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Taisho Kimono: Speaking of Past and Present

This remarkable volume features and analyzes a private collection of some 130 textiles, mainly from the period between 1900 and 1940. An introduction explains the place of the kimono in Japanese society, including the essential cultural and historical background, but the heart of the book is formed by the photographs of the individual textiles, focusing on the decoration techniques and other main characteristics. No doubt women’s kimono are the most artistic ones as a result of their bold and colorful designs. But probably the most surprising garments are the men’s under kimono’s, since little has been published about them. Some designs show a longing for the past, but others are decorated with contemporary motifs, such as the popular baseball game and the beginning of the Second World War. The children’s section features the contrasting expectations for girls and boys in Japanese society: "sweet" decorations on girls’ kimono’s, strong animals or samurai on boys’ textiles. The book is generously illustrated with three hundred full-color photographs taken especially for this book and all never before published.

Amanda getting her nose pierced at MyWayTattoo, Akigawa japan.
Taken With Kodak Gold 400
Lubitel 166+
Bulb exposure, approx half second, 4.5 aperature

Ihee ENVERAAK is a stylish bag and furoshiki store in Kyoto.
ginkgraph.net/articles/fashion/eirakuya-kyoto-gion.html
@ Ginkgo Telegraph

Protest fashion from the Vietnam War years is widely familiar, but today few are aware that dramatic fashion and textile designs served as patriotic propaganda for the Japanese, British, and Americans during the Asia-Pacific War (1931–1945). This fabulously illustrated book presents hundreds of examples of how fashion was employed by those on all sides of the conflict to boost morale and fan patriotism.
From a kimono lined with images of U.S. planes blowing up to a British scarf emblazoned with hopeful anti-rationing slogans, Wearing Propaganda documents the development of the role of fashion as propaganda first in Japan and soon thereafter in Britain and the United States. The book discusses traditional and contemporary Japanese styles and what they revealed about Japanese domestic attitudes to war, and it shows how these attitudes echoed or contrasted with British and American fashions that were virulently anti-Japanese in some instances, humorously upbeat about wartime deprivations in others. With insights into style and design, fashion history, material culture, and the social history of Japan, the United States, and Britain, this book offers unexpected riches for every reader.