RePEc/IDEAS rankings
The story focuses on Victor Mancini, a sex addict who must find work in order to afford the care that his mother... US states are treated as separate countries here.
U trenutku kad je izlazila iz vozila, upita: — Što voliš jesti? Polizao sam s guštom i posljednju kap njezinog nektara. Svaki njegov lagani prijelaz jezikom kod nje je izazivao duboki uzdah.
RePEc/IDEAS rankings - Srećom, ona se odmah vrati u isti položaj i poče nanositi ulje, ali na neobičan način. Women's Health has a circulation of 1.
Beaut y and the Beast, Madame de Villeneuve 1740 is unusual for its length and complexity. In this version, the Beast is a visuallyterrifying yet gentle creature who treats Beauty with great care and kindness. Every night, the Beast asks Beauty to marry him, and every night she rejects him until finally she agrees, only to find when she wakes the handsome prince of whom she has been dreaming of nightly. Courtesy of Vintage The Book of the City of Ladies, Christine de Pizan 1405 Written by the prolific medievalist Christine de Pizan, is an extraordinary work, both for its content and for the fact that it was written by a woman during the Middle Ages. In her work, de Pizan creates an allegorical city of famous women, from the Virgin Mary to the Queen of Sheba, in order to argue for the value of women in society, and to therefore refute contemporary portrayals of women as sinful and unworthy. Although the act of retelling fairy tales was becoming established in the 17th century, particularly by women in the salons, Perrault is often credited as concretizing the genre, adapting well-known folktales and rewriting them in a definitive version. Dangerous Liaisons, Pierre Choderlos de Laclos 1782 is emblematic of the libertine novel, a genre which swept through 18th century France, causing outrage and controversy in social circles for its unabashed depictions of seduction, sexual desire and flagrant disregard for social norms. Inspired by writers such as Edgar Allan Poe, chose instead to hone in on the dark, sinister aspect of the human imagination. He devoted himself to creating poems which explored themes of excess, decadence and eroticism, filled with striking contrasts between sensual pleasures, exoticism and extravagance on the one hand, and ideas of decay, monstrosity and death on the other. Defying novelistic definitions of plot, character, and form, In Search of Lost Time focuses instead on depicting the formation of experience and memory through a multiplicity of evolving and interweaving perspectives. Thus, rather than being portrayed as a linear, cohesive narrative, life becomes a quiet, contemplative act which is constantly tied up with the past through the evocative power of memory, an idea beautifully rendered in thoughtful, expressive prose. The protagonist Indiana is frustrated and unsatisfied in her loveless marriage, and longs for romantic fulfillment; her struggles between her desires and the strict social rules which govern her life form the basis of the drama. Beautiful and charming, Emma Bovary sees the world through a veil of romantic novels and fanciful sensibilities, which is constantly at odds with her dull, provincial life and her marriage to the gauche yet well-meaning Charles Bovary. Design by twodee Journey to the Center of the Earth, Jules Verne 1864 As the science-fiction and fantasy market becomes increasingly dominated by English-language works, it is perhaps easy to forget its distinctly European roots. A true classic, 1864 tells the story of German professor Otto Lidenbrock who finds a strange code in a manuscript telling of volcanic tunnels which lead down to the centre of the Earth. Courtesy of Oxford World Classics The Masterpiece, Émile Zola 1886 As the art world flourished in 19th century France, so did literary works surrounding the lives of artists and their muses. The author of 1886 , Émile Zola, was close friends with many of the great artists of the time, including Édouard Manet and Paul Cézanne; inspired by both their lives and works, Zola depicts in The Masterpiece an accurate depiction of the life of the artist in 19th century France, and the tension between artist and society, as art became more and more part of the public sphere and open to judgement and commodification.