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PINCHED PLEATED DRAPERIES : PLEATED DRAPERIES


Pinched Pleated Draperies : Make Lined Drapes.



Pinched Pleated Draperies





pinched pleated draperies






    draperies
  • (drapery) curtain: hanging cloth used as a blind (especially for a window)

  • A curtain (sometimes known as a drape, mainly in the United States) is a piece of cloth intended to block or obscure light, or drafts, or water in the case of a shower curtain. Curtains hung over a doorway are known as portieres.

  • Cloth coverings hanging in loose folds

  • Long curtains of heavy fabric

  • (drapery) cloth gracefully draped and arranged in loose folds

  • The artistic arrangement of clothing in sculpture or painting





    pinched
  • Hurt by financial hardship

  • hard up: not having enough money to pay for necessities

  • (of a person or their face) Tense and pale from cold, worry, or hunger

  • adenoidal: sounding as if the nose were pinched; "a whining nasal voice"

  • bony: very thin especially from disease or hunger or cold; "emaciated bony hands"; "a nightmare population of gaunt men and skeletal boys"; "eyes were haggard and cavernous"; "small pinched faces"; "kept life in his wasted frame only by grim concentration"





    pleated
  • (pleat) fold into pleats, "Pleat the cloth"

  • Fold into pleats

  • ruffle: pleat or gather into a ruffle; "ruffle the curtain fabric"

  • (pleat) any of various types of fold formed by doubling fabric back upon itself and then pressing or stitching into shape











pinched pleated draperies - Pinched: How




Pinched: How the Great Recession Has Narrowed Our Futures and What We Can Do About It


Pinched: How the Great Recession Has Narrowed Our Futures and What We Can Do About It



What lies on the other side of Great Recession? While the most acute part of the economic crisis is past, the downturn's most significant impact on American life remains in the future. The personal, cultural, and political changes that result from severe economic shocks build slowly. But history shows us that, ultimately, downturns like this one profoundly alter the character of society.

Don Peck's Pinched keenly observes how the recession has changed the places we live, the work we do, and even who we are--and details the transformations that are yet to come. Every class and every generation will be affected: newly minted college graduates, blue-collar men, affluent professionals, exurban families, elite financiers, middle-class retirees.

The crash has shifted the course of the economy. In its aftermath, the middle class is shrinking faster, wealth is becoming more concentrated, twenty-somethings are sinking, and working-class families and communities are changing in unsavory ways.

We sit today between two eras, buffeted, anxious, and uncertain of the future. Through vivid reporting and lucid argument, Peck helps us make sense of how our society has changed, and why so many people are still struggling.

The answers to these questions reveal a new way forward for America. The country has endured periods like this one before, and has emerged all the stronger from them; adaptation and reinvention have been perhaps the nation's best and most enduring traits. The time is ripe for another such reinvention. Pinched lays out the principles and public actions that can help us pull it off.

Six Principles to Guide Our Recovery Efforts
1. The problems created by the most-severe recessions are typically bigger and longer-lasting than they first appear. Every year that goes by while masses of people are trapped and idled due to housing woes and high unemployment is not merely one lost year--it’s a loss that’s paid forward into future years as well, an accumulating deficit of skill, character, and regenerative ability that will restrain America’s growth potential for many years to come.
2. Again and again, our tendency in periods like this one has been to hunker down and wait for the bad times to pass. When bubbles pop and times grow hard, the animal spirits within all of us turn bearish, sometimes ungenerous, and deeply averse to risk. Unchecked, these sentiments can bias our thinking and actions in ways that are just as dangerous and counterproductive as bubble thinking itself.
3. Historically, as a result of these first two factors, we have tended to underestimate the true cost of remaining in periods like this one, and to overestimate the risks of aggressive action to try to hasten recovery. The bias in periods like this one has usually been toward doing too little; if anything, it should be toward doing too much.
4. This was not an ordinary recession, and ordinary responses will not fully end it. Boilerplate responses--cut taxes, raise spending--are insufficient given the nature and variety of these problems, and potentially dangerous if only bluntly applied. We need a combination of actions--some time honored, some novel--to restore our health.
5. True recovery is not simply a matter of jolting the economy back onto its former path; it’s about changing the path. We are in the midst of a major, global economic transformation, one that is steadily thinning the American middle class. The Great Recession has brought this into sharp relief, and in some ways has given us a preview of where America’s economy is heading. Many of the deepest economic trends that the recession has highlighted will take decades to fully play out. We can adapt successfully to them, if we start now.
6. Culture matters. A cultural separation is accompanying and reinforcing the economic sorting of Americans into winners and losers. Much of the nonprofessional middle class is slowly coming to resemble the poor in its habits and values; the rich are simply floating away from everyone else, not just financially but emotionally too. Both developments are profoundly unhealthy. Solutions to the problems of this era cannot be only economic. They must be cultural as well.










83% (17)





Mr. Boston Pinch




Mr. Boston Pinch





Bottle seems to be quite large for only a 'pinch'. I thought a pinch was the same as a swaller.











Pinch Me (#293 of 365)




Pinch Me (#293 of 365)





I had to pinch myself for St. Patrick's Day since I could not kiss myself. I'm not Irish.









pinched pleated draperies








pinched pleated draperies




Finding One's Way With Clay: Pinched Pottery and the Color of Clay






"A unique craft book, Finding One's Way with Clay offers to the beginner as well as to the experienced potter a new approach to making pots. Paulus Berensohn begins with the simple resources of clay and water - and the human imagination, which he feels is present in all of us - to show how his own pots evolved from the simple direct pinched bowl. Finding One's Way with Clay is concerned with technique arising out of individual need and personality; this is at once a book about one man's search for artistic and spiritual growth, a craftsman's journal of observation and practice, and a clear, readable, and definitive book on making pots by using the pinch method. There is a wealth of detailed instruction - accompanied by hundreds of clear step-by-step photographs - on making all types of pots: bowls, bottles, sculptural pieces, large pots, symmetrical and asymmetrical vessels, 'yarn' pots, 'body' mugs, and new pots that have not yet been made. Included are a long detailed section on Sawdust Firing - a variation of primitive firing (which can be done in the backyard or at the beach); Exercises for the Imagination, to help break out of a creative rut; 'beloved bowls'; and an especially extensive and important section on the color of clay, in which ways of adding color to wet clay and blending colored clays together are explored. Charts, diagrams, suggestions, and formulas for blending, inlaying, wedging, and appliqueing colored clays together greatly expand the range of the clay and color possibilities open to the potter. Many people have turned to pottery as a way of feeling a satisfying connection with the objects they use; making pots is not only self-expression, it is a kind of necessary 'healing play.,' As M. C. Richards, author of Centering, says in her introduction to this book, 'It is the pots we are forming and it is ourselves as well....Paulus Berensohn knows that our pots are a script of our lives.' And a way of finding one's way with clay."










See also:

quick shade canopys

micro blinds

discount drapery lining

glass window covering

canvas awnings sydney

valances for vertical blinds

horse show drapes

sun with shades on

nikon sun shades

tent shades





Post je objavljen 21.10.2011. u 05:37 sati.