ra 1988 Eloy Rarities 1991 Eloy Fire And Ice 1992 Eloy Destination 1992 Eloy Chronicles I 1993 Eloy Chronicles II 1994 Eloy The Tides Return Forever 1994 Eloy The Best Of Eloy Vol. I (1972-1975) 1994 Eloy The Best Of Eloy Vol. II (1976-1979) 1996 Eloy Ocean 2 1998 Suggestion Eloy The Answer In Mannheim 18 Dec 1998 1998 Eloy Chronicles Vol. 1 & Vol. 2 2000 Eloy Timeless Passages - The Very Best Of Eloy 2003

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___________CAMEL_________________

CAMEL LINK [B]SVI VI KOJI volite JETHRO TULL..i flaute...a niste još čuli za CAMEL..pohitajte nabavit njihove kedeove.ovo je progresivni band sa jakim space izletima...dugim instrumentalima..floydovskim vokalima..predivan bend..muzičara kojima nije ništa problem odsvirati..od jazza..hard rocka..bluesa..do psycedelic/prog egzibicija.bend svira i dan danas..i ništa nisu izgubili od svoje snage..a postoje od 1972 godine. evo što kaže prog arhiva o njima. In the early 70's Pete Bardens and Andy Latimer forged a music style that would break ground and influence generations until this very day. Supported by a strong keyboard foundation, the guitar has a prominent whole in the music. The drumming style of Andy Ward gives the final signature to their music, not to mention the beautiful voice of Latimer, and his sweet flute as well. Influences from Jazz to Pop/Rock are found on this massive melodical and symphonic universe that is CAMEL's music. Their style changed over the years, with the arrival of Richard Sinclair on bass and vocals, and just after, the departure of Pete Bardens. The band became more commercial since the 80's but the incomparable quality is always there. "Coming of Age" (an instrumental Genesis style song) is a masterpiece, but the whole album is great. An album of concept, "Harbour of Tears" is such a record. Well this is their first "Musical", telling the story of the Irish immigrants, looking for fortune, glory and hopeness to change their life, going to a foreign and far away land !! The album's title is like a dream or like a attractive novel that you would not like to be finished. Highly recommended for all CAMEL and progressive rock fans. For a true return to form check out 1999's brilliant "Rajaz"... "The music of poets once carried caravans across the great deserts. Sung to a simple metre of the camel's footsteps, it transfixed weary travelers on their sole objective...journey's end. This poetry is called "Rajaz". It is the rhythm of the CAMEL". With "A Nod and a Wink", Andrew LATIMER has kept CAMEL alive with this cd. Listen to it over and over again, discover new nuances and cherish the whole experience. This is magic! SOLID GOLD!!! Camel Camel 1973 Camel Mirage 1974 Camel The Snow Goose 1975 Camel Moonmadness 1976 Camel Rain Dances 1977 Camel Unevensongs 1977 Camel A live Record (2 CD) 1978 Camel Breathless 1978 Camel I Can See Your House From Here 1979 Camel Nude 1981 Camel Chameleon (Best Of Camel) 1981 Camel The Single Factor 1982 Camel Pressure Points 1984 Camel Stationary Traveller 1984 Camel The Collection 1985 Camel A Compact Compilation 1985 Camel Lanscapes 1991 Camel Dust and Dreams 1991 Camel Never let Go 1992 Camel Camel on the Road 1972 (1972) 1992 Camel Echoes (Compilation - 2 CD) 1993 Camel On The Road 1982 1994 Camel Harbour Of Tears 1996 Suggestion Camel Coming of Age (2 CD Live) 1997 Camel Camel on the Road 1981 1997 Camel Camel (25th Anniversary Compilation) 1997 Camel Rajaz 1999 Camel The Paris Collection 2001 Camel Camel 73 - 75 Gods of Light 2001 Camel Osaka 4-9-2000 2001 Camel Rajaz Tour, Live In Chile (Apr-20-2001) 2001 Camel A Nod and a Wink 2002 Camel Camelitis 2002

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______________PORCUPINE TREE______________

PORCUPINE TREE.. porcupine tree link . .su bend Stivena Wilsona...i jedan od naboljih engleskih bendova u prog/psychedelic žanru..bend se jako oslanja na PINK FLOYD-e..i HAWKWIND-e...i za one koji misle da su floydi neponovljivi..nek poslušanju malo ovaj bend.neradi se tu o pukom plagiranju..već o ljudima koji znaju svirat..i to rade jako dobro.diskografija se preporuča uglavnom u globalu. evo i opisa benda sa oficial site-a. Porcupine Tree was born in 1987 as an outlet for the home studio explorations of Steven Wilson (born in London, 3rd November 1967) into psychedelic, experimental and progressive music. In fact Wilson had already been making music for several years prior to this and was a musically precocious teenager who taught himself to play guitar and keyboards. His early tape releases with bands such as Altamont and Karma had already become known in the musical underground although Wilson later described the fact that these tapes had become collectable amongst his fans (largely because of the inclusion of early versions of later P.T. tracks like "Nine Cats", "Small Fish" and "This Long Silence") as "a bit like a painter having his nursery school blots exhibited". In 1987 Wilson started the 2 projects that would take him into the professional music world. The first of these was an art-rock trio NO-MAN formed with singer Tim Bowness and violinist Ben Coleman. But the second began life almost as a joke between