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LG 47LW5300 47-Inch 1080p 120Hz Cinema 3D LED-LCD HDTV with 3D Blu-ray Player and Four Pairs of 3D Glasses

Welcome to the third dimension. The LW5300 delivers LG Cinema 3D technology and a whole lot more. With LG's stunning LED Plus display technology you get rich, vibrant colors and deep blacks with both 2D and 3D content. Also enjoy your favorite 2D content in 3D depth with LG’s 2D to 3D conversion. The LW5300 comes bundled with an LG 3D Blu-ray player, everything you need to enjoy 3D all in one box.




3D Technology Checklist
This product is 3D-related. To help you get a great 3D experience, use the checklist below to ensure you have everything you need. 3D viewing requires:
A Display
First, you'll need a 3D-ready display--whether it's a 3D HDTV, 3D projector, or 3D computer monitor. These displays have more processing power than standard 2D models for displaying 3D images in rapid succession.
A Source
Your display may be ready for 3D playback, but you'll still need a device to read 3D content. This can be a cable box with a subscription to a 3D channel, a 3D Blu-ray Disc player, or a PlayStation 3 system.
3D Content
3D content--the actual entertainment, in other words--will be played back using the source mentioned above, whether it's a 3D broadcast from your cable provider, a 3D Blu-ray Disc, or a 3D video game.
3D Glasses
For now, the vast majority of 3D HDTVs require glasses for 3D viewing. Many use powered "active shutter" glasses, others polarized "passive" glasses. You'll need one pair per viewer, and they'll have to be compatible with your display, whether they're the same brand, or a pair of "universal" glasses designed to work across brands.
HDMI Cable
To connect your source (such as a 3D Blu-ray Disc player) to your display, you'll need a high-speed HDMI cable. Cables with this designation feature bandwidth speeds up to 10.2 Gbps (gigabits per second), for carrying the 3D signal without any loss of quality.

If you want to get more information about 3D, shop our 3D products, watch videos, or interact with other customers, we invite you to visit 3D 101, our customer center about everything 3D.

(August 2011)

LW5300 3D 1080P LED TV - 3D TV and 3D Blu-ray entertainment bundle
Straight out of the box, 3D TV this entertainment package is ready to delivery 3D and Full 1080p content. The LW5300 includes a LED LCD 3D TV, a 3D Blu-ray disc player and 4 pairs of 3D glasses. 3D Home Entertainment has arrived!

THERE'S NO OTHER 3D LIKE OUR 3D.
JUST ASK OUR COMPETITION.
4 out of 5 People Choose LG Cinema 3D over the leading competitors for Overall 3D Experience.* LG Cinema 3D is the people's choice for the best 3D TV experience. With preferred brightness, color, contrast and motion, plus Full HD 1080p in both 2D and 3D, it's no wonder consumers put LG 3D on top. Discover for yourself why LG is the top pick. See full survey result
* Based on LG consumer perception study of LG Cinema 3D TV vs. Samsung and Sony active 3D TVs in factory default settings, May 2011. LG TV model 47LW5600 with model AG-F200 glasses; Samsung TV model UN46D6420 with model SSG-3100GB glasses; Sony TV model KDL-46EX723 with model TDGBR100/B glasses.EASY TO LOVE. EASY TO SHARE
Our 3D glasses are just like the ones you get at the movie theater, so there are no batteries required and they don't need recharging. Plus, because LG Cinema 3D glasses are so inexpensive, you can outfit your family and friends for a fraction of the cost of other 3D technologies so no one has to miss out on the 3D experience. UNLIMITED 3D CONTENT
3D isn't just for the newest releases anymore. LG's 2D-to-3D conversion feature can turn everything from cinema classics to sports to your TV favorites into larger-than-life 3D. It's in with the old and in with the new.
3D BLU-RAY-DISC PLAYER

3D BLU-RAY DISC & BLU-RAY DISC
Enjoy 3D Blu- ray Disc movies in Full HD 1080p. Also supports standard Blu-ray Disc movies in high definition and upscales DVDs to near HD quality.

