Pregled posta

NJET TOČKA ili O FANTOMSKOM UDU*

Steven Stahlberg

• Mani, ćao, ne brini. Nemoš mene i Kozzu blog da razdvoji!
Nego, jesi li primjetila da je Njetočka nekako muškobanjasta? Nemanja 23.01.2007. 20:34
• @nemanja. muškobanjasta da, ali u jednom androginom smislu. kako li si samo naslutio? kod mene ti je to ovako: povremeno osjetim kako mi iz međunožja struji neki fantomski ud i onda, ushićena, njime mlatim sve što volim. to nije nepoznat fenomen. navodno je na izvjesnim spiritističkim seansama među prisutnima kružio fantomski ud, doduše poprilično hladan, a, znakovito, sudjelovale su samo žene. njetocka 24.01.2007. 13:34
• Njetočka: Toliko mi se sviđa tvoj odgovor da ću ti početi tepati, s tvojim dopuštenjem, naravno: Točkica moja maja, sjce moje majo! Da fantomski ud! Ha, ha...Da, točno, ali taj fenomen, kao što će na svome blogu objasniti zvijezda Večernja lista, ima fizičko, štoviše fiziološko objašnjenje. Naime, tebi je poznato da ljudi koji su u ratu ili na teškom radu (recimo u Saboru) ostali bez ruke ili noge, znaju osjećati svrab amputiranog uda mjesecima nakon operacije! Tako su i žene - pod određenim okolnostima koje se njima nadaju kao prisutnost Duha i u trenutku kad i same, možda, postaju duhovna bića - varljivoga ali zato ne manje intenzivnog dojma da im je u međunožju nekakva fantomska kita, koja im nenadoknadivo nedostaje.
Nego, nije čudno da sam to naslutio i kod tebe: čudno bi bilo da to jebač moga renomea ne zna, unatoč činjenici da si ti nekako odviše muškobanjasta i u sasvim biološkom smislu: nekako mi previše zadajem na Kizzu, kao da ste jednojajčani blizanci, što li? Kad nema njega, nema ni tebe, kad je on tu, evo to odmah! To nije nepoznat fenomen. Navodno je na izvjesnim blogovima među prisutnima kružio fantomski komentator, doduše prilično rijetko, a, znakovito, sudjelovali su samo Patoblozi.
Ali, time ću se pozabaviti više doskora. Naime, Točkica, kao što vidiš, na svome sam blogu nakon posta posvećenog Patoblogiji započeo ovlaš portretirati dramske persone Patobloške Monarhije: jučer SaMSaru, danas Kizzu, sutra možda tebe ili Lucu. Stoga me je i privukla ova primisao o tvojoj muškobanjastosti kao najmarkantijom crti tvoga profila, duhovnog, ali i tjelesnog. Molio bih te da nas se i sama predstaviš u što više poza, ne bi li te što preciznije ocrtao. Hvala! (Možda bi te mogao ocrtati zguza, mislim Slave, što misliš?) Nemanja 24.01.2007. 20:46
• nemanja, ti mi laskaš. ako bi me portretirao s leđa predlažem motiv francuske sobarice koja se sagnula po perušku (naravno da nije svinula koljena) i preko ramena pogledava je li postigla željeni učinak. molim te, nemoj mi oduzeti moju ženskost. njetocka 24.01.2007. 21:30
• Njetočka, tvoja je želja moja zapoved! Nemanja 25.01.2007. 01:26



PUSTIMO NJETOČKU DA SAMA DOĐE DO RIJEČI:

P.S.
Točka je htjela kazati da ne bi htjela, a najmanje željela obući te strašne cipele; naravno, mogla bi ih obući, ako bi baš morala. Jer...



