punknihin
30.10.2009., petak
REFORMACIJA, ČAROVNICE, MRTVI
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(DA SLIK NI, SEM SE ŽE NAVADIL) GLEDE NA ZATEČENO STANJE BOM DANES VERJETNO OBISKAL G. FRANCIJA, KI V SVOJI HC KLETI ZVEČER GOSTI COSA NOSTRO IN SAMO ZA DNAR, JUTRI PA SE MORAMO PRIPRAVITI NA ČARANJE V KURDU, KO BOMO NA POVABILO NAŠIH (!) FRANCOZOV S COSA NOSTRO PONOVILI PETKOV VEČER. V NEDELJO JE DAN MRTVIH IN KOT PRAVIM, GLEDE NA ZATEČENO STANJE, DOBESEDNO ! M.O.U. |
- 15:14 - Komentari (33) - Isprintaj - #
29.10.2009., četvrtak
A & O ąA U O … TU-PA-TAM CELO NE DRŽI
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VČERAJŠNJE VAJE SO PREDOLGO TEKLE TAKO PREKLETO GLADKO, DA JE PROTI KONCU NA VELIKO OLAJŠANJE VSEH KONČNO PREGORELA VAROVALKA MENI IN ŠEČERU IN SPIČLA SVA SE, KOT TO NAJBOLJE ZNAVA, POTEM PA SMO LAHKO MIRNI ODŠLI DOMOV TER NA SOBOTNO ČAGO V KURDU SMO TAKO POPOLNOMA PRIPRAVLJENI. MED TEM SMO ŠE DOBILI OBISK UNIFORMIRANE NOČNE INTERVENCIJE, POPISALI SO TOVARIŠA FIDELA, GLASBENE ŽELJE NISO IZRAZILI, PROSILI SO NAS ZA ZNIŽANJE JAKOSTI IGRANJA, PIRA PA JIM NISMO NUDILI, SAJ TEGA V SLUŽBI NE SMEJO. DR. OTO RITOREZEC PA JE ŠE PRED INTERVENCIJO ZA HER SISIJA PODAL ZELO NATANČNO DIAGNOZO – ANALKOHOLIK, POTEM KO NAM JE PO USPEŠNI MALI POTREBI V PLAC ZANESEL PO CELI OLSTARKI NEKAJ DOMAČE AROME SVOJEGA RJAVEGA PRIJATELJA, V KATEREGA JE »PO NAKLJUČJU« V TEMI STOPIL … HM, MORDA PA SMO TAKO LE DOBILI SVOJE PRVE SANITARIJE . M.O.U. P.S.: ČE STE DANES KAJ GUGLALI, STE VERJETNO OPAZILI, DA IMATA G. ASTERIX IN G. OBELIX 50–LETNICO (VSAK). OBEMA NA VISOKEM JUBILEJU IZ SRCA ČESTITAM ! |
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28.10.2009., srijeda
GLUP K`O, EEE …
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MEDTEM KO NAŠEGA BEJBIFEJSA MUČI KRONIČNA NESPEČNOST IN SE HERR SISI NA TELEFON ŠE NE JAVLJA, SMO MALO ČEPRKALI PO SVOJE IN SE TAKO DOGOVORILI, DA BOMO V SOBOTO NA DAN ČAROVNIC BLUTWURSTEKI ŽAGALI V DRUŽBI COSA NOSTRE V KURDU, NA BOŽIČ PA V STARI NOVI VASI V DRUŽBI … EEE, BOM ŠE JAVIL. MEDTEM NAS PA G. FOJTL VABI V SVOJO HC KLET, KO BODO NA PRAZNIK VSEH ČAROVNIC PRI NJEMU ŽAGALI … EEE, BOM TUDI JAVIL – MISLIM PA DA DR. ZERO V DRUŽBI, EEE … M.O.U. P.S.: ŠE ZADNJA ASOCIACIJA IZ NASLOVA: TATA: »SINE, GLUP SI KO OVO DRVO«, KUCNE PO DRVENOM STOLU. SIN: »TATA, NEKO KUCA«. |
- 19:50 - Komentari (35) - Isprintaj - #
27.10.2009., utorak
KAKAV UDARAC - POCEPAO JE VAZDUH NA VODONIK I KISEONIK
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HM, ZDAJ ŠE GREM GLEDAT VEN S TELESKOPOM ZVEZDE, POTEM PA DOMOV IN JUTRI SPET ISTO VSE DO NOVEGA LETA. V SOBOTO ŠPILAMO NA VABILO ONIH NAŠIH FRANCOZOV V KURDU NA NEKI NJIHOVI PRIREDITVI, JAZ PA BI NAJRAJE MALO LEŽAL DOMA … NI NAM LAHKO ! M.O.U. |
- 19:37 - Komentari (4) - Isprintaj - #
26.10.2009., ponedjeljak
POS`O DOBAR A PARA LAKA ...
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... PRIDEJO DNEVI, KO BI SI NAJRAJE V SLUŽBO PRINESEL POJŠTER IN EDEN TAKŠNIH JE BIL DANES, TRAJALO BO PA VSAK DRUGI TEDEN VSE DO JANUARJA ... VMES PA ŠE MARTINOVO, BOŽIČEK, NOVO LETO ... M.O.U. |
- 20:06 - Komentari (17) - Isprintaj - #
23.10.2009., petak
GARAGE EXPLOSION FESTIVAL
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PETEK, 23.10.2009 OB 20.00 DVORANA GUSTAF, PEKARNA, MARIBOR OSNOVNE SMERNICE FESTIVALA, KI SI JE V SLOVENSKEM IN TUDI SIRSEM SREDNJEEVROPSKEM PROSTORU USPEL IZBORITI POMEMBNO MESTO MED ROKOVSKIMI FESTIVALI IN MU PUBLIKA, KRITIKI IN AKTERJI PRIPISUJEJO IZJEMNO POMEMBNOST ZA RAZVOJ ROKOVSKE KULTURE NA DOMACIH TLEH, OSTAJAJO ENAKE; GARAGE EXPLOSION OHRANJA STIK Z REALNIM ROKOVSKIM IZRAZOM, KI STREMI PO UZITKU, AKCIJI, NEPOSREDNI UDELEZBI, USTVARJALNEM IZBRUHU IN SE ODPOVEDUJE NEPOSREDNEMU LAGODJU, UGODJU, MALODUSJU TER NAIVNI MULTIMEDIJSKI IZTROSENOSTI IN IZPRAZNJENOSTI PLITVEGA SODOBNEGA SVETA. TO JE NAMREC DOGODEK, KJER SE GLASBENO IZRAZANJE SPOJI S HEDONISTICNIM DRUZENJEM Z IZMENJAVO MNENJ, INFORMACIJ, TAKO MED NASTOPAJOCIMI BENDI KOT TUDI MED UDELEZENO PUBLIKO; TO JE DOGODEK, NA KATEREM SKRIVNOSTNA MITOLOSKA RAZSEZNOST ROCKA OZIVI. NA PETEM FESTIVALU BODO NA ODRU EKSPLODIRALI: THE BAMBI MOLESTERS (SISAK), RAGMAN (NOVI SAD), DICKY B. HARDY (LJUBLJANA), CORROSION (NOVI SAD), EICHMANN FAMILY (ZAGREB), HARE KRISNA HIPPIE GROOVIES (LJUBLJANA), GOD DAMN IT, BOYS (CELJE). TAKO KOT VSAKO LETO, SE PRED FESTIVALOM ZAZENE TUDI GARAGE EXPLOSION RADIO, KJER LAHKO UZIVATE OB TAKTIH GARAZNEGA ROCK'N'ROLLA NA NASLOVU: HTTP://RADIO.PEKARNA.ORG:8000/GUSTAF.M3U KOPIPEJSTAL: M.O.U. P.S.: VČERAJ ZVEČER SEM OBISKAL PRIPRAVE NA DANAŠNJI SPEKTAKL V GUSTAFU IN ZBRANI NA MESTU SO BILI SAMO NAJBOLJŠI V SVOJI BRANŽI - SI UPATE VPRAŠATI, KOGA MISLIM ? |
- 13:46 - Komentari (9) - Isprintaj - #
22.10.2009., četvrtak
HEH, MIKRO IN MAKRO (ALI PO DOMAČE TUP IN TAP)
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BEJBIFEJS ME JE VČERAJ VES ŽOLČEN OPOZORIL, DA NAS KLJUB RELATIVNO DOBREMU ŠPILU (IN TUDI OBISKU) V PETEK NI NA NOBENI PEKARNIŠKI OBJAVI. TEGA VSEKAKOR NE ZAHTEVAMO, VENDAR JE PODOBNO BILO JUNIJA S PRI`I PA VI`I, KO NAM JE ZARADI ORGANIZACIJE PRIREDITVE NEKOLIKO OPEŠAL FOKUS IN SO STVARI POPOLNOMA UŠLE IZ ROK TER SE KONČALE S TISTIM SRAMOTNIM AKTOM BELJENJA, POTEM PA SO NAM POVRH ŠE ZVESTO ZAGOTAVLJALI, KAKO JE TO DOBRO ZA VSE ! PUSTIMO ZDAJ TO NEPREŽVEČENO GODLJO, PA SE OZRIMO V SVETLO PRIHODNOST IN SMO TAKO SKLENILI, DA BOMO KLJUB IGNORANCI S SVOJO AKTIVNOSTJO NADALJEVALI – V SOBOTO BOMO NA HELOVIN PARTI UPRIZORILI ĐEJSONA Z MOTORKO, PA ČAROVNICE Z METLAMI BLUTWURSTEKI SKUPAJ Z MALO MORGEN, DIRIGENTI PA BODO GOSTUJOČI UMETNIKI IZ FRANCIJE, KI IMAJO DANES OB 19H V KIBLI TUDI PRIREDITEV, JUTRI PA VSI NA GARAŽ ! M.O.U. P.S.: GLEDE NAŠIH OBJAV SE MI MOČNO ZDI, DA NISMO DOVOLJ DONOSNI |
- 16:26 - Komentari (2) - Isprintaj - #
21.10.2009., srijeda
DEMOLIŠN
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NA VČERAJŠNJEM ŠPILU DEMOLIŠNOV JE SAUND (SPET) ŠKRIPAL, A SO ONI TO ENOSTAVNO PROFI PRESLIŠALI IN ODPEGLALI SVOJ REPERTOAR, KOT SE ZA BEND NJIHOVEGA KOVA SPODOBI. GLEDE TOLKALISTA PA ŠE NEKAJ – ČE SO PESMI V POVPREČJU ZAIGRANE PRI … EEE, 120 BPM IN KONCERT TRAJA 100 MINUT, JE TO OB UPOŠTEVANJU, DA UDARJA NOGO IN DRUMLO V POVPREČJU SKUPAJ, 120 BPM X 100 MIN X 2 UDARCA = 24 000 UDARCEV (MINUTE LAHKO POKRAJŠAMO) – PA NITI EDEN NI MANJKAL ALI BIL ODVEČ !!! M.O.U. |
- 13:17 - Komentari (8) - Isprintaj - #
20.10.2009., utorak
BOLJE ISPASTI GLUP NEGO IZ AUTOBUSA !
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HM, VČERAJ SO ME MALO GOSTILI ONI NAŠI PEKARNIŠKI FRANCOZI, DANES PA SEM JIM POKAZAL, KAKO MI DELAMO, EEE … MAVRICO S PRIZMO TER GRAFOSKOPOM IN POTEM FOTKANJU IN NAVDUŠENJU NI BILO KONCA, PODOBNO KOT VČERAJ MENI NA PONUJENI DRUŽBI IN VEČERJI ! HEH, DANES SE POSLUŠAMO NA DEMOLIŠNIH, JUTRI PA KAR NA DVOJNIH VAJAH, ONI MOST PA BI PORUŠILI RAJE ENKRAT DRUGIČ ! M.O.U. |
- 19:16 - Komentari (16) - Isprintaj - #
19.10.2009., ponedjeljak
3,14 ZDA
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PETEK JE MINIL PO VSEH PRIČAKOVANJIH : • ZAMUDA ORGANIZATORJA, KER IMA OB DOGOVORJENI URI VEČERJO • MORAM PO BEJBIFEJSA V KUNGOTO, KER JE OSTAL BREZ AVTA • ŠEČER JAHA VSE POMOČNIKE NA ODRU IN SOUND MOJSTRE • NA TONSKI NIČ NE ŠTIMA • … • POTEM PA IZJEMEN ŠPIL ŽIVEGA ZIDU IN KONKRETEN LASTNI NASTOP • DOMOV PRIDEM DRUGI DAN ZJUTRAJ SOBOTA PA JE PRINESLA KAR NEKAJ PRESENEČENJ : • G. URKOTA ODSLOVIJO Z DELA ZARADI POSLEDIC PREJŠNJEGA VEČERA • DOKAJ TOČNO SE ZBEREMO IN SE ODPRAVIMO V KUNGOTO NA MIKSANJE ZA RPP 2009 • NA MIKSANJU SE ZAČUDA NE PREPIRAMO • OKOLI 23. URE SE ZADOVOLJNI POSLOVIMO IN V AVTU POSLUŠAMO FRIŠNE POSNETKE NEDELJA JE ŠE POLNA VTISOV SOBOTNEGA USPEŠNEGA POPOLDNEVA : • V CERŠAK PELJEM TOPLE POSNETE ŽEMLJICE • NAJRAJŠI JIH SPLOH NE BI PREDAL, KAK SO DOBRE • Z DELOM V STUDIU NEKATERI ŠE NISO KONČALI • IBUNGE O MARIBORSKI SCENI IN KAJ NAM JE STORITI • ZVEČER SE Z BEJBIFEJSOM HVALIVA NA POLNA USTA, KAK SMO DOBRO POSNELI • ŠTIRKA NA DVA PODLAGE M.O.U. |
- 16:13 - Komentari (8) - Isprintaj - #
16.10.2009., petak
JAGNJETINA JE ZDRAVA ZATO ŠTO IMA VITAMIN BEEEE !
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VLJUDNO VABLJENI DANES ZVEČER V GUSTAFA NA KONCERT SKUPIN ŽIVI ZID IN BLUTWURST, NASLEDNJI TEDEN PA NA GARAGE EXPLOSION V ISTI PLAC. JUTRI NADALJUJEMO S SNEMANJI ZA RPP 2009, KI JIH MORAMO DO NEDELJE PREDATI V MASTERING, DO PONEDELJKA PA MORAM PRERAČUNATI MARIBORSKI DVOETAŽNI MOST ZA SIMULACIJO KOLAPSA ! M.O.U. |
- 13:24 - Komentari (5) - Isprintaj - #
15.10.2009., četvrtak
http://www.vecer.com/clanekpog2009101505477459
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M.O.U. |
- 15:19 - Komentari (4) - Isprintaj - #
14.10.2009., srijeda
PROSIM POZVONI, TRKANJE NE DELA !