KEY TECHNOLOGIES

PREPARE TO BE DAZZLED.
Want deeper blacks and richer colors? LG's LED Plus technology provides even greater control of brightness through local dimming technology to deliver better contrast, amazing clarity and color detail, as well as greater energy efficiency compared to conventional LCD TVs.
LESS BLUR. MORE ACTION.
TruMotion 120Hz technology lets you see sports, video games and high-speed action with virtually no motion blur. Now your TV can keep up with your fast-moving entertainment.
DOUBLE THE DETAIL.
This stunning picture is the reason you wanted HDTV in the first place. With almost double the pixel resolution, Full HD 1080p gives it superior picture quality over standard HDTV. You'll see details and colors like never before.
ADDITIONAL FEATURES
SAVE MORE THAN ENERGY.
Earning the ENERGY STAR means a product meets strict energy efficiency guidelines set by the US Environmental Protection Agency and the Department of Energy. For TVs, it means they save energy both in standby and active (when they're on) modes. ENERGY STAR qualified TVs use about 30% less energy than standard units.
FIND THE PERFECT PICTURE.
Get easy self-calibration with on-screen reference points for key picture quality elements such as black level, color, tint, sharpness and backlight levels. Take the guesswork out of picture adjustments with this simple-to-use feature. It's not actually magic, but it will sure seem that way.
VIEW IT IN THE RIGHT LIGHT.
Let your TV do the adjustments for you. Intelligent Sensor automatically optimizes the picture to the lighting and color conditions in the room for a more enjoyable viewing experience.
WISE AND NOT WASTEFUL.
With our Smart Energy Saving Features, you can conserve money and energy.
ISFCCC READY.
LG's ISFccc Ready HDTVs contain the detailed standards necessary for professional calibration of brightness, contrast, tint, sharpness, color levels and much more to meet local lighting conditions for both day and nighttime viewing. Settings are added to preset modes for easy access from your LG remote.

Specifications (PDF)

German postcard by Film-Foto-Verlag, nr. A 3558/1, 1941-1944. Photo: Hammerer/Wien-Film.

Austrian actor Hans Holt (1909- 2001) appeared in nearly 100 films in a career that stretched back to 1935. He portrayed Baron Von Trapp in two German films from the 1950’s. Christopher Plummer later played the role in the musical The Sound of Music.

Hans Holt was born as Karl Johann Hodl in Wien (Vienna), Austria-Hungary (now Austria) in 1909. He was the son of the glazier Karl Hodl and his wife Paula Hodl-Schmider. He visited the Bundesrealschule am Donaukanal and graduated from the Akademie fur Musik und Darstellende Kunst Wien (the Academy of Music and Performing Arts in Vienna). In 1930, he made his debut at the Volkstheater, and later during his career he played at the Vienna Burgtheater, and in theaters in Zurich and Berlin. For more than forty years, he was a member of the Theater in der Josefstadt in Vienna. A few years after his stage debut he was discovered for the cinema and appeared in the short Fasching in Wien/Carnival in Vienna (1935) with Leo Slezak. Soon followed a bigger role in Henry Kosters Katharina, die Letzte/Catherine the Last (1936, Hermann Kosterlitz aka Henry Koster) with Franciska Gaal. His type of role was that of the handsome young man who conquered the female audience with his sympathetic good nature. His best known films from this period include Konfetti/Confetti (1936, Hubert Marischka), Lumpacivagabundus/Lumpaci the Vagabond (1936, Geza von Bolvary) with Heinz Ruhmann, Finale/The Restless Girls (1938, Geza von Bolvary) with Kathe von Nagy, Das Ekel/The Grouch (1939, Hans Deppe) starring Hans Moser, and Unsterblicher Walzer/Immortal Waltz (1939, E.W. Emo) as Josef the brother of waltz king Joseph Strauss (Paul Horbiger). Till the end of the war followed more popular entertainment films like Der Postmeister/The Stationmaster (1940, Gustav Ucicky) starring Heinrich George, Rosen in Tirol/Roses in Tyrol (1940, Geza von Bolvary) an operetta adaptation of Carl Zeller's Der Vogelhandler (The Bird Seller), Schrammeln (1944, Geza von Bolvary) opposite Marte Harell, and Geld ins Haus/Money into the house (1945-1947, Robert A. Stemmle). He also starred as Wolfgang Amadeus Mozart in the biopic Wen die Gotter lieben/Whom the gods love (1942, Karl Hartl).

