20 TON FLOOR JACK

srijeda, 07.12.2011.

SUPREME LAMINATE FLOORING - SUPREME LAMINATE


Supreme Laminate Flooring - Atlanta Flooring Design Centers - Most Popular Hardwood Floors.



Supreme Laminate Flooring





supreme laminate flooring






    laminate flooring
  • Relatively new to North America, laminates have a dense fiberboard core with a paper pattern layer sealed under high pressure both top and bottom with a plastic-like substance. Sold as planks and panels in wood, stone, tile and other looks.

  • hard surface flooring with a fibreboard core and melamine wear layer - available in blocks, planks, and squares.

  • Laminate flooring is a multi-layer synthetic flooring product, fused together with a lamination process. Laminate flooring simulates wood (or stone, in some cases) with a photographic applique layer under a clear protective layer.





    supreme
  • (of authority or an office, or someone holding it) Superior to all others

  • Very great or intense; extreme

  • highest in excellence or achievement; "supreme among musicians"; "a supreme endxxeavor"; "supreme courage"

  • Strongest, most important, or most powerful

  • sovereign: greatest in status or authority or power; "a supreme tribunal"

  • final or last in your life or progress; "the supreme sacrifice"; "the supreme judgment"











Supreme - Fashion Chrome - Eliana Super Pérola




Supreme - Fashion Chrome - Eliana Super Pérola





esse foi o escolhido para as maos pra essa semana...
tudo de lindo ele ne? tem um brilhos coloridos lindooos, como ja e noite, nao deu pra capturar os brilhos muito bem, pretendo tirar foto dele no sol....

A linha Fashion Chrome da Eliana e maravilhosa ne? Pretendo ter TODOS.

usei:
Supreme - Eliana Super Perola (3 camadas)
Roxinho - Colorama (1 camada)

espero que gostem.
beijoo











Supreme Chinese Takeaway




Supreme Chinese Takeaway





Supreme Chinese Takeaway, Wesley Avenue, Peverell, Plymouth - 2007









supreme laminate flooring







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- 20:09 - Komentari (0) - Isprintaj - #

STRUCTURAL GLASS FLOOR. GLASS FLOOR


STRUCTURAL GLASS FLOOR. INSTALLING LAMINATE FLOORING UNDERLAYMENT



Structural Glass Floor





structural glass floor






    structural glass
  • (1) Flat glass that is usually colored or opaque and frequently ground and polished, used for structural purposes. (2) Glass block, usually hollow, that is used for structural purposes.





    floor
  • shock: surprise greatly; knock someone's socks off; "I was floored when I heard that I was promoted"

  • All the rooms or areas on the same level of a building; a story

  • The lower surface of a room, on which one may walk

  • the inside lower horizontal surface (as of a room, hallway, tent, or other structure); "they needed rugs to cover the bare floors"; "we spread our sleeping bags on the dry floor of the tent"

  • a structure consisting of a room or set of rooms at a single position along a vertical scale; "what level is the office on?"

  • A level area or space used or designed for a particular activity











Glass by Geoffrey Clarke, Coventry Cathedral




Glass by Geoffrey Clarke, Coventry Cathedral





Detail of one of the third pair of nave windows, more colourful than the rest and designed by Geoffrey Clarke. The multicoloured windows symbolise the soul's struggles in mid-life..

Coventry's Cathedral is a unique synthesis of old a new, born of wartime suffering and forged in the spirit of postwar optimism, famous for it's history and for being the most radically modern of Anglican cathedrals. Two cathedral's stand side by side, the ruins of the medieval building, destroyed by incendiary bombs in 1940 and the bold new building designed by Basil Spence and opened in 1962.

It is a common misconception that Coventry lost it's first cathedral in the wartime blitz, but the bombs actually destroyed it's second; the original medieval cathedral was the monastic St Mary's, a large cruciform building believed to have been similar in appearance to Lichfield Cathedral (whose diocese it shared). Tragically it became the only English cathedral to be destroyed during the Reformation, after which it was quickly quarried away, leaving only scant fragments, but enough evidence survives to indicate it's rich decoration (some pieces displayed nearby in the Priory Visitors Centre). Foundations of it's apse were found during the building of the new cathedral in the 1950s, thus technically three cathedrals share the same site.

The mainly 15th century St Michael's parish church became the seat of the new diocese of Coventry in 1918, and being one of the largest parish churches in the country it was upgraded to cathedral status without structural changes (unlike most 'parish church' cathedrals created in the early 20th century). It lasted in this role a mere 22 years before being burned to the ground in the 1940 Coventry Blitz, leaving only the outer walls and the magnificent tapering tower and spire (the extensive arcades and clerestoreys collapsed completely in the fire, precipitated by the roof reinforcement girders, installed in the Victorian restoration, that buckled in the intense heat).

The determination to rebuild the cathedral in some form was born on the day of the bombing, however it wasn't until the mid 1950s that a competition was held and Sir Basil Spence's design was chosen. Spence had been so moved by experiencing the ruined church he resolved to retain it entirely to serve as a forecourt to the new church. He envisaged the two being linked by a glass screen wall so that the old church would be visible from within the new.

Built between 1957-62 at a right-angle to the ruins, the new cathedral attracted controversy for it's modern form, and yet some modernists argued that it didn't go far enough, afterall there are echoes of the gothic style in the great stone-mullioned windows of the nave and the net vaulting (actually a free-standing canopy) within. What is exceptional is the way art has been used as such an integral part of the building, a watershed moment, revolutionising the concept of religious art in Britain.

Spence employed some of the biggest names in contemporary art to contribute their vision to his; the exterior is adorned with Jacob Epstein's triumphant bronze figures of Archangel Michael (patron of the cathedral) vanquishing the Devil. At the entrance is the remarkable glass wall, engraved by John Hutton with strikingly stylised figures of saints and angels, and allowing the interior of the new to communicate with the ruin. Inside, the great tapestry of Christ in majesty surrounded by the evangelistic creatures, draws the eye beyond the high altar; it was designed by Graham Sutherland and was the largest tapestry ever made.

However one of the greatest features of Coventry is it's wealth of modern stained glass, something Spence resolved to include having witnessed the bleakness of Chartres Cathedral in wartime, when all it's stained glass had been removed. The first window encountered on entering is the enormous 'chess-board' baptistry window filled with stunning abstract glass by John Piper & Patrick Reyntiens, a symphony of glowing colour. The staggered nave walls are illuminated by ten narrow floor to ceiling windows filled with semi-abstract symbolic designs arranged in pairs of dominant colours (green, red, multi-coloured, purple/blue and gold) representing the souls journey to maturity, and revealed gradually as one approaches the altar. This amazing project was the work of three designers lead by master glass artist Lawrence Lee of the Royal College of Art along with Keith New and Geoffrey Clarke (each artist designed three of the windows individually and all collaborated on the last).

The cathedral still dazzles the visitor with the boldness of it's vision, but alas, half a century on, it was not a vision to be repeated and few of the churches and cathedrals built since can claim to have embraced the synthesis of art and architecture in the way Basil Spence did at Coventry.