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HM, DVA DNI PRED PETKOVSKIM ŠPILOM PA SE SKORAJ SPODOBI ORGANIZIRATI SPODOBNE VAJE, DA SE NE BOMO BLAMIRALI NA ODRU V GUSTAFU – VSEKAKOR IZRABLJAM PRILOŽNOST ZA VABILO, DA SE NAM PRIDRUŽITE SKUPAJ Z ŽIVIM ZIDOM ENKRAT PROTI VEČERU ! KER PA MI JE DOMA ZMRZNIL COOL EDIT, BOM MORAL MALO IMPROVIZIRATI – SOLO ZA RPP BOM POSNEL KAR NA SLUŽBENO KIŠTO … HM, NE BOM SE MOGEL ZGOVARJATI NA AKUSTIKO, KER BO VSE NAREJENO DIREKTNO PREKO USB PRIKLOPA IN MORAM NUJNO NAJTI NEK DRUG RAZLOG ! EEE, NISEM PA ŠE PREPRIČAN, KJE BOM ODPEL BEKVOKALE … M.O.U. |
- 14:03 - Komentari (0) - Isprintaj - #
13.10.2009., utorak
PROFI
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KONČNO SMO USPELI POSNETI BOBNE NA STEREO KANAL (LAHKO STA TO DVA MONO KANALA, A O TEM SE MI VEČ NE LJUBI RAZPREDATI). ŽIVCE SMO SI DRUG DRUGEMO ZAČELI PITI TAKOJ, KO JE ZMANJKALO PIVA, A ME JE PRESENETIL BEJBIFEJS S SVOJO MODROSTJO, KO ME JE POSLAL PO NOVO RUNDO IN V TEM ČASU STA LAHKO S ŠEČEROM V MIRU NASNELA 14 (!!!) TEJKOV. ČE VSE TO MNOŽIŠ Z DVEMA (MONO) KANALOMA IN NATO ŠE S TREMI VARIACIJAMI (KITICA/SOLO/KITICA), LAHKO ENOSTAVNO IZRAČUNAŠ, DA SE BO ONI NA MIKSERJU NASISAL TAKO TUPA KOT TAPA, MENE PA ŽE SAMO OD VČERAJ MOČNO BOLI GLAVA ! M.O.U. |
- 20:26 - Komentari (0) - Isprintaj - #
12.10.2009., ponedjeljak
DAJMO ENO PO SKANDINAVSKO
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VČERAJ SE NAS JE OKOLI 50 KITARISTOV UDELEŽILO IZJEMNEGA GLASBENEGA SEMINARJA V GRAZU – NASTOPIL JE NAMREČ LEGENDARNI NORVEŽAN BJORN BERGE IN NAJPREJ BI NEKAJ BESED SVOJEGA NAVDUŠENJA POSVETIL PLACU, POTEM PA ŠE VSAJ TOLIKO SKANDINAVSKEMU MOJSTRU. PA ZAČNIMO - PRIREDITEV JE POTEKALA V GRAŠKI SEIFENFABRIK, KI IZGLEDA NEKAKO TAKO, KOT SI PREDSTAVLJAM GUSTAFA ČEZ … EEE, RECIMO DOBRIH DESET LET IN KJER SE PO URBANI PLATI TAKOJ OBČUTI VONJ PO BIVŠI TOVARNI, NA VSTOPU Z ZASTEKLENIMI VRATI PA NAS NA VELIKO POZDRAVLJA NAPIS NEKE SPONZORSKE EVROPSKE INŠTITUCIJE, KI JE IZVEDLA MUTACIJO PROIZVODNEGA V PRIREDITVENI OBJEKT. ZA CENO 20 EUR JE BIL SEMINAR VEČ KOT USPEŠEN, PA ČEPRAV MI GA NI ŠTIPENDIRALA FIRMA, KOT JE BILO DO SEDAJ V NAVADI, SEIFENFABRIK PA ZASIJE PRED VAMI TISTI TRENUTEK, KO IMATE 102% OBČUTEK, DA STE SE PA TOKRAT ČISTO ZARES POPOLNOMA IZGUBILI. SEDAJ PA ŠE NEKAJ O GOSPODU BERGEJU – TISTI, KI GA POZNATE, ŽE DOBRO VESTE, DA JE NAJBOLJ ZNAN PO TEM, DA NASTOPA ZMERAJ SAM IN NAM JE MED DRUGIM TUDI ZAUPAL, KAKO SI JE PRI ŠESTIH (LETIH, NE KILAH) NAMESTO KAJENJA MORAL IZMISLITI NEK DRUG HOBI (KITARO), POTEM SMO SE NAPOSLUŠALI O TEM, KAKO IZGLEDA ŽIVLJENJE NA NORVEŠKEM, KJER LJUDJE HISTERIČNO POBIJAJO KITE IN DELFINE, POSLUŠAJO IZKLJUČNO DEATH METAL (ŠE POSEBEJ RADI ZA ZAJTRK) IN SO VSEMU OKOLJU PRECEJ NEVARNI TER SE JIH JE NAJBOLJE NA DALEČ IZOGIBATI, POTEM KAKO USPE PRI SVOJEM IGRANJU POKRITI CELOTNO ZVOČNO SLIKO KOT BI IMEL KOMPLETEN BEND IN ZAKAJ BOBNARJI ZA SVOJE NASTOPE NE POTREBUJEJO MOŽGANOV. GLEDE TEHNIČNEGA VIDIKA BI RAD OMENIL PREDVSEM TO, DA SKANDINAVSKI MOJSTER IGRA NA AKUSTIČNO 6 IN 12 STRUNSKO KITARO MENI NEZNANEGA PROIZVAJALCA, DA UBIRANJE SVOJE DESNE ROKE DODATNO POJAČA Z NAPRSTNIKI IN DA Z LEVICO POLEG UBIRANJA Z OSTALIMI PRSTI SE POSLUŽUJE ŠE SLAJDA TER S PALCEM PO POTREBI KOMPOZICIJE ZAIGRA ZRAVEN TUDI KAKŠNO BAS LINIJO - PRISEGAM, DA JE RES, KER SEM SE PREPRIČAL NA LASTNE OČI. OD ELEKTRONIKE RAD UPORABLJA DELAY, SLIŠATI JE BILO TUDI NASEMPLANE VZORCE Z LOOPERJEM, VES SE OBDA S ŠTIRIMI MONITORJI, LEGENDARNO MISSISSIPPI DRUM MAŠINO PA JE ZAMENJAL LIČEN STOMP BOX, KI GA PROIZVAJALEC SHADOW PRODAJA ZA NESRAMNIH 150 EUR (KOT ODGOVOR NA TOVRSTNO PROVOKACIJO SEM SI PRED ČASOM OMISLIL LASTNEGA, A ŠE GA NISEM ZARES UPORABIL, KER DELAM NA MALENKOSTNIH IZPOPOLNITVAH). DA PA NE BI MISLILI, DA NAS JE G. BERGE UTRUJAL IZKLJUČNO S SVOJO IZJEMNO TEHNIKO, MORAM OMENITI, DA IGRA BUGI IN BLUZ TAKO DOBRO, DA BI ŠE NAŠ BEJBIFEJS ZASTRIGEL S TISTIM PREOSTALIM UŠESOM, NA KATEREGA ŠE TU-PA-TAM KAJ SLIŠI, KOMPOZICIJE KOT SO PARIS IN TRAVELLING ZVENIJO NARAVNOST FANTASTIČNO, DA PA SE MED NASTOPOM NE BI OBČINSTVO PREVEČ DOLGOČASILO, NAS JE PRESENETIL S PRIREDBO ČILI PEPERSOV GIV-IT-AVEJ IN KOMADOM ZNANEGA PRIPOVEDOVALCA OTROŠKIH PRAVLJIC, G. KILMISTRA, DI-EJS-OF-SPEJDS IN PO M.S.M. BI BIL G. PRAVLJIČAR NAD IZVEDBO VEČ KOT PONOSEN ! POLN VTISOV SEM SE NATO ODPELJAL PROTI DOMU IN SI PRI SEBI MISLIL, DA ČE BI KDAJ V PRIHODNOSTI USPELI ORGANIZIRATI PODOBNE PRIREDITVE, BI NA PRENOVO GUSTAFA GLEDAL Z BISTVENO VEČJIM OPTIMIZMOM ! M.O.U. |
- 15:13 - Komentari (1) - Isprintaj - #
09.10.2009., petak
NISEM PRIČAKOVAL, DA BO ME ZAŠPECAL RAVNO BEJBIFEJS !
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VČERAJ SEM MORAL NADOKNADITI POVZROČENO ŠKODO IZ SREDE IN DA NE BI HER SISI OSTAL BREZ TIPKOVNICE SREDI SVOJEGA SNEMANJA, SEM SE MORAL ŠE OGLASITI V PEKARNI IN SVOJE DOLGOVE LEPO PORAVNATI. PA NI BIL CELOTEN POSTOPEK NITI NAJMANJ BOLEČ ALI TEŽAVEN, SAJ MI JE TOVARIŠ FIDEL USPEL PREDSTAVITI DOKONČNO NATISNJENO VERZIJO NAŠIH NOVIH FRIŠNIH PLAKATOV ZA PUNK-ROK-KORIDOR, KI PA SO - PO M.S.M. - RAHLO BIZARNI, A KAJ ČEŠ, TAKŠNI PAČ SMO. POTEM SMO SE POSEDLI PRED HIŠKO IN S HER SISIJEM TER EKIPO IZ NEPOSREDNE BLIŽINE OBREKOVALI VČERAJŠNJEGA PEKARNIŠKEGA GOSTA – TO JE TISTI BIVŠI MINISTER, KI JE UKINIL PRODAJO PIRA NA PUMPI PO 21. URI – KATERI PA SI NI NAŠEL ODMERKA ČASA, DA BI SI OGLEDAL NAŠ LEGENDARNI PLAC ZA VAJE POLEG GUSTAFOVEGA BEKSTEJĐA, ČEPRAV SMO ORGANIZATORJU OMENILI VABILO, PA SE OČITNO ZANJ NI ZMENIL. MORDA JE TAKO TUDI BOLJE, SAJ NE VEMO, KAKO BI SI PREDSTAVLJAL REALIZACIJO SVOJEGA ŽIVLJENJSKEGA DELA, KO BI VIDEL SILNE PIKSNE PIRA IN NAŠ TAJNI PLAC, V KATEREM SE SKRIVAMO PRED NJEMU PODOBNIMI. HER SISI IN MAMAFAKER STA GA IMELA OKOLI POL OSMIH DOVOLJ IN STA ŠLA NEKAJ SNEMAT V PLAC, JAZ PA SEM NATO NA BASKETU IZGUBIL VSE TRI ODIGRANE TEKME – JEBIGA ! M.O.U. P.S.: http://venyoo.de/veranstaltung/421400/bjoern-berge-seifenfabrik-graz |
- 13:38 - Komentari (0) - Isprintaj - #
08.10.2009., četvrtak
HU`Z D BEST
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BODITE POZORNI NA DOGAJANJE V 4. MINUTI, NEKAJ PODOBNEGA NAM JE USPELO UPRIZORITI NA VČERAJŠNJIH VAJAH : http://www.youtube.com/watch?v=tBMos92heq0&hl=sl POTEM PA SE ČUDIM, DA ME DANES BOLI GLAVA ! M.O.U. |
- 14:52 - Komentari (2) - Isprintaj - #
07.10.2009., srijeda
POVIŠAN PRITISK IN HOLESTEROL – UF, JAZ SEM PA SE PRESTRAŠIL, DA JE IQ
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SPOROČILO ZA JAVNOST O DOGODKU, KI SE BO ZGODIL NASLEDNJI PETEK: ŽIVI ZID SO AVTOHTONA GLASBENA SORTA, KI ZADNJIH DESET LET USPEVA IZKLJUČNO V MURSKI DOLINI, NEKJE V BLIŽNJI OKOLICI DROBTINCEV, KATERI PA LEŽIJO NA GLAVNI AVTOMOBILSKI CESTI MED VRATJO VASJO IN ŽEPOVCI, OZ. NATANČNEJE MED STOGOVCI IN ŽIBERCI, LAHKO PA SE TUDI ORIENTIRATE KOT S POLOVIČKO POTI MED ŠENTILJEM IN GORNJO RADGONO. V BENDU SO ZBRANI KMETJE IN DELAVCI, MAME IN OČETJE, PA ŠOFERJI IN TUDI DRUGI GLASBENIKI TER SO STALNI GOSTJE RAZNIH GLASBENIH FESTIVALOV KOT TUDI REDNI PRIREDITELJI KONCERTOV V LASTNI HC KLETI, KJER MED DRUGIM TUDI VADIJO IN KOMPONIRAJO, PRIREJAJO PA ŠE RAZNA RIBIŠKA TEKMOVANJA, AVANTURISTIČNE ŠPORTNE IN TUDI DRUGE KMETIJSKO-GLASBENO-TURISTIČNE ZANIMIVOSTI. OB SVOJI PRVI DESETLETKI SO NA VELIKO SLAVNOST POVABILI ŠTEVILNE EMINENTNE GOSTE IN PRIJATELJE TER OB TEJ PRILOŽNOSTI IZDALI SVOJ IMENITEN ALBUM Z NASLOVOM ZGODOVINA. NJIHOVA GLASBA JE PANK, O TEM PA NAJBOLJE, DA SE PREPRIČATE SAMI ! zivi.zid@hotmail.com BLUTWURST SMO SE V ZADNJIH DESETIH LETIH NAUČILI IZKLJUČNO ŽRETJA MESA IN PITJA KRVI TER SI TAKO ZAGOTAVLJAMO OBSTOJ ŠE VSAJ PETKRAT TOLIKO LET. DO SEDAJ ŠE NISMO IZDALI RESNEGA ALBUMA, SE PA RADI UDELEŽUJEMO VSEH PRIREDITEV, KJER NAS LEPO GOSTIJO IN NAM PONUJAJO IZPLAČILO POTNIH IN RAZNIH DRUGIH STROŠKOV. 1234blutwurst@gmail.com http://punknihin.blog.hr/ M.O.U. |
- 14:00 - Komentari (2) - Isprintaj - #
06.10.2009., utorak
TAKO, JUTRI PA ZARES !