two friends. SW and his friend Malcom Stocks developed an almost entirely fictional history of a legendary seventies group complete with non-existent band members and an absurd discography - this was The Porcupine Tree. To back up the story Steven recorded several hours worth of music supposedly by this imaginary band. This was all done as pure self indulgence but by early 1989 Steven rated some of the music highly enough to compile a cassette "Tarquin's Seaweed Farm" and sent out copies to people that he felt might be interested. One of them went to the underground UK magazine Freakbeat, run by Richard Allen and Ivor Trueman. Unknown to Steven at the time they were in the process of setting up their own record company. Despite the fact that they gave the tape a rather lukewarm review in the magazine they invited Porcupine Tree to contribute a track to their first release, a compilation album of the best underground psychedelic groups. This was ultimately to take another 18 months or so to come to fruition and in the meantime Steven began to distribute Porcupine Tree's music in the form of "Tarquin's Seaweed Farm" and it's follow up "The Nostalgia Factory", both complete with booklets containing the imaginary history and other misleading information. These tapes built up an underground interest in the name which was added to by the eventual release of the newly named Delerium record label's first compilation album "A Psychedelic Psauna" which featured the Porcupine Tree track "Linton Samuel Dawson". Delerium also reissued the first 2 Porcupine Tree tapes. Shortly afterwards Steven was invited by the new label to be one of the first artists to sign to the Delerium label. The original invitation was to reissue both the tapes as double albums, but Steven decided instead to compile the best material onto one double album which became "On the Sunday of Life...", the 3rd release on the new label (most of the remainder of the music from the original eventually emerged on the "Yellow Hedgerow Dreamscape" album). "On the Sunday of Life..." was issued in early 1992 in a small run of 1000 copies in a deluxe gatefold sleeve. Such was the interest from the press and public that this small run sold out almost immediately and was repressed along with a CD version. Among other tracks the album contained a future Porcupine Tree classic and frequent concert encore in "Radioactive Toy". By 2000 "On the Sunday of Life..." had racked up sales of 20,000 copies. While this was happening Steven's other group NO-MAN had signed a record deal with One Little Indian (home of Bjork and The Shamen among others) and were beginning to release records to an ecstatic press response. It was NO-MAN that allowed Steven to give up his day job in the computer industry and become a full time professional musician and therefore dedicate even more time to his "side project". As the first Porcupine Tree album had been very much a self indulgent and in some ways nostalgic look back at Steven's favourite music from the 60's and 70's he felt in order to take the project forward it was important to develop the sound into new and more contemporary areas. The first fruits of these new sessions was a 30 minute single that fused the Orb (then the biggest thing in music) and liquid rock guitar soloing, all strung together with a narrative taken from sixties LSD propaganda LPs. It was a major underground hit, reaching the UK independent Top 20 and a perfect representation of how the dissolution of boundaries between genres characterised the best music of the nineties. In fact "Voyage 34" was a track recorded for another prospective Porcupine Tree double album "Up the Downstair". However, when the album eventually emerged in mid 1993 the decision not to include the single had slimmed down the album to a single record. "Up the Downstair" was greeted with rapture, Melody Maker describing it as "a psychedelic masterpiece.... one of the albums of the year". The album continued the fusion of dance and rock and also featured guest appearances from two future full-time Porcupine Tree members Richard Barbieri (ex-Japan) and Colin Edwin. In November of 1993 "Voyage 34" was reissued alongside an additional 12 inch remix by Astralasia. With non-existent radio play it still managed to enter the NME indie chart for six weeks and became an underground chill-out classic. The profile of Porcupine Tree had now grown to the extent that the question of live performances could no longer be ignored. Thus in December 1993 Porcupine Tree became a live unit featuring in addition to Steven, Colin Edwin (bass) Chris Maitland (drums) and Richard Barbieri (keyboards). All three new members of the group had worked with Steven on various projects over the preceding years and all were excellent musicians sympathetic to the sound and direction of Porcupine Tree. The new line up had an immediate chemistry as illustrated by the "Spiral Circus" album (issued on vinyl only in 1996) which contained recordings from their first ever 3 performances, including a BBC Radio One session for Mark Radcliffe, who was an early champion of the group. New music was already underway. The next album would not emerge