Zana i Bebek Jabuke i vino

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Click here: Zeljko Bebek i Zana: Jabuke i vino

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A pesma ja vrh od nastanka do danas.... Nemam stvarno ništa protiv Lijepe, naše, tj. Izvinjavam se vlasniku kanala na psovkama al morao sam brate...

As Kodeksi experienced persistent problems filling the spot, Bebek recommended 18-year-old after seeing the youngster play with Beštije in 1969. Nego, ti si meni O' Reilly toliko postao simpatičan, a imaš i slična ili ista razmišljanja kao ja!

Zana i Bebek Jabuke i vino - Ma da, u Rijeci mi je stvarno bilo dobro svaki put kad sam dolazio, ljudi te lijepo prihvate, ja sam samo na takve nailazio tamo...

Bebek was born in , , to parents Zvonimir and Katarina. He showed an early interest in music, entertaining his mother's house guests by singing songs he heard on the radio. He also experimented with , but abandoned it in third grade of as he wanted to play and sing along. His teacher, however, discouraged such intentions so Željko ended up playing instead. He soon became the school's best mandolin player and was allowed to play guitar as a reward. At age 16, Bebek began taking the stage at Eho 61, an club-like school activity for the musically inclined students of Sarajevo's. A couple of years earlier, the same stage saw a performance by teenage who would later also go on to become famous musician and composer. Bebek's next musical activity came in a nameless band with Šento Borovčanin and the Redžić brothers — Fadil and. Bebek carried on playing with the band until Fadil Redžić left to join. Main article: In 1965, Edo Bogeljić invited 20-year-old Bebek to join a cover band he founded called that also featured Ismeta Dervoz on backing vocals and Luciano Paganotto on drums. Bebek spent the next couple of years singing and playing with the band, helping them become quite prominent locally in the city. As Kodeksi experienced persistent problems filling the spot, Bebek recommended 18-year-old after seeing the youngster play with Beštije in 1969. It would be the beginning of Bebek's long professional association with Bregović that would often turn tumultuous. In fall 1970, after falling out with band mates during the band's stay in , Bebek left Kodeksi and returned home to Sarajevo. Novi Kodeksi Shortly after getting back to Sarajevo, Bebek established Novi Kodeksi with another former Kodeksi member Edo Bogeljić. Conceptualized as a return to the original Kodeksi cover repertoire, Bogeljić's and Bebek's band gigged around Sarajevo with diminishing success as the audiences' general taste seemingly moved away from cover music; although at one point they broke a record for the length of performance, spending 32 straight hours playing on stage. The new year 1971 brought more creative stagnation as their repertoire still consisted entirely of foreign. In December 1971, Bebek received a notice from the JNA to report for his mandatory military service and Novi Kodeksi played their last ever gig at Sarajevo's Dom mladih. Twenty six years of age at this point, Bebek got married with the intention of settling down and giving up on trying to make a living via playing music altogether. Bebek accepted, recorded vocals in a studio, and then left for his army stint in in late February 1972. Discharged from the army in March 1973 and returning home, Bebek joined in earnest, but also took a clerk job as a protective measure due to not being certain about the band's creative and commercial potential. Jutro did become successful and he quit the government job to again devote to music full-time. Jutro soon transformed into , with Bebek as a founding member. Bijelo Dugme Main article: Bebek continued as vocalist and occasional in from its inception in 1974. Bebek found himself to be a -wide celebrity. He ended up spending a full decade and recording six studio albums with the band before eventually leaving in April 1984 to fully pursue a solo career. Solo career Bebek maintains a solo career, which began during the late 1970s in parallel with his work in Bijelo Dugme. In 1978, while Bregović was away serving the army stint and Dugme was on hiatus, Bebek recorded a solo album, Skoro da smo isti, with and old friend Edo Bogeljić on guitar and. The album was released on 28 July 1978, but failed both critically and commercially, selling only 6,000 copies and quickly falling into oblivion. Though Bebek and his collaborators had planned a tour in support of the album, their plans got scrapped following the poor public reaction. In late 1983, shortly before officially leaving Bijelo Dugme, Bebek returned to his solo career by recording his second solo album Mene tjera neki vrag. The album was released in 1984, with the title track becoming a moderate radio hit in Yugoslavia. Throughout his 11-album solo run, Bebek had several major hits, most of them occurring in the 1984-1989 period. When the started, he moved to where he continues to live and work. His record labels included and. In 2005 he took part in three large reunion concerts of Bijelo dugme, in , and , performing alongside most of the musicians that passed through the band, including the other two vocalists and. Bebek was one of the three featured performers alongside , and , in a that followed the musicians while they were on tour. During 2012, after recording a duet with , Bebek met their producer, Branimir Mihaljević, and together they started working on what will become Bebek's new studio album, first after twelve years. Album entitled Kad poljubac pomiješaš sa vinom was released in late 2012.

Željko Bebek - Kučka nevjerna
Ipak mi je jako drago sto sam se ovdje s tobom upoznala i što smo se napričali.... Pevao sam je tada, u studiju i na snimanju spota. Informisi se prvo pre da pises bilo sta. During 2012, after recording a duet with , Bebek met their producer, Branimir Mihaljević, and together they started working on what will become Bebek's new studio album, first after twelve years. Želim ti od srca, tebi i tvojoj obitelji, sve nabolje u životu! Discharged from the army in March 1973 and returning home, Bebek joined in earnest, but also took a clerk job as a protective measure due to not being certain about the band's creative and commercial potential. Hrvatske, niti protiv bilo koga, a tako neke glupe ispade napravih. Though Bebek and his collaborators had planned a tour in support of the album, their plans got scrapped following the poor public reaction. At age 16, Bebek began taking the stage at Eho 61, an club-like school activity for the musically inclined students of Sarajevo's. Dopisivale smo se godinama, a onda se kako vrijeme i život odmicao izgubio kontakt.

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Oznake: kako, je, Željko, Bebek, preoteo, pesmu, Oliveru, Mandiću