prije nego šta išta kažem, moram kazat kako je sutra dodjela nagrada i svi se nadamo da će i John ubrat onu svoju...
evo naša san nešto zanimljivo pa za sve fanove:
Curtains:
Ampex 8-track 1970’s
O-15 Martin 1940’s
O-18 Martin 1940’s
Martin 12-String 1940’s
Neumann KM54 Microphone (Guitar)
Telefunken 250 Microphone (Vocals)
Inside Of Emptiness:
1969 Gibson Les Paul
Vox AC15
Shure SM-57 Microphone (Amplifier)
Neve 8088 Console (Tracked through this console)
Studer A-800 Analog Tape Deck
· Josh Klinghoffer tracked Emptiness live through a Neve 8088 console to a Studer A-800 analog tape deck, after replacing the Studer's 24-track headstack with a 16-track version.
Shadows Collide With People:
Tascam 488 MKII 8-Track cassette recorder (Demo)
Neve Desk + Analog 24-Track (Recorded using a …)
Scully 8-track (Drums)
To Record Only Water For Ten Days:
Clavia Nord Lead 2
Casio SK-2
Akai MPC3000
The Will To Death:
1630 [U-Matic] tape (Music mastered on…)
Minimoog
Doepfer A100 modular synthesizer
General Equiptment:
API Desk 1972
1-Inch Ampex 8-track recorder 1970
Six old 1176 compressors:
· A Fairchild
· Three Lang equalizers [a PEQ4 and two PEQ2s]
· Two Pultec [EQP-IA3] equalizers
· An EMT plate reverb
· An EMT 250 digital reverb.
Studer A800 24-track recorder
Frusciante's Production Notes:
The following are Frusciante's comments regarding the production of selected tracks from two of his solo CDs.
Shadows Collide With People
"Carvel." "The opening section of that track was made by messing around with the Doepfer A100 and creating what sounds like electronic cueing. I put the Minimoog through an echo and played the melody that you can hear on that."
"-00 Ghost 27." "I'd been listening to an experimental electronic album at my house. I can't remember what it was, but two seconds of it stirred my mind. It sounded like a Mellotron choir through a really distorted, screaming, feedbacky sinth. I wnt into the studio the next day to try to re-create what I thought I had heard. I had a Mellotron choir sound on an E-mu module, and I put it through the Doepger. You take an audio signal and use it to control a filter and dial knobs in a way that creates screaming feedback. It was one of those moments when music descends upon you."
"Regret." "I put my voice through the Minimoog on this song. That's an LFO controlling a filter on the Minimoog. Our normal way of doing things is if I'm treating myself, I'll susally record the vocal, do a send from the board, treat it, and then send it back onto tape."
"Omission." "I put Josh's voice through a VCA and had the LFO opening and closing that VCA really fast on the Doepfer."
The Will to Death
"A Doubt." "That really distorted guitar comes in at the end has been put through the Doepfer. That's the best fuzz tone I've ver had. It's so dirty and fucked-up sounding, and it's from playing the guitar through a synthesizer."
"An Exercise." "The bubbling, feedbacklike, squelchy sound at the end is an example of the ways you can generate feedback by running the audio of a filter on the Doepfer and then back into the same filter. You get feedback, and you can control it with the knobs to get it just right. It's one of my favourite sounds."
"Loss." "Josh plays organ at the end, which is going through my Doepger, making it sound like feedback. It's like the organ has whammy bar and is going through a Marshall stack. We often do this: he'll play an instrument and I'll treat it with a synthsizer simultaneously."
"A Loop." "The snare drum is going through the Doepfer, and there are also some backward guitar. We just turned the 2-inch tape over, and I soloed over the track two or three times. Then we turned the tape back again, and I soloed over that."
LIVE EQUIPMENT
Line 6 DL4 Delay (green)
Line 6 FM4 Filter
MXR Micro Amp x2
Ibanez WH10 x2
Boss chorus ensamble CE-1 with iron case
EH Big Muff USA x2 (not Russian)
EH Holy Grail reverb
Fender reverb (60's)
EH Electric Mistress
Boss DS2 distortion x2
Boss master switch for second loop of pedals
MXR Phase 90
Mooger Fooger 12 stage phaser
Boss FV-50 volume
Zachary Vex Fuzz Factory x2
Boss compressor/sustain
AMPS
Marshall Jubilee 100 for crunch
Marshall Major 200 for clean
VOX
He uses Monster Cable.
Jim Dunlop .60 tortex (orange) picks
Levy Straps with schaller strap locks
D'Addario strings (10's on Les Paul, Strats, Tele's, SG's but with a .11 for the high E string. 11's on his Mustang. 12's on his White Falcon, and 13's on his Gibson 175)
Clearer List Of Guitars
- Fender Stratocaster Vintage 1955 (maple neck), 2 tone sunburst
- Fender Stratocaster Vintage 1962 (rosewood neck), 3 tone sunburst
- Fender Jaguar Vintage 1962 fiesta red
- Fender Telecaster Vintage 1963, 2 tone sunburst
- Gretsch White Falcon Vintage 1957
- Gibson SG Vintage 1960
- Gibson Les Paul Vintage 1969
- Taylor 314ce (acoustic)
- Martin 00-15 Vintage ~1940 (acoustic)