until early 1995, but was preceded by the classic single "Stars Die / Moonloop", the last 2 tracks to be recorded during the album sessions and the first to feature the new band. The subsequent album "The Sky Moves Sideways" was as expansive soundscape of melody and ambient rock experimentation, but would prove to be a transitional work with half recorded before the formation of the band and half recorded after. Most of the album was taken up with the 35 minute title track, which at one point Steven intended to be long enough to occupy the whole album ! It also entered the NME, Melody Maker and Music Week charts. Together with the "Moonloop" EP, this album became the first Porcupine Tree music to be issued in America in the autumn of 1995 and attracted very favourable press on both sides of the Atlantic. The band supported the album with numerous gigs throughout the year at major venues in the UK, The Netherlands, Italy and Greece. Partly unsatisfied with the half band/half solo nature of "The Sky Moves Sideways", Porcupine Tree promptly got down to the task of recording the first proper band record and worked sporadically over the next year on developing a tighter and more ambitious rock sound. May 1996 saw the release of the first fruits of these sessions, the single "Waiting" which entered all UK indie charts and the UK National chart attracting airplay all over Europe. It was followed by "Signify" the first album to fully reflect the powerful live sound of the band, blending together numerous rock, and avant-garde styles whilst absorbing many diverse influences and relying on none. A large amount of major European Press followed the release, with the UK's Q magazine describing "Signify", as "a powerful album". The band went on to complete a highly successful European tour. Porcupine Tree continued to increase in popularity abroad during 1997 and in March played to an audience of over 5,000 in Rome over three nights - all of which were recorded for the 1997 live album "Coma Divine". This album was released as a goodbye to Delerium Records who felt they could no longer offer the kind of resources the band needed in order to continue to build their profile worldwide (however Richard Allen from Delerium continues to be involved in the day to day running of the band with his company Big Brother Management). In late 1997 the band's first three albums were remastered and reissued. "Signify" also saw a release in the USA on Miles Copeland's ARK 21 label. Steven, Richard, Colin and Chris spent all of 1998 recording their fifth studio album, a release that reflected the band's move towards a more song orientated sound. At the time of recording the band had no record deal but later that year they signed to the international Snapper/K-Scope label and in March of 1999 the album "Stupid Dream" was issued, supported by a lengthy tour of the UK, Italy, Greece, Holland, Belgium, Switzerland, Germany, France, Poland and the USA. The 3 singles taken from the album - "Piano Lessons", "Stranger By the Minute" and "Pure Narcotic" - all achieved mainstream exposure in the USA and in Europe and appeared well placed in the UK independent charts and on radio station playlists. Although initially the album was such a departure that some older fans were unsure, it brought the band many new fans and went on to become the band's best selling and most acclaimed release to date. The band ended 1999 with a sold out show at the Scala in London. The time spent looking for a record deal had not been wasted and only a few months after the release of "Stupid Dream" the band were ready to begin work on a follow up, recorded during the transition into the new millennium and completed in February 2000. With string arrangements provided by Dave Gregory of XTC "Lightbulb Sun" built on the mix of songwriting, soundscaping and rock dynamics of "Stupid Dream" but developed it into something altogether more intense and organic, a band confidently in control of their sound. The album was released on May 22nd 2000, preceded by the single "Four Chords That Made a Million". Another sold out show at the Scala in London began a short run of UK shows, to be followed later in the year by European festival dates and a major tour supporting Dream Theater. The band continued to tour through the end of 2000 and the start of 2001, taking in Israel for the first time, as well as their first major tour of Germany. A special double CD edition of the Lightbulb Sun album was issued in Israel and Germany and in May "Recordings", a limited edition collection of EP tracks and out-takes from the previous two albums, was released as the band's final release under their Snapper/KScope contract. In June 2001 the band played a short US tour, culminating in a sold out show at the Bottom Line in New York City. Shortly afterwards Porcupine Tree announced that they had signed a new international record deal with Lava/Atlantic Records. In February 2002 Porcupine Tree's first ever line-up change occurs when drummer Chris Maitland leaves after 8 years with the band. The band welcomes new drummer and long term acquaintance Gavin Harrison to the line-up. In March, as a major retrospective