desing by: dark sword dancer



Him-Funeral Of Hearts
Love's the funeral of hearts
And an ode for cruelty
When angels cry blood
On flowers of evil in bloom

The funeral of hearts
And a plea for mercy
When love is a gun
Separating me from you

She was the sun shining upon
The tomb of your hopes and dreams so frail
He was the moon painting you
With its glow so vulnerable and pale

Love's the funeral of hearts
And an ode for cruelty
When angels cry blood
On flowers of evil in bloom

The funeral of hearts
And a plea for mercy
When love is a gun
Separating me from you

She was the wind, carrying in
All the troubles and fears you've for years tried to forget
He was the fire, restless and wild
And you were like a moth to that flame

The heretic seal beyond divine
A prayer to a god who's deaf and blind
The last rites for souls on fire
Three little words and a question: why?

Love's the funeral of hearts
And an ode for cruelty
When angels cry blood
On flowers of evil in bloom

The funeral of hearts
And a plea for mercy
When love is a gun
Separating me from you
The 69 Eyes-Framed In Blood
Would you give me the key to the empire of bliss
Gimme a substance to dismiss
Everybody's searching for a difference
Everybody 's searching for deliverance
Gimme just another reason to live

Things you can resist
Things you cannot
They're just framed in blood

Would you give me redemption in your kiss
Gimme something that I already miss
Everybody's searching for a difference
Everybody is searching for providence
Gimme just another reason to live

Things you can resist
Things you cannot
They're just framed in blood

blog jednog gotičara

utorak, 20.11.2007.

Behemoth-Biografia

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Behemoth is a Polish black metal band.They are considered to have played an important role in establishing the Polish extreme metal underground, along-side bands such as Vader, Graveland, and Sacrilegium.[attribution needed]

Until the early 2000s, the band played traditional black metal with heathen lyrical contents, but soon changed to that of an occult and thelemic themes written by their lead vocalist Nergal and Krzysztof Azarewicz. With the 2004 release of Demigod, the band showed their presence in the blackened death metal scene, while retaining their own signature style characterized by the drumwork of Inferno, multi-layered vocals and Nile-style Middle-Eastern influence.[citation needed] Even though that Behemoth has been labeled as death metal, black metal or thrash influenced, Adam has mentioned that he doesn't like the band to be labeled.

Behemoth started with raw and primitive black metal rehearsal tapes (Endless Damnation) and demos (The Return of the Northern Moon), the most significant of which was the second one—...From the Pagan Vastlands (1993)—showing the growing potential of the then 16-year-old Nergal.

This tape was released by Polish label Pagan Records and later on by the American Wild Rags. Signing with a little-known Italian company Entropy Records, the band had the opportunity to record their debut release, an EP album entitled And the Forests Dream Eternally (1994), followed by the full-length Sventevith (Storming Near the Baltic) that gained extremely positive responses worldwide and eventually saw the band moving on to a new record deal with German label Solistitium Records. The latter record established Behemoth as one of the very few black metal bands from mid-eastern Europe with enormous potential. Consequently, stepping forward, the band (as the three piece with Nergal, Baal, and Les) recorded their second album Grom.

Grom has been the most controversial release so far, due to its many different influences and musical styles, using female vocals as well as acoustic guitars and synthesizers. At the same time, Behemoth finally got a chance to play live shows in their native country and finally tour around Europe, gaining stage experience as well as positive feedback from the crowds. Two years later, the band recorded a third album, titled Pandemonic Incantations which was a "breakthrough moment" in Behemoth's short career. Reactions of their ever-increasing fanbase and metal media set the new quality standards for them. However, due to a lack of promotion, the album was not very well received. After another extensive tour, Behemoth signed a two-album-deal with Italian Avantgarde Music in the fall of 1998. The first output of this new collaboration was the highly successful album Satanica, on which their black metal sound had evolved into blackened death metal.

The label also secured the band with two European tours in support to Deicide and Satyricon. During that period, Behemoth had to go through some line up changes and problems with their ex-polish label. The new members then were Novy (formerly known from Devilyn, now in Vader, Dies Irae) who handled the bass duties and Havok who became the band's guitarist. The new line-up resulted in Behemoth signing with Mystic, a well-known label. The next follow-up release to Satanica was Thelema.6. Massive guitar parts and precise drumming, with influences from different sources, showed that Behemoth were there to offer something really varied and innovative once again, complete with characteristic fierce brutality and speed. Arrangements and technical invention on individual compositions made the album an ultimate one for the blackened death metal genre. Lyrically, Nergal and his partner Krzysztof Azarewicz offered something of a very sophisticated, intimate and profound obscurity.

