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Grease Wheel Bearing 707 Premium

High-temp for conventional, disc, and anti-lock braking systems. NLGI Grade 2 lithium complex containing high-quality petroleum-base oils. Special thickeners resist melting, may be used at continuous operating temps up to 325 degrees Fahrenheit and in intermittent use at temps up to 450 degrees Fahrenheit. Special additives prevent rust and corrosion, reduce wear, and provide extreme pressure protection. Resists water washout and softening or hardening in service; flows readily at cold temperatures. Exceeds requirements of NLGI GC-LB specification for use as a severe duty chassis and wheel-bearing lubricant, resisting oxidation and consistency degradation.

Blue Collar Life - The Mundane Pt2

This is a special spin-off of the Blue Collar Life series. This set focuses on the everyday mundane objects around us, more specifically those around a shop. Simple things that both myself and those around me take for granted and go everyday using and abusing. All it takes is a second look and you can see a world of beauty in places least expected.

Brandon was working on repacking the wheel bearings for the trailer we have been working on, and ran out of his grease, so he was using some of Kevins. For some reason the way he had pulled his hand through it just made it look so interesting. No one so far had guessed it without me telling them what it is, and i love shots like that.

Enjoy :D

Photo earlier this year of the replacement rear calipers. The old ones had seized solid.

I plan also to change the brake disks and at the same time while the hubs are off change the bearings.

Note extreme use of copper grease!

GREASE ROCKIN' RYDELL EDITION - DVD Movie

Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. While this 2002 DVD release contains retrospective interviews with the cast and director Randal Kleiser, it's unfortunately full screen. As a result, the widescreen dance numbers are instead panned and scanned, destroying the symmetrical, lively choreography. A widescreen version is also available and is highly recommended because without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film has to rely on a silly, cliche-filled plot that we've seen hundreds of times. As it is, the episodic story about the romantic dilemmas experienced by a group of graduating high school seniors remains fresh, fun, and incredibly imaginative.
The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. While this 2002 DVD release contains retrospective interviews with the cast and director Randal Kleiser, it's unfortunately full screen. As a result, the widescreen dance numbers are instead panned and scanned, destroying the symmetrical, lively choreography. A widescreen version is also available and is highly recommended because without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film has to rely on a silly, cliche-filled plot that we've seen hundreds of times. As it is, the episodic story about the romantic dilemmas experienced by a group of graduating high school seniors remains fresh, fun, and incredibly imaginative.
The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy