Embarrassinly Interesting Social-Behavior Experiment Violinist in the Metro
A man sat at a metro station in Washington DC and started to play
the violin; it was a cold January morning. He played six Bach pieces
for about 45 minutes. During that time, since it was rush hour, it was
calculated that thousands of people went through the station, most of
them on their way to work.
Three minutes went by and a middle aged man noticed there was
musician playing. He slowed his pace and stopped for a few seconds and
then hurried up to meet his schedule.
A minute later, the violinist received his first dollar tip: a
woman threw the money in the till and without stopping continued to
walk.
A few minutes later, someone leaned against the wall to listen to
him, but the man looked at his watch and started to walk again.
Clearly he was late for work.
The one who paid the most attention was a 3 year old boy. His
mother tagged him along, hurried but the kid stopped to look at the
violinist. Finally the mother pushed hard and the child continued to
walk turning his head all the time. This action was repeated by
several other children. All the parents, without exception, forced
them to move on.
In the 45 minutes the musician played, only 6 people stopped and
stayed for a while. About 20 gave him money but continued to walk
their normal pace. He collected $32. When he finished playing and
silence took over, no one noticed it. No one applauded, nor was there
any recognition.
No one knew this but the violinist was Joshua Bell, one of the
best musicians in the world. He played one of the most intricate
pieces ever written with a violin worth 3.5 million dollars.
Two days before his playing in the subway, Joshua Bell sold out
at a theater in Boston and the seats average $100.
Joshua Bell playing incognito in the metro station was organized
by the Washington Post as part of a social experiment about
perception, taste and priorities of people. The outlines were: in a
commonplace environment at an inappropriate hour: Do we perceive
beauty? Do we stop to appreciate it? Do we recognize the talent in an
unexpected context?
One of the possible conclusions from this experience could be:
If we do not have a moment to stop and listen to one of the best
musicians in the world playing the best music ever written, how many
other things are we missing?
http://www.youtube.com/watch?v=hnOPu0_YWhw
http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html
Post je objavljen 30.01.2009. u 08:02 sati.