The cathedral is generally open to visitors most days, but now charges an entry fee (a fix for recent finan











Piper Glass, Coventry Cathedral




Piper Glass, Coventry Cathedral





Detail of the Baptistry Window, a masterpiece of abstract stained glass designed by John Piper and executed by Patrick Reyntiens.

Coventry's Cathedral is a unique synthesis of old a new, born of wartime suffering and forged in the spirit of postwar optimism, famous for it's history and for being the most radically modern of Anglican cathedrals. Two cathedral's stand side by side, the ruins of the medieval building, destroyed by incendiary bombs in 1940 and the bold new building designed by Basil Spence and opened in 1962.

It is a common misconception that Coventry lost it's first cathedral in the wartime blitz, but the bombs actually destroyed it's second; the original medieval cathedral was the monastic St Mary's, a large cruciform building believed to have been similar in appearance to Lichfield Cathedral (whose diocese it shared). Tragically it became the only English cathedral to be destroyed during the Reformation, after which it was quickly quarried away, leaving only scant fragments, but enough evidence survives to indicate it's rich decoration (some pieces displayed nearby in the Priory Visitors Centre). Foundations of it's apse were found during the building of the new cathedral in the 1950s, thus technically three cathedrals share the same site.

The mainly 15th century St Michael's parish church became the seat of the new diocese of Coventry in 1918, and being one of the largest parish churches in the country it was upgraded to cathedral status without structural changes (unlike most 'parish church' cathedrals created in the early 20th century). It lasted in this role a mere 22 years before being burned to the ground in the 1940 Coventry Blitz, leaving only the outer walls and the magnificent tapering tower and spire (the extensive arcades and clerestoreys collapsed completely in the fire, precipitated by the roof reinforcement girders, installed in the Victorian restoration, that buckled in the intense heat).

The determination to rebuild the cathedral in some form was born on the day of the bombing, however it wasn't until the mid 1950s that a competition was held and Sir Basil Spence's design was chosen. Spence had been so moved by experiencing the ruined church he resolved to retain it entirely to serve as a forecourt to the new church. He envisaged the two being linked by a glass screen wall so that the old church would be visible from within the new.

Built between 1957-62 at a right-angle to the ruins, the new cathedral attracted controversy for it's modern form, and yet some modernists argued that it didn't go far enough, afterall there are echoes of the gothic style in the great stone-mullioned windows of the nave and the net vaulting (actually a free-standing canopy) within. What is exceptional is the way art has been used as such an integral part of the building, a watershed moment, revolutionising the concept of religious art in Britain.

Spence employed some of the biggest names in contemporary art to contribute their vision to his; the exterior is adorned with Jacob Epstein's triumphant bronze figures of Archangel Michael (patron of the cathedral) vanquishing the Devil. At the entrance is the remarkable glass wall, engraved by John Hutton with strikingly stylised figures of saints and angels, and allowing the interior of the new to communicate with the ruin. Inside, the great tapestry of Christ in majesty surrounded by the evangelistic creatures, draws the eye beyond the high altar; it was designed by Graham Sutherland and was the largest tapestry ever made.

However one of the greatest features of Coventry is it's wealth of modern stained glass, something Spence resolved to include having witnessed the bleakness of Chartres Cathedral in wartime, when all it's stained glass had been removed. The first window encountered on entering is the enormous 'chess-board' baptistry window filled with stunning abstract glass by John Piper & Patrick Reyntiens, a symphony of glowing colour. The staggered nave walls are illuminated by ten narrow floor to ceiling windows filled with semi-abstract symbolic designs arranged in pairs of dominant colours (green, red, multi-coloured, purple/blue and gold) representing the souls journey to maturity, and revealed gradually as one approaches the altar. This amazing project was the work of three designers lead by master glass artist Lawrence Lee of the Royal College of Art along with Keith New and Geoffrey Clarke (each artist designed three of the windows individually and all collaborated on the last).

The cathedral still dazzles the visitor with the boldness of it's vision, but alas, half a century on, it was not a vision to be repeated and few of the churches and cathedrals built since can claim to have embraced the synthesis of art and architecture in the way Basil Spence did at Coventry.

The cathedral is generally open to visitors most days, but now charges an entry fee (a fix for recent financial worries; gone are the frequent days I used to w









structural glass floor







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- 20:09 - Komentari (0) - Isprintaj - #

20 TON FLOOR JACK. 20 TON


20 Ton Floor Jack. Floor Truss Span Tables. Task Lighting Floor Lamp



20 Ton Floor Jack





20 ton floor jack






    floor
  • the inside lower horizontal surface (as of a room, hallway, tent, or other structure); "they needed rugs to cover the bare floors"; "we spread our sleeping bags on the dry floor of the tent"

  • All the rooms or areas on the same level of a building; a story

  • shock: surprise greatly; knock someone's socks off; "I was floored when I heard that I was promoted"

  • The lower surface of a room, on which one may walk

  • A level area or space used or designed for a particular activity

  • a structure consisting of a room or set of rooms at a single position along a vertical scale; "what level is the office on?"





    jack
  • A sleeveless padded tunic worn by foot soldiers

  • a small worthless amount; "you don't know jack"

  • lift with a special device; "jack up the car so you can change the tire"

  • jacklight: hunt with a jacklight





    ton
  • A unit of weight equal to 2,240 pounds avoirdupois (1016.05 kg)

  • (tons) a large number or amount; "made lots of new friends"; "she amassed stacks of newspapers"

  • short ton: a United States unit of weight equivalent to 2000 pounds

  • A unit of weight equal to 2,000 pounds avoirdupois (907.19 kg)

  • Proud of the Netherlands (Trots op Nederland, TON) is a Dutch Political party. The party was founded on 17 October 2007 by Rita Verdonk, who at that time was an independent member of the House of Representatives.

  • A unit of measurement of a ship's weight representing the weight of water it displaces, equal to 2,240 pounds or 35 cubic feet (0.99 cu m)





    20
  • twenty: the cardinal number that is the sum of nineteen and one

  • twenty: denoting a quantity consisting of 20 items or units

  • The 21st century is the current century of the Christian Era or Common Era in accordance with the Gregorian calendar. It began on January 1, 2001 and will end on December 31, 2100.











The fix




The fix





- lift each old beam with a 20-ton jack (thanks Chris)
- bolt a 2x8 to each beam
- attach it with a joist hanger to the good floor support beam

Simple. But took some time.











20 ton floor jack







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- 20:07 - Komentari (0) - Isprintaj - #

BLACK METAL FLOOR LAMP - FLOOR LAMP


Black metal floor lamp - In floor heating water



Black Metal Floor Lamp





black metal floor lamp






    black metal
  • Black Metal is the second album by the English band Venom. It was released in November 1982 and is considered a major influence on the thrash metal, death metal and black metal scenes that emerged in the 1980s and early 1990s.

  • Black metal is an extreme subgenre of heavy metal. It often uses fast tempos, shrieked vocals, highly distorted guitars played with tremolo picking, blast beat drumming, and unconventional song structure.

