This single CD contains Roy Buchanan's major-label debut LP Roy Buchanan (1972) and the follow-up, Second Album (1973). After the record company rejected a request from the artist to release a live set, Buchanan surreptiously issued the platter on his own under the guise of Buck & the Snake Stretchers (1971). Polydor essentially took the same core personnel, removed them from their more familiar concert club environs and put them into the comparatively sterile recording studio to cut much of the same material. Buchanan is supported by the aforementioned Snake Stretchers: Ned Davis (drums), Dick Heintze (keyboards), Teddy Irwin (rhythm guitar), Chuck Tilley (vocals/rhythm guitar), and Peter van Allen (bass). After honing the tunes night after night, there is little wonder when hearing the tight arrangements or the comfortable communication between Buchanan and company. Fittingly, the opening cover of Don Gibson's "Sweet Dreams" establishes both the performers' unfettered rapport, as well as the deft precision and unbridled emotion evident in Buchanan's playing. Stylistically, the tracks range from the rural-flavored "I Am a Lonesome Fugitive" or the Creole-infused "Cajun" to the hauntingly noir solos on "Messiah Will Come Again." Arguably, the highlights are the instrumentals "Pete's Blues" and, to a greater extent, the simply stunning epic "John's Blues." The latter may be the guitarist's greatest and most illustrative studio side. Less than six months and a few minor personnel changes later, Second Album was documented to similar results. The emphasis is once again on a variety of approaches to traditionals and originals alike. Erskine Hawkins' "After Hours" is given a formidable workout, while Buchanan's own "Five String Blues" is a seminal example of the artistry that he brings to his craft, as the guitar alternately cries and rejoices at his touch. "I Won't Tell You No Lie" is a funkier number, recalling a mid-tempo interpretation of Bill Withers' "Ain't No Sunshine." From here, the Snake Stretchers disbanded as new producers incorporated their own musicians and vocalists. Sadly, few (if any) of Buchanan's subsequent efforts would reveal the thoroughly solid ensemble work that Roy Buchanan and Second Album so flawlessly demonstrate.
Roy Buchanan's Second Album (1974) was recorded less than six months after completing his self-titled major-label debut, Roy Buchanan (1972), and sported a slightly amended version of the Snakestretchers — featuring Ned Davis (drums), Dick Heintze (keyboards), Teddy Irwin (rhythm guitar), Chuck Tilley (vocals/rhythm guitar), and, replacing Pete Van Allen, Don Payne (bass). The vibe is much in keeping with the previous effort, albeit decidedly more blues-based. Likewise, the arguably misplaced countrified cuts have been dispensed with, as the musicians concentrate more specifically on traditional blues and original compositions. Once again, the choice of covers is not only impeccable, but has been significantly personalized by the guitarist's unique sensibilities and inimitable timbre. "Five String Blues" leads the pack, revealing the meticulous craftsmanship that Buchanan places upon each intonation, as his precision is never obscured within the flurry of unleashed notes. While less technical than emotive, Buchanan's gift for interpretation is nothing short of spellbinding, as the reading of Erskine Hawkins' "After Hours" demonstrates. "Tribute to Elmore James" is an R&B-laden rocker with copious nods to James' slide fretwork as well as Buchanan's own well-placed emphasis. Yet another facet to this aggregate is the funkier midtempo "I Won't Tell You No Lies." Sadly, the Snakestretchers tenure concludes on this LP. By the time of Buchanan's follow-up, That's What I Am Here For (1974), undue influences would recast the guitarist's rhythmic support to an increasingly lessened ensemble effect. In 2002 Beat Goes On issued Roy Buchanan/Second Album, gathering both seminal long-players on a single compact disc.
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Post je objavljen 15.08.2006. u 14:49 sati.