Thelema.6 has been massively supported in the press and media all over the world, including having their album being officially released in Russia and Brazil for the first time in their career. Continuing the support for Thelema.6, Behemoth appeared in several prestigious live events like Wacken Open Air, With Full Force, Inferno Metal Festival, Mystic Festival, and Mind Over Matter Autumn. They started first headlining tour alongside with Carpathian Forest and Khold, followed by festival tour in Poland (Thrash em all fest. with Vader and Krisiun, among others).

In 2001, Behemoth focused on writing new material for their sixth studio album. Meantime, they did their second headlining tour in Russia, Belarus and Ukraine. Having completed the recording of their new songs, Behemoth entered Hendrix Studio for the second time, with help of their long time friend and sound engineer Arkadiusz Malczewski, and produced Zos Kia Cultus (Here and Beyond). The result was impressively massive and overwhelming for their detractors who thought that the band couldn't heighten since Thelema.6.



In February 2003, the band started their first tour in Norway, playing in cities as Bergen, Oslo and Stavanger. On March 11, 2003, the American premiere, scheduled by Century Media Records, headlined Behemoth's first appearance in the US continent. The tour started on the 9th of March at the New Jersey's Metalfest and continued with decent amount of shows across America and Canada, with the company of Deicide, Revenge, and Amon Amarth. Shortly after doing their first US tour the band was invited to join the Blackest of the Black Festival by Glenn Danzig. The already legendary festival included acts like Danzig, Superjoint Ritual, Nile, and Opeth. In the fall of 2003, Behemoth flew over to US to complete their third tour with Six Feet Under and Skinless. The band did their Finnish debut appearance on the famous Tuska Festival with Ministry, Soulfly, among others. At that time, due to some line up difficulties, Nergal parted his ways with Havok and Novy, who decided to focus on activities with their own bands.

The seventh studio album, Demigod, was released in 2004, followed by The Apostasy in July 2007. Shortly after the release of The Apostasy, the band was featured as one of Ozzfest 2007's second stage headliners, one of the four non-US bands playing that year.[4] In October/November 2007, they played their first US headlining tour alongside Job For A Cowboy, Gojira, and Beneath The Massacre.

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Him-Vampire Heart klikni ovo nista ti nece bit e da nije bitefight http://blue-max.myminicity.com/
You can't escape the wrath of my heart
Beating to your funeral song
All faith is lust for hell regained
And love dust in the hands of shame

Let me bleed you this song of my heart deformed
And lead you along this path in the dark
Where I belong until I feel your warmth

Hold me like you held on to life
When all fears came alive and entombed me
Love me like you loved the sun
Scorching the blood in my vampire heart

I am the thorns in every rose, you've been sent by hope
I am the nightmare waking you up from the dream of a dream of love

Let me weep you this poem as heaven's gates close
And paint you my soul scarred and alone
Waiting for your kiss to take me back home

Hold me like you held on to life
When all fears came alive and entombed me
Love me like you loved the sun
Scorching the blood in my vampire heart

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Misfits-Dig Up Her Bones

Anything is what she is
Anywhere is where she's from
Anything is what she'll be
Anything as long as it's mine

And the door it opens is the way back in
Or is it the way back out?

Anyplace is where she'll be
Anyplace, she'll see you from
Lies and secrets become your world
Anytime, anywhere she takes me away

And death climbs up the steps one by one
To give you the rose that's been burnt by her son

Point me to the sky above
I can't get there on my own
Walk me to the graveyard
Dig up her bones

I have seen the demon's face
I have heard of her death place
I fall down on my knees in praise of the
Horrible things that took her away

And death climbs up the steps one by one
To give you the rose that's been burnt by her son

Point me to the sky above
I can't get there on my own
Walk me to the graveyard
Dig up her bones






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Bullet For My Valentine Lyrics
Waking The Demon Lyrics
Him-Sweet Six Six Six
There are things you should know
The distance between us seems to grow
But you're holding on strong
Oh how hard it's to let go, oh so hard to let go

I'm waiting for your call and I'm ready to take your
six six six in my heart
I'm longing for your touch and I welcome your sweet
six six six in my heart

I'm losing my faith in you
You don't want it to be true
But there's nothing you can do
There's nothing you can do - Yes, I've lost my faith in
you

I'm waiting for your call and I'm ready to take your
six six six in my heart
I'm longing for your touch and I welcome your sweet
six six six in my heart

How long we have to wait
For love is fading so slowly
I know it's too late
Oh my god you're so lonely

I'm waiting for your call and I'm ready to take your
six six six in my heart
I'm longing for your touch and I welcome your sweet
six six six in my heart
I'm ready for your call and I'm ready to take your six
six six in my heart
I'm longing for your touch and I welcome your sweet
six six six in my heart
In my heart
In my heart
In my heart