  • A type of heavy metal music having lyrics that deal with Satan and the supernatural

  • Rick Spears is an American comic book writer, best known for works such as The Pirates of Coney Island and Black Metal.





    floor lamp
  • A tall lamp designed to stand on the floor

  • A torchiere (tour-she-AIR or tour-SHARE), or torch lamp, is a lamp with a tall stand of wood or metal. Originally, torchieres were candelabra, usually with two or three lights.

  • a lamp that stands on the floor

  • A floor lamp comprises a stand that supports the bulb holder and bulb, which is shaded to distribute light.  Like table lamps, floor lamps cast a warm, ambient, cozy glow, and are also good for delivering local light to a couch or chair.











Copenhagen Opera House




Copenhagen Opera House





The Copenhagen Opera House, Copenhagen (Denmark).

The Copenhagen Opera House (Operaen) is the national opera house of Denmark and it is located on the island of Holmen in central Copenhagen, just opposite the royal castle Amalienborg at the shore of the harbor in alignment with the Marble Church.
The construction of the Opera House lasted about four and half years, it opened in 2005. It is one of the most expensive Opera House in the world. It was donated to Denmark by the A.P. Moller and Chastine Mc-Kinney Moller Foundation (A.P. Moller was a co-founder of the company M?rsk) and was designed by the Danish architect Henning Larsen in cooperation with M?rsk Mc-Kinney Moller.
The building has an outside surface of Jura Gelb limestone with a large glass surface front with a metal grid. The foyer floor is Sicilian Perlatino marble. There are three very remarkable lamps in the central part of the foyer, created by the Icelandic artist Olafur Eliasson. The wall of the auditorium towards the foyer, and the wood of the balconies, is maple wood.The ceiling inside the auditorium is made using 105,000 sheets of 24 carat gold leafs. The floor in the main audience room is smoked oak.











G787




G787





Close up of the center section of one of those Giraffe floor lamps. The Giraffe is black painted metal.









black metal floor lamp







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- 20:06 - Komentari (0) - Isprintaj - #

BEST PELVIC FLOOR TONER - FLOOR TONER


BEST PELVIC FLOOR TONER - HARDWOOD FLOOR PNEUMATIC NAILER - RAISED FLOOR HEIGHT



Best Pelvic Floor Toner





best pelvic floor toner






    pelvic floor
  • The floor of the abdominal cavity. It pertains to those structures that form the natural bottom of the pelvic and intra-abdominal cavities.

  • The supportive network of muscles that extends from the pubic bone to the tailbone with openings for the urethra and anus as well as the vagina in women.

  • The muscular base of the abdomen, attached to the pelvis

  • The pelvic floor or pelvic diaphragm is composed of muscle fibers of the levator ani, the coccygeus, and associated connective tissue which span the area underneath the pelvis.





    toner
  • A device or exercise for making a specified part of the body firmer and stronger

  • a lotion for cleansing the skin and contracting the pores

  • An astringent liquid applied to the skin to reduce oiliness and improve its condition

  • a solution containing chemicals that can change the color of a photographic print

  • A black or colored powder used in xerographic copying processes

  • a black or colored powder used in a printer to develop a xerographic image











toner générique noir




toner générique noir





toner generique noir Leader Ink pour imprimante laser Brother











toner waste




toner waste





the color toner waste is so pretty.









best pelvic floor toner







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- 20:06 - Komentari (0) - Isprintaj - #

LAMINATE FLOORING VIDEO : FLOORING VIDEO


Laminate flooring video : Kentwood hardwood flooring : Cork flooring for bathroom.



Laminate Flooring Video





laminate flooring video






    laminate flooring
  • Laminate flooring is a multi-layer synthetic flooring product, fused together with a lamination process. Laminate flooring simulates wood (or stone, in some cases) with a photographic applique layer under a clear protective layer.

  • Relatively new to North America, laminates have a dense fiberboard core with a paper pattern layer sealed under high pressure both top and bottom with a plastic-like substance. Sold as planks and panels in wood, stone, tile and other looks.

  • hard surface flooring with a fibreboard core and melamine wear layer - available in blocks, planks, and squares.





    video
  • the visible part of a television transmission; "they could still receive the sound but the picture was gone"

  • The system of recording, reproducing, or broadcasting moving visual images on or from videotape

  • A videocassette

  • A movie or other piece of material recorded on videotape

  • video recording: a recording of both the visual and audible components (especially one containing a recording of a movie or television program)

  • (computer science) the appearance of text and graphics on a video display











[30/365] Chris and Sandy's Weekend Project




[30/365] Chris and Sandy's Weekend Project





So this weekend Sandy and I started a project tearing out our living room carpet, painting a new accent wall, then installing some new laminate flooring. Not having much time to work on my 365 project, we decided halfway through to make the weekend the project with some psuedo stop motion fun!

I was surprised to see what we did, including a razor blade that was just sitting between the carpet pad and carpet from when the carpet was installed. We also saw footprints, and other things that had been protected for more than 10 years under the carpet..

We also decided to leave our own mark for the next people to see when the laminate is finally torn out! :)











scwander 082308 026




scwander 082308 026





Start video









laminate flooring video







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- 20:06 - Komentari (0) - Isprintaj - #

CHEAP TIMBER FLOORS : TIMBER FLOORS


CHEAP TIMBER FLOORS : MODERN KITCHEN FLOORING : SHEET FLOOR



Cheap Timber Floors





cheap timber floors






    timber floors
  • (Timber Floor) A floor consisting of timber joists and planks.

  • (Timber Flooring) Latest trends in timber flooring from all around the world available.





    cheap
  • (of an item for sale) Low in price; worth more than its cost

  • Charging low prices

  • (of prices or other charges) Low

  • bum: of very poor quality; flimsy

  • relatively low in price or charging low prices; "it would have been cheap at twice the price"; "inexpensive family restaurants"

  • brassy: tastelessly showy; "a flash car"; "a flashy ring"; "garish colors"; "a gaudy costume"; "loud sport shirts"; "a meretricious yet stylish book"; "tawdry ornaments"











How ship-like




How ship-like





The Labworth Cafe at Canvey Island is now quite an icon of British Modernism, but its designer, Ove Arup (1895-1988), seemed to dismiss it: "architecture on the cheap by an amateur architect employed by a contractor, and a client with no money to spend", he said. One sees what he meant, but he made the best of a bad job. Arup was chief engineer to Christiani and Nielsen, specialists in concrete structures, and the cafe was provided, 1932-3, as a kind of added-on amenity to Canvey's sea defences. It has an odd perched attitude atop the concrete sea wall. Appearance has changed considerably. The wings on either side of the central drum were originally open shelters with seating. The roofs, which can be reached from the first floor, had open timber structures built over. Wikipedia, if I have understood it correctly, states that the sea defences were deepened during the nineties, burying the open basement, which was exposed on the other side of the building. Glazing has been renewed.
Apparently, by the late nineties, the building was in poor condition but was then Grade II listed. It was bought by a lottery winner who refurbished it and enlarged the facilities. On the occasion of my inspection it seemed to be doing a roaring trade, too. Arup, who, in spite of his name, was born in Newcastle, was an engineer rather than architect, and this is given as his only building.
Olympus OM10 and Sigma 28-70mm zoom.











