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Wallmonkeys Peel and Stick Wall Decals - Technicien Scčne - 48"W x 32"H Removable Graphic

WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices.
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Me standing with HotShot the Robot at he 2007 Coachella Music and Arts Festival. I gave 2 of these to the guys who run HotShot. Look close, HotShot is on the T-shirt. Also has a Do-Lab dancer and a DJ for Global Inheritance to do them honors! Only made a few to give away!

2 color silk screened print. We had a bunch of these left over so a bunch of friends got together and re-animated them into bags, scarf's, plush dolls, pillows and other fun garmets.

The Art Festival Guide is a book about:
Making a living as an artist, the brave way! Entertaining and thorough account on how to launch and sustain a career as a successful art festival artist. A book for brave artists who embark on the treacherous and most wonderful adventure of selling artful creations in art festivals and generally directly to the public. What you will need, how to choose shows, sales at the booth, marketing and promotion, setting goals for continued success, display tips, tricks of the trade, staying healthy and much more.

I have faithfully tried to guide the new artist onto the world of art festivals. This book is not a step-by-step guide, a self-proclaimed “bible”, nor is it certainly the last word on how to approach this nutsy business.

The book contains my experience and that of other artists, close observations of the business, and principles and suggestions that have guided me and many others through the treacherous waters ahead. This is not to say that I have weathered every storm or sailed every sea, or that I have ultimate and complete knowledge of all aspects of the business.
this book is a loosely organized and flexible guideline of how to successfully (key word) launch a career as an art festival artist. Although everyone will do different art, the basics covered in the coming chapters should be a good solid blueprint on how to go about taking the first step. Once you learn the basics and get a couple of festivals under your belt, you will be able to come up with your own strategies and follow your own lead. I should also say that I don’t do everything that I talk about, but I have seen other successful artists who do. I still learn something new every festival, and hopefully I also teach someone new a few tricks of the trade.

You will note from time to time that there is an artist-bias to the book (that’s as opposed to crafter, much more on that later). Right you are. I am an artist and I consider everyone I have ever met in art festival artists. I think many so-called craftspeople of all kinds are artists (although some are not) and so I will call everyone “artist,” just to be all inclusive and efficient. We will get to the matter of diversity of art shows and diversity of art and craft, but for now know that when I say artists and art I also mean craftspeople and craft. My own woodcut printmaking is a hybrid of the two as I design, carve, and print from blocks of wood, and I consider the artist/crafter division a bit silly. My own experience is neither with very high end nor very low end products but somewhere in the middle. I have talked to hundreds of artists and craftspeople and the guidelines in this book can loosely apply to all, as they were learned by observing and listening to all.

This book is not a step-by-step exact procedural methodology. It is merely a guide, a helping hand that will guide you through an art festival, before, during and after. There are a thousands variations of any one of the guidelines I offer and I will try to point those out as I go along. Take some of them to heart, discard what doesn’t suit you and, most of all, learn by doing on your own— and by observing. I am certainly not claiming this is the only, let alone the right way to do things. As I have learned through the years, there are many ways to approach the business of selling art in art festivals.

Simply, I wrote the book as a guide because a lot of artists have asked me a lot of questions, which leads me to believe that something like this is needed and will hopefully be useful to many artists.

The Art Festival Guide is a book about:
Making a living as an artist, the brave way! Entertaining and thorough account on how to launch and sustain a career as a successful art festival artist. A book for brave artists who embark on the treacherous and most wonderful adventure of selling artful creations in art festivals and generally directly to the public. What you will need, how to choose shows, sales at the booth, marketing and promotion, setting goals for continued success, display tips, tricks of the trade, staying healthy and much more.

I have faithfully tried to guide the new artist onto the world of art festivals. This book is not a step-by-step guide, a self-proclaimed “bible”, nor is it certainly the last word on how to approach this nutsy business.

The book contains my experience and that of other artists, close observations of the business, and principles and suggestions that have guided me and many others through the treacherous waters ahead. This is not to say that I have weathered every storm or sailed every sea, or that I have ultimate and complete knowledge of all aspects of the business.
this book is a loosely organized and flexible guideline of how to successfully (key word) launch a career as an art festival artist. Although everyone will do different art, the basics covered in the coming chapters should be a good solid blueprint on how to go about taking the first step. Once you learn the basics and get a couple of festivals under your belt, you will be able to come up with your own strategies and follow your own lead. I should also say that I don’t do everything that I talk about, but I have seen other successful artists who do. I still learn something new every festival, and hopefully I also teach someone new a few tricks of the trade.

You will note from time to time that there is an artist-bias to the book (that’s as opposed to crafter, much more on that later). Right you are. I am an artist and I consider everyone I have ever met in art festival artists. I think many so-called craftspeople of all kinds are artists (although some are not) and so I will call everyone “artist,” just to be all inclusive and efficient. We will get to the matter of diversity of art shows and diversity of art and craft, but for now know that when I say artists and art I also mean craftspeople and craft. My own woodcut printmaking is a hybrid of the two as I design, carve, and print from blocks of wood, and I consider the artist/crafter division a bit silly. My own experience is neither with very high end nor very low end products but somewhere in the middle. I have talked to hundreds of artists and craftspeople and the guidelines in this book can loosely apply to all, as they were learned by observing and listening to all.

This book is not a step-by-step exact procedural methodology. It is merely a guide, a helping hand that will guide you through an art festival, before, during and after. There are a thousands variations of any one of the guidelines I offer and I will try to point those out as I go along. Take some of them to heart, discard what doesn’t suit you and, most of all, learn by doing on your own— and by observing. I am certainly not claiming this is the only, let alone the right way to do things. As I have learned through the years, there are many ways to approach the business of selling art in art festivals.

Simply, I wrote the book as a guide because a lot of artists have asked me a lot of questions, which leads me to believe that something like this is needed and will hopefully be useful to many artists.