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26.10.2005., srijeda

Goth

Goth



A goth girl as seen on the satirical cartoon South Park
This article is about the contemporary goth/gothic subculture. For the Germanic tribes of the same name, see the Goths.
Goth is a modern subculture that first became popular during the early 1980s within the gothic rock scene, a sub-genre of post punk. It is associated with gothic tastes in music and clothing. Styles of dress range from gothic horror, punk, Victorian, fetish, cybergoth, androgyny and/or lots of black (inspired by the beatniks). However, there is no dress code for goths.
Since the mid-1990s, styles of music that can be heard in goth venues range from gothic rock, industrial, punk, metal, techno, 1980s dance music, and several others. This does not represent a variety of music that is considered gothic mainstream, but rather a convention among DJ and nightclub owners to condense the number of nights devoted to any particular music venue.
In the early eighties, the number of Gothic or Death Rock bands were limited in number, and can be listed as The Cure, Bauhaus, Siouxsie & the Banshees. By the mid-eighties, these bands began proliferating, including Sisters of Mercy, This Mortal Coil. The nineties saw the growth of eighties bands and emergence of many new bands, most released by the Cleopatra label, such as Mephisto Walz, Switchblade Symphony, London After Midnight, Christian Death, Alien Sex Fiend. In the US, the subculture grew especially in New York and Los Angeles, with many nightclubs featuring gothic-industrial nights.
Bands such as Marilyn Manson and Cradle of Filth and other spin-off bands with names and clothing are often confused with being Goth. The popularity of This Mortal Coil and Dead Can Dance resulted in the creation of a music label called Projekt that produces what is colloquially termed Ethereal Goth or Darkwave.

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There is no pain like that of desire
Is there are no difference
between woman and fire
One burns the spirit
the other the flesh
Is sex worth the price
of a certain death?


ABRACADABRA.[

By _Abracadabra_ we signify
An infinite number of things.
'Tis the answer to What? and How? and Why?
And Whence? and Whither? -- a word whereby
The Truth (with the comfort it brings)
Is open to all who grope in night,
Crying for Wisdom's holy light.

Whether the word is a verb or a noun
Is knowledge beyond my reach.
I only know that 'tis handed down.
From sage to sage,
From age to age --
An immortal part of speech!

Of an ancient man the tale is told
That he lived to be ten centuries old,
In a cave on a mountain side.
(True, he finally died.)
The fame of his wisdom filled the land,
For his head was bald, and you'll understand
His beard was long and white
And his eyes uncommonly bright.

Philosophers gathered from far and near
To sit at his feet and hear and hear,
Though he never was heard
To utter a word
But "_Abracadabra, abracadab_,
_Abracada, abracad_,
_Abraca, abrac, abra, ab!_"
'Twas all he had,
'Twas all they wanted to hear, and each
Made copious notes of the mystical speech,
Which they published next --
A trickle of text
In the meadow of commentary.
Mighty big books were these,
In a number, as leaves of trees;
In learning, remarkably -- very!

He's dead,
As I said,
And the books of the sages have perished,
But his wisdom is sacredly cherished.
In _Abracadabra_ it solemnly rings,
Like an ancient bell that forever swings.
O, I love to hear
That word make clear
Humanity's General Sense of Things.


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