IMG 6474.JPG




IMG 6474.JPG





The table is entirely made from 3/4 inch flooring planks. Four of them form each (hollow) leg. Buying it as flooring is cheaper than buying the raw timber stock, and the tongue-and-grooving helps a lot with assembly.









cheap timber floors







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- 19:54 - Komentari (0) - Isprintaj - #

FLOORING DESIGNS MARBLE - DESIGNS MARBLE


Flooring designs marble - Hardwood flooring pricing - Mero raised floor



Flooring Designs Marble





flooring designs marble






    flooring
  • building material used in laying floors

  • The boards or other material of which a floor is made

  • floor: the inside lower horizontal surface (as of a room, hallway, tent, or other structure); "they needed rugs to cover the bare floors"; "we spread our sleeping bags on the dry floor of the tent"

  • (floored) provided with a floor





    designs
  • (design) plan: make or work out a plan for; devise; "They contrived to murder their boss"; "design a new sales strategy"; "plan an attack"

  • Decide upon the look and functioning of (a building, garment, or other object), typically by making a detailed drawing of it

  • Do or plan (something) with a specific purpose or intention in mind

  • (design) an arrangement scheme; "the awkward design of the keyboard made operation difficult"; "it was an excellent design for living"; "a plan for seating guests"

  • (design) plan something for a specific role or purpose or effect; "This room is not designed for work"





    marble
  • paint or stain like marble; "marble paper"

  • a small ball of glass that is used in various games

  • Stain or streak (something) so that it looks like variegated marble

  • a hard crystalline metamorphic rock that takes a high polish; used for sculpture and as building material











Floor Design




Floor Design





I just noticed this entry way in my building.











circle floor marble




circle floor marble





Design on stone floor of Paris church









flooring designs marble







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- 19:53 - Komentari (0) - Isprintaj - #

SUPREME LAMINATE FLOORING - SUPREME LAMINATE


Supreme Laminate Flooring - Atlanta Flooring Design Centers - Most Popular Hardwood Floors.



Supreme Laminate Flooring





supreme laminate flooring






    laminate flooring
  • Relatively new to North America, laminates have a dense fiberboard core with a paper pattern layer sealed under high pressure both top and bottom with a plastic-like substance. Sold as planks and panels in wood, stone, tile and other looks.

  • hard surface flooring with a fibreboard core and melamine wear layer - available in blocks, planks, and squares.

  • Laminate flooring is a multi-layer synthetic flooring product, fused together with a lamination process. Laminate flooring simulates wood (or stone, in some cases) with a photographic applique layer under a clear protective layer.





    supreme
  • (of authority or an office, or someone holding it) Superior to all others

  • Very great or intense; extreme

  • highest in excellence or achievement; "supreme among musicians"; "a supreme endxxeavor"; "supreme courage"

  • Strongest, most important, or most powerful

  • sovereign: greatest in status or authority or power; "a supreme tribunal"

  • final or last in your life or progress; "the supreme sacrifice"; "the supreme judgment"











Supreme - Fashion Chrome - Eliana Super Pérola




Supreme - Fashion Chrome - Eliana Super Pérola





esse foi o escolhido para as maos pra essa semana...
tudo de lindo ele ne? tem um brilhos coloridos lindooos, como ja e noite, nao deu pra capturar os brilhos muito bem, pretendo tirar foto dele no sol....

A linha Fashion Chrome da Eliana e maravilhosa ne? Pretendo ter TODOS.

usei:
Supreme - Eliana Super Perola (3 camadas)
Roxinho - Colorama (1 camada)

espero que gostem.
beijoo











Supreme Chinese Takeaway




Supreme Chinese Takeaway





Supreme Chinese Takeaway, Wesley Avenue, Peverell, Plymouth - 2007









supreme laminate flooring







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- 19:52 - Komentari (0) - Isprintaj - #

BATHROOM FLOOR WATERPROOFING - FLOOR WATERPROOFING


BATHROOM FLOOR WATERPROOFING - KITCHEN AND FLOORING - FLOOR BUFFER REPAIR.



Bathroom Floor Waterproofing





bathroom floor waterproofing






    bathroom floor
  • Bathroom Floor is an album record by the Northern Ireland based artist Booley, now known as Duke Special. The record was released on Medieval Haircut Records in 1999.





    waterproofing
  • the act of treating something to make it repel water

  • a coating capable of making a surface waterproof

  • Make impervious to water

  • (waterproof) any fabric impervious to water











Bathroom Renovation




Bathroom Renovation





Just about 1/3 of the way up the wall and NO floor done at all. That red membrane is Red Guard - the waterproof membrane that is under my tilework.











bathroom waterproofing 1




bathroom waterproofing 1





After mortaring and setting the falls to the floor wastes, I slathered waterproof membrane over the bathroom floor - bloody awesome fun!









bathroom floor waterproofing







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- 19:47 - Komentari (0) - Isprintaj - #

AZTEC FLOOR MACHINES : AZTEC FLOOR


AZTEC FLOOR MACHINES : FLOOR EXERCISES : AUTOMATIC FLOOR SCRUBBER.



Aztec Floor Machines





aztec floor machines






    floor machines
  • (Floor Machine) A power-driven machine equipped with a scrubbing or buffing brush used to clean or polish floors.





    aztec
  • a member of the Nahuatl people who established an empire in Mexico that was overthrown by Cortes in 1519

  • The Aztec people were certain ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica in the 14th, 15th and 16th centuries, a period referred to as the late post-classic period in Mesoamerican chronology.

  • Of, relating to, or denoting this people or their language

  • Aztec is a historical fiction novel by Gary Jennings. It is the first of five novels in the Aztec series.











Sofia Brothers Warehouse




Sofia Brothers Warehouse





Upper West Side, Manhattan, New York City, New York, United States

The Arc Deco Sofia Brothers Warehouse was designed by the firm of Jardine, Hill & Murdoch as one of two Kent Automatic Parking Garages. Built in 1929-30, the garage used a patented automatic parking system in which an electrical "parking machine" engaged cars by their rear axles and towed them from the elevator platform to parking spots. As the use of automobiles increased after the First World War, the creation of parking facilities became a necessity in urban areas and the design of garages a new field for architects.

However, in September of 1931, the Kent garage enterprise failed, and the company was reorganized without the Kent Brothers. The building was operated as a garage until 1943, when the Central Savings Bank (holder of the mortgage), sold it to the Sofia interests, who removed the garage apparatus blocked up the original vehicular entrance on Columbus Avenue, and converted the building to a storage warehouse. The architect of the alteration was George S. Kings ley.

The Sofia Brothers Warehouse occupies a prominent site on Columbus Avenue near the southern edge of the Upper West Side. - It was only towards the end of the 19th century (in the 1870s) that the development of New York City extended north of 59th Street into the then-rural Upper West Side. Though the rectangular street grid had been superimposed over the entire island as early as 1811, it wasn't until the construction of the Ninth Avenue El that the Upper West Side experienced large-scale urban expansion.