At the side of the Austrian stars Paula Wessely, Attila and Paul Horbiger, and Hans Moser, Hans Holt played in a total of more than eighty Heimat films and comedies. Even when he was over forty years old, he still often played the young man in love. His post-war films includes the cheerful comedy of errors Konigin einer Nacht/Queen of a Night (1951, Kurt Hoffmann). His most famous role was Baron von Trapp in the Heimat film Die Trapp-Familie/The Trapp Family (1956, Wolfgang Liebeneiner) and the sequel Die Trapp-Familie in Amerika/The Trapp Family in America (1958, Wolfgang Liebeneiner), both opposite Ruth Leuwerik. The in the Salzburg Alps located melodramas about the impoverished but honest and brave Baron and his singing group of children were based on a true story. It was later reworked and remade as the classic musical The Sound of Music (1965, Robert Wise). And so the now grey-haired Hans Holt managed the transition into father and husband roles. In addition to his film work, he also appeared in plays by Hugo von Hofmannsthal, Luigi Pirandello, Arthur Schnitzler and Ferenc Molnar. He had a great success in 1946 with the premiere of Carl Zuckmayer's Des Teufels General (The Devil's General). Apart from the Theater in der Josefstadt, he did guest appearances at other venues. He also wrote several plays himself, including the comedy Der Herzspezialist (The Heart Specialist) (1956). In later years he was mainly a television actor. In 1972 he was at the side of Marika Rokk in 13 episodes of the family series Die Schongrubers/The Schongrubers (1972, Klaus Uberall). In the early 1980’s he played in the TV series Ich heirate eine Familie/I marry a family (1983-1985) with Peter Weck. From 1985 till 1989 he worked as Franz at the side of Alfred Boehm in the series Der Leihopa/The Borrowgranddad (1985-1988, Otto Anton Eder) . Among his peculiarities was a muted and slightly nasal soft tone. In his early film roles, he often did singing performances. Since 1936, Hans Holt was married with the former script girl Renate Bremer. Their only daughter died in 1945 at the age of two years. In 1966 he received the Josef Kainz Medal for the role of George in Who's Afraid of Virginia Woolf, and in 1987, he was awarded with the Filmband in Gold for his long and outstanding achievements in the German film. To his last films belong Der Bockerer/Bockerer (1981, Franz Antel) and Der Bierkonig/The Beer King (1990, Tom Toelle). Hans Holt passed away after a long illness in 2001 in Baden-Baden, Austria. He was 92.

Sources: Stephanie D’heil (Steffi-line - German), Thomas Staedeli (Cyranos), Rusty White (Rusty White's Film World), Wikipedia (German) and

German postcard by Ross Verlag, nr. A 3354/1, 1941-1944. Photo: Wien Film/Terra.

Austrian actress Marte Harell (1907-1996) played strong women who determined the events, in several Viennese comedies and operettas of the 1940’s and 1950’s.

