They passed through the same rooms which the prince had traversed on his arrival. In the largest there were pictures on the walls, portraits and landscapes of little interest. Over the door, however, there was one of strange and rather striking shape; it was six or seven feet in length, and not more than a foot in height. It represented the Saviour just taken from the cross.
The prince glanced at it, but took no further notice. He moved on hastily, as though anxious to get out of the house. But Rogojin suddenly stopped underneath the picture.
"My father picked up all these pictures very cheap at auctions, and so on," he said; "they are all rubbish, except the one over the door, and that is valuable. A man offered five hundred roubles for it last week."
"Yes--that's a copy of a Holbein," said the prince, looking at it again, "and a good copy, too, so far as I am able to judge. I saw the picture abroad, and could not forget it--what's the matter?"
Rogojin had dropped the subject of the picture and walked on. Of course his strange frame of mind was sufficient to account for his conduct; but, still, it seemed queer to the prince that he should so abruptly drop a conversation commenced by himself. Rogojin did not take any notice of his question.
"Lef Nicolaievitch," said Rogojin, after a pause, during which the two walked along a little further, "I have long wished to ask you, do you believe in God?"
(...)