While older village centers existed at Harsenville near 72nd Street, and Bloomingdale at 86th Street, rowhouses for affluent residents were built near public improvements such as Riverside Park and Drive. Other houses and tenements were constructed near the elevated railway stops at 72nd , 81st and 93rd Streets.

Throughout much of the 19th century, the West Side, south of 60th Street, was the home of Manhattan's black population. By 1900, the black community had spread as far north as 64th Street, west of Broadway. The area between 60th and 64th Streets, consisting mostly of dilapidated tenement housing, small industrial buildings, and groups of stables, was known as Columbus Hill because of its proximity to Columbus Circle until it became the scene of bloody racial riots involving veterans of the Spanish-
American War and was renamed "San Juan Hill."

This this area served as a transitional zone to the more exclusive rowhouse blocks to the north. The continued presence of the Ninth Avenue El did not enhance the desirability of the San Juan Hill neighborhood as a place to live. An attempt was made to change the neighborhood's image by changing the names of Ninth and Tenth Avenues to Columbus and Amsterdam Avenues.

As the. 20th-century progressed, the neighborhood changed to light industrial uses. The 1936 tax map shows gas stations, garages, auto dealerships, and factory service centers lining the streets from West 59th to West 70th Streets, especially between Amsterdam and West End Avenues. The Sofia Brothers Warehouse, then the Kent Parking Garage, erected adjacent to the Packard Motor Car Company warehouse and showrooms.

The area retained its fragmented character until the erection of Lincoln Center in the 1960's just to the north and related redevelopment of the Upper West Side during the past two decades.

The Kent Parking Garage; now the Sofia Brothers Warehouse, was designed in the increasingly popular Art Deco style which.... "through the late 20s and early 30s...was being applied to an ever greater range of building types. It seems likely that for this location the client sought an Art Deco design with its implications of modernity and progress to indicate the innovative nature of the new parking system housed within the building.

The Art Deco movement on the Upper West Side had been first manifested in such apartment buildings as No. 336 Central Park West at 94th Street (1928, Schwartz & Cross;, the Master Apartments on Riverside Drive at 103rd Street in (1928, Heinle, Corbett i Harrison and Sugarman & Berger) and the Eldorado on Central Park West at 90th Street (1929, Margon & Holder) .

The Kent- Parking Garage, dates from 1929-30. Other major Art" Deco buildings of 1929 are the Daily News Building on 42nd Street by Howells & Hood and the Salvation Army Building on 14th Street by Voorhes, Gemlin & Walker.

The firm "of Jardine, Hill & Murdock, which designed the Kent Automatic Parking Garage was the successor firm to D & J Jardine, later, Jardine, Kent & Jardine, and Jardine, Kent & Hill. The Jardine firm was especially active in the last quarter of the 19th century in the design of rowhouses, apartment buildings, and commercial buildings, including the cast-iron B. Altman & Co. store at Sixth Avenue and 19th Street.

The successor firm continued in the commerci











Serpent in Aztec theatre




Serpent in Aztec theatre





About every hour this theatre puts on a free "special effects" show. It is loosely based on Aztec mythology and at the end this serpent rises up to the second floor complete with fog machine and moving head and mouth. The sacred message that he brings is that the next picture show is about to start.









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- 19:47 - Komentari (0) - Isprintaj - #

GARAGE APARTMENT FLOOR PLANS - GARAGE APARTMENT


GARAGE APARTMENT FLOOR PLANS - 2 BED ROOM FLOOR PLANS - HARDWOOD FLOOR TORONTO



Garage Apartment Floor Plans





garage apartment floor plans






    garage apartment
  • A garage apartment is an apartment built within the walls of, or on top of, the garage of a house. The garage may be attached or a separate building from the main house, but will have a separate entrance and may or may not have a communicating door to the main house.





    floor plans
  • (floor plan) scale drawing of a horizontal section through a building at a given level; contrasts with elevation

  • In architecture and building engineering, a floor plan, or floorplan, is a diagram, usually to scale, showing the relationships between rooms, spaces and other physical features at one level of a structure.

  • A scale diagram of the arrangement of rooms in one story of a building

  • (Floor planning) Floorplanning is the act of designing of a floorplan, which is a kind of bird's-eye view of a structure.











Jefferson at Fair Oaks Garage




Jefferson at Fair Oaks Garage





Yesterday's Charm, Today's Sophistication

To live at The Jefferson at Fair Oaks is to enjoy the traditional comforts of an elegant home and the refined convenience of a stylish community. The apartment homes at The Jefferson at Fair Oaks offer all the charm of yesterday with the amenities demanded by today's fast-paced lifestyles. Each apartment home is unique and distinctive. Select from four spacious floor plans, some with attached garages. Each features carefully crafted interiors and extraordinary features, including dramatic 8 ? foot ceilings, elegant crown molding and chair rail, and contemporary kitchens with white-on-white General Electric appliances.

The Jefferson at Fair Oaks brings you distinctive architecture at an incomparable location. Conveniently located adjacent to Fair Oaks Mall, excellent shopping, dining and entertainment choices are just minutes from your front door.











Gramercy Apartments




Gramercy Apartments





Everything you could want in an apartment home is waiting for you at The Gramercy. The Gramercy offers impeccable features and amenities right in the heart of Columbia Town Center. You can choose from one of seven beautiful floor plans, with options such as nine foot ceilings, dens, or loft apartments. Individual garages and additional storage areas are both available. Living at The Gramercy also means living in a perfect location. Shopping and entertainment are within easy access. You can walk to the Columbia Mall, Merriweather Post Concert Pavillion, and Symphony Woods Park. You are also just a moments drive from I-95.









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- 19:30 - Komentari (0) - Isprintaj - #

FLOORING IN SACRAMENTO. IN SACRAMENTO


Flooring In Sacramento. Evacuate The Dance Floor Featuring. Bonakemi Floor Finish.



Flooring In Sacramento





flooring in sacramento






    sacramento
  • a city in north central California 75 miles to the northeast of San Francisco on the Sacramento River; capital of California

  • Sacramento is a Portuguese parish (freguesia) in the municipality of Lisbon. It has a total area of 0.08 km? and total population of 880 inhabitants (2001); density: 18,864.2 hab/km?.

