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STEVE EARLE - Train a Comin' (1995)
Released in 1995, Train a Comin' signaled Steve Earle's final declaration of independence from the Nashville assembly line. At last liberated from his personal demons, Earle found himself exiled from mainstream Nashville. So instead of releasing an album designed to appeal to honchos in Nashville or L.A., Earle released an album that appealed first and foremost to Earle. The result was a stupendous album, a foreshadowing of the renaissance of his career. The disc has the air of a "lost album" that somehow found its way to market. A crack band of Nashville string kings (Peter Rowan, Norman Blake, and Roy Huskey, Jr., with Emmylou Harris singing harmony) tears into quasi-legendary tunes that had been lying around Earle's repertoire, neglected for years. Earle's narrative genius is showcased on three numbers — "The Mercenary Song," the Civil War ballad "Ben McCulloch," and the classic outlaw tune "Tom Ames' Prayer," all of which sound as if they were branded into leather rather than written on paper. "Tom Ames' Prayer" especially takes the breath away with its killer final stanza: "And then he cocked both his pistols/Spit in the dirt/And walked out in the street." The album is not all a history lesson, of course. The semi-autobiographical "South Nashville Blues" alarms with its deadpan musings from his self-described two-year "vacation in the ghetto," while "Goodbye" ranks with "My Old Friend the Blues" as one of his teariest weepers. Train a Comin' has proven to be just that — the locomotive that Earle drove through some dark tunnels, pulling behind it a boxcar or two of the finest music of his career.
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Post je objavljen 03.09.2006. u 16:32 sati.