subota, 19.08.2006.
THE ROLLING STONES - Hot Rocks, 1964-1971 (1972)
This two-LP/two-CD set is both a lot more and a bit less than what it seems. It is seven years' worth of mostly very high-charting — and all influential and important — songs, leaving out some singles in favor of well-known album tracks, and in the process, giving an overview not just of the Rolling Stones' hits but of their evolving image. One hears them change from loud R&B-inspired rockers covering others' songs ("Time Is on My Side") into originators in their own right ("Satisfaction"); then into tastemakers and style-setters with a particularly decadent air ("Get Off of My Cloud," "19th Nervous Breakdown"); and finally into self-actualized rebel-poets ("Jumpin' Jack Flash," "Midnight Rambler") and Shaman-like symbols of chaos. On its initial release, Hot Rocks sold well, not only as a unique compilation but also as a panorama of the 1960s. The only flaw was that it didn't give a good look at the Stones' full musical history, ignoring their early blues period and the psychedelic era. There are also some anomalies in Hot Rocks' history for the collector — the very first pressings included an outtake of "Brown Sugar" featuring Eric Clapton that was promptly replaced; and the original European CD version, issued as two separate discs on the Decca label, was also different from its American counterpart, featuring a version of "Satisfaction" mastered in stereo and putting the guitars on separate channels for the first time. Those musicologist concerns aside, this is still an exciting assembly of material.
[The Rolling Stones' London/ABKCO catalog was reissued in August of 2002, packaged in digipacks with restored album artwork, remastered, and released as hybrid discs that contain both CD and Super Audio CD layers. The remastering — performed with Direct Stream Digital (DSD) encoding — is a drastic improvement, leaping out of the speaker yet still sounding like the original albums. This is noticeable on the standard CD layer but is considerably more pronounced on the SACD layer, which is shockingly realistic in its detail and presence yet is still faithful to the original mixes; Keith Richards' revved-up acoustic guitar on "Street Fighting Man" still sends the machine into overdrive, for instance. It just sounds like he's in the room with you. Even if you've never considered yourself an audiophile, have never heard the differences between standard and gold-plated CDs, you will hear the difference with SACD, even on a cheap stereo system without a high-end amplifier or speakers. And you won't just hear the difference, you'll be an instant convert and wish, hope, and pray that other artists whose catalog hasn't been reissued since the early days of CD — Bob Dylan, Bruce Springsteen, Neil Young, especially the Beatles — are given the same treatment in the very near future. SACD and DSD are that good.]
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