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People Magazine feature, March 21, 2011.
i made notes on the ending agwg-ew in doulagog-ew, make a slave, treat as such but I can't find them now. there is also a noun that refers to the hunting or rounding up of a slave but I can't find it either.
I don't know who Steven Tyler is. I copied this for what must be one of his "catchphrases": Yakakakakau. I had been thumbing through a book called, Orpheus and Greek Religion, W.K.C. Guthrie and ran across a mention of the ancient Greek mystery religion referred to as the "cult of the Kabaroi" in these kind of books. It adored an adult male, a kind of Dionysos-like figure and a male child as the central elements of ritual. When I read about it before it sested to me a homosexual cult but I don't think I saw any real evidence of it. Anyway, I decided to use the big Liddell to find an etymology. First, I saw the proper noun, Kabarn[it's an n, you know, en]os, 'o, "priest of Demeter at Paros, IG12(5).292(iii A.D.) [[[[[They're attacking me from every side. There is a female behind me that is uninhibited in her contempt of me. She keeps saying "papa" as she speaks into a cell phone. The slender counter male who is married to the Taiwanese female came by and ridiculed me as cruelly as ever he did on the day he kept me here all day trying top copy my brother's letters in the Chronicle. I just happened to think that the copies were in the bag they took. The blonde female shelver (I think she must actually work in reserve.) who I used to mistake for a supervisor in the media center has been taunting me every day since. They have connected her with the overqualified maintenance man, janitor, shelver, "security guard" and have told me he is a police officer and he is the one who actually took it.]]]]]] Below it is an Aeolic word, "kabballw" or cataballow. This is a complicated verb meaning things like to strike down, to cast down, cast off, reject or to let fall or drop. As to let fall or drop, it can be said of an eagle or a fawning dog. to fawn like a dog. It can mean to lay down or sit down, to pay down, yield, bring in or lay in as to lay in stores or maybe I should say store goods" to avoid the appearance of laying in stores. One can use it to lay a foundation, too or to throw down seed or to make a deposit. Passively it can mean lie down and "like katabainw, II.I, in a course of lectures arrive at in a course of lectures, eis Gorgian ((((((I wish I could put it in yellow highlite or so. Maybe a few parentheses will help me remember it. I'm referring to "Gorgion".))))), Dam.Isid.54. (Passively it can mean submerged or overwhelmed. It can also mean to dye, to colour. There is another entry here I don't understand: xruson produce it by dyeing, Ps.Democr,Alch,p.45B. but I thought I'd put it in in case it turned out to be as interesting as it looks. Oops. This last belongs with katabapt-eon, one must dip, -zw, dip, drown, of wine, the word just below kataballw. [[[[[There is a throat clearer who has sat down across from me. I don't know how long he has been there. When I glanced over at him just now, he went through a long ritual of stretched and moving his head from side to side was one attempting to relieve strain at the base of the skull. This is a gesture they often use to ridicule me as the target throat clear of their vibes. The student age female behind me is talking into her cell phone at me again. She intersperses it with insults. I can't remember any. She has the same aggressive, hard-faced contempt the female who haunted all afternoon and shadowed me to the restroom yesterday. She seemed to have stretched out a Karen syllable but just once. I glanced over at the facing page and saw the noun "ixwor, wros, 'o, ichor, the juice, not blood, that flows in the veins of gods, Il.5.340, etc. Later simply, blood. The watery part of animal juice, serum. I wondered if it has anything to do with Igor, the character who helps the mad scientist and then mistook the citation Gal.15.345, for a passage in Galatians and had to let the blb tell me Galatians has only 6 chapters.The citation must be in a work of Galenus Medicus. I thought it might be the word used for water where water and blood is said to flow from the wound in Jesus' side. Stupid me.]]]]] The big Liddell lists the proper noun "Kabeiroi, 'oi," as referring to divinities worshipped especially in Lemnos, Samothrace, and Boeotia, and gives some derivatives such as [[[[[[[a stout, middle-aged female, a student age male with a dark beard and two childrem, a male with bare feet and a female just attacked me. The student age male said something relevant and insulting to me as they approached the scanner next to mine. He held a look on his face of impervious matter-of-factness. They were looking to scan a paper simple paper flower cut-out but turned and left before they did. As the left the woman turned her head to one
TO THE WESLEYAN PEOPLE
23 Jan 1966
To the Wesleyan People (who attended the meeting.)