  • A river in northern California that rises near the border with Oregon and flows about 380 miles (611 km) south to San Francisco Bay

  • The capital of California, situated on the Sacramento River, northeast of San Francisco; pop. 407,018

  • Sacramento Station (SAC) is an Amtrak and Amtrak California train station which serves the city of Sacramento, California. It is located at 401 I Street, on the corner of I Street and Fifth Street.





    flooring
  • The boards or other material of which a floor is made

  • building material used in laying floors

  • floor: the inside lower horizontal surface (as of a room, hallway, tent, or other structure); "they needed rugs to cover the bare floors"; "we spread our sleeping bags on the dry floor of the tent"

  • (floored) provided with a floor











Sacramento Regional Transit coach 2349




Sacramento Regional Transit coach 2349





Sacramento Regional Transit coach 2349 parked at the University/65th Street station on RT Light Rail's Gold Line in East Sacramento.Another of the over 100 Orion VII low-floors in the fleet,this was among a total of 98 coaches numbered in the 2300 series that entered the RT bus fleet between spring 2003 and summer 2004 to replace the remaining diesel coaches(all Gillig Phantoms that entered the fleet at separate times in 1985 and 1990).Scary as it sounds,coaches 2378 and 2380 only lasted about 5 years before being consigned to RT's bus maintenance graveyard near the Blue Line's Royal Oaks station though I don't know the full circumstances...

This photo was taken on a Saturday when it had just changed from an 87 to a 38.Routes 38(River Oaks-Downtown-P/Q Streets-29th Street Station-UCD Medical Center-University/65th Street Station),86(Downtown-South Natomas-San Juan/Silver Eagle Roads-Del Paso Heights-Marconi/Arcade Station),and 87(Marconi/Arcade Station-Howe Avenue-CSUS-University/65th Street Station)are all inlined with one another on weekends.Routes 38 and 86 each run solo on weekdays,while 87 weekday service is inlined with the 81(University/65th Street Station-65th Street-Florin Towne Center f.k.a. Florin Mall-Florin Road-Greenhaven).Prior to 2004,the 86 was part of a much longer 87,and even the 'old' 87 has been realigned/shortened multiple times.I know the 87 did serve Arden Fair Mall in the pre-light rail era according to my September 1983 system map...











Sacramento RT Bus 9616




Sacramento RT Bus 9616





Unitrans 9613-9616 are four Orion V transit buses operated in regular service by Unitrans in Davis, California. They were leased from Sacramento Regional Transit to supplement the current Unitrans fleet and to facilitate the retirement of the aging diesel fleet, specifically buses 2821-2822 and 4615-4616. They are 40' 1996 Orion V high-floor transit buses, powered by Compressed Natural Gas, similar to their Unitrans counterparts 4343-4350.









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- 19:30 - Komentari (0) - Isprintaj - #

KILLING FLOOR GRAPHICS : FLOOR GRAPHICS


Killing floor graphics : Elegant floors.



Killing Floor Graphics





killing floor graphics






    floor graphics
  • Floor grahic decals can increase sales by as much as 25-30%. This way of advertising can be used to supplement other forms of signage to provide a complete advertising package. Custom contour cut to any shape floor graphic. Digitally printed in full color and high resolution!





    killing
  • an event that causes someone to die

  • An act of causing death, esp. deliberately

  • very funny; "a killing joke"; "sidesplitting antics"

  • the act of terminating a life











Thrills That Kill: Morals and Movie Posters




Thrills That Kill: Morals and Movie Posters





Sex, drugs and...movie posters come to Montreal's Blue Sunshine cinema for the month of July!

THRILLS THAT KILL: MORALS AND MOVIE POSTERS is an exhibition of 18 outrageous vintage movie posters from the collection of Montreal Mirror cartoonist and former CBC broadcaster Dave Rosen.

With titles like Death in Small Doses, Maryjane, High School Confidential, Story of a Junkie and Pickup Alley, the posters are a window on the lost world of the "cautionary tale" exploitation movie.

Dating back to the beginnings of cinema, these were the original "message movies" and the message was: Anything that makes you feel good will ruin your life, rot your brain and kill you.

Drugs, alcohol, gambling and especially sex provided fertile (and lucrative) subject matter for “educational” movies meant to warn or, better yet, scare audiences away from the perils of self-indulgence

Chosen from among hundreds of vintage posters in Rosen's personal collection, their combination of over-the-top titles and deliciously lurid graphics still pull at us decades later to come in and gape at the spectacle of lost souls lured down the road to wrack and ruin.

THRILLS THAT KILL: MORALS AND MOVIE POSTERS is on at Blue Sunshine July 2-31.

Blue Sunshine
3660 Boul. St-Laurent
3rd Floor
438-380-5869












Looks that kill




Looks that kill





Strobe - SB600 bounced off the floor in 1/2 it's full power.

I appreciate your comments, but NO awards, banners, group images & graphics please.
Feel free to criticize.

Facebook - Jonak Photography

© All rights reserved Jonak 2011









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- 19:29 - Komentari (0) - Isprintaj - #

LIGHTHOUSE FLOOR LAMP. LIGHTHOUSE FLOOR


Lighthouse floor lamp. Wood floors bathroom. End grain flooring.



Lighthouse Floor Lamp





lighthouse floor lamp






    floor lamp
  • A floor lamp comprises a stand that supports the bulb holder and bulb, which is shaded to distribute light.  Like table lamps, floor lamps cast a warm, ambient, cozy glow, and are also good for delivering local light to a couch or chair.

  • a lamp that stands on the floor

  • A tall lamp designed to stand on the floor

  • A torchiere (tour-she-AIR or tour-SHARE), or torch lamp, is a lamp with a tall stand of wood or metal. Originally, torchieres were candelabra, usually with two or three lights.





    lighthouse
  • A tower or other structure containing a beacon light to warn or guide ships at sea

  • beacon: a tower with a light that gives warning of shoals to passing ships

  • A lighthouse is a tower, building, or other type of structure designed to emit light from a system of lamps and lenses or, in older times, from a fire, and used as an aid to navigation for pilots at sea or on inland waterways.

  • Light House is a studio album by Kim Carnes, released in 1986 (see 1986 in music).











DGJ 8404




DGJ 8404





PLEASE, no multi invitations in your comments. DO NOT FEEL YOU HAVE TO COMMENT.Thanks.

The Sambro Island Lighthouse.

HISTORY OF THE SAMBRO ISLAND LIGHTHOUSE

For the first nine years after the founding of Halifax, no signal marked these hazards. This lack of a lighthouse was not for want of trying. As early as 1752, the Governor and Council organized a lottery to cover the cost of building a light on "Cape Sambrough," but had no success. Finally, on the first day of the first session of the General Assembly of Nova Scotia, October 2, 1758, an act was passed to establish a lighthouse on "Sambro Outer Island." They appropriated 1,000 pounds from the duties paid on spirituous liquors, and instituted a tax on vessels entering the harbour. Commissioners were appointed and matters were put quickly in hand. The site was chosen, the money voted, and by early November the work was begun. It is probable that a temporary light was established on the island.

There is evidence that the new light was operational in 1759. The Pennsylvania Gazette, May 14, 1759, contains the following note as part of a letter from Halifax, dated April 28, 1759:
"The Manager of the Light House is just come up. He lately went down to put it up; and has fixed it, with every thing that is convenient for Shipping: It was lighted the 23rd Instant; and as it is of Service to the Publick, to our Vessels as well as others, you will make it publick by publishing it in your Paper. It is situated one League S.W. of the Harbour, on Sambra Island. I thought it a new Thing, and of Service; so I have taken the Pains to give you Information of it."