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KONČNO SMO SE ODLOČILI, DA SE BOMO PRIREDITVE RPP`09 LOTILI ČISTO ZARES IN BOMO JUTRI V PLACU POSNELI BOBNE IN ČE ŠE NAM BO SREČA MILA IN ČAS NAKLONJEN, PA TUDI BAS IN HARFO. DOSEDANJA POLITIKA SNEMANJA JE BILA IZKLUČNO DIGITALNA, TAKO DA SO PETJE, METRONOM, INFO IN VSE KITARE POD ISTO STREHO NIČL IN ENKIC, PRIDOBLJENIH S SODOBNO TEHNOLOGIJO SNEMANJA PREKO USB-JA IN MIKSANJA PREKO VST PLAGINOV ! Z VELIKIM PRIČAKOVANJEM ČAKAMO NA KONČNI IZDELEK ! M.O.U. |
- 16:57 - Komentari (4) - Isprintaj - #
05.10.2009., ponedjeljak
from: b. greams & l. nouvak
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to: punknihin.blog.hr subject: none |
- 13:20 - Komentari (6) - Isprintaj - #
03.10.2009., subota
SOBOTNA TEČNOBA VAM DANES PONUJA :
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PREDJED – OSNOVE AKUSTIKE : A or Amaj [0 0 2 2 2 0] (Db E A) : major triad A or Amaj [0 4 x 2 5 0] (Db E A) : major triad A or Amaj [5 7 7 6 5 5] (Db E A) : major triad A or Amaj [x 0 2 2 2 0] (Db E A) : major triad A or Amaj [x 4 7 x x 5] (Db E A) : major triad A #5 or Aaug [x 0 3 2 2 1] (Db F A) : augmented triad A #5 or Aaug [x 0 x 2 2 1] (Db F A) : augmented triad A/Ab [x 0 2 1 2 0] (Db E Ab A) : major triad (altered bass) A/B [0 0 2 4 2 0] (Db E A B) : major triad (altered bass) A/B [x 0 7 6 0 0] (Db E A B) : major triad (altered bass) A/D [x 0 0 2 2 0] (Db D E A) : major triad (altered bass) A/D [x x 0 2 2 0] (Db D E A) : major triad (altered bass) A/D [x x 0 6 5 5] (Db D E A) : major triad (altered bass) A/D [x x 0 9 10 9] (Db D E A) : major triad (altered bass) A/G [3 x 2 2 2 0] (Db E G A) : major triad (altered bass) A/G [x 0 2 0 2 0] (Db E G A) : major triad (altered bass) A/G [x 0 2 2 2 3] (Db E G A) : major triad (altered bass) A/Gb [0 0 2 2 2 2] (Db E Gb A) : major triad (altered bass) A/Gb [0 x 4 2 2 0] (Db E Gb A) : major triad (altered bass) A/Gb [2 x 2 2 2 0] (Db E Gb A) : major triad (altered bass) A/Gb [x 0 4 2 2 0] (Db E Gb A) : major triad (altered bass) A/Gb [x x 2 2 2 2] (Db E Gb A) : major triad (altered bass) A5 or A(no 3rd) [5 7 7 x x 5] (E A): root and 5th (power chord) A5 or A(no 3rd) [x 0 2 2 x 0] (E A) : root and 5th (power chord) A5 or A(no 3rd) [5 7 7 x x 0] (E A) : root and 5th (power chord) A6 [0 0 2 2 2 2] (Db E Gb A) : major triad plus 6th A6 [0 x 4 2 2 0] (Db E Gb A) : major triad plus 6th A6 [2 x 2 2 2 0] (Db E Gb A) : major triad plus 6th A6 [x 0 4 2 2 0] (Db E Gb A) : major triad plus 6th A6 [x x 2 2 2 2] (Db E Gb A) : major triad plus 6th A6/7 [0 0 2 0 2 2] (Db E Gb G A) : major triad plus 6th, minor 7th A6/7 sus or A6/7 sus4 [5 5 4 0 3 0] (D E Gb G A) : sus4 triad plus 6th, minor 7th A6/7 sus or A6/7 sus4 [x 0 2 0 3 2] (D E Gb G A) : sus4 triad plus 6th, minor 7th A7 or Adom 7 [3 x 2 2 2 0] (Db E G A) : major triad, minor 7th A7 or Adom 7 [x 0 2 0 2 0] (Db E G A) : major triad, minor 7th A7 or Adom 7 [x 0 2 2 2 3] (Db E G A) : major triad, minor 7th A7(#5) [1 0 3 0 2 1] (Db F G A) : minor 7th, sharp 5th A7/add11 or A7/11 [x 0 0 0 2 0] (Db D E G A) : major triad, minor 7th, plus 11th A7sus4 [x 0 2 0 3 0] (D E G A) : sus4 triad, minor 7th A7sus4 [x 0 2 0 3 3] (D E G A) : sus4 triad, minor 7th A7sus4 [x 0 2 2 3 3] (D E G A) : sus4 triad, minor 7th A7sus4 [5 x 0 0 3 0] (D E G A) : sus4 triad, minor 7th A7sus4 [x 0 0 0 x 0] (D E G A) : sus4 triad, minor 7th Aadd9 or A2 [0 0 2 4 2 0] (Db E A B) : major triad plus 9th Aadd9 or A2 [x 0 7 6 0 0] (Db E A B) : major triad plus 9th Aaug/D [x x 0 2 2 1] (Db D F A) : augmented triad (altered bass) Aaug/G [1 0 3 0 2 1] (Db F G A) : augmented triad (altered bass) Ab or Abmaj [4 6 6 5 4 4] (C Eb Ab) : major triad Ab #5 or Abaug [x 3 2 1 1 0] (C E Ab) : augmented triad Ab/A [x x 1 2 1 4] (C Eb Ab A) : major triad (altered bass) Ab/F [x 8 10 8 9 8] (C Eb F Ab) : major triad (altered bass) Ab/F [x x 1 1 1 1] (C Eb F Ab) : major triad (altered bass) Ab/Gb [x x 1 1 1 2] (C Eb Gb Ab) : major triad (altered bass) Ab/Gb [x x 4 5 4 4] (C Eb Gb Ab) : major triad (altered bass) Ab5 or Ab(no 3rd)[4 6 6 x x 4] (Eb Ab): root and 5th (power chord) Ab6 [x 8 10 8 9 8] (C Eb F Ab) : major triad plus 6th Ab6 [x x 1 1 1 1] (C Eb F Ab) : major triad plus 6th Ab7 or Abdom 7 [x x 1 1 1 2] (C Eb Gb Ab) : major triad, minor 7th Ab7 or Abdom 7 [x x 4 5 4 4] (C Eb Gb Ab) : major triad, minor 7th Abdim/E [0 2 0 1 0 0] (D E Ab B) : diminished triad (altered bass) Abdim/E [0 2 2 1 3 0] (D E Ab B) : diminished triad (altered bass) Abdim/E [x 2 0 1 3 0] (D E Ab B) : diminished triad (altered bass) Abdim/E [x x 0 1 0 0] (D E Ab B) : diminished triad (altered bass) Abdim/Eb [x x 0 4 4 4] (D Eb Ab B) : diminished triad (altered bass) Abdim/F [x 2 0 1 0 1] (D F Ab B) : diminished triad (altered bass) Abdim/F [x x 0 1 0 1] (D F Ab B) : diminished triad (altered bass) Abdim/F [x x 3 4 3 4] (D F Ab B) : diminished triad (altered bass) Abdim7 [x 2 0 1 0 1] (D F Ab B) : diminished triad, diminished 7th Abdim7 [x x 0 1 0 1] (D F Ab B) : diminished triad, diminished 7th Abdim7 [x x 3 4 3 4] (D F Ab B) : diminished triad, diminished 7th Wikibooks | 87Chapter 33 Abm [x x 6 4 4 4] (Eb Ab B) : minor triad Abm/D [x x 0 4 4 4] (D Eb Ab B) : minor triad (altered bass) Abm/E [0 2 1 1 0 0] (Eb E Ab B) : minor triad (altered bass) Abm/E [0 x 6 4 4 0] (Eb E Ab B) : minor triad (altered bass) Abm/E [x x 1 1 0 0] (Eb E Ab B) : minor triad (altered bass) Abm/Gb [x x 4 4 4 4] (Eb Gb Ab B) : minor triad (altered bass) Abm7 [x x 4 4 4 4] (Eb Gb Ab B) : minor triad, minor 7th Absus or Absus4 [x x 6 6 4 4] (Db Eb Ab) : no 3rd but a 4th from a major triad Absus2/F [x 1 3 1 4 1] (Eb F Ab Bb) : sus2 triad (altered bass) Adim/Ab [x x 1 2 1 4] (C Eb Ab A) : diminished triad (altered bass) Adim/E [0 3 x 2 4 0] (C Eb E A) : diminished triad (altered bass) Adim/F [x x 1 2 1 1] (C Eb F A) : diminished triad (altered bass) Adim/F [x x 3 5 4 5] (C Eb F A) : diminished triad (altered bass) Adim/G [x x 1 2 1 3] (C Eb G A) : diminished triad (altered bass) Adim/Gb [x x 1 2 1 2] (C Eb Gb A) : diminished triad (altered bass) Adim7 [x x 1 2 1 2] (C Eb Gb A) : diminished triad, diminished 7th Am [x 0 2 2 1 0] (C E A) : minor triad Am [x 0 7 5 5 5] (C E A) : minor triad Am [x 3 2 2 1 0] (C E A) : minor triad Am [8 12 x x x 0] (C E A) : minor triad Am/B [0 0 7 5 0 0] (C E A B) : minor triad (altered bass) Am/B [x 3 2 2 0 0] (C E A B) : minor triad (altered bass) Am/D [x x 0 2 1 0] (C D E A) : minor triad (altered bass) Am/D [x x 0 5 5 5] (C D E A) : minor triad (altered bass) Am/Eb [0 3 x 2 4 0] (C Eb E A) : minor triad (altered bass) Am/F [0 0 3 2 1 0] (C E F A) : minor triad (altered bass) Am/F [1 3 3 2 1 0] (C E F A) : minor triad (altered bass) Am/F [1 x 2 2 1 0] (C E F A) : minor triad (altered bass) Am/F [x x 2 2 1 1] (C E F A) : minor triad (altered bass) Am/F [x x 3 2 1 0] (C E F A) : minor triad (altered bass) Am/G [0 0 2 0 1 3] (C E G A) : minor triad (altered bass) Am/G [x 0 2 0 1 0] (C E G A) : minor triad (altered bass) Am/G [x 0 2 2 1 3] (C E G A) : minor triad (altered bass) Am/G [x 0 5 5 5 8] (C E G A) : minor triad (altered bass) Am/Gb [x 0 2 2 1 2] (C E Gb A) : minor triad (altered bass) Am/Gb [x x 2 2 1 2] (C E Gb A) : minor triad (altered bass) Am6 [x 0 2 2 1 2] (C E Gb A) : minor triad plus 6th Am6 [x x 2 2 1 2] (C E Gb A) : minor triad plus 6th Am7 [0 0 2 0 1 3] (C E G A) : minor triad, minor 7th Am7 [x 0 2 0 1 0] (C E G A) : minor triad, minor 7th Am7 [x 0 2 2 1 3] (C E G A) : minor triad, minor 7th Am7 [x 0 5 5 5 8] (C E G A) : minor triad, minor 7th Am7(b5) or Ao7 [x x 1 2 1 3] (C Eb G A) : diminished triad, minor 7th : half-diminished 7th Am7/add11 or Am7/11 [x 5 7 5 8 0] (C D E G A) : minor triad, minor 7th, plus 11th Amaj7 or A#7 [x 0 2 1 2 0] (Db E Ab A) : major triad, major 7th Amin/maj9 [x 0 6 5 5 7] (C E Ab A B) : minor triad, major 7th plus 9th Asus or Asus4 [0 0 2 2 3 0] (D E A) : no 3rd but a 4th from a major triad Asus or Asus4 [x 0 2 2 3 0] (D E A) : no 3rd but a 4th from a major triad Asus or Asus4 [5 5 7 7 x 0] (D E A) : no 3rd but a 4th from a major triad Asus or Asus4 [x 0 0 2 3 0] (D E A) : no 3rd but a 4th from a major triad Asus2 or Aadd9(no3)[0 0 2 2 0 0] (E A B) : no 3rd but a 2nd from a major triad Asus2 or Aadd9(no3)[0 0 2 4 0 0] (E A B) : no 3rd but a 2nd from a major triad Asus2 or Aadd9(no3)[0 2 2 2 0 0] (E A B) : no 3rd but a 2nd from a major triad Asus2 or Aadd9(no3)[x 0 2 2 0 0] (E A B) : no 3rd but a 2nd from a major triad Asus2 or Aadd9(no3)[x x 2 2 0 0] (E A B) : no 3rd but a 2nd from a major triad Asus2/Ab [x 0 2 1 0 0] (E Ab A B) : sus2 triad (altered bass) Asus2/C [0 0 7 5 0 0] (C E A B) : sus2 triad (altered bass) Asus2/C [x 3 2 2 0 0] (C E A B) : sus2 triad (altered bass) Asus2/D [0 2 0 2 0 0] (D E A B) : sus2 triad (altered bass) Asus2/D [x 2 0 2 3 0] (D E A B) : sus2 triad (altered bass) 88 | GuitarChord Reference Asus2/Db [0 0 2 4 2 0] (Db E A B) : sus2 triad (altered bass) Asus2/Db [x 0 7 6 0 0] (Db E A B) : sus2 triad (altered bass) Asus2/Eb [x 2 1 2 0 0] (Eb E A B) : sus2 triad (altered bass) Asus2/F [0 0 3 2 0 0] (E F A B) : sus2 triad (altered bass) Asus2/G [3 x 2 2 0 0] (E G A B) : sus2 triad (altered bass) Asus2/G [x 0 2 0 0 0] (E G A B) : sus2 triad (altered bass) Asus2/G [x 0 5 4 5 0] (E G A B) : sus2 triad (altered bass) Asus2/Gb [x 0 4 4 0 0] (E Gb A B) : sus2 triad (altered bass) Asus2/Gb [x 2 4 2 5 2] (E Gb A B) : sus2 triad (altered bass) Asus4/Ab [4 x 0 2 3 0] (D E Ab A) : sus4 triad (altered bass) Asus4/B [0 2 0 2 0 0] (D E A B) : sus4 triad (altered bass) Asus4/Bb [0 1 x 2 3 0] (D E A Bb) : sus4 triad (altered bass) Asus4/C [x x 0 2 1 0] (C D E A) : sus4 triad (altered bass) Asus4/C [x x 0 5 5 5] (C D E A) : sus4 triad (altered bass) Asus4/Db [x 0 0 2 2 0] (Db D E A) : sus4 triad (altered bass) Asus4/Db [x x 0 2 2 0] (Db D E A) : sus4 triad (altered bass) Asus4/Db [x x 0 6 5 5] (Db D E A) : sus4 triad (altered bass) Asus4/Db [x x 0 9 10 9] (Db D E A) : sus4 triad (altered bass) Asus4/F [x x 7 7 6 0] (D E F A) : sus4 triad (altered bass) Asus4/G [x 0 2 0 3 0] (D E G A) : sus4 triad (altered bass) Asus4/G [x 0 2 0 3 3] (D E G A) : sus4 triad (altered bass) Asus4/G [x 0 2 2 3 3] (D E G A) : sus4 triad (altered bass) Asus4/G [x 0 0 0 x 0] (D E G A) : sus4 triad (altered bass) Asus4/Gb [0 0 0 2 3 2] (D E Gb A) : sus4 triad (altered bass) Asus4/Gb [0 0 4 2 3 0] (D E Gb A) : sus4 triad (altered