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The Mark Taper Forum opened in 1967 as part of the Los Angeles Music Center, the West Coast’s equivalent of Lincoln Center. The smallest of the three, the Taper sits between the Dorothy Chandler Pavilion and the Ahmanson Theater at opposite ends of a plaza. The three buildings of the Music Center were designed by Los Angeles architect Welton Becket.
Mr. Becket designed the center in the style of New Fomalism, which emphasized geometric shapes. The perfectly circular Taper is considered one of Mr. Becket’s best works, featuring a distinctive decorated drum of a design, its exterior wrapped in a lacy precast relief by Jacques Overhoff. The lobby has a curving abalone wall by Tony Duquette, Charles Moore described Becket's design for the Music Center as ;Late Imperial Depression-Style cake.
Becket designed the building not knowing who would use it. At one point it was considered for chamber music or even grand jury meetings. Ultimately Dorothy Chandler, the Los Angeles cultural leader, convinced Center Theater Group artistic director Gordon Davidson to use the Taper. For 38 years Mr. Davidson was the artistic director of Center Theater Group, which also ran the Ahmanson and eventually the Kirk Douglas Theater in Culver City. The Taper became known for its thrust stage, jutting into a classical, semicircular amphitheater, which creates an especially intimate relationship between audience and performer.

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