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ovaj blog je vrlo dugo opstao, mijenjao je dizajne, a još više imena adrese,,mijenjalo se sve na njemu,,,ali on je još uvijek živ,,,
ja sam ja.samo ja i nitko drugi.
Riječi bole više od šamara,,
GLAZBA KOJU SLUŠAM...sve kaj mi se svidi...najviše metal
mrzila sam sebe,
a zašto?
mrzila sam život,
a zašto?
imam sve na svijetu
jest da ljubav baš ne šljaka
ali zaljubit ću se i ja jednog dana unekoga ko me voli
i valja živjeti do tog trenutka....
MOJI LINKIĆI...
nešto osjećajno...
Tesica...ljubaf moja sestričinska...moja grejt frendica...jako ju volim...
Katica...dijete drago...poznajem ju od rođenja...doslovno...hoh
Katin i Martin zajednički blog...
Pepica...grejt girl...Tesina best frendica...
Pepin drugi blogek...
Klara...jedna cura iz mog razreda čiji me blog uvijek nasmiješi...lol
Karlica...zakon cura...prezakon...hehe...dugo se znamo...
Marta...
Janče...hehe...zakon dečec iz škole...(moj je lijevi , pa reko sam ti da je moj desni(samo će on znat o čem pričam))
Astrid...curičak jedan...dobra cuica
Suka...evo opet i njegov blogek...(domaloprije sam mislila da je to petrin drugi blog...xD)
Lana...jedna curica..koja izgleda ko Astrid...isto je dobra cuica...(ima prezakon ime bloga)
Sara...jedna veoma super cura koju ja voljam
Petra...curičak jedan dobar...ima veoma zanimljive postove
Moja imenjakinja Eva...koja ide u London često...ja biii
klikni i postani častan
UPISAT ĆU LJUDE U LINKOVE KAD MI SE PROHTIJE...
Molim vas, pomozite Zeki!!!
(__/)
(O.o)
(> < )
Ovo je Gothik - Sado - Mazo Zeko. Kopirajte ga na svoj blog i tako mu pomognite na njegovom putu do
SVJETSKE DOMINACIJE!!!
(__/)
(='.'=) This is Bunny. Put him on your
(")_(") homepage and help him on his
way to WORLD DOMINATION!!!
...-"''"-.
../|.0.0.|
{/.(_0_)}
~("")~~("")
(.".)__(.".)
This is Bunny’s friend Puppy. Puppy lost Bunny when they were traveling around the world. Help Puppy find Bunny by putting her on your homepaged
Goth ime
Necrotic freak, Razorblade kisses
Vampirsko ime
The Great Archives determine you to have gone by the identity:
Agnes Brown
Known in some parts of the world as:
Hero of The Horned One
The Great Archives Record:
Sworn to one more ancient than the devil.
Shot at 2007-06-26
Ljubav
DLANOVI TI SE ZNOJE,
SRCE UBRZANO LUPA.
A GLAS TI ZASTAJE U GRLU??
To nije ljubav,to je
zaljubljivanje.
NE MOŽEŠ SKINUTI
POGLED ILI RUKE
S NJEGA??
To nije ljubav,to je
požuda.
PONOSNA SI NA NJEGA
I ŽELIŠ GA SVIMA
PREDSTAVITI??
To nije ljubav,to je
sreća.
ŽELIŠ GA,JER ZNAŠ
DA JE ON PORED TEBE??
To nije ljubav,to je
usamljenost.
S NJIM SI,JER ON TO
ŽELI??
To nije ljubav,to je
sažaljenje.
S NJIM SI,JER TE LJUBI
I DRŽI ZA RUKU??
To nije ljubav,to je
nesigurnost.
SRCE TI POSKOČI
ČIM GA VIDIŠ??
To nije ljubav,to je
strast.
OPRAŠTAŠ MU GREŠKE
JER SE BRINEŠ ZA NJEGA??
To nije ljubav,to je
prijateljstvo.
SVAKI DAN MU GOVORIŠ
DA JE ON JEDINA STVAR
NA KOJU MISLIŠ??
To nije ljubav,to je
laž.
ODREKLA BI SE
NAJDRAŽIH STVARI
ZBOG NJEGA??
To nije ljubav,to je
velikodušnost.
Srce te boli i sve
se u tebi lomi
kad je on tužan??
DA,TO JE LJUBAV!!
Privlače te drugi,ali
ipaK ostaješ s njim bez
trunke kajanja??
DA,TO JE LJUBAV!!