Marte Harell was born as Martha Schomig in 1907 in Wien (Vienna), Austria-Hungary, now Austria. She was the daughter of architect Rudolf Schomig and his wife Emilie Mathilde nee. Passetzky. She visited a secondary school for girls in Vienna. Her acting career started when she married director Karl Hartl in 1930. She followed acting classes from Margit von Tolnai and attended the Max-Reinhardt-Seminar. At 30 years she made her debut at the Kammerspielen des Theaters in der Josefstadt. She worked for theatres in Munich and Berlin, where she was spotted by director Geza von Bolvary at the Deutsches Theater. He casted her as the leading lady in his film Opernball/Opera Ball (1939, Geza von Bolvary) opposite Paul Horbiger, and her film debut at 32 as the typical Wiener madel (Viennese girl) became an unexpected success. More leading roles followed in Wiener G'schichten/Vienna Tales (1940, Geza von Bolvary) again opposite Paul Horbiger, and an adaption of the Zeller operetta Der Vogelhandler, Rosen in Tirol/The Bird Seller (1940, Geza von Bolvary) with Johannes Heesters. When her husband Karl Hartl became the production manager of the new founded Wien-Film, she became a very busy actress for this company. She convinced critics and audiences with her performances in Bruderlein fein/Dear Brother (1941, Hans Thimig), the comedy Die heimliche Grafin/The Secret Countess (1942, Geza von Bolvary) with Wolf Albach-Retty, Frauen sind keine Engel/Women Are No Angels (1943, Willi Forst) with a young Curd Jurgens, and Tolle Nacht/Great Night (1943, Theo Lingen). She always played the strong woman who determined the events, and was not able to hide her typical Viennese accent. The part of Fiakermilli (Cabby Milli) in the beautiful tragi- comedy-musical Schrammeln (1944, Geza von Bolvary) was her most popular role. For the adaptation of Johann Strauss' comic opera Die Fledermaus/The Bat (1945), she worked again with director Geza von Bolvary, with whom she made a total of ten films.

Marte Harell continued her film career immediately after the Second World War with Glaube an mich/Believe in Me (1946, Geza von Cziffra), but the film was torn to pieces by the critics. Two years later she returned in the romance Nach dem Sturm/After the Storm (1948, Gustav Ucicky), based on a story by Carl Zuckmeyer. Wien Tanzt/Vienna Waltzes (1951, Emil E. Reinert) was an old-fashioned musical extravaganza in the tradition of the pre-war Austrian films. The story centers upon Waltz King Johann Strauss (Adolf Wohlbrueck) and his ‘progressive’ composer son Richard, and their terrific music. About the female lead Hal Erickson writes in All Movie Guide: “The feminine interest in Wien Tanzt is provided by Marte Harell, who refreshingly is not a Hollywood-style glamourpuss.” In 1951 the Austrian public chose her as the most popular actress, but her film roles became rarer in the 1950's. She appeared in one film each year, among others the comedy Liebeskrieg nach Noten/Love War for Music (1953, Karl Hartl) with Johannes Heesters, the historical thriller Spionage/Espionage (1955, Franz Antel) based on the tragic life story of the homosexual ‘Oberst’ Alfred Redl, and the operetta Im Prater bluhn wieder die Baume/Trees Are Blooming in Vienna (1958, Hans Wolff). In between she dedicated herself again to the theater and had a successful stage comeback. Her last films were the spy yarn Assignment K (1968, Val Guest) starring Stephen Boyd, Abenteuer eines Sommers/Summer Adventure (1974 Helmut Pfandler) starring Matthias Habich, the sex comedy Das Love-Hotel in Tirol/Love Hotel in Tyrol (1978, Franz Antel), and the historical drama Der Bockerer (1980, Franz Antel), about the naive Viennese butcher Karl Bockerer who refuses to get assimilated by the Nazi system and with his aggressive but charming behavior, and a whole lot of luck, survives the war. During the 1970’s Marte Harell also worked regularly for television and made guest appearances in series like Hallo – Hotel Sacher… Portier!/Hello – Hotel Sacher…Doorman! (1973), Van der Valk und die Reichen/Van der Valk and the Rich (1975), and the popular Krimi Tatort (1974). In 1985 she was awarded the Filmband in Gold for her longtime and important attributions to the German cinema, and that same year she retired. In 1996 Marte Harell died in Vienna. Her husband, Karl Hartl, had passed away in 1978. In 1951 the couple were divorced, but eight years later they were married again. In 2000 a street was named after her, the Marte-Harell-Gasse in Wien-Liesing.

Sources: Thomas Staedeli (Cyranos), Hal Erickson (All Movie Guide), Stephanie D’heil (Steffi-Line), Wikipedia and IMDb.