bass) Asus4/Gb [2 x 0 2 3 0] (D E Gb A) : sus4 triad (altered bass) Asus4/Gb [x 0 2 2 3 2] (D E Gb A) : sus4 triad (altered bass) Asus4/Gb [x x 2 2 3 2] (D E Gb A) : sus4 triad (altered bass) Asus4/Gb [x 5 4 2 3 0] (D E Gb A) : sus4 triad (altered bass) Asus4/Gb [x 9 7 7 x 0] (D E Gb A) : sus4 triad (altered bass) B or Bmaj [x 2 4 4 4 2] (Eb Gb B) : major triad B #5 or Baug [3 2 1 0 0 3] (Eb G B) : augmented triad B #5 or Baug [3 x 1 0 0 3] (Eb G B) : augmented triad B/A [2 x 1 2 0 2] (Eb Gb A B) : major triad (altered bass) B/A [x 0 1 2 0 2] (Eb Gb A B) : major triad (altered bass) B/A [x 2 1 2 0 2] (Eb Gb A B) : major triad (altered bass) B/A [x 2 4 2 4 2] (Eb Gb A B) : major triad (altered bass) B/Ab [x x 4 4 4 4] (Eb Gb Ab B) : major triad (altered bass) B/E [x 2 2 4 4 2] (Eb E Gb B) : major triad (altered bass) B/E [x x 4 4 4 0] (Eb E Gb B) : major triad (altered bass) B5 or B(no 3rd) [7 9 9 x x 2] (Gb B): root and 5th (power chord) B5 or B(no 3rd) [x 2 4 4 x 2] (Gb B): root and 5th (power chord) B6 [x x 4 4 4 4] (Eb Gb Ab B) : major triad plus 6th B7 or Bdom 7 [2 x 1 2 0 2] (Eb Gb A B) : major triad, minor 7th B7 or Bdom 7 [x 0 1 2 0 2] (Eb Gb A B) : major triad, minor 7th B7 or Bdom 7 [x 2 1 2 0 2] (Eb Gb A B) : major triad, minor 7th B7 or Bdom 7 [x 2 4 2 4 2] (Eb Gb A B) : major triad, minor 7th B7/add11 or B7/11 [0 0 4 4 4 0] (Eb E Gb A B) : major triad, minor 7th, plus 11th B7/add11 or B7/11 [0 2 1 2 0 2] (Eb E Gb A B) : major triad, minor 7th, plus 11th B7sus4 [x 0 4 4 0 0] (E Gb A B) : sus4 triad, minor 7th B7sus4 [x 2 4 2 5 2] (E Gb A B) : sus4 triad, minor 7th Baug/E [3 x 1 0 0 0] (Eb E G B) : augmented triad (altered bass) Baug/E [x x 1 0 0 0] (Eb E G B) : augmented triad (altered bass) Bb or Bbmaj [1 1 3 3 3 1] (D F Bb) : major triad Bb or Bbmaj [x 1 3 3 3 1] (D F Bb) : major triad Bb or Bbmaj [x x 0 3 3 1] (D F Bb) : major triad Bb #5 or Bbaug [x x 0 3 3 2] (D Gb Bb) : augmented triad Bb b5 [x x 0 3 x 0] (D E Bb) : flat 5th Bb/A [1 1 3 2 3 1] (D F A Bb) : major triad (altered bass) Bb/Ab [x 1 3 1 3 1] (D F Ab Bb) : major triad (altered bass) Wikibooks | 89Chapter 33 Bb/Ab [x x 3 3 3 4] (D F Ab Bb) : major triad (altered bass) Bb/Db [x x 0 6 6 6] (Db D F Bb) : major triad (altered bass) Bb/E [x 1 3 3 3 0] (D E F Bb) : major triad (altered bass) Bb/G [3 5 3 3 3 3] (D F G Bb) : major triad (altered bass) Bb/G [x x 3 3 3 3] (D F G Bb) : major triad (altered bass) Bb5 or Bb(no 3rd)[6 8 8 x x 6] (F Bb): root and 5th (power chord) Bb5 or Bb(no 3rd)[x 1 3 3 x 6] (F Bb): root and 5th (power chord) Bb6 [3 5 3 3 3 3] (D F G Bb) : major triad plus 6th Bb6 [x x 3 3 3 3] (D F G Bb) : major triad plus 6th Bb6/add9 or Bb6/9 [x 3 3 3 3 3] (C D F G Bb) : major triad plus 6th and 9th Bb7 or Bbdom 7 [x 1 3 1 3 1] (D F Ab Bb) : major triad, minor 7th Bb7 or Bbdom 7 [x x 3 3 3 4] (D F Ab Bb) : major triad, minor 7th Bb7sus4 [x 1 3 1 4 1] (Eb F Ab Bb) : sus4 triad, minor 7th Bbadd#11 [x 1 3 3 3 0] (D E F Bb) : major triad, augmented 11th Bbaug/E [2 x 4 3 3 0] (D E Gb Bb) : augmented triad (altered bass) Bbdim/C [x 3 x 3 2 0] (C Db E Bb) : diminished triad (altered bass) Bbdim/D [x x 0 3 2 0] (Db D E Bb) : diminished triad (altered bass) Bbdim/G [x 1 2 0 2 0] (Db E G Bb) : diminished triad (altered bass) Bbdim/G [x x 2 3 2 3] (Db E G Bb) : diminished triad (altered bass) Bbdim/Gb [2 4 2 3 2 2] (Db E Gb Bb) : diminished triad (altered bass) Bbdim/Gb [x x 4 3 2 0] (Db E Gb Bb) : diminished triad (altered bass) Bbdim7 [x 1 2 0 2 0] (Db E G Bb) : diminished triad, diminished 7th Bbdim7 [x x 2 3 2 3] (Db E G Bb) : diminished triad, diminished 7th Bbm [1 1 3 3 2 1] (Db F Bb) : minor triad Bbm/Ab [x 1 3 1 2 1] (Db F Ab Bb) : minor triad (altered bass) Bbm/D [x x 0 6 6 6] (Db D F Bb) : minor triad (altered bass) Bbm/Gb [x x 3 3 2 2] (Db F Gb Bb) : minor triad (altered bass) Bbm7 [x 1 3 1 2 1] (Db F Ab Bb) : minor triad, minor 7th Bbmaj7 or Bb#7 [1 1 3 2 3 1] (D F A Bb) : major triad, major 7th Bbmaj9 or Bb9(#7) [x 3 3 3 3 5] (C D F A Bb) : major triad, major 7th plus 9th Bbsus2 or Bbadd9(no3)[x x 3 3 1 1] (C F Bb) : no 3rd but a 2nd from a major triad Bbsus2/G [x 3 5 3 6 3] (C F G Bb) : sus2 triad (altered bass) Bbsus4/Ab [x 1 3 1 4 1] (Eb F Ab Bb) : sus4 triad (altered bass) Bdim/A [1 2 3 2 3 1] (D F A B) : diminished triad (altered bass) Bdim/A [x 2 0 2 0 1] (D F A B) : diminished triad (altered bass) Bdim/A [x x 0 2 0 1] (D F A B) : diminished triad (altered bass) Bdim/Ab [x 2 0 1 0 1] (D F Ab B) : diminished triad (altered bass) Bdim/Ab [x x 0 1 0 1] (D F Ab B) : diminished triad (altered bass) Bdim/Ab [x x 3 4 3 4] (D F Ab B) : diminished triad (altered bass) Bdim/G [1 x 0 0 0 3] (D F G B) : diminished triad (altered bass) Bdim/G [3 2 0 0 0 1] (D F G B) : diminished triad (altered bass) Bdim/G [x x 0 0 0 1] (D F G B) : diminished triad (altered bass) Bdim7 [x 2 0 1 0 1] (D F Ab B) : diminished triad, diminished 7th Bdim7 [x x 0 1 0 1] (D F Ab B) : diminished triad, diminished 7th Bdim7 [x x 3 4 3 4] (D F Ab B) : diminished triad, diminished 7th Bm [2 2 4 4 3 2] (D Gb B) : minor triad Bm [x 2 4 4 3 2] (D Gb B) : minor triad Bm [x x 0 4 3 2] (D Gb B) : minor triad Bm/A [x 0 4 4 3 2] (D Gb A B) : minor triad (altered bass) Bm/A [x 2 0 2 0 2] (D Gb A B) : minor triad (altered bass) Bm/A [x 2 0 2 3 2] (D Gb A B) : minor triad (altered bass) Bm/A [x 2 4 2 3 2] (D Gb A B) : minor triad (altered bass) Bm/A [x x 0 2 0 2] (D Gb A B) : minor triad (altered bass) Bm/G [2 2 0 0 0 3] (D Gb G B) : minor triad (altered bass) Bm/G [2 2 0 0 3 3] (D Gb G B) : minor triad (altered bass) Bm/G [3 2 0 0 0 2] (D Gb G B) : minor triad (altered bass) Bm/G [x x 4 4 3 3] (D Gb G B) : minor triad (altered bass) Bm7 [x 0 4 4 3 2] (D Gb A B) : minor triad, minor 7th Bm7 [x 2 0 2 0 2] (D Gb A B) : minor triad, minor 7th Bm7 [x 2 0 2 3 2] (D Gb A B) : minor triad, minor 7th 90 | GuitarChord Reference Bm7 [x 2 4 2 3 2] (D Gb A B) : minor triad, minor 7th Bm7 [x x 0 2 0 2] (D Gb A B) : minor triad, minor 7th Bm7(b5) or Bo7 [1 2 3 2 3 1] (D F A B) : diminished triad, minor 7th : half-diminished 7th Bm7(b5) or Bo7 [x 2 0 2 0 1] (D F A B) : diminished triad, minor 7th : half-diminished 7th Bm7(b5) or Bo7 [x x 0 2 0 1] (D F A B) : diminished triad, minor 7th : half-diminished 7th Bm7/add11 or Bm7/11 [0 0 2 4 3 2] (D E Gb A B) : minor triad, minor 7th, plus 11th Bm7/add11 or Bm7/11 [0 2 0 2 0 2] (D E Gb A B) : minor triad, minor 7th, plus 11th Bmaj7/#11 [x 2 3 3 4 2] (Eb F Gb Bb B) : major triad, major 7th, augmented 11th Bsus or Bsus4 [7 9 9 x x 0] (E Gb B) : no 3rd but a 4th from a major triad Bsus or Bsus4 [x 2 4 4 x 0] (E Gb B) : no 3rd but a 4th from a major triad Bsus2 or Badd9(no3)[x 4 4 4 x 2] (Db Gb B): no 3rd but a 2nd from a major triad Bsus2 or Badd9(no3)[x x 4 4 2 2] (Db Gb B) : no 3rd but a 2nd from a major triad Bsus2/E [x 4 4 4 x 0] (Db E Gb B) : sus2 triad (altered bass) Bsus4/A [x 0 4 4 0 0] (E Gb A B) : sus4 triad (altered bass) Bsus4/A [x 2 4 2 5 2] (E Gb A B) : sus4 triad (altered bass) Bsus4/Ab [0 2 2 1 0 2] (E Gb Ab B) : sus4 triad (altered bass) Bsus4/Ab [0 x 4 1 0 0] (E Gb Ab B) : sus4 triad (altered bass) Bsus4/Ab [2 2 2 1 0 0] (E Gb Ab B) : sus4 triad (altered bass) Bsus4/Db [x 4 4 4 x 0] (Db E Gb B) : sus4 triad (altered bass) Bsus4/Eb [x 2 2 4 4 2] (Eb E Gb B) : sus4 triad (altered bass) Bsus4/Eb [x x 4 4 4 0] (Eb E Gb B) : sus4 triad (altered bass) Bsus4/G [0 2 2 0 0 2] (E Gb G B) : sus4 triad (altered bass) Bsus4/G [0 2 4 0 0 0] (E Gb G B) : sus4 triad (altered bass) Bsus4/G [0 x 4 0 0 0] (E Gb G B) : sus4 triad (altered bass) Bsus4/G [2 2 2 0 0 0] (E Gb G B) : sus4 triad (altered bass) C or Cmaj [0 3 2 0 1 0] (C E G) : major triad C or Cmaj [0 3 5 5 5 3] (C E G) : major triad C or Cmaj [3 3 2 0 1 0] (C E G) : major triad C or Cmaj [3 x 2 0 1 0] (C E G) : major triad C or Cmaj [x 3 2 0 1 0] (C E G) : major triad C or Cmaj [x 3 5 5 5 0] (C E G) : major triad C #5 or Caug [x 3 2 1 1 0] (C E Ab) : augmented triad C b5 [x x 4 5 x 0] (C E Gb) : flat 5th C/A [0 0 2 0 1 3] (C E G A) : major triad (altered bass) C/A [x 0 2 0 1 0] (C E G A) : major triad (altered bass) C/A [x 0 2 2 1 3] (C E G A) : major triad (altered bass) C/A [x 0 5 5 5 8] (C E G A) : major triad (altered bass) C/B [0 3 2 0 0 0] (C E G B) : major triad (altered bass) C/B [x 2 2 0 1 0] (C E G B) : major triad (altered bass) C/B [x 3 5 4 5 3] (C E G B) : major triad (altered bass) C/Bb [x 3 5 3 5 3] (C E G Bb) : major triad (altered bass) C/D [3 x 0 0 1 0] (C D E G) : major triad (altered bass) C/D [x 3 0 0 1 0] (C D E G) : major triad (altered bass) C/D [x 3 2 0 3 0] (C D E G) : major triad (altered bass) C/D [x 3 2 0 3 3] (C D E G) : major triad (altered bass) C/D [x x 0 0 1 0] (C D E G) : major triad (altered bass) C/D [x x 0 5 5 3] (C D E G) : major triad (altered bass) C/D [x 10 12 12 13 0] (C D E G) : major triad (altered bass) C/D [x 5 5 5 x 0] (C D E G) : major triad (altered bass) C/F [x 3 3 0 1 0] (C E F G) : major triad (altered bass) C/F [x x 3 0 1 0] (C E F G) : major triad (altered bass) C5 or C(no 3rd) [x 3 5 5 x 3] (C G): root and 5th (power chord) C6 [0 0 2 0 1 3] (C E G A) : major triad plus 6th C6 [x 0 2 0 1 0] (C E G A) : major triad plus 6th C6 [x 0 2 2 1 3] (C E G A) : major triad plus 6th C6 [x 0 5 5 5 8] (C E G A) : major triad plus 6th C6/add9 or C6/9 [x 5 7 5 8 0] (C D E G A) : major triad plus 6th and 9th C7 or Cdom 7 [x 3 5 3 5 3] (C E G Bb) : major triad, minor 7th C7sus4 [x 3 5 3 6 3] (C F G Bb) : sus4 triad, minor 7th C9(b5) [0 3 x 3 3 2] (C D E Gb Bb) : diminished 5th, minor 7th, plus 9th Wikibooks | 91Chapter 33 Cadd9 or C2 [3 x 0 0 1 0] (C D E G) : major triad plus 9th Cadd9 or C2 [x 3 0 0 1 0] (C D E G) : major triad plus 9th Cadd9 or C2 [x 3 2 0 3 0] (C D E G) : major triad plus 9th Cadd9 or C2 [x 3 2 0 3 3] (C D E G) : major triad plus 9th Cadd9 or C2 [x x 0 0 1 0] (C D E G) : major triad plus 9th Cadd9 or C2 [x x 0 5 5 3] (C D E G) : major triad plus 9th Cadd9 or C2 [x 10 12 12 13 0] (C D E G) : major triad plus 9th Cadd9 or C2 [x 3 2 0 3 0] (C D E G) : major triad plus 9th Cadd9 or C2 [x 5 5 5 x 0] (C D E G) : major triad plus 9th Cdim/A [x x 1 2 1 2] (C Eb Gb A) : diminished triad (altered bass) Cdim/Ab [x x 1 1 1 2] (C Eb Gb Ab) : diminished triad (altered bass) Cdim/Ab [x x 4 5 4 4] (C Eb Gb Ab) : diminished triad (altered bass) Cdim/D [x 5 4 5 4 2] (C D Eb Gb): diminished triad (altered bass) Cdim7 [x x 1 2 1 2] (C