-a footnote to my lecture of January 13th, 1966
When a violinist plays, which is incidental: the arm movement or the bow sound?
Try arm movement only.
If my music seems to require physical silence, that is because it requires concentration to yourself – and this requires inner silence which may lead to outer silence as well.
I think of my music, more as practice (gyo) than music.
The only sound that exists to me is the sound of the mind. My works are only to induce music of the mind in people.
It is not possible to control a mind-time with a stopwatch or a metronome. In the mind-world, things spread out and go beyond time.
There is a wind that never dies.
My paintings, which are all instruction paintings ( and meant for others to do),came after college & assemblage (1915) and happening (1905) came into the art world. Considering the nature of my painting, and any of the above three words or a new word can be used instead of the word, painting. But I like the old word painting because it immediately connects with “wall painting” painting, and it is nice and funny.
Among my instruction paintings, my interest is mainly in “painting to construct in your head”. In your head, for instance, it is possible for a straight line to exist-not as a segment of a curve but as a straight line. Also, a line can be straight, curved and something else at the same time. A dot can exist as a 1,2,3,4,5,6, dimensional object all at the same time or at various times in different combinations as you wish to perceive. The movement of the molecule can be continuum and discontinuum at the same time. It can be with colour and/or without. There is no visual object that does not exist in comparison to or simultaneously with other objects, but these characteristics can be eliminated if you wish. A sunset can go on for days. You can eat up all the clouds in the sky. You can assemble a painting with a person in the North Pole over a phone, like playing chess. This painting method derives from as far back as the time of the Second World War when we had no food to eat, and my brother and I exchanged menus in the air.
There may be a dream that two dream together, but there is no chair that two see together.
I think it is possible to see a chair as it is. But when you burn the chair, you suddenly realize that the chair in your head did not burn or disappear.
The world of construction seems to be the most tangible, and therefore final. This made me nervous. I started to wonder if it were really so.
Isn’t a construction a beginning of a thing like a seed? Isn’t it a segment of a larger totality, like an elephant’s tail? Isn’t it something just about to emerge-not quite structured… like an unfinished church with a sky ceiling? Therefore, the following works:
A venus made of plastic, except that her head is to be imagined.
A paper ball and a marble book, except that the final version is the fusion of these two objects which come into existence only in your head.
A marble sphere (actually existing) which, in your head, gradually becomes a sharp come by the time it is extended to the far end of the room.
A garden covered with a thick marble instead of snow-but like snow, which is to be appreciated only when you uncover the marble coating.
One thousand needles: imagine threading them with a straight thread.
I would like to see the sky machine on every corner of the street instead of the coke machine. We need more skies than coke.
Dance was once the way people communicated with God and godliness in people. Since when did dance become a pastel-faced exhibitionism of dancers on the spotlighted stage? Can you not communicate if it is totally dark?
If people make it a habit to draw a somersault on every other street as they commute to their office, take off their pants before they fight, shake hands with strangers whenever they feel like it, give flowers or part of their clothing on streets, subways, elevator, toilet, etc., and if politicians go through a tea house door (lowered, so people must bend very low to get through) before they discuss anything and spend a day watching the fountain water dance at the nearest park, the world business may slow down a little but we may have peace.
To me this is dance.
All my works in the other fields have an “Event bent” so to speak. People ask me why I call some works Event and others not. They also ask me why I do not call my Events, Happenings.
Event, to me, is not an assimilation of all the other arts as Happening seems to be, but an extrication from the various sensory perceptions. It is not “a get togetherness” as most happenings are, but a dealing with oneself. Also, it has no script as happenings do, though it has something that starts moving – the closest word for it may be a ‘wish” or “hope”.
At a small dinner party next week, we suddenly discovere
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