Prihvačas njegove mane
jer su i one dio njega??
DA,TO JE LJUBAV!!
S njim si zbog te
neshvatljive mješavine
boli,sreće i uživanja??
DA,TO JE LJUBAV!!
Dala bi žvot za njega??
DA,TO JE LJUBAV!!
Metal titans ARCH ENEMY - whose dynamic cocktail of melody and aggression has earned them massive critical acclaim, a rabid worldwide fanbase and a slot on this summer’s Ozzfest in the US - triumphantly return with Doomsday Machine, their most stunning and dynamic release yet.
Formed by guitarist Michael Amott after his departure from the now legendary Carcass, ARCH ENEMY first garnered praise with the metal milestones Black Earth (1997), Stigmata (1998) and Burning Bridges (1999). These albums were propelled by flawlessly technical dual guitars and a previously unheard of mixture of melody and aggression, which helped them to quickly solidify their reputation as one of the genre’s elite.
However, ARCH ENEMY really began to develop their true potential once outstanding new vocalist Angela Gossow joined the fold on 2001/2002’s critically acclaimed Wages of Sin album (produced by Fredrik Nordström and mixed by Andy Sneap), marking the first time a band of this calibre and ferocity was fronted by a woman. The album was showered with universal praise, from front cover press in worldwide metal magazines to national daily newspapers alike. Naturally, Wages Of Sin proudly claimed a position in all the end-of-the-year “Best Of...” lists, whilst the metal underground had found a new band to champion, and one that would soon show on the live stage that it had even more to offer with Angela bringing a hitherto unseen level of growling and glamour to extreme metal.
It began with a sold-out UK-tour with Opeth and festival appearances across Europe. They then headed over to North America for a 6 week tour supporting Nile, followed 2 months later by another tour in the US, this time headlining with amongst others God Forbid supporting. By the end of 2002, ARCH ENEMY were back in Europe playing their first headlining club shows in several countries before heading back to Japan to take a major slot at the Beast Feast festival with Slayer and Motorhead. On the way back from Japan they briefly stopped on US soil for a number of West Coast headline shows before Christmas, and then took to the road once again for their debut headline shows in Scandinavia at the end of January 2003.
The band’s 2003 album, Anthems of Rebellion, was immediately hailed as a metal masterpiece. Produced and mixed by Andy Sneap, the record proved to be a landmark release for Century Media, as it delivered the label its then-highest first-week U.S. SoundScan sales ever, on the way to becoming one of its 10 best-selling albums of all time. Worldwide press raves continued to pour in - Anthems for example scored an unprecedented 5/5 in both Alternative Press and Kerrang!, Rock Hard Germany made it their “album of the month”, and Metal Hammer Germany stated it to be „melodic, grasping, delicately built but nevertheless a massive hit in your face.”
On the back of such a great response the band headed back out on the road and completed high-profile U.S. tours over the next year with Slayer, Hatebreed, Cradle Of Filth and Iron Maiden, a European Tour with Nevermore, a 2nd European headline tour as well as playing huge European festivals like Download, Rock Hard, Fields Of Rock, Graspop and Tuska, among others.
Late in 2004 ARCH ENEMY returned with the “Dead Eyes See No Future EP” - more than 30 minutes of highest quality metal, including exclusive live tracks recorded in Paris, three fantastic cover songs by Megadeth, Manowar and Carcass, as well as an enhanced version of their amazing “We Will Rise” video clip.
Now in 2005 we have Doomsday Machine and ARCH ENEMY have delivered without doubt the album of their career and are about to redefine the genre that they helped to create.
Founding guitarist and songwriter Michael Amott describes his thoughts on the group’s highly anticipated new album: “I think all great metal needs that killer mix of classic riffs and ripping solos, something that has been a bit of a dying art recently. We are doing our best to recreate that mix on this new album, and one thing I can guarantee is that there will be tons of guitar for fans to headbang to. All in all, I am really happy with the songs and I believe we have found the right balance of melody and brutality - the Arch Enemy trademark!”
The album artwork was created by German multimedia artist Joachim Luetke (Dimmu Borgir, Kreator). Michael Amott comments: “We are all extremely pleased with the artwork for the new album! I had a few ideas initially that I discussed with Joachim on the phone, and when he started sending over images we were seriously blown away – when you work with creative people of this calibre you just let them do what they do, so we just let him get on with it really! He’s a very productive guy, very sharp. He expanded on the Doomsday Machine concept and took it to some really interesting (albeit very dark!) places. It’s one of those great situations when the artwork totally works with the music.”