CASA CARPET EL PASO : HAND MADE CARPETS : RUGS DISCOUNT PRICES.
Casa Carpet El Paso
- The El Paso Union Depot, also known as El Paso Union Passenger Depot, was designed by architect Daniel Burnham, who also designed Washington D.C. Union Station. It was built between 1905 and 1906 and was added to the National Register of Historic Places in 1971.
- "El Paso" is a country and western ballad written and originally recorded by Marty Robbins, and first released on Gunfighter Ballads and Trail Songs in September 1959.
- A city in western Texas, on the Rio Grande, opposite Ciudad Juarez in Mexico; pop. 563,662
- a city in western Texas on the Mexican border; located on the northern bank of the Rio Grande across from the Mexican city of Juarez
- A floor or stair covering made from thick woven fabric, typically shaped to fit a particular room
- A large rug, typically an oriental one
- cover completely, as if with a carpet; "flowers carpeted the meadows"
- form a carpet-like cover (over)
- rug: floor covering consisting of a piece of thick heavy fabric (usually with nap or pile)
- A thick or soft expanse or layer of something
- Casa is the second album by Mexican pop-rock singer Natalia Lafourcade, using the name Natalia y La Forquetina (the name of her band). Casa was released in 2005. On the 2006 Latin Grammy Awards won Best Rock Album By A Duo Or Group With Vocals.
- The House (A Casa) is a 1997 French-Lithuanian drama film directed by Sarunas Bartas. It was screened in the Un Certain Regard section at the 1997 Cannes Film Festival.
- A Casa is a theatrical comedy in two acts, written by Miguel M. Abrahao in 1978 and published first in 1983 in Brazil.
Ringside Seat to a Revolution: An Underground Cultural History of El Paso and Juarez, 1893-1923
El Paso/Juarez served as the tinderbox of the Mexican Revolution and the tumultuous years to follow. In essays and archival photographs, David Romo tells the surreal stories at the roots of the greatest Latin American revolution: The sainted beauty queen Teresita inspires revolutionary fervor and is rumored to have blessed the first rifles of the revolutionaries; anarchists publish newspapers and hatch plots against the hated Porfirio Diaz regime; Mexican outlaw Pancho Villa eats ice cream cones and rides his Indian motorcycle happily through downtown; El Paso’s gringo mayor wears silk underwear because he is afraid of Mexican lice; John Reed contributes a never-before-published essay; young Mexican maids refuse to be deloused so they shut down the border and back down Pershing’s men in the process; vegetarian and spiritualist Francisco Madero institutes the Mexican revolutionary junta in El Paso before crossing into Juarez to his ill-fated presidency and assassination; and bands play Verdi while firing squads go about their deadly business. Romo’s work does what Mike Davis’ City of Quartz did for Los Angeles—it presents a subversive and contrary vision of the sister cities during this crucial time for both countries.
David Dorado Romo, the son of Mexican immigrants, is an essayist, historian, musician and cultural activist. Ringside Seat to a Revolution is the result of his three-year exploration of archives detailing the cultural and political roots of the Mexican Revolution along la frontera. Romo received a degree in Judaic studies at Stanford University and has studied in Israel and Italy.
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El Paso Museum of Archeology
El Paso Museum of Archeology, El Paso, Texas
Moon Over El Paso
El Paso, Texas
93% of Full
Waxing Gibbous
casa carpet el paso
Beginning with drawings and woodcuts depicting the days before photography, this book follows the story of life at the Pass of the North, documenting change as El Paso took shape and grew from a dirt-street frontier town into a modern city in the 1970s. Each era is fascinating, from the arrival of the conquistadores, through the coming of the railroad in the 1880s, the turn of the century with the establishment of more businesses and the move toward permanent residences, the Mexican Revolution, the war years, the rapid changes of the fifties and, finally, the sophistication of the seventies. Many of the photographs, especially those of the Mexican Revolution, are extremely rare and had not been public before the 1971 publication of El Paso in Pictures.
First published by The Mangan Press/El Paso.
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