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utorak, 07.02.2012.

PROFESSIONAL SOUND EQUIPMENT : PROFESSIONAL SOUND


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Professional Sound Equipment





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    sound equipment
  • Headsets, microphones, loudspeaker and interpretation receivers for delegates.





    professional
  • Of, relating to, or connected with a profession

  • Having or showing the skill appropriate to a professional person; competent or skillful

  • a person engaged in one of the learned professions

  • an athlete who plays for pay

  • engaged in a profession or engaging in as a profession or means of livelihood; "the professional man or woman possesses distinctive qualifications"; "began her professional career after the Olympics"; "professional theater"; "professional football"; "a professional cook"; "professional actors

  • (of a person) Engaged in a specified activity as one's main paid occupation rather than as a pastime











SOUND FOR SINGERS - A 'LIVE SOUND' WORKSHOP




SOUND FOR SINGERS - A 'LIVE SOUND' WORKSHOP





SOUND FOR SINGERS - A 'LIVE SOUND' WORKSHOP

You can sing, but is your 'live sound' letting your performance down? This is a one-day hands-on workshop cutting through the smoke and mirrors of managing live sound, looking at microphones, PA, engineers and all the jargon!

The workshop is being held in Edinburgh's Voodoo Rooms on Saturday 21 January from 10am to 4.30pm and is for anyone who wants to get the best out of their sound on stage or in the studio. Your hosts for the day are: Sound Engineers David Keay and Mark McKellen and vocalist/workshop facilitator Jess Abrams. Handouts, water, tea and coffee provided (perhaps even a biccie or two too!). The cost for the full day is Ł50/Ł40.

Workshop topics to be covered:

Choosing and Using Microphones and PA's
Getting the best from your PA
Doing your own sound
Working with a Sound Engineer
Getting the right sound in different spaces
Technical jargon busting
PA/Mic Clinic - bring your own PA's and Mics for a clinic
And Much More!

Your experts:

MARK McKELLEN has been a professional sound engineer for over a decade specialising in jazz. He’s worked in everything from small clubs and outdoor venues to large arenas and stages. He recently toured with Kurt Elling and is the regular touring sound engineer for the Scottish National Jazz Orchestra. For the last 6 years he has worked at CC Music in Glasgow specialising in PA systems and equipment.

DAVID KEAY cut his teeth as a sound engineer at the legendary Henry’s Jazz Cellar 11 years ago. Since then he has been a mainstay of the Scottish Jazz and Folk scenes doing sound for the likes of Carol Kidd, Fiona Duncan, Brian Kellock, Ricki Lee Jones and Jamie Cullum. He owns Bootcamp Recordings – a live sound and recording company based in Edinburgh and works free-lance throughout the UK and further a field.

JESS ABRAMS has been a performing musician for over 15 years, working in New York, the UK and Europe. She’s studied with some inspiring musicians including Kirk Nurock, Jay Clayton and Nina Sheldon as well as at Mannes College in New York –the classical Conservatory of The New School. Jess has been facilitating workshops in personal development and communication skills for longer than she cares to admit. She also works in the field of 'music in the community' and 'music intervention', with a strong focus on good practice and high standards of delivery.

WORKSHOP DETAILS:
Saturday 21st January 2012
Voodoo Rooms, West Register Street, Edinburgh.
10am - 4:30pm Ł50/Ł40
Sound for Singers is set-up by Sound Engineers David Keay and Mark McKellen and vocalist/workshop facilitator Jess Abrams.

For further information about the workshop or to book, contact: soundforsingers@gmail.com or call 07811 331 641.












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