AMERICANA INN MANHATTAN

Paradise Park

Allegra Goodman has delighted readers with her critically acclaimed collections Total Immersion and The Family Markowitz, and her celebrated first novel, Kaaterskill Falls, which was a national bestseller and a National Book Award finalist.

Abandoned by her folk-dancing partner, Gary, in a Honolulu hotel room, Sharon realizes she could return to Boston—and her estranged family—or listen to that little voice inside herself. The voice that asks: “How come Gary got to pursue his causes, while all I got to pursue was him?” Thus, with an open heart, a soul on fire, and her meager possessions (a guitar, two Indian gauze skirts, a macrame bikini, and her grandfather’s silver watch) Sharon begins her own spiritual quest. Ever the optimist, she is sure at each stage that she has struck it rich “spiritually speaking”—until she comes up empty. Then, in a karmic convergence of events, Sharon starts on the path home to Judaism. Still, even as she embraces her tradition, Sharon’s irrepressible self tugs at her sleeve. Especially when she meets Mikhail, falls truly in love at last, and discovers what even she could not imagine—her destiny.

Ditched by her boyfriend, estranged from her family, the protagonist of Paradise Park wakes up in a Waikiki fleabag on the first day of the rest of her life, dreaming of God. This is in the 1970s, and Sharon Spiegelman doesn't initially strike the reader as a likely candidate for religious conversion. She's a 20-year-old hippie folk dancer from Boston, with a guitar and a crocheted bikini and hair down to her hips. Finding herself in paradise, however, Allegra Goodman's heroine begins a quest that lasts a quarter of a century.
Seldom proceeding in a straight line, Sharon begins by counting red-footed boobies as part of an ornithological census. Soon she's cultivating marijuana in the jungles of Molokai. In these adventures and subsequent ones, Sharon displays a sweet nature but questionable judgment when it comes to romance and gainful employment. Drifting through a string of dead-end boyfriends and jobs, she eventually has a vision of God during a whale-watching cruise. And this enlightenment leads her into the fold of the Greater Love Salvation Church, a Pentecostal revivalist sect, where's she left in a state of temporary beatitude:
I'd heard the expression before of walking on air, but this was the real thing, because when I left that church, my feet were so springy that as I walked, they barely touched the ground. It was like my head had floated up and my neck had gone all long and slender like a giraffe's so my face was a little giraffe face up there, bending and bobbing in the breezy night air. And I walked all the way back from Manoa to Waikiki, back to the hotel in the darkness, and smelled the flowers and just caressed the whole world with my eyes.
Suffice it to say that the Greater Love congregation is only the first stop in a quest that eventually leads Sharon to spiritual and corporeal fulfillment in Hasidic Judaism. As always, Allegra Goodman has a light touch with serious matters, and in Paradise Park she creates a surprisingly complex and endearing heroine. --Victoria Jenkins

The "old" bus station is under construction.
The Moat House Hotel and the Sailors' Home are seen.
Everything in this photo has gone.
Lord Street is behind the photographer.

Im Hotel Paradise Park in Los Christianos. Sinnvolle Sache, mal kein Kindergekreische ;-)

On clear days, the mammoth volcano Mount Rainier dominates the Seattle and Rainier dominates the Seattle Tacoma skylines and can be seen from Whidbey Island to Yakima and the central Washington wheat fields. "The Mountain's out!" is a cheerful local greeting, especially after a long spell of overcast weather. Sunrise to Paradise explores the rich history of this symbol of the Pacific Northwest and the national park that preserves it.
Mount Rainier is the fifth highest peak in the United States outside Alaska, and it soars higher above its immediate base than does any other in the lower forty-eight. Sunrise to Paradise describes its geological and glacial origins and current ecological health, and the century-old stewardship of Mount Rainier National Park. Its stories include accounts by Native people such as Saluskin and Wapowety, climbers from John Muir and Fay Fuller to Willi Unsoeld and Lou Whittaker, and entrepreneurs from the Longmire family to Paul Sceva. Here, too, are the tales of scientists and tourists, park rangers and volunteers. Numerous illustrations span the decades. Some of the photographs were taken from albums of the 1912 and 1915 Mountaineers outings; others are by noted photographers of the past like Imogen Cunningham and Asahel Curtis and by contemporary photographers including Ira Spring. There are paintings by Abby Williams Hill and George Tsutakawa and a series specially created by Dee Molenaar.

This compendium makes a useful addition to the existing canon of personal accounts, age-yellowed histories, and helpful guidebooks to Washington State's Mount Rainier National Park. Kirk, who has written on both nature and history, lived in the park for five years, and has both climbed and circled Rainier. The book ranges widely, if not too deeply, into just about everything to do with a remarkable natural landscape capped by the highest mountain--from its base--in the lower 48 states.
Kirk ably considers all sides of the park: the local animals, the history and nature of volcanic activity, the politics of the name "Rainier," and the environmental changes wrought by a boom in the region's population. In the "Voices of the Mountain" sections of the book, first-person written and photographic accounts of Rainier experiences highlight human interaction with the mountain over the last century. Centenarian Floyd Schmoe writes about working in the park in the 1920s, and poet Denise Levertov, who never visited the mountain, writes of its effect on her each time she viewed its snowy peak from her home in Seattle: "always loftier, lonelier than I ever remember." Enlivened by photographs on each page, some from as early as the turn of the century, this book is a fascinating introduction to the mountain Native Americans called Tahoma. --Maria Dolan