Eb Gb A) : diminished triad, diminished 7th Cm [x 3 5 5 4 3] (C Eb G) : minor triad Cm [x x 5 5 4 3] (C Eb G) : minor triad Cm/A [x x 1 2 1 3] (C Eb G A) : minor triad (altered bass) Cm/Bb [x 3 5 3 4 3] (C Eb G Bb) : minor triad (altered bass) Cm6 [x x 1 2 1 3] (C Eb G A) : minor triad plus 6th Cm7 [x 3 5 3 4 3] (C Eb G Bb) : minor triad, minor 7th Cmaj7 or C#7 [0 3 2 0 0 0] (C E G B) : major triad, major 7th Cmaj7 or C#7 [x 2 2 0 1 0] (C E G B) : major triad, major 7th Cmaj7 or C#7 [x 3 5 4 5 3] (C E G B) : major triad, major 7th Cmaj9 or C9(#7) [x 3 0 0 0 0] (C D E G B) : major triad, major 7th plus 9th Csus or Csus4 [x 3 3 0 1 1] (C F G) : no 3rd but a 4th from a major triad Csus or Csus4 [x x 3 0 1 1] (C F G) : no 3rd but a 4th from a major triad Csus2 or Cadd9(no3)[x 10 12 12 13 3] (C D G): no 3rd but a 2nd from a major triad Csus2 or Cadd9(no3)[x 5 5 5 x 3] (C D G): no 3rd but a 2nd from a major triad Csus2 or Cadd9(no3)[x 3 0 0 3 3] (C D G) : no 3rd but a 2nd from a major triad Csus2 or Cadd9(no3)[x 3 5 5 3 3] (C D G) : no 3rd but a 2nd from a major triad Csus2/A [x 5 7 5 8 3] (C D G A): sus2 triad (altered bass) Csus2/A [x x 0 2 1 3] (C D G A) : sus2 triad (altered bass) Csus2/B [3 3 0 0 0 3] (C D G B) : sus2 triad (altered bass) Csus2/B [x 3 0 0 0 3] (C D G B) : sus2 triad (altered bass) Csus2/E [3 x 0 0 1 0] (C D E G) : sus2 triad (altered bass) Csus2/E [x 3 0 0 1 0] (C D E G) : sus2 triad (altered bass) Csus2/E [x 3 2 0 3 0] (C D E G) : sus2 triad (altered bass) Csus2/E [x 3 2 0 3 3] (C D E G) : sus2 triad (altered bass) Csus2/E [x x 0 0 1 0] (C D E G) : sus2 triad (altered bass) Csus2/E [x x 0 5 5 3] (C D E G) : sus2 triad (altered bass) Csus2/E [x 10 12 12 13 0] (C D E G) : sus2 triad (altered bass) Csus2/E [x 5 5 5 x 0] (C D E G) : sus2 triad (altered bass) Csus2/F [3 3 0 0 1 1] (C D F G) : sus2 triad (altered bass) Csus4/A [3 x 3 2 1 1] (C F G A) : sus4 triad (altered bass) Csus4/A [x x 3 2 1 3] (C F G A) : sus4 triad (altered bass) Csus4/B [x 3 3 0 0 3] (C F G B) : sus4 triad (altered bass) Csus4/Bb [x 3 5 3 6 3] (C F G Bb) : sus4 triad (altered bass) Csus4/D [3 3 0 0 1 1] (C D F G) : sus4 triad (altered bass) Csus4/E [x 3 3 0 1 0] (C E F G) : sus4 triad (altered bass) Csus4/E [x x 3 0 1 0] (C E F G) : sus4 triad (altered bass) D or Dmaj [x 5 4 2 3 2] (D Gb A): major triad D or Dmaj [x 9 7 7 x 2] (D Gb A): major triad D or Dmaj [2 0 0 2 3 2] (D Gb A) : major triad D or Dmaj [x 0 0 2 3 2] (D Gb A) : major triad D or Dmaj [x 0 4 2 3 2] (D Gb A) : major triad D or Dmaj [x x 0 2 3 2] (D Gb A) : major triad D or Dmaj [x x 0 7 7 5] (D Gb A) : major triad D #5 or Daug [x x 0 3 3 2] (D Gb Bb) : augmented triad D/B [x 0 4 4 3 2] (D Gb A B) : major triad (altered bass) D/B [x 2 0 2 0 2] (D Gb A B) : major triad (altered bass) 92 | GuitarChord Reference D/B [x 2 0 2 3 2] (D Gb A B) : major triad (altered bass) D/B [x 2 4 2 3 2] (D Gb A B) : major triad (altered bass) D/B [x x 0 2 0 2] (D Gb A B) : major triad (altered bass) D/C [x 5 7 5 7 2] (C D Gb A): major triad (altered bass) D/C [x 0 0 2 1 2] (C D Gb A) : major triad (altered bass) D/C [x 3 x 2 3 2] (C D Gb A) : major triad (altered bass) D/C [x 5 7 5 7 5] (C D Gb A) : major triad (altered bass) D/Db [x x 0 14 14 14] (Db D Gb A) : major triad (altered bass) D/Db [x x 0 2 2 2] (Db D Gb A) : major triad (altered bass) D/E [0 0 0 2 3 2] (D E Gb A) : major triad (altered bass) D/E [0 0 4 2 3 0] (D E Gb A) : major triad (altered bass) D/E [2 x 0 2 3 0] (D E Gb A) : major triad (altered bass) D/E [x 0 2 2 3 2] (D E Gb A) : major triad (altered bass) D/E [x x 2 2 3 2] (D E Gb A) : major triad (altered bass) D/E [x 5 4 2 3 0] (D E Gb A) : major triad (altered bass) D/E [x 9 7 7 x 0] (D E Gb A) : major triad (altered bass) D/G [5 x 4 0 3 5] (D Gb G A): major triad (altered bass) D/G [3 x 0 2 3 2] (D Gb G A) : major triad (altered bass) D5 or D(no 3rd) [5 5 7 7 x 5] (D A): root and 5th (power chord) D5 or D(no 3rd) [x 0 0 2 3 5] (D A): root and 5th (power chord) D6 [x 0 4 4 3 2] (D Gb A B) : major triad plus 6th D6 [x 2 0 2 0 2] (D Gb A B) : major triad plus 6th D6 [x 2 0 2 3 2] (D Gb A B) : major triad plus 6th D6 [x 2 4 2 3 2] (D Gb A B) : major triad plus 6th D6 [x x 0 2 0 2] (D Gb A B) : major triad plus 6th D6/add9 or D6/9 [0 0 2 4 3 2] (D E Gb A B) : major triad plus 6th and 9th D6/add9 or D6/9 [0 2 0 2 0 2] (D E Gb A B) : major triad plus 6th and 9th D7 or Ddom 7 [x 5 7 5 7 2] (C D Gb A): major triad, minor 7th D7 or Ddom 7 [x 0 0 2 1 2] (C D Gb A) : major triad, minor 7th D7 or Ddom 7 [x 3 x 2 3 2] (C D Gb A) : major triad, minor 7th D7 or Ddom 7 [x 5 7 5 7 5] (C D Gb A) : major triad, minor 7th D7sus4 [x 5 7 5 8 3] (C D G A): sus4 triad, minor 7th D7sus4 [x x 0 2 1 3] (C D G A) : sus4 triad, minor 7th D9 or Ddom 9 [0 0 0 2 1 2] (C D E Gb A) : major triad, minor 7th plus 9th D9 or Ddom 9 [2 x 0 2 1 0] (C D E Gb A) : major triad, minor 7th plus 9th D9 or Ddom 9 [x 5 7 5 7 0] (C D E Gb A) : major triad, minor 7th plus 9th D9(#5) [0 3 x 3 3 2] (C D E Gb Bb) : augmented 5th, minor 7th plus 9th Dadd9 or D2 [0 0 0 2 3 2] (D E Gb A) : major triad plus 9th Dadd9 or D2 [0 0 4 2 3 0] (D E Gb A) : major triad plus 9th Dadd9 or D2 [2 x 0 2 3 0] (D E Gb A) : major triad plus 9th Dadd9 or D2 [x 0 2 2 3 2] (D E Gb A) : major triad plus 9th Dadd9 or D2 [x x 2 2 3 2] (D E Gb A) : major triad plus 9th Dadd9 or D2 [x 5 4 2 3 0] (D E Gb A) : major triad plus 9th Dadd9 or D2 [x 9 7 7 x 0] (D E Gb A) : major triad plus 9th Daug/E [2 x 4 3 3 0] (D E Gb Bb) : augmented triad (altered bass) Db or Dbmaj [4 4 6 6 6 4] (Db F Ab) : major triad Db or Dbmaj [x 4 3 1 2 1] (Db F Ab) : major triad Db or Dbmaj [x 4 6 6 6 4] (Db F Ab) : major triad Db or Dbmaj [x x 3 1 2 1] (Db F Ab) : major triad Db or Dbmaj [x x 6 6 6 4] (Db F Ab) : major triad Db #5 or Dbaug [x 0 3 2 2 1] (Db F A) : augmented triad Db #5 or Dbaug [x 0 x 2 2 1] (Db F A) : augmented triad Db b5 [x x 3 0 2 1] (Db F G) : flat 5th Db/B [x 4 3 4 0 4] (Db F Ab B) : major triad (altered bass) Db/Bb [x 1 3 1 2 1] (Db F Ab Bb) : major triad (altered bass) Db/C [x 3 3 1 2 1] (C Db F Ab) : major triad (altered bass) Db/C [x 4 6 5 6 4] (C Db F Ab) : major triad (altered bass) Db5 or Db(no 3rd)[x 4 6 6 x 4] (Db Ab): root and 5th (power chord) Db6 [x 1 3 1 2 1] (Db F Ab Bb) : major triad plus 6th Db7 or Dbdom 7 [x 4 3 4 0 4] (Db F Ab B) : major triad, minor 7th Wikibooks | 93Chapter 33 Dbaug/D [x x 0 2 2 1] (Db D F A) : augmented triad (altered bass) Dbaug/G [1 0 3 0 2 1] (Db F G A) : augmented triad (altered bass) Dbdim/A [3 x 2 2 2 0] (Db E G A) : diminished triad (altered bass) Dbdim/A [x 0 2 0 2 0] (Db E G A) : diminished triad (altered bass) Dbdim/A [x 0 2 2 2 3] (Db E G A) : diminished triad (altered bass) Dbdim/B [0 2 2 0 2 0] (Db E G B) : diminished triad (altered bass) Dbdim/Bb [x 1 2 0 2 0] (Db E G Bb) : diminished triad (altered bass) Dbdim/Bb [x x 2 3 2 3] (Db E G Bb) : diminished triad (altered bass) Dbdim/D [3 x 0 0 2 0] (Db D E G) : diminished triad (altered bass) Dbdim/D [x x 0 0 2 0] (Db D E G) : diminished triad (altered bass) Dbdim7 [x 1 2 0 2 0] (Db E G Bb) : diminished triad, diminished 7th Dbdim7 [x x 2 3 2 3] (Db E G Bb) : diminished triad, diminished 7th Dbm [x 4 6 6 5 4] (Db E Ab) : minor triad Dbm [x x 2 1 2 0] (Db E Ab) : minor triad Dbm [x 4 6 6 x 0] (Db E Ab) : minor triad Dbm/A [x 0 2 1 2 0] (Db E Ab A) : minor triad (altered bass) Dbm/B [0 2 2 1 2 0] (Db E Ab B) : minor triad (altered bass) Dbm/B [x 4 6 4 5 4] (Db E Ab B) : minor triad (altered bass) Dbm7 [0 2 2 1 2 0] (Db E Ab B) : minor triad, minor 7th Dbm7 [x 4 6 4 5 4] (Db E Ab B) : minor triad, minor 7th Dbm7(b5) or Dbo7 [0 2 2 0 2 0] (Db E G B) : diminished triad, minor 7th : half-diminished 7th Dbmaj7 or Db#7 [x 3 3 1 2 1] (C Db F Ab) : major triad, major 7th Dbmaj7 or Db#7 [x 4 6 5 6 4] (C Db F Ab) : major triad, major 7th Dbsus2 or Dbadd9(no3) [x x 6 6 4 4] (Db Eb Ab) : no 3rd but a 2nd from a major triad Dbsus4/Bb [x x 4 3 2 4] (Db Gb Ab Bb) : sus4 triad (altered bass) Ddim/B [x 2 0 1 0 1] (D F Ab B) : diminished triad (altered bass) Ddim/B [x x 0 1 0 1] (D F Ab B) : diminished triad (altered bass) Ddim/B [x x 3 4 3 4] (D F Ab B) : diminished triad (altered bass) Ddim/Bb [x 1 3 1 3 1] (D F Ab Bb) : diminished triad (altered bass) Ddim/Bb [x x 3 3 3 4] (D F Ab Bb) : diminished triad (altered bass) Ddim/C [x x 0 1 1 1] (C D F Ab) : diminished triad (altered bass) Ddim7 [x 2 0 1 0 1] (D F Ab B) : diminished triad, diminished 7th Ddim7 [x x 0 1 0 1] (D F Ab B) : diminished triad, diminished 7th Ddim7 [x x 3 4 3 4] (D F Ab B) : diminished triad, diminished 7th Dm [x 0 0 2 3 1] (D F A) : minor triad Dm/B [1 2 3 2 3 1] (D F A B) : minor triad (altered bass) Dm/B [x 2 0 2 0 1] (D F A B) : minor triad (altered bass) Dm/B [x x 0 2 0 1] (D F A B) : minor triad (altered bass) Dm/Bb [1 1 3 2 3 1] (D F A Bb) : minor triad (altered bass) Dm/C [x 5 7 5 6 5] (C D F A) : minor triad (altered bass) Dm/C [x x 0 2 1 1] (C D F A) : minor triad (altered bass) Dm/C [x x 0 5 6 5] (C D F A) : minor triad (altered bass) Dm/Db [x x 0 2 2 1] (Db D F A) : minor triad (altered bass) Dm/E [x x 7 7 6 0] (D E F A) : minor triad (altered bass) Dm6 [1 2 3 2 3 1] (D F A B) : minor triad plus 6th Dm6 [x 2 0 2 0 1] (D F A B) : minor triad plus 6th Dm6 [x x 0 2 0 1] (D F A B) : minor triad plus 6th Dm7 [x 5 7 5 6 5] (C D F A) : minor triad, minor 7th Dm7 [x x 0 2 1 1] (C D F A) : minor triad, minor 7th Dm7 [x x 0 5 6 5] (C D F A) : minor triad, minor 7th Dm7(b5) or Do7 [x x 0 1 1 1] (C D F Ab) : diminished triad, minor 7th : half-diminished 7th Dm7/add11 or Dm7/11 [3 x 0 2 1 1] (C D F G A) : minor triad, minor 7th, plus 11th Dmaj7 or D#7 [x x 0 14 14 14] (Db D Gb A) : major triad, major 7th Dmaj7 or D#7 [x x 0 2 2 2] (Db D Gb A) : major triad, major 7th Dmin/maj7 [x x 0 2 2 1] (Db D F A) : minor triad, major 7th Dsus or Dsus4 [5 x 0 0 3 5] (D G A): no 3rd but a 4th from a major triad Dsus or Dsus4 [3 0 0 0 3 3] (D G A) : no 3rd but a 4th from a major triad Dsus or Dsus4 [x 0 0 0 3 3] (D G A) : no 3rd but a 4th from a major triad Dsus or Dsus4 [x x 0 2 3 3] (D G A) : no 3rd but a 4th from a major triad Dsus2 or Dadd9(no3)[5 5 7 7 x 0] (D E A): no 3rd but a 2nd from a major triad 94 | GuitarChord Reference Dsus2 or Dadd9(no3)[x 0 0 2 3 0] (D E A): no 3rd but a 2nd from a major triad Dsus2 or Dadd9(no3)[0 0 2 2 3 0] (D E A) : no 3rd but a 2nd from a major triad Dsus2 