The building was of stone, 60 feet high from the base to the weather vane crowning the lantern. The white fixed light was, thus, 115 feet above sea level.

Within a few years, word of inefficiency in the operation of the light reached the floor of the Legislative Assembly. The wreck of the sloop Granby, of Boston, in 1771, with the loss of all hands, blew the situation wide open. Apart from the loss of life, the Granby was carrying +3000 to pay the dockyard staff! Commodore Gambier, Commander in Chief of the Naval Station, reported that "the fatal accident happened for want of a light being properly kept in the lighthouse." He noted that H. M. Ships had, on occasion, to fire at the lighthouse in order to make the keepers show a light. Other vessels complained at being forced to pay for a light which "is a great annual expense to the Government and serves no other purpose than the shameful one of putting money in the pockets of a nominee of the Governor's."

An inquiry found that, indeed, the keeper was appointed by the Governor. He was allowed the duties paid by ships entering the port and procured only the cheapest materials. Fish oil fuelled the light and if it went out and no ships were in sight, it was left out. It must be noted that at this time the lighting method for lighthouses was in its infancy, and the burning of fish oil was not unusual. Open oil lamps, without reflectors, produced a dim light. The glass in the lanterns smoked up constantly at all times of the year and the vapour from the flame caused misting and icing in cold weather. Keeping the lights lit and as bright as possible was a formidable job.

Commodore Gambier recommended that the government take over operation of the Sambro Light. The Naval Store Officer in Halifax was to be in charge. Nothing was done about this, for in 1772, Matthew Pennell was in charge of the light. At that time, fountain lamps with flues to carry off the smoke were installed. After that, there was far less trouble with the darkening of the glass which obscured the light.











DGJ 8388 - Leaving the Island




DGJ 8388 - Leaving the Island





PLEASE, no multi invitations in your comments. DO NOT FEEL YOU HAVE TO COMMENT.Thanks.

HISTORY OF THE SAMBRO ISLAND LIGHTHOUSE

For the first nine years after the founding of Halifax, no signal marked these hazards. This lack of a lighthouse was not for want of trying. As early as 1752, the Governor and Council organized a lottery to cover the cost of building a light on "Cape Sambrough," but had no success. Finally, on the first day of the first session of the General Assembly of Nova Scotia, October 2, 1758, an act was passed to establish a lighthouse on "Sambro Outer Island." They appropriated 1,000 pounds from the duties paid on spirituous liquors, and instituted a tax on vessels entering the harbour. Commissioners were appointed and matters were put quickly in hand. The site was chosen, the money voted, and by early November the work was begun. It is probable that a temporary light was established on the island.

There is evidence that the new light was operational in 1759. The Pennsylvania Gazette, May 14, 1759, contains the following note as part of a letter from Halifax, dated April 28, 1759:
"The Manager of the Light House is just come up. He lately went down to put it up; and has fixed it, with every thing that is convenient for Shipping: It was lighted the 23rd Instant; and as it is of Service to the Publick, to our Vessels as well as others, you will make it publick by publishing it in your Paper. It is situated one League S.W. of the Harbour, on Sambra Island. I thought it a new Thing, and of Service; so I have taken the Pains to give you Information of it."

The building was of stone, 60 feet high from the base to the weather vane crowning the lantern. The white fixed light was, thus, 115 feet above sea level.

Within a few years, word of inefficiency in the operation of the light reached the floor of the Legislative Assembly. The wreck of the sloop Granby, of Boston, in 1771, with the loss of all hands, blew the situation wide open. Apart from the loss of life, the Granby was carrying +3000 to pay the dockyard staff! Commodore Gambier, Commander in Chief of the Naval Station, reported that "the fatal accident happened for want of a light being properly kept in the lighthouse." He noted that H. M. Ships had, on occasion, to fire at the lighthouse in order to make the keepers show a light. Other vessels complained at being forced to pay for a light which "is a great annual expense to the Government and serves no other purpose than the shameful one of putting money in the pockets of a nominee of the Governor's."

An inquiry found that, indeed, the keeper was appointed by the Governor. He was allowed the duties paid by ships entering the port and procured only the cheapest materials. Fish oil fuelled the light and if it went out and no ships were in sight, it was left out. It must be noted that at this time the lighting method for lighthouses was in its infancy, and the burning of fish oil was not unusual. Open oil lamps, without reflectors, produced a dim light. The glass in the lanterns smoked up constantly at all times of the year and the vapour from the flame caused misting and icing in cold weather. Keeping the lights lit and as bright as possible was a formidable job.

Commodore Gambier recommended that the government take over operation of the Sambro Light. The Naval Store Officer in Halifax was to be in charge. Nothing was done about this, for in 1772, Matthew Pennell was in charge of the light. At that time, fountain lamps with flues to carry off the smoke were installed. After that, there was far less trouble with the darkening of the glass which obscured the light.









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- 19:28 - Komentari (0) - Isprintaj - #

STRUCTURAL GLASS FLOOR. GLASS FLOOR


STRUCTURAL GLASS FLOOR. INSTALLING LAMINATE FLOORING UNDERLAYMENT



Structural Glass Floor





structural glass floor






    structural glass
  • (1) Flat glass that is usually colored or opaque and frequently ground and polished, used for structural purposes. (2) Glass block, usually hollow, that is used for structural purposes.





    floor
  • shock: surprise greatly; knock someone's socks off; "I was floored when I heard that I was promoted"

  • All the rooms or areas on the same level of a building; a story

  • The lower surface of a room, on which one may walk

  • the inside lower horizontal surface (as of a room, hallway, tent, or other structure); "they needed rugs to cover the bare floors"; "we spread our sleeping bags on the dry floor of the tent"

  • a structure consisting of a room or set of rooms at a single position along a vertical scale; "what level is the office on?"

  • A level area or space used or designed for a particular activity











Glass by Geoffrey Clarke, Coventry Cathedral




Glass by Geoffrey Clarke, Coventry Cathedral





Detail of one of the third pair of nave windows, more colourful than the rest and designed by Geoffrey Clarke. The multicoloured windows symbolise the soul's struggles in mid-life..

Coventry's Cathedral is a unique synthesis of old a new, born of wartime suffering and forged in the spirit of postwar optimism, famous for it's history and for being the most radically modern of Anglican cathedrals. Two cathedral's stand side by side, the ruins of the medieval building, destroyed by incendiary bombs in 1940 and the bold new building designed by Basil Spence and opened in 1962.

It is a common misconception that Coventry lost it's first cathedral in the wartime blitz, but the bombs actually destroyed it's second; the original medieval cathedral was the monastic St Mary's, a large cruciform building believed to have been similar in appearance to Lichfield Cathedral (whose diocese it shared). Tragically it became the only English cathedral to be destroyed during the Reformation, after which it was quickly quarried away, leaving only scant fragments, but enough evidence survives to indicate it's rich decoration (some pieces displayed nearby in the Priory Visitors Centre). Foundations of it's apse were found during the building of the new cathedral in the 1950s, thus technically three cathedrals share the same site.

