The power, beauty and history of a lush enchanted land of green find a bold new expression in this one-of-a-kind Irish pride jewelry. Presenting the Pride of Ireland men's ring — a bold and dramatic symbol of heritage gleaming with a magnificent 5-carat Mystic Topaz and two genuine diamonds, an exclusive fine jewelry design from The Bradford Exchange. The impressive center stone of this vibrant men's ring features intricate faceting and coloration, capturing the vibrant hue of Ireland's lush green terrain. Meticulously handcrafted of solid sterling silver and lavishly plated in 24K gold, it proudly showcases a diamond-studded Celtic knot design on either side. This fine Irish pride jewelry makes a handsome presentation from any angle, and the inside of the band is engraved with a famed Irish blessing. Wear your Irish pride with style, but don't wait. Strong demand is expected. Order now!

Celebrate the power, beauty and history of the enchanted land of Ireland with this dramatic men's ring, an original fine jewelry design from The Bradford Exchange
Features a faceted 5-carat Irish-Green Mystic Topaz center stone, prismatic with intricate coloration and set in an Irish knotwork bezel
Magnificent Irish pride jewelry is highlighted on both sides with a richly-detailed Celtic knot design, each with a genuine diamond, creating an impressive presentation from any angle
Meticulously handcrafted of solid sterling silver and lavished with rich 24K-gold plating
Inside band is engraved with the famed Irish blessing, "May the road rise up to meet you"
Arrives in a custom-designed presentation case, perfect for safe-keeping and gift giving

A Celtic cross is a symbol that combines a cross with a ring surrounding the intersection. The early Celtic stone high cross is generally in the form of a normal cross with a ring joining the arms for structural strength, often with an extended rectangular or cubic base that is mounted on the ground.

Early groups have broad undecorated front faces with many animal scenes in relief, and simple interlace patterns. Later groups may have narrative scenes upon them.

With the Celtic Revival the shape, usually decorated with interlace and other motifs from Insular art, became popular for funerary monuments and other uses, and has remained so, spreading well beyond the British Isles.

In Ireland, it is a popular legend that the Celtic Catholic cross was introduced by Saint Patrick or possibly Saint Declan during his time converting the pagan Irish, though no examples survive from this early period. It has often been claimed that Patrick combined the symbol of Christianity with the sun cross, to give pagan followers an idea of the importance of the cross by linking it with the idea of the life-giving properties of the sun. However this theory is now thought unlikely by most art historians, who think an origin from crosses carrying a victor's wreath around their intersection is more likely. Such a cross is found on the reverse of the Liudhard medalet from Canterbury in England in the 590s.

In Celtic regions of Ireland and later in Great Britain, many free-standing upright crosses or high crosses were erected by Irish monks, beginning at least as early as the 7th century. Some of these 'Celtic' crosses bear inscriptions in runes. There are surviving free-standing crosses in Cornwall (famously St Piran's cross at Perranporth) and Wales, on the island of Iona and in the Hebrides, as well as the many in Ireland. Other stone crosses are found in the former Northumbria and Scotland, and further south in England, where they merge with the similar Anglo-Saxon cross making tradition, in the Ruthwell Cross for example.

The most famous standing crosses are the Cross of Kells, County Meath, Ireland; Ardboe High Cross, Ardboe, County Tyrone, Northern Ireland; the crosses at Monasterboice, County Louth, Ireland; and the Cross of the Scriptures, Clonmacnoise, Ireland. The Celtic cross is often made of stone. After the 15th century, ringed high crosses ceased to be created in the Celtic lands, other than a few obscure examples.

The Celtic Revival of the mid-19th century led to an increased use and creation of Celtic crosses in Ireland. In 1853 casts of several historical high crosses were exhibited to interested crowds at the Dublin Industrial Exhibition. In 1857, Henry O'Neill published Illustrations of the Most Interesting of the Sculptured Crosses of Ancient Ireland. These two events stimulated interest in the Christian and non-Christian Celtic crosses as a symbol for a renewed sense of heritage within Ireland.

New versions of the high cross were designed as fashionable cemetery monuments in Victorian Dublin in the 1860s. From Dublin the revival spread to the rest of the country and beyond. Since the Celtic Revival, the ringed cross became an emblem of Celtic identity, in addition to its more traditional religious symbolism. Alexander and Euphemia Ritchie, working on the Isle of Iona in Scotland from 1899 to 1940, popularized use of the Celtic Cross in jewellery.

From Wikipedia, the free encyclopedia

...apart from the computer in the background. Presenting my new Celtic ring and an Irish bookmark.