...Njet Točka čini grešku čija je ostenzivna definicija iznad ove rečenice:"It is not uncommon for actresses in modern pornographic movies to wear stiletto-heeled platform shoes with a platform of 3-4 inches and a heel height of 6-9 inches. Similar sized heels are often worn by exotic dancers and strippers. These exaggerated heels are not practical and are worn for the sexual gratification of the viewer. The most common image of a dominatrix is of a woman in thigh-length high-heeled leather boots or riding boots..." (vidi: shoe fetishism)

Legendarne crvene cipelice - naravno, čarobne moći - koje je Judy Garland nosila u filmu Čarobnjak iz Oza - i koje su osigurane na milijun dolara - nestale su iz muzeja u kojem su čuvane, u gradu Grand Rapids, savezna država Iowa...

"There's no place like home."


CIPELICE ZA PEPELJUGU NJET-TOČKICU*


Manolo Blahnik, $ 14 000

Pedro Garcia, Swarovski Skull, $ 453,95


Roger Vivier, $ 2 195

P.P.S.
Njetočkica, kad već predlažem model gospodina Viviera, evo njegove kreacije koja će te uvjeriti da cipele koje ne bi mogla, ipak moraš obući:


___________________________

*Shoe fetishism

Shoe fetishism, also known as retifism (after Nicolas-Edme Rétif), involves being fixated on shoes or other footwear to the extent it may interfere with sexual expression. Although shoes carry sexual connotations in mainstream culture (for example, women's shoes are commonly sold as being "sexy") this is not generally considered to be shoe fetishism, although it may qualify as a form of partialism.

Imagery
Shoe fetishists often fixate on extreme shoes which are designed as fetishwear, although fixation on typical high-street shoes, or other types of shoes, is also common. High-heeled shoes are often triggers for foot fetishists. High-heeled shoes or boots help to elongate the calf, protruding the buttocks and creating a longer-legged appearance which is generally considered to be more sexually attractive. They also reveal the sole of the shoe, which becomes an eroticised "second skin" taking on the erotic role of the sole of the foot. Shoe fetishists often fixate on stiletto heeled shoes and boots, where the stiletto heel is eroticised in itself. Other specialist fetish footwear includes ballet boots and pony boots.
This can be seen in a super-stimulus form within the adult entertainment industry, and particularly pornography, where women wear very high heeled shoes. It is not uncommon for actresses in modern pornographic movies to wear stiletto-heeled platform shoes with a platform of 3-4 inches and a heel height of 6-9 inches. Similar sized heels are often worn by exotic dancers and strippers. These exaggerated heels are not practical and are worn for the sexual gratification of the viewer.
The most common image of a dominatrix is of a woman in thigh-length high-heeled leather boots or riding boots. Thigh-length high-heeled leather boots are generally only worn as fetish wear; though they have experienced some popularity amongst fashionable young women for clubbing over the past two years, particularly in the UK and were also briefly popular there in the late 1960's.
Nicolas-Edme Rétif or Nicolas-Edme Restif (October 23, 1734 – February 2, 1806), called Rétif de la Bretonne, was a French novelist. He was the son of a farmer, and was born at Sacy (Yonne). The term retifism was named after him.
He was educated by the Jansenists at Bictre, and on the expulsion of the Jansenists was received by one of his brothers, who was a curé. Owing to a scandal in which he was involved, he was apprenticed to a printer at Auxerre, and, having served his time, went to Paris. Here he worked as a journeyman printer, and in 1760 he married Anne or Agnčs Lebgue, a relation of his former master at Auxerre.
It was not until five or six years after his marriage that Rétif appeared as an author, and from that time to his death he produced a bewildering multitude of books, amounting to something like two hundred volumes, many of them printed with his own hand, on almost every conceivable variety of subject. Rétif suffered at one time or another the extremes of poverty and was acquainted with every kind of intrigue. He drew on the episodes of his own life for his books, which, in spite of their faded sentiment, contain truthful pictures of French society on the eve of the Revolution.
He is also noted for his advocacy of communism, indeed the term first made its modern appearance (1785) in his book review of Joseph-Alexandre-Victor Hupay de Fueva who described himself as "communist" with his Project for a Philosophical Community.



Njet Točka, portret je s/završen! Nemanja 26.01.2007. 09:50

Post je objavljen 25.01.2007. u 18:55 sati.