box set of the band's early work, "Stars Die - the Delerium Years 1991-97" is released. At the same time the band commence recording their first major label album, drawing from a pool of 30 new songs written by Steven in the previous 2 years. Sessions take place in New York and London, with veteran engineer Paul Northfield (Rush, Ozzy Osbourne, Hole) and string arranger Dave Gregory also playing major roles in the making of the record. Mixing of the new album is completed in LA in May with Tim Palmer. The new line up of the band is further augmented by additional touring vocalist/guitarist John Wesley for a short pre-album release US tour in July 2002. Many venues are sold out and the shows are received rapturously by both old and new fans alike. The eagerly awaited new album "In Absentia" is released by Lava Records in September 2002 (European release Jan 2003). It is the band's most accomplished and complete work to date, featuring a much heavier sound on some tracks, but also some of the band's most beautiful and fragile works. The album receives great praise worldwide and, despite little or no airplay, goes on to become the band's best selling album shifting over 100,000 copies in it's first year of release, and charting in several European countries. To promote the album the band undertake four further tours of Europe and North America, including one with acclaimed Swedish metal band Opeth. During these tours the visual element of the band's performance is taken to new heights with the involvement of film-maker and photographer Lasse Hoile who creates a dark and surreal visual counterpoint to the PT's music. The long promotional campaign for In Absentia ends on November 30th as the band play a homecoming show to a packed out London Astoria. During 2003 Porcupine Tree also set up their own label and on-line store. The first release on the Transmission label is a studio session recorded for XM Radio, Washington. The band plan to make a series of well recorded and packaged live and studio recordings available through the label. 2004 will see the band commence work on an ambitious new Porcupine Tree album, their second for Lava/Atlantic. The album will also take the form of a film script (and therefore hopefully later a film). The band's first DVD project is also planned for later in the year, as well as further live releases through their Transmission label. [B]D I S C O G R A P H Y[I] The Sky Moves Sideways (Expanded 2CD Edition) Nov 2003 (Delerium CD - DELECDCD 082) Coma Divine (3LP + bonus 7 inch single) Sep 2003 (Headspin LP-103) Signify (Expanded 2CD Edition) July 2003 (Delerium CD - DELECDCD 084) Coma Divine (Expanded 2CD Edition) February 2003 (Delerium CD DELEC DCD080) Live recording from Rome March 1997, remastered and reissued with 4 additional tracks. In Absentia (European Special Edition) January 2003 (Lava Records 7567 93163-2) Includes bonus 3 track CD EP. In Absentia September 2002 (Lava/Atlantic Records - 83604-2) Stars Die : The Delerium Years 1991-1997 March 2002 (Delerium Records/Kscope SMADD0851) Metanoia December 2001 (Delerium Records DELEC CD079) Recordings May 2001 (KScope/Snapper - SMACD840) Lightbulb Sun special edition February 2001 (KScope/Snapper CD - SMACD 841X) Shesmovedon July 2000 (KScope / Snapper single - 3 formats) Lightbulb Sun May 2000 (KScope/Snapper CD - SMACD827) First 20,000 copies only in plastic slipcase. Four Chords That Made a Million April 2000 (KScope / Snapper single - 3 formats) Voyage 34 : The Complete Trip April 2000 (Delerium Records - DELEC CD074) Remixed CD reissue of all four versions of Voyage 34, with new artwork. Pure Narcotic November 1999 (KScope / Snapper CD single SMASCD110 / 7" single SMAS7 110) deleted Stranger By the Minute October 1999 (KScope / Snapper CD single SMASCD107 / 7" single SMAS7 107) deleted Piano Lessons April 1999 (KScope / Snapper CD single SMASCD103 / 7" single SMAS7 103) deleted Stupid Dream March 1999 (KScope / Snapper CD SMACD813) Coma Divine - Recorded Live in Rome October 1997 (Delerium CD DELEC CD067) 78 minute live recording from March 1997. Signify September 1996 (Delerium CD - DELEC CD045 /Double LP - DELEC LP045D) Double vinyl includes extra track "The Sound of No-one Listening" from the "Waiting" CD single. Released twice in the U.S. - first edition on C+S records was withdrawn. Second edition on Ark21/EMI released in January 1998 (61868 10013 24). Waiting May 1996 (Delerium CD - DELEC CDS049 / 12" single - DELEC EP049) deleted The Sky Moves Sideways February 1995 (Delerium CD - DELEC CD 028 / LP Blue Vinyl - DELEC LP028) Moonloop E.P. October 1994 (Delerium CD - DELEC CDS032 / 12" single - DELEC EP032) deleted Staircase Infinities 1994 (Lazy Eye 10" mini album - Lazy Eye 3094 / Blueprint CD reissue October 1995 - BP 217CD) deleted Voyage 34 : Remixes Nov 1993 (Delerium 12" single - DELEC EP007) deleted Up the Downstair May 1993 (Delerium CD - DELEC CD020 / LP - DELEC LP020) Voyage 34 Nov 1992 (Delerium CD Single - DELEC CDEP010 / 12" Single - DELEC EP010) deleted On the Sunday of Life... July 1991 (Delerium CD - DELEC CD008 / Double LP - DELEC LP008D) [/I][/B]

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