or Dadd9(no3)[x 0 2 2 3 0] (D E A) : no 3rd but a 2nd from a major triad Dsus2 or Dadd9(no3)[x x 0 2 3 0] (D E A) : no 3rd but a 2nd from a major triad Dsus2/Ab [4 x 0 2 3 0] (D E Ab A) : sus2 triad (altered bass) Dsus2/B [0 2 0 2 0 0] (D E A B) : sus2 triad (altered bass) Dsus2/B [x 2 0 2 3 0] (D E A B) : sus2 triad (altered bass) Dsus2/Bb [0 1 x 2 3 0] (D E A Bb) : sus2 triad (altered bass) Dsus2/C [x x 0 2 1 0] (C D E A) : sus2 triad (altered bass) Dsus2/C [x x 0 5 5 5] (C D E A) : sus2 triad (altered bass) Dsus2/Db [x 0 0 2 2 0] (Db D E A) : sus2 triad (altered bass) Dsus2/Db [x x 0 2 2 0] (Db D E A) : sus2 triad (altered bass) Dsus2/Db [x x 0 6 5 5] (Db D E A) : sus2 triad (altered bass) Dsus2/Db [x x 0 9 10 9] (Db D E A) : sus2 triad (altered bass) Dsus2/F [x x 7 7 6 0] (D E F A) : sus2 triad (altered bass) Dsus2/G [x 0 2 0 3 0] (D E G A) : sus2 triad (altered bass) Dsus2/G [x 0 2 0 3 3] (D E G A) : sus2 triad (altered bass) Dsus2/G [x 0 2 2 3 3] (D E G A) : sus2 triad (altered bass) Dsus2/G [5 x 0 0 3 0] (D E G A) : sus2 triad (altered bass) Dsus2/G [x 0 0 0 x 0] (D E G A) : sus2 triad (altered bass) Dsus2/Gb [0 0 0 2 3 2] (D E Gb A) : sus2 triad (altered bass) Dsus2/Gb [0 0 4 2 3 0] (D E Gb A) : sus2 triad (altered bass) Dsus2/Gb [2 x 0 2 3 0] (D E Gb A) : sus2 triad (altered bass) Dsus2/Gb [x 0 2 2 3 2] (D E Gb A) : sus2 triad (altered bass) Dsus2/Gb [x x 2 2 3 2] (D E Gb A) : sus2 triad (altered bass) Dsus2/Gb [x 5 4 2 3 0] (D E Gb A) : sus2 triad (altered bass) Dsus2/Gb [x 9 7 7 x 0] (D E Gb A) : sus2 triad (altered bass) Dsus4/B [3 0 0 0 0 3] (D G A B) : sus4 triad (altered bass) Dsus4/B [3 2 0 2 0 3] (D G A B) : sus4 triad (altered bass) Dsus4/C [x 5 7 5 8 3] (C D G A): sus4 triad (altered bass) Dsus4/C [x x 0 2 1 3] (C D G A) : sus4 triad (altered bass) Dsus4/E [x 0 2 0 3 0] (D E G A) : sus4 triad (altered bass) Dsus4/E [x 0 2 0 3 3] (D E G A) : sus4 triad (altered bass) Dsus4/E [x 0 2 2 3 3] (D E G A) : sus4 triad (altered bass) Dsus4/E [5 x 0 0 3 0] (D E G A) : sus4 triad (altered bass) Dsus4/E [x 0 0 0 x 0] (D E G A) : sus4 triad (altered bass) Dsus4/Gb [5 x 4 0 3 5] (D Gb G A): sus4 triad (altered bass) Dsus4/Gb [3 x 0 2 3 2] (D Gb G A) : sus4 triad (altered bass) E or Emaj [0 2 2 1 0 0] (E Ab B) : major triad E or Emaj [x 7 6 4 5 0] (E Ab B) : major triad E #5 or Eaug [x 3 2 1 1 0] (C E Ab) : augmented triad E/A [x 0 2 1 0 0] (E Ab A B) : major triad (altered bass) E/D [0 2 0 1 0 0] (D E Ab B) : major triad (altered bass) E/D [0 2 2 1 3 0] (D E Ab B) : major triad (altered bass) E/D [x 2 0 1 3 0] (D E Ab B) : major triad (altered bass) E/D [x x 0 1 0 0] (D E Ab B) : major triad (altered bass) E/Db [0 2 2 1 2 0] (Db E Ab B) : major triad (altered bass) E/Db [x 4 6 4 5 4] (Db E Ab B) : major triad (altered bass) E/Eb [0 2 1 1 0 0] (Eb E Ab B) : major triad (altered bass) E/Eb [0 x 6 4 4 0] (Eb E Ab B) : major triad (altered bass) E/Eb [x x 1 1 0 0] (Eb E Ab B) : major triad (altered bass) E/Gb [0 2 2 1 0 2] (E Gb Ab B) : major triad (altered bass) E/Gb [0 x 4 1 0 0] (E Gb Ab B) : major triad (altered bass) E/Gb [2 2 2 1 0 0] (E Gb Ab B) : major triad (altered bass) E11/b9 [0 0 3 4 3 4] (D E F Ab A B) : major triad, minor 7th, flat 9th, plus 11th E5 or E(no 3rd) [0 2 x x x 0] (E B) : root and 5th (power chord) E5 or E(no 3rd) [x 7 9 9 x 0] (E B) : root and 5th (power chord) E6 [0 2 2 1 2 0] (Db E Ab B) : major triad plus 6th E6 [x 4 6 4 5 4] (Db E Ab B) : major triad plus 6th E7 or Edom 7 [0 2 0 1 0 0] (D E Ab B) : major triad, minor 7th Wikibooks | 95Chapter 33 E7 or Edom 7 [0 2 2 1 3 0] (D E Ab B) : major triad, minor 7th E7 or Edom 7 [x 2 0 1 3 0] (D E Ab B) : major triad, minor 7th E7 or Edom 7 [x x 0 1 0 0] (D E Ab B) : major triad, minor 7th E7/add11 or E7/11 [x 0 0 1 0 0] (D E Ab A B) : major triad, minor 7th, plus 11th E7/b9(b5) [0 1 3 1 3 1] (D E F Ab Bb) : diminished 5th, minor 7th, flat 9th E7sus4 [0 2 0 2 0 0] (D E A B) : sus4 triad, minor 7th E9 or Edom 9 [0 2 0 1 0 2] (D E Gb Ab B) : major triad, minor 7th plus 9th E9 or Edom 9 [2 2 0 1 0 0] (D E Gb Ab B) : major triad, minor 7th plus 9th Eadd9 or E2 [0 2 2 1 0 2] (E Gb Ab B) : major triad plus 9th Eadd9 or E2 [0 x 4 1 0 0] (E Gb Ab B) : major triad plus 9th Eadd9 or E2 [2 2 2 1 0 0] (E Gb Ab B) : major triad plus 9th Eb or Ebmaj [x 1 1 3 4 3] (Eb G Bb) : major triad Eb or Ebmaj [x x 1 3 4 3] (Eb G Bb) : major triad Eb or Ebmaj [x x 5 3 4 3] (Eb G Bb) : major triad Eb #5 or Ebaug [3 2 1 0 0 3] (Eb G B) : augmented triad Eb #5 or Ebaug [3 x 1 0 0 3] (Eb G B) : augmented triad Eb/C [x 3 5 3 4 3] (C Eb G Bb) : major triad (altered bass) Eb/D [x 6 8 7 8 6] (D Eb G Bb) : major triad (altered bass) Eb/Db [x 1 1 3 2 3] (Db Eb G Bb) : major triad (altered bass) Eb/Db [x 6 8 6 8 6] (Db Eb G Bb) : major triad (altered bass) Eb/Db [x x 1 3 2 3] (Db Eb G Bb) : major triad (altered bass) Eb/E [x x 5 3 4 0] (Eb E G Bb) : major triad (altered bass) Eb5 or Eb(no 3rd)[x 6 8 8 x 6] (Eb Bb): root and 5th (power chord) Eb6 [x 3 5 3 4 3] (C Eb G Bb) : major triad plus 6th Eb7 or Ebdom 7 [x 1 1 3 2 3] (Db Eb G Bb) : major triad, minor 7th Eb7 or Ebdom 7 [x 6 8 6 8 6] (Db Eb G Bb) : major triad, minor 7th Eb7 or Ebdom 7 [x x 1 3 2 3] (Db Eb G Bb) : major triad, minor 7th Ebaug/E [3 x 1 0 0 0] (Eb E G B) : augmented triad (altered bass) Ebaug/E [x x 1 0 0 0] (Eb E G B) : augmented triad (altered bass) Ebdim/B [2 x 1 2 0 2] (Eb Gb A B) : diminished triad (altered bass) Ebdim/B [x 0 1 2 0 2] (Eb Gb A B) : diminished triad (altered bass) Ebdim/B [x 2 1 2 0 2] (Eb Gb A B) : diminished triad (altered bass) Ebdim/B [x 2 4 2 4 2] (Eb Gb A B) : diminished triad (altered bass) Ebdim/C [x x 1 2 1 2] (C Eb Gb A) : diminished triad (altered bass) Ebdim7 [x x 1 2 1 2] (C Eb Gb A) : diminished triad, diminished 7th Ebm [x x 4 3 4 2] (Eb Gb Bb) : minor triad Ebm/Db [x x 1 3 2 2] (Db Eb Gb Bb) : minor triad (altered bass) Ebm7 [x x 1 3 2 2] (Db Eb Gb Bb) : minor triad, minor 7th Ebmaj7 or Eb#7 [x 6 8 7 8 6] (D Eb G Bb) : major triad, major 7th Ebsus2/Ab [x 1 3 1 4 1] (Eb F Ab Bb) : sus2 triad (altered bass) Ebsus4/F [x 1 3 1 4 1] (Eb F Ab Bb) : sus4 triad (altered bass) Edim/C [x 3 5 3 5 3] (C E G Bb) : diminished triad (altered bass) Edim/D [3 x 0 3 3 0] (D E G Bb) : diminished triad (altered bass) Edim/Db [x 1 2 0 2 0] (Db E G Bb) : diminished triad (altered bass) Edim/Db [x x 2 3 2 3] (Db E G Bb) : diminished triad (altered bass) Edim/Eb [x x 5 3 4 0] (Eb E G Bb) : diminished triad (altered bass) Edim7 [x 1 2 0 2 0] (Db E G Bb) : diminished triad, diminished 7th Edim7 [x x 2 3 2 3] (Db E G Bb) : diminished triad, diminished 7th Em [0 2 2 0 0 0] (E G B) : minor triad Em [3 x 2 0 0 0] (E G B) : minor triad Em [x 2 5 x x 0] (E G B) : minor triad Em/A [3 x 2 2 0 0] (E G A B) : minor triad (altered bass) Em/A [x 0 2 0 0 0] (E G A B) : minor triad (altered bass) Em/A [x 0 5 4 5 0] (E G A B) : minor triad (altered bass) Em/C [0 3 2 0 0 0] (C E G B) : minor triad (altered bass) Em/C [x 2 2 0 1 0] (C E G B) : minor triad (altered bass) Em/C [x 3 5 4 5 3] (C E G B) : minor triad (altered bass) Em/D [0 2 0 0 0 0] (D E G B) : minor triad (altered bass) Em/D [0 2 0 0 3 0] (D E G B) : minor triad (altered bass) Em/D [0 2 2 0 3 0] (D E G B) : minor triad (altered bass) 96 | GuitarChord Reference Em/D [0 2 2 0 3 3] (D E G B) : minor triad (altered bass) Em/D [x x 0 12 12 12] (D E G B) : minor triad (altered bass) Em/D [x x 0 9 8 7] (D E G B) : minor triad (altered bass) Em/D [x x 2 4 3 3] (D E G B) : minor triad (altered bass) Em/D [0 x 0 0 0 0] (D E G B) : minor triad (altered bass) Em/D [x 10 12 12 12 0] (D E G B) : minor triad (altered bass) Em/Db [0 2 2 0 2 0] (Db E G B) : minor triad (altered bass) Em/Eb [3 x 1 0 0 0] (Eb E G B) : minor triad (altered bass) Em/Eb [x x 1 0 0 0] (Eb E G B) : minor triad (altered bass) Em/Gb [0 2 2 0 0 2] (E Gb G B) : minor triad (altered bass) Em/Gb [0 2 4 0 0 0] (E Gb G B) : minor triad (altered bass) Em/Gb [0 x 4 0 0 0] (E Gb G B) : minor triad (altered bass) Em/Gb [2 2 2 0 0 0] (E Gb G B) : minor triad (altered bass) Em6 [0 2 2 0 2 0] (Db E G B) : minor triad plus 6th Em7 [0 2 0 0 0 0] (D E G B) : minor triad, minor 7th Em7 [0 2 0 0 3 0] (D E G B) : minor triad, minor 7th Em7 [0 2 2 0 3 0] (D E G B) : minor triad, minor 7th Em7 [0 2 2 0 3 3] (D E G B) : minor triad, minor 7th Em7 [x x 0 0 0 0] (D E G B) : minor triad, minor 7th Em7 [x x 0 12 12 12] (D E G B) : minor triad, minor 7th Em7 [x x 0 9 8 7] (D E G B) : minor triad, minor 7th Em7 [x x 2 4 3 3] (D E G B) : minor triad, minor 7th Em7 [0 x 0 0 0 0] (D E G B) : minor triad, minor 7th Em7 [x 10 12 12 12 0] (D E G B) : minor triad, minor 7th Em7(b5) or Eo7 [3 x 0 3 3 0] (D E G Bb) : diminished triad, minor 7th : half-diminished 7th Em7/add11 or Em7/11 [0 0 0 0 0 0] (D E G A B) : minor triad, minor 7th, plus 11th Em7/add11 or Em7/11 [0 0 0 0 0 3] (D E G A B) : minor triad, minor 7th, plus 11th Em7/add11 or Em7/11 [3 x 0 2 0 0] (D E G A B) : minor triad, minor 7th, plus 11th Em9 [0 2 0 0 0 2] (D E Gb G B) : minor triad, minor 7th plus 9th Em9 [0 2 0 0 3 2] (D E Gb G B) : minor triad, minor 7th plus 9th Em9 [2 2 0 0 0 0] (D E Gb G B) : minor triad, minor 7th plus 9th Emaj7 or E#7 [0 2 1 1 0 0] (Eb E Ab B) : major triad, major 7th Emaj7 or E#7 [0 x 6 4 4 0] (Eb E Ab B) : major triad, major 7th Emaj7 or E#7 [x x 1 1 0 0] (Eb E Ab B) : major triad, major 7th Emaj9 or E9(#7) [0 2 1 1 0 2] (Eb E Gb Ab B) : major triad, major 7th plus 9th Emaj9 or E9(#7) [4 x 4 4 4 0] (Eb E Gb Ab B) : major triad, major 7th plus 9th Emin/maj7 [3 x 1 0 0 0] (Eb E G B) : minor triad, major 7th Emin/maj7 [x x 1 0 0 0] (Eb E G B) : minor triad, major 7th Emin/maj9 [0 6 4 0 0 0] (Eb E Gb G B) : minor triad, major 7th plus 9th Esus or Esus4 [0 0 2 2 0 0] (E A B) : no 3rd but a 4th from a major triad Esus or Esus4 [0 0 2 4 0 0] (E A B) : no 3rd but a 4th from a major triad Esus or Esus4 [0 2 2 2 0 0] (E A B) : no 3rd but a 4th from a major triad Esus or Esus4 [x 0 2 2 0 0] (E A B) : no 3rd but a 4th from a major triad Esus or Esus4 [x x 2 2 0 0] (E A B) : no 3rd but a 4th from a major triad Esus2 or Eadd9(no3)[7 9 9 x x 0] (E Gb B): no 3rd but a 2nd from a major triad Esus2 or Eadd9(no3)[x 2 4 4 x 0] (E Gb B): no 3rd but a 2nd from a major triad Esus2/A [x 0 4 4 0 0] (E Gb A B) : sus2 triad (altered bass) Esus2/A [x 2 4 2 5 2] (E Gb A B) : sus2 triad (altered bass) Esus2/Ab [0 2 2 1 0 2] (E Gb Ab B) : sus2 