The mainly 15th century St Michael's parish church became the seat of the new diocese of Coventry in 1918, and being one of the largest parish churches in the country it was upgraded to cathedral status without structural changes (unlike most 'parish church' cathedrals created in the early 20th century). It lasted in this role a mere 22 years before being burned to the ground in the 1940 Coventry Blitz, leaving only the outer walls and the magnificent tapering tower and spire (the extensive arcades and clerestoreys collapsed completely in the fire, precipitated by the roof reinforcement girders, installed in the Victorian restoration, that buckled in the intense heat).

The determination to rebuild the cathedral in some form was born on the day of the bombing, however it wasn't until the mid 1950s that a competition was held and Sir Basil Spence's design was chosen. Spence had been so moved by experiencing the ruined church he resolved to retain it entirely to serve as a forecourt to the new church. He envisaged the two being linked by a glass screen wall so that the old church would be visible from within the new.

Built between 1957-62 at a right-angle to the ruins, the new cathedral attracted controversy for it's modern form, and yet some modernists argued that it didn't go far enough, afterall there are echoes of the gothic style in the great stone-mullioned windows of the nave and the net vaulting (actually a free-standing canopy) within. What is exceptional is the way art has been used as such an integral part of the building, a watershed moment, revolutionising the concept of religious art in Britain.

Spence employed some of the biggest names in contemporary art to contribute their vision to his; the exterior is adorned with Jacob Epstein's triumphant bronze figures of Archangel Michael (patron of the cathedral) vanquishing the Devil. At the entrance is the remarkable glass wall, engraved by John Hutton with strikingly stylised figures of saints and angels, and allowing the interior of the new to communicate with the ruin. Inside, the great tapestry of Christ in majesty surrounded by the evangelistic creatures, draws the eye beyond the high altar; it was designed by Graham Sutherland and was the largest tapestry ever made.

However one of the greatest features of Coventry is it's wealth of modern stained glass, something Spence resolved to include having witnessed the bleakness of Chartres Cathedral in wartime, when all it's stained glass had been removed. The first window encountered on entering is the enormous 'chess-board' baptistry window filled with stunning abstract glass by John Piper & Patrick Reyntiens, a symphony of glowing colour. The staggered nave walls are illuminated by ten narrow floor to ceiling windows filled with semi-abstract symbolic designs arranged in pairs of dominant colours (green, red, multi-coloured, purple/blue and gold) representing the souls journey to maturity, and revealed gradually as one approaches the altar. This amazing project was the work of three designers lead by master glass artist Lawrence Lee of the Royal College of Art along with Keith New and Geoffrey Clarke (each artist designed three of the windows individually and all collaborated on the last).

The cathedral still dazzles the visitor with the boldness of it's vision, but alas, half a century on, it was not a vision to be repeated and few of the churches and cathedrals built since can claim to have embraced the synthesis of art and architecture in the way Basil Spence did at Coventry.

The cathedral is generally open to visitors most days, but now charges an entry fee (a fix for recent finan











Piper Glass, Coventry Cathedral




Piper Glass, Coventry Cathedral





Detail of the Baptistry Window, a masterpiece of abstract stained glass designed by John Piper and executed by Patrick Reyntiens.

Coventry's Cathedral is a unique synthesis of old a new, born of wartime suffering and forged in the spirit of postwar optimism, famous for it's history and for being the most radically modern of Anglican cathedrals. Two cathedral's stand side by side, the ruins of the medieval building, destroyed by incendiary bombs in 1940 and the bold new building designed by Basil Spence and opened in 1962.

It is a common misconception that Coventry lost it's first cathedral in the wartime blitz, but the bombs actually destroyed it's second; the original medieval cathedral was the monastic St Mary's, a large cruciform building believed to have been similar in appearance to Lichfield Cathedral (whose diocese it shared). Tragically it became the only English cathedral to be destroyed during the Reformation, after which it was quickly quarried away, leaving only scant fragments, but enough evidence survives to indicate it's rich decoration (some pieces displayed nearby in the Priory Visitors Centre). Foundations of it's apse were found during the building of the new cathedral in the 1950s, thus technically three cathedrals share the same site.

The mainly 15th century St Michael's parish church became the seat of the new diocese of Coventry in 1918, and being one of the largest parish churches in the country it was upgraded to cathedral status without structural changes (unlike most 'parish church' cathedrals created in the early 20th century). It lasted in this role a mere 22 years before being burned to the ground in the 1940 Coventry Blitz, leaving only the outer walls and the magnificent tapering tower and spire (the extensive arcades and clerestoreys collapsed completely in the fire, precipitated by the roof reinforcement girders, installed in the Victorian restoration, that buckled in the intense heat).

The determination to rebuild the cathedral in some form was born on the day of the bombing, however it wasn't until the mid 1950s that a competition was held and Sir Basil Spence's design was chosen. Spence had been so moved by experiencing the ruined church he resolved to retain it entirely to serve as a forecourt to the new church. He envisaged the two being linked by a glass screen wall so that the old church would be visible from within the new.

Built between 1957-62 at a right-angle to the ruins, the new cathedral attracted controversy for it's modern form, and yet some modernists argued that it didn't go far enough, afterall there are echoes of the gothic style in the great stone-mullioned windows of the nave and the net vaulting (actually a free-standing canopy) within. What is exceptional is the way art has been used as such an integral part of the building, a watershed moment, revolutionising the concept of religious art in Britain.

Spence employed some of the biggest names in contemporary art to contribute their vision to his; the exterior is adorned with Jacob Epstein's triumphant bronze figures of Archangel Michael (patron of the cathedral) vanquishing the Devil. At the entrance is the remarkable glass wall, engraved by John Hutton with strikingly stylised figures of saints and angels, and allowing the interior of the new to communicate with the ruin. Inside, the great tapestry of Christ in majesty surrounded by the evangelistic creatures, draws the eye beyond the high altar; it was designed by Graham Sutherland and was the largest tapestry ever made.

However one of the greatest features of Coventry is it's wealth of modern stained glass, something Spence resolved to include having witnessed the bleakness of Chartres Cathedral in wartime, when all it's stained glass had been removed. The first window encountered on entering is the enormous 'chess-board' baptistry window filled with stunning abstract glass by John Piper & Patrick Reyntiens, a symphony of glowing colour. The staggered nave walls are illuminated by ten narrow floor to ceiling windows filled with semi-abstract symbolic designs arranged in pairs of dominant colours (green, red, multi-coloured, purple/blue and gold) representing the souls journey to maturity, and revealed gradually as one approaches the altar. This amazing project was the work of three designers lead by master glass artist Lawrence Lee of the Royal College of Art along with Keith New and Geoffrey Clarke (each artist designed three of the windows individually and all collaborated on the last).

The cathedral still dazzles the visitor with the boldness of it's vision, but alas, half a century on, it was not a vision to be repeated and few of the churches and cathedrals built since can claim to have embraced the synthesis of art and architecture in the way Basil Spence did at Coventry.

The cathedral is generally open to visitors most days, but now charges an entry fee (a fix for recent financial worries; gone are the frequent days I used to w









structural glass floor







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