triad (altered bass) Esus2/Ab [0 x 4 1 0 0] (E Gb Ab B) : sus2 triad (altered bass) Esus2/Ab [2 2 2 1 0 0] (E Gb Ab B) : sus2 triad (altered bass) Esus2/Db [x 4 4 4 x 0] (Db E Gb B) : sus2 triad (altered bass) Esus2/Eb [x 2 2 4 4 2] (Eb E Gb B) : sus2 triad (altered bass) Esus2/Eb [x x 4 4 4 0] (Eb E Gb B) : sus2 triad (altered bass) Esus2/G [0 2 2 0 0 2] (E Gb G B) : sus2 triad (altered bass) Esus2/G [0 2 4 0 0 0] (E Gb G B) : sus2 triad (altered bass) Esus2/G [0 x 4 0 0 0] (E Gb G B) : sus2 triad (altered bass) Esus2/G [2 2 2 0 0 0] (E Gb G B) : sus2 triad (altered bass) Esus4/Ab [x 0 2 1 0 0] (E Ab A B) : sus4 triad (altered bass) Esus4/C [0 0 7 5 0 0] (C E A B) : sus4 triad (altered bass) Wikibooks | 97Chapter 33 Esus4/C [x 3 2 2 0 0] (C E A B) : sus4 triad (altered bass) Esus4/D [0 2 0 2 0 0] (D E A B) : sus4 triad (altered bass) Esus4/D [x 2 0 2 3 0] (D E A B) : sus4 triad (altered bass) Esus4/Db [0 0 2 4 2 0] (Db E A B) : sus4 triad (altered bass) Esus4/Db [x 0 7 6 0 0] (Db E A B) : sus4 triad (altered bass) Esus4/Eb [x 2 1 2 0 0] (Eb E A B) : sus4 triad (altered bass) Esus4/F [0 0 3 2 0 0] (E F A B) : sus4 triad (altered bass) Esus4/G [3 x 2 2 0 0] (E G A B) : sus4 triad (altered bass) Esus4/G [x 0 2 0 0 0] (E G A B) : sus4 triad (altered bass) Esus4/G [x 0 5 4 5 0] (E G A B) : sus4 triad (altered bass) Esus4/Gb [x 0 4 4 0 0] (E Gb A B) : sus4 triad (altered bass) Esus4/Gb [x 2 4 2 5 2] (E Gb A B) : sus4 triad (altered bass) F or Fmaj [1 3 3 2 1 1] (C F A) : major triad F or Fmaj [x 0 3 2 1 1] (C F A) : major triad F or Fmaj [x 3 3 2 1 1] (C F A) : major triad F or Fmaj [x x 3 2 1 1] (C F A) : major triad F #5 or Faug [x 0 3 2 2 1] (Db F A) : augmented triad F #5 or Faug [x 0 x 2 2 1] (Db F A) : augmented triad F/D [x 5 7 5 6 5] (C D F A) : major triad (altered bass) F/D [x x 0 2 1 1] (C D F A) : major triad (altered bass) F/D [x x 0 5 6 5] (C D F A) : major triad (altered bass) F/E [0 0 3 2 1 0] (C E F A) : major triad (altered bass) F/E [1 3 3 2 1 0] (C E F A) : major triad (altered bass) F/E [1 x 2 2 1 0] (C E F A) : major triad (altered bass) F/E [x x 2 2 1 1] (C E F A) : major triad (altered bass) F/E [x x 3 2 1 0] (C E F A) : major triad (altered bass) F/Eb [x x 1 2 1 1] (C Eb F A) : major triad (altered bass) F/Eb [x x 3 5 4 5] (C Eb F A) : major triad (altered bass) F/G [3 x 3 2 1 1] (C F G A) : major triad (altered bass) F/G [x x 3 2 1 3] (C F G A) : major triad (altered bass) F5 or F(no 3rd) [1 3 3 x x 1] (C F): root and 5th (power chord) F5 or F(no 3rd) [x 8 10 x x 1] (C F): root and 5th (power chord) F6 [x 5 7 5 6 5] (C D F A) : major triad plus 6th F6 [x x 0 2 1 1] (C D F A) : major triad plus 6th F6 [x x 0 5 6 5] (C D F A) : major triad plus 6th F6/add9 or F6/9 [3 x 0 2 1 1] (C D F G A) : major triad plus 6th and 9th F7 or Fdom 7 [x x 1 2 1 1] (C Eb F A) : major triad, minor 7th F7 or Fdom 7 [x x 3 5 4 5] (C Eb F A) : major triad, minor 7th Fadd9 or F2 [3 x 3 2 1 1] (C F G A) : major triad plus 9th Fadd9 or F2 [x x 3 2 1 3] (C F G A) : major triad plus 9th Faug/D [x x 0 2 2 1] (Db D F A) : augmented triad (altered bass) Faug/G [1 0 3 0 2 1] (Db F G A) : augmented triad (altered bass) Fdim/D [x 2 0 1 0 1] (D F Ab B) : diminished triad (altered bass) Fdim/D [x x 0 1 0 1] (D F Ab B) : diminished triad (altered bass) Fdim/D [x x 3 4 3 4] (D F Ab B) : diminished triad (altered bass) Fdim/Db [x 4 3 4 0 4] (Db F Ab B) : diminished triad (altered bass) Fdim7 [x 2 0 1 0 1] (D F Ab B) : diminished triad, diminished 7th Fdim7 [x x 0 1 0 1] (D F Ab B) : diminished triad, diminished 7th Fdim7 [x x 3 4 3 4] (D F Ab B) : diminished triad, diminished 7th Fm [x 3 3 1 1 1] (C F Ab) : minor triad Fm [x x 3 1 1 1] (C F Ab) : minor triad Fm/D [x x 0 1 1 1] (C D F Ab) : minor triad (altered bass) Fm/Db [x 3 3 1 2 1] (C Db F Ab) : minor triad (altered bass) Fm/Db [x 4 6 5 6 4] (C Db F Ab) : minor triad (altered bass) Fm/Eb [x 8 10 8 9 8] (C Eb F Ab) : minor triad (altered bass) Fm/Eb [x x 1 1 1 1] (C Eb F Ab) : minor triad (altered bass) Fm6 [x x 0 1 1 1] (C D F Ab) : minor triad plus 6th Fm7 [x 8 10 8 9 8] (C Eb F Ab) : minor triad, minor 7th Fm7 [x x 1 1 1 1] (C Eb F Ab) : minor triad, minor 7th Fmaj7 or F#7 [0 0 3 2 1 0] (C E F A) : major triad, major 7th 98 | GuitarChord Reference Fmaj7 or F#7 [1 3 3 2 1 0] (C E F A) : major triad, major 7th Fmaj7 or F#7 [1 x 2 2 1 0] (C E F A) : major triad, major 7th Fmaj7 or F#7 [x x 2 2 1 1] (C E F A) : major triad, major 7th Fmaj7 or F#7 [x x 3 2 1 0] (C E F A) : major triad, major 7th Fmaj7/#11 [0 2 3 2 1 0] (C E F A B) : major triad, major 7th, augmented 11th Fmaj7/#11 [1 3 3 2 0 0] (C E F A B) : major triad, major 7th, augmented 11th Fmaj9 or F9(#7) [0 0 3 0 1 3] (C E F G A) : major triad, major 7th plus 9th Fsus or Fsus4 [x x 3 3 1 1] (C F Bb) : no 3rd but a 4th from a major triad Fsus2 or Fadd9(no3)[x 3 3 0 1 1] (C F G) : no 3rd but a 2nd from a major triad Fsus2 or Fadd9(no3)[x x 3 0 1 1] (C F G) : no 3rd but a 2nd from a major triad Fsus2/A [3 x 3 2 1 1] (C F G A) : sus2 triad (altered bass) Fsus2/A [x x 3 2 1 3] (C F G A) : sus2 triad (altered bass) Fsus2/B [x 3 3 0 0 3] (C F G B) : sus2 triad (altered bass) Fsus2/Bb [x 3 5 3 6 3] (C F G Bb) : sus2 triad (altered bass) Fsus2/D [3 3 0 0 1 1] (C D F G) : sus2 triad (altered bass) Fsus2/E [x 3 3 0 1 0] (C E F G) : sus2 triad (altered bass) Fsus2/E [x x 3 0 1 0] (C E F G) : sus2 triad (altered bass) Fsus4/G [x 3 5 3 6 3] (C F G Bb) : sus4 triad (altered bass) G or Gmaj [x 10 12 12 12 10] (D G B): major triad G or Gmaj [3 2 0 0 0 3] (D G B) : major triad G or Gmaj [3 2 0 0 3 3] (D G B) : major triad G or Gmaj [3 5 5 4 3 3] (D G B) : major triad G or Gmaj [3 x 0 0 0 3] (D G B) : major triad G or Gmaj [x 5 5 4 3 3] (D G B) : major triad G or Gmaj [x x 0 4 3 3] (D G B) : major triad G or Gmaj [x x 0 7 8 7] (D G B) : major triad G #5 or Gaug [3 2 1 0 0 3] (Eb G B) : augmented triad G #5 or Gaug [3 x 1 0 0 3] (Eb G B) : augmented triad G/A [3 0 0 0 0 3] (D G A B) : major triad (altered bass) G/A [3 2 0 2 0 3] (D G A B) : major triad (altered bass) G/C [3 3 0 0 0 3] (C D G B) : major triad (altered bass) G/C [x 3 0 0 0 3] (C D G B) : major triad (altered bass) G/E [0 2 0 0 0 0] (D E G B) : major triad (altered bass) G/E [0 2 0 0 3 0] (D E G B) : major triad (altered bass) G/E [0 2 2 0 3 0] (D E G B) : major triad (altered bass) G/E [0 2 2 0 3 3] (D E G B) : major triad (altered bass) G/E [x x 0 12 12 12] (D E G B) : major triad (altered bass) G/E [x x 0 9 8 7] (D E G B) : major triad (altered bass) G/E [x x 2 4 3 3] (D E G B) : major triad (altered bass) G/E [0 x 0 0 0 0] (D E G B) : major triad (altered bass) G/E [x 10 12 12 12 0] (D E G B) : major triad (altered bass) G/F [1 x 0 0 0 3] (D F G B) : major triad (altered bass) G/F [3 2 0 0 0 1] (D F G B) : major triad (altered bass) G/F [x x 0 0 0 1] (D F G B) : major triad (altered bass) G/Gb [2 2 0 0 0 3] (D Gb G B) : major triad (altered bass) G/Gb [2 2 0 0 3 3] (D Gb G B) : major triad (altered bass) G/Gb [3 2 0 0 0 2] (D Gb G B) : major triad (altered bass) G/Gb [x x 4 4 3 3] (D Gb G B) : major triad (altered bass) G5 or G(no 3rd) [3 5 5 x x 3] (D G): root and 5th (power chord) G5 or G(no 3rd) [3 x 0 0 3 3] (D G) : root and 5th (power chord) G6 [0 2 0 0 0 0] (D E G B) : major triad plus 6th G6 [0 2 0 0 3 0] (D E G B) : major triad plus 6th G6 [0 2 2 0 3 0] (D E G B) : major triad plus 6th G6 [0 2 2 0 3 3] (D E G B) : major triad plus 6th G6 [x x 0 12 12 12] (D E G B) : major triad plus 6th G6 [x x 0 9 8 7] (D E G B) : major triad plus 6th G6 [x x 2 4 3 3] (D E G B) : major triad plus 6th G6 [0 x 0 0 0 0] (D E G B) : major triad plus 6th G6 [x 10 12 12 12 0] (D E G B) : major triad plus 6th G6/add9 or G6/9 [0 0 0 0 0 0] (D E G A B) : major triad plus 6th and 9th Wikibooks | 99Chapter 33 G6/add9 or G6/9 [0 0 0 0 0 3] (D E G A B) : major triad plus 6th and 9th G6/add9 or G6/9 [3 x 0 2 0 0] (D E G A B) : major triad plus 6th and 9th G7 or Gdom 7 [1 x 0 0 0 3] (D F G B) : major triad, minor 7th G7 or Gdom 7 [3 2 0 0 0 1] (D F G B) : major triad, minor 7th G7 or Gdom 7 [x x 0 0 0 1] (D F G B) : major triad, minor 7th G7/add11 or G7/11 [x 3 0 0 0 1] (C D F G B) : major triad, minor 7th, plus 11th G7sus4 [3 3 0 0 1 1] (C D F G) : sus4 triad, minor 7th G9 or Gdom 9 [x 0 0 0 0 1] (D F G A B) : major triad, minor 7th plus 9th G9 or Gdom 9 [x 2 3 2 3 3] (D F G A B) : major triad, minor 7th plus 9th Gadd9 or G2 [3 0 0 0 0 3] (D G A B) : major triad plus 9th Gadd9 or G2 [3 2 0 2 0 3] (D G A B) : major triad plus 9th Gaug/E [3 x 1 0 0 0] (Eb E G B) : augmented triad (altered bass) Gaug/E [x x 1 0 0 0] (Eb E G B) : augmented triad (altered bass) Gb or Gbmaj [2 4 4 3 2 2] (Db Gb Bb) : major triad Gb or Gbmaj [x 4 4 3 2 2] (Db Gb Bb) : major triad Gb or Gbmaj [x x 4 3 2 2] (Db Gb Bb) : major triad Gb #5 or Gbaug [x x 0 3 3 2] (D Gb Bb) : augmented triad Gb/Ab [x x 4 3 2 4] (Db Gb Ab Bb) : major triad (altered bass) Gb/E [2 4 2 3 2 2] (Db E Gb Bb) : major triad (altered bass) Gb/E [x x 4 3 2 0] (Db E Gb Bb) : major triad (altered bass) Gb/Eb [x x 1 3 2 2] (Db Eb Gb Bb) : major triad (altered bass) Gb/F [x x 3 3 2 2] (Db F Gb Bb) : major triad (altered bass) Gb6 [x x 1 3 2 2] (Db Eb Gb Bb) : major triad plus 6th Gb7 or Gbdom 7 [2 4 2 3 2 2] (Db E Gb Bb) : major triad, minor 7th Gb7 or Gbdom 7 [x x 4 3 2 0] (Db E Gb Bb) : major triad, minor 7th Gb7(#5) [2 x 4 3 3 0] (D E Gb Bb) : minor 7th, sharp 5th Gb7/#9 [x 0 4 3 2 0] (Db E Gb A Bb) : major triad, minor 7th augmented 9th Gb7sus4 [x 4 4 4 x 0] (Db E Gb B) : sus4 triad, minor 7th Gbadd9 or Gb2 [x x 4 3 2 4] (Db Gb Ab Bb) : major triad plus 9th Gbaug/E [2 x 4 3 3 0] (D E Gb Bb) : augmented triad (altered bass) Gbdim/D [x 5 7 5 7 2] (C D Gb A): diminished triad (altered bass) Gbdim/D [x 0 0 2 1 2] (C D Gb A) : diminished triad (altered bass) Gbdim/D [x 3 x 2 3 2] (C D Gb A) : diminished triad (altered bass) Gbdim/D [x 5 7 5 7 5] (C D Gb A) : diminished triad (altered bass) Gbdim/E [x 0 2 2 1 2] (C E Gb A) : diminished triad (altered bass) Gbdim/E [x x 2 2 1 2] (C E Gb A) : diminished triad (altered bass) Gbdim/Eb [x x 1 2 1 2] (C Eb Gb A) : diminished triad (altered bass) Gbdim7 [x x 1 2 1 2] (C Eb Gb A) : diminished triad, diminished 7th Gbm [2 4 4 2 2 2] (Db Gb A) : minor triad Gbm [x 4 4 2 2 2] (Db Gb A) : minor triad Gbm [x x 4 2 2 2] (Db Gb A) : minor triad Gbm/D [x x 0 14 14 14] (Db D Gb A) : minor triad (altered bass) Gbm/D [x x 0 2 2 2] (Db D Gb A) : minor triad (altered bass) Gbm/E [0 0 2 2 2 2] (Db E Gb A) : minor triad (altered bass) Gbm/E [0 x 4 2 2 0] (Db E Gb A) : minor triad (altered bass) Gbm/E [2 x 2 2 2 0] (Db E Gb A) : minor triad (altered bass) Gbm/E [x 0 4 2 2 0] (Db E Gb A) : minor triad (altered bass) Gbm/E [x x 2 2 2 2] (Db E Gb A) : minor triad (altered bass) Gbm7 [0 0 2 2 2 2] (Db E Gb A) : minor triad, minor 7th Gbm7 [0 x 4 2 2 0] (Db E Gb A) : minor triad, minor 7th Gbm7 [2 x 2 2 2 0] (Db E Gb A) : minor triad, minor 7th Gbm7 [x 0 4 2 2 0] (Db E Gb A) : minor triad, minor 7th Gbm7 [x x 2 2 2 2] (Db E Gb A) : minor triad, minor 7th Gbm7(b5) or Gbo7 [x 0 2 2 1 2] (C E Gb A) : diminished triad, minor 7th : half-diminished 7th Gbm7(b5) or Gbo7 [x x 2 2 1 2] (C E Gb A) : diminished triad, minor 7th : half-diminished 7th Gbm7/b9 [0 0 2 0 2 2] (Db E Gb G A) : minor triad, minor 7th flat 9th Gbmaj7 or Gb#7 [x x 3 3 2 2] (Db F Gb Bb) : major triad, major 7th Gbsus or Gbsus4 [x 4 4 4 2 2] (Db Gb B) : no 3rd but a 4th from a major triad Gbsus2/Bb [x x 4 3 2 4] (Db Gb Ab Bb) : sus2 triad (altered bass) Gbsus4/E [x 4 4 4 x 0] (Db E Gb B) : sus4 triad (altered bass) 100 | GuitarChord Reference Gdim/E [x 1 2 0 2 0] (Db E G Bb) : diminished triad (altered bass) Gdim/E [x x 2 3 2 3] (Db E G Bb) : diminished triad (altered bass) Gdim/Eb [x 1 1 3 2 3] (Db Eb G Bb) : diminished triad (altered bass) Gdim/Eb [x 6 8 6 8 6] (Db Eb G Bb) : diminished triad (altered bass) Gdim/Eb [x x 1 3 2 3] (Db Eb G Bb) : diminished triad (altered bass) Gdim7 [x 1 2 0 2 0] (Db E G Bb) : diminished triad, diminished 7th Gdim7 [x x 2 3 2 3] (Db E G Bb) : diminished triad, diminished 7th Gm [3 5 5 3 3 3] (D G Bb) : minor triad Gm [x x 0 3 3 3] (D G Bb) : minor triad Gm/E [3 x 0 3 3 0] (D E G Bb) : minor triad (altered bass) Gm/Eb [x 6 8 7 8 6] (D Eb G Bb) : minor triad (altered bass) Gm/F [3 5 3 3 3 3] (D F G Bb) : minor triad (altered bass) Gm/F [x x 3 3 3 3] (D F G Bb) : minor triad (altered bass) Gm13 [0 0 3 3 3 3] (D E F G A Bb) : minor triad, minor 7th, plus 9th and 13th Gm6 [3 x 0 3 3 0] (D E G Bb) : minor triad plus 6th Gm7 [3 5 3 3 3 3] (D F G Bb) : minor triad, minor 7th Gm7 [x x 3 3 3 3] (D F G Bb) : minor triad, minor 7th Gm7/add11 or Gm7/11 [x 3 3 3 3 3] (C D F G Bb) : minor triad, minor 7th, plus 11th Gm9 [3 5 3 3 3 5] (D F G A Bb) : minor triad, minor 7th plus 9th Gmaj7 or G#7 [2 2 0 0 0 3] (D Gb G B) : major triad, major 7th Gmaj7 or G#7 [2 2 0 0 3 3] (D Gb G B) : major triad, major 7th Gmaj7 or G#7 [3 2 0 0 0 2] (D Gb G B) : major triad, major 7th Gmaj7 or G#7 [x x 4 4 3 3] (D Gb G B) : major triad, major 7th Gsus or Gsus4 [x 10 12 12 13 3] (C D G): no 3rd but a 4th from a major triad Gsus or Gsus4 [x 3 0 0 3 3] (C D G) : no 3rd but a 4th from a major triad Gsus or Gsus4 [x 3 5 5 3 3] (C D G) : no 3rd but a 4th from a major triad Gsus or Gsus4 [x 5 5 5 3 3] (C D G) : no 3rd but a 4th from a major triad Gsus2 or Gadd9(no3)[5 x 0 0 3 5] (D G A): no 3rd but a 2nd from a major triad Gsus2 or Gadd9(no3)[3 0 0 0 3 3] (D G A) : no 3rd but a 2nd from a major triad Gsus2 or Gadd9(no3)[x 0 0 0 3 3] (D G A) : no 3rd but a 2nd from a major triad Gsus2 or Gadd9(no3)[x x 0 2 3 3] (D G A) : no 3rd but a 2nd from a major triad Gsus2/B [3 0 0 0 0 3] (D G A B) : sus2 triad (altered bass) Gsus2/B [3 2 0 2 0 3] (D G A B) : sus2 triad (altered bass) Gsus2/C [x 5 7 5 8 3] (C D G A): sus2 triad (altered bass) Gsus2/C [x x 0 2 1 3] (C D G A) : sus2 triad (altered bass) Gsus2/E [x 0 2 0 3 0] (D E G A) : sus2 triad (altered bass) Gsus2/E [x 0 2 0 3 3] (D E G A) : sus2 triad (altered bass) Gsus2/E [x 0 2 2 3 3] (D E G A) : sus2 triad (altered bass) Gsus2/E [5 0 0 0 3 0] (D E G A) : sus2 triad (altered bass) Gsus2/Gb [5 x 4 0 3 5] (D Gb G A): sus2 triad (altered bass) Gsus2/Gb [3 x 0 2 3 2] (D Gb G A) : sus2 triad (altered bass) Gsus4/A [x 5 7 5 8 3] (C D G A): sus4 triad (altered bass) Gsus4/A [x x 0 2 1 3] (C D G A) : sus4 triad (altered bass) Gsus4/B [3 3 0 0 0 3] (C D G B) : sus4 triad (altered bass) Gsus4/B [x 3 0 0 0 3] (C D G B) : sus4 triad (altered bass) Gsus4/E [3 x 0 0 1 0] (C D E G) : sus4 triad (altered bass) Gsus4/E [x 3 0 0 1 0] (C D E G) : sus4 triad (altered bass) Gsus4/E [x 3 2 0 3 0] (C D E G) : sus4 triad (altered bass) Gsus4/E [x 3 2 0 3 3] (C D E G) : sus4 triad (altered bass) Gsus4/E [x x 0 0 1 0] (C D E G) : sus4 triad (altered bass) Gsus4/E [x x 0 5 5 3] (C D E G) : sus4 triad (altered bass) Gsus4/E [x 10 12 12 13 0] (C D E G) : sus4 triad (altered bass) Gsus4/E [x 5 5 5 x 0] (C D E G) : sus4 triad (altered bass) Gsus4/F [3 3 0 01 1] (C D F G) : sus4 triad (altered bass GLAVNA JED : VEGETARIJANCI PRAZNUJEJO SVOJ DAN CELOTNA NOVICA JE DOSTOPNA LE NAROČNIKOM. NOVICA VSEBUJE 661 ZNAKOV (BREZ PRESLEDKOV) OZIROMA 103 BESED. NOVICO LAHKO KUPITE. CENA: 1 ŽETON; NA RAČUNU: 0 ŽETONOV. POSLADEK : font size=1>PREBERI ŠE ENKRAT PREDJED ! M.O.U. |
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02.10.2009., petak
VSE LEPOTE NAPREDKA
 ZADNJIČ SMO NA VAJAH Z VELIKIM VESELJEM ODKRILI, DA JE NAŠ ŠEČER POSTAL … HEH, DEDA, PA ČEPRAV JE V BENDU NAJMLAJŠI. VESELI STAROSTNIK SE SICER ŠE NE ZAVEDA, ALI JE DOBIL VNUKA ALI VNUKINJO, VSEKAKOR PA OB TEJ PRILOŽNOSTI ČESTITAM VSEM, KI STE K TEMU VELIKEMU DOGODKU DOPRINESLI ! P.S.: TO POMENI, DA JE ŠEČEROVA MAMA POSTALA PRABABICA IN NJEGOVA OBA BRATA …EEE, MRZLA DEDKA, ČEPRAV JE EDEN OD NJIJU KOMAJ NAPOLNIL POLNOLETNOST … HEH, ČESTITAMO TUDI NJIM ! M.O.U. |
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01.10.2009., četvrtak
23.10.2009
 ROCK'N'ROLL FESTIVAL GARAGE EXPLOSION 2009 23.10.2009 (PETEK) OB 20.00 – PEKARNA / GUSTAF – MARIBOR VSTOPNINA: 12 EUR V PREDPRODAJI DO 18. URE NA DAN KONCERTA: 10 EUR NASTOPILI BODO: THE BAMBI MOLESTERS (SISAK / HRVAŠKA) HTTP://WWW.MYSPACE.COM/THEBAMBIMOLESTERS DICKY B. HARDY (LJUBLJANA / SLOVENIJA)/ RAGMAN (NOVI SAD / SRBIJA) HTTP://WWW.MYSPACE.COM/RAGMANBAND CORROSION (NOVI SAD / SRBIJA) HTTP://WWW.MYSPACE.COM/KOROZIJANS EICHMANN FAMILY (ZAGREB / HRVAŠKA) HTTP://WWW.MYSPACE.COM/EICHMANNFAMILY HARE KRIŠNA HIPPIE GROOVIES (LJUBLJANA / SLOVENIJA) HTTP://WWW.MYSPACE.COM/HAREKRISNAHIPPEGROOVIES GOD DAMN IT BOYS (CELJE / SLOVENIJA) VRAČA SE GARAGE EXPLOSION, FESTIVAL GARAŽNEGA ROCK'N'ROLLA, UPORA PROTI DOLGČASU IN NIKOLI PREŽIVETIH MANIFESTOV, KI S SVOJO »NAREDI SI SAM« FILOZOFIJO PRIDOBIVA VSE VEČJE ŠTEVILO BRATSKIH IN SESTRSKIH FESTIVALOV - OD ISTOIMENSKEGA V SPLITU, DO GARAGE SPRING ROLL V ZAGREBU IN GARAGE FIRE V BEOGRADU, NAVSEZADNJE PA TUDI DO FESTIVALA »OUTTA CONTROL« V LJUBLJANI. O POVEZOVALNI MOČI IN O VPLIVU TAKŠNIH FESTIVALOV ZA RAZVOJ NEKOČ ENOTNE SCENE PRIČA TUDI NAPOVEDNIK ZA 5. IZVEDBO GARAGE EXPLOSION, NA KATEREM BO NASTOPILO SEDEM SKUPIN IZ SRBIJE, HRVAŠKE IN SLOVENIJE. ŠE PESTREJŠA JE PALETA RAZLIČNIH ROCKOVSKIH ŽANROV, KI BODO ZASTOPANI TOKRAT. THE BAMBI MOLESTERS VELJAJO ZA ENEGA NAJBOLJ UVELJAVLJENIH SKUPIN INSTRUMENTALNEGA SURFA SPLOH, NEDAVNO PA SO ŽE NAVDUŠILI NA SORODNEM FESTIVALU FV V LJUBLJANI, POTEM KO SO BILI S KONCERTNIH ODROV ODSOTNI SKORAJ DVE LETI. V PRIPRAVI JE NOVA PLOŠČA, KI NASTAJA V SODELOVANJU S CHRISOM ECKMANOM, BLIŽAJOČO SE PETNAJSTLETNICO DELOVANJA PA BODO OBELEŽILI TUDI Z IZDAJO CELOTNE DISKOGRAFIJE NA VINILNIH PLOŠČAH. NA PODOBNIH GLASBENIH OSNOVAH GRADIJO NOVOSADSKI RAGMAN, KI PA SI VENDARLE PRIVOŠČIJO NEKAJ VEČ IZLETOV V SVETOVE GARAŽNEGA ROCK'N'ROLLA. TROJICA KOT IZ STRIPA POBEGLIH GLASBENIKOV, KLJUB OPEVANEMU PONOČEVANJU NADALJUJE Z DELOM V HIPERAKTIVNEM RITMU, SAJ V ZADNJEM ČASU NI BILO LETA BREZ IZDAJE NJIHOVE NOVE, VSAKIČ TUDI VSE BOLJ PREPRIČLJIVE PLOŠČE. NE BI BILO VELIKEGA PRESENEČENJA, KO BI V MARIBOR PRIŠLI ŽE S ČETRTO PO VRSTI… NOVA PLOŠČA PRAV OB FESTIVALU GARAGE EXPLOSION PA JE ODKRITA AMBICIJA NJIHOVIH SOMEŠČANOV IZ KULTNE ZASEDBE KOROZIJA, KI SE JE PO SKORAJ TREH LETIH MIROVANJA SESTALA POD RAHLO POPRAVLJENIM NAZIVOM THE CORROSION. GRE ZA ENO NAJBOLJ KVALITETNIH, A ŽAL TUDI NAJBOLJ SPREGLEDANIH SKUPIN GARAŽNEGA ROCK'N'ROLLA NA TLEH BIVŠE SKUPNE DRŽAVE, KI JE NASTALA V ZAČETKU DEVETDESETIH IN KI KONČNO TER VEČ KOT ZASLUŽENO PREMAGUJE GEOGRAFSKE OKVIRE SVOJEGA DOSEDANJEGA DELOVANJA. PO ŠE DALJŠEM MIROVANJU SE PRESENETLJIVO VRAČAJO TUDI DICKY B. HARDY, NA VOKALU TOKRAT BREZ KARIZMATIČNEGA NIKA NOVAKA, A Z BRUNOM SUBIOTTOM, KI JE NA FESTIVALU ŽE NASTOPIL S SKUPINO HIC ET NUNC. PRAV S SLEDNJO IN Z RES NULLIUS SO DICKY B.HARDY V DEVETDESETIH TVORILI JEDRO USTVARJALNEGA ROCK'N'ROLLA NA SLOVENSKEM, ZATO NE GRE DVOMITI INFORMACIJAM, DA PONOVNA ZDRUŽITEV NI NAMENJENA ZGOLJ PONAVLJANJU ŽE SLIŠANEGA. V PRIPRAVI JE NOVA PLOŠČA, ZARADI ŠTEVILNIH NEZNANK PA NJIHOV NASTOP SIGURNO SODI MED ENEGA NAJBOLJ PRIČAKOVANIH LETOS. S TEM PA SPLOH ŠE NISMO OPRAVILI Z VSEMI »POVRATKI.« DA BO FESTIVAL OČITNO POTEKAL V COME-BACK ZNAMENJU, JE ZASLUŽEN TUDI GORAN LAUTAR, KI JE KOT FRONTMAN ZASEDBE NASTOPIL Z BABIES NA PRVEM, Z WELCOMIN' COMMITTEE IN FLAMES NA TRETJEM, NA PETI FESTIVAL GARAGE EXPLOSION PA SE VRAČA Z EICHMANN FAMILY. ZAGREBŠKI TRIO V ZASEDBI VOKALIST-KITARIST, KONTRABASIST IN BOBNAR SLOVI PREDVSEM PO DIVJIH, BREZKOMPROMISNIH IN NEMALOKRAT TUDI DESTRUKTIVNIH ROCK'N'ROLL IZBRUHIH. IZBRUH JE BESEDA, KI PO VIDENEM IN SLIŠANEM GRE ZELO DOBRO SKUPAJ TUDI S CELJSKIMI GOD DAMN IT BOYS, ENIM NAJVEČJIH UPOV SLOVENSKE ROCKOVSKE SCENE. OČARLJIVO NEPREDVIDLJIVI, KO V TRENUTKU DELUJEJO KOT PRVIČ IZ HLEVA IZPUŠČENI BIKCI, TAKOJ ZATEM PA ŠOKIRAJO Z ZAVIDANJA ZRELIM IN ARTIKULIRANIM ZVOČNIM IZRAZOM. TEGA ZAGOTOVO NE MANJKA TUDI HARE KRIŠNA HIPPIE GROOVIES, SESTAVLJENIM IZ DVEH BIVŠIH ČLANOV THE REAL THINGS, BASOVSKEGA KITARISTA TER VOKALISTA ODLIČNEGA GLASU IN STASA, KI S SVOJIM SAMOZAVESTNIM NASTOPOM VEČINO KOLEGOV IZ ESTRADNIH KROGOV POJE ZA MALO MALICO. TAKO PREPRIČLJIVO, DA NA PRVI POGLED MARSIKOMU CELO ZAMEGLI UDARNO IN RAZIGRANO ZVOČNO PODOBO, KI JO TVORIJO PREOSTALI ČLANI SKUPINE. PA ŠE NEKAJ. ZABAVA SE PO NEPRESPANI PETKOVI NOČI PRESELI NA ZAHOD, ILIRSKOBISTRIŠKI KLUB MKNŽ BO NAMREČ V SOBOTO, 24. OKTOBRA, GOSTIL ŠE GARAGE AFTERPARTY S SKUPINAMA THE CORROSION IN RAGMAN, S PONOVITVIJO V CELOVEČERNI KONCERTNI IZVEDBI. ZA ROCK'N'ROLL SLADOKUSCE! INFORMACIJE O FESTIVALU: GARAGE.EXPLOSION@GMAIL.COM HTTP://WWW.FACEBOOK.COM/GARAGE.EXPLOSION HTTP://WWW.MYSPACE.COM/GARAGEEXPLOSION HTTP://GARAGE.BLOG.HR PREDPRODAJA VSTOPNIC MISC INFOPEKA, OB ŽELEZNICI 16, 2000 MARIBOR 02/300-68-50 VSAK DELOVNIK MED 10. IN 18. URO. KOPIPEJSTAL: M.O.U. |