THE LONG RYDERS - Final Wild Songs (2016)
The Long Ryders were formed by several American musicians influenced by Gram Parsons and the Byrds, with country and punk rock influences. The band featured Sid Griffin on guitar, autoharp, and harmonica, Stephen McCarthy, guitar, steel guitar, mandolin, and banjo, Des Brewer, bassist, (later replaced by Tom Stevens) and Greg Sowders, playing drums and percussion.
With a sound reminiscent of The Clash meeting Buffalo Springfield, but with a harder edge, they anticipated the alternative country music of the 1990s by a decade. This 4-CD career overview has been compiled with both Sid Griffin and Tom Stevens from original tapes (where they exist) – the entire band has contributed a track by track breakdown for the set. The set features all the original albums as well as demos, singles and rare live recordings. Re-mastered by Andy Pearce the recordings and in Sid’s opinion have never sounded so good. A new booklet designed by Phil Smee contains many rare photos and memorabilia.
BOB DYLAN - The Real... Bob Dylan (2012)
Bob Dylan's influence on popular music is incalculable. As a songwriter, he pioneered several different schools of pop songwriting, from confessional singer/songwriter to winding, hallucinatory, stream-of-consciousness narratives. As a vocalist, he broke down the notion that a singer must have a conventionally good voice in order to perform, thereby redefining the vocalist's role in popular music. As a musician, he sparked several genres of pop music, including electrified folk-rock and country-rock. And that's just the tip of his achievements. Dylan's force was evident enough during his height of popularity in the '60s the Beatles' shift toward introspective songwriting in the mid-'60s never would have happened without him but his influence echoed throughout several subsequent generations, as many of his songs became popular standards and his best albums became undisputed classics of the rock & roll canon. Dylan's influence throughout folk music was equally powerful, and he marks a pivotal turning point in its 20th century evolution, signifying when the genre moved away from traditional songs and toward personal songwriting. Even when his sales declined in the '80s and '90s, Dylan's presence rarely lagged, and his commercial revival in the 2000s proved his staying power.
UK three CD set from the Folk/Rock icon containing 44 of his best known tracks gathered together on one set.
ERIC ANDERSEN - Beat Avenue (2003)
Eric Andersen is an American folk music singer-songwriter, who has written songs recorded by Johnny Cash, Bob Dylan, Judy Collins, Linda Ronstadt, the Grateful Dead and many others. Early in his career, in the 1960s, he was part of the Greenwich Village folk scene. After two decades and sixteen albums of solo performance he became a member of the group Danko/Fjeld/Andersen. Since the late 1990s, he has resumed his solo career.
Beat Avenue is 60-year-old Eric Andersen's most ambitious album, a 90-minute tour de force that encapsulates his musical and lyrical concerns over a lifetime. The music is often-dense rock dominated by a rhythm section led by guitarist Eric Bazilian of the Hooters. Equally dense is Andersen's highly poetic versifying, which he sings in his gruff baritone. Andersen is world-weary in these songs, roaming the globe haunted by the past and fearful of the future. He confesses to a reckless youth, but acknowledges that he can no longer afford such license. "What once was Charles Bukowski," he sings in "Before Everything Changed," referring to the free-living beat poet, "is now Emily Dickinson." The ballads and love songs "Song of You and Me," "Shape of a Broken Heart," "Under the Shadows," and "Still Looking for You" are rendered tenderly, but they are also full of regret and loss, past-tense reflections that recount memories of love long gone. The first disc of Beat Avenue is complete and formidable unto itself, but there is a second CD consisting of two lengthy songs. The title track, running more than 26 minutes, is a beat poem with jazzy accompaniment by Robert Aaron in which Andersen recalls a poetry reading he attended as a 20-year-old on the day President Kennedy was assassinated. Beat writers such as Allen Ginsberg and Jack Kerouac come up in his reminiscence, along with friends and fellow musicians, as he conjures up the sound and feel of the early '60s in San Francisco and pinpoints a moment when history changed, revealing how it felt for one young observer. This isn't folk music of the type with which Andersen is generally associated, and it can be demanding of the listener, but it is also a compelling transformation of memory into art song.
CHELSEA - Chelsea (1970) 
Chelsea was an early 1970s band from New York City, best known for being the band of drummer Peter Criss before he joined Kiss. They released one album, the self-titled album Chelsea in 1971 and then collapsed during the recording of their unreleased second album. In August 1971, the band became Lips (a trio consisting of Criss and his Chelsea bandmates Michael Benvenga and Stan Penridge). By the spring of 1973, Lips was just the duo of Criss and Penridge and eventually disbanded completely. Their sound has been compared to the Moody Blues and Procol Harum. In 1973, Pete Shepley & Mike Brand recorded an unreleased album which included post-Chelsea Michael Benvenga, a pre-Kiss Peter Criss, and on two songs Gene Simmons as session musicians. It was titled Captain Sanity.
PETER CRISS - Peter Criss (1978) & Out Of Control (1980)
Peter Criss is the 1978 debut solo album by Peter Criss, the drummer of American hard rock band Kiss. It was one of four solo albums released by the members of Kiss on September 18, 1978. The album was produced by Vini Poncia, who went on to produce the Kiss albums Dynasty (1979) and Unmasked (1980). Criss covered "Tossin' and Turnin'", which was a #1 hit for Bobby Lewis in the U.S. during the summer of 1961. The song was subsequently covered by Kiss on their 1979 tour. Much of the material on the album was originally written in 1971 for Criss's pre-Kiss band Lips. These include "I'm Gonna Love You", "Don't You Let Me Down", "That's the Kind of Sugar Papa Likes", and "Hooked on Rock 'n' Roll". The album also includes a cover of the song "Tossin' and Turnin" by Bobby Lewis.
Out of Control is the second solo studio album (his first being his 1978 self-titled) released by former Kiss drummer Peter Criss. Recording for the album began in March 1980, when Criss was still officially a member of Kiss. The album sold very poorly, and was not re-released on CD until 1997, as the Kiss reunion tour was underway. The lone single from the album, "I Found Love", failed to chart. The album also features a hidden bonus track of a cover of As Time Goes By. Criss sang the first two lines, "You must remember this, a kiss is still a kiss." The album also included a cover of the song "You Better Run" by The Young Rascals.
WHITESNAKE - Slide It In (1984) [35th Anniversary Edition, 2019]
Whitesnake scored its first platinum-selling album in 1984 with Slide It In, a release that has sold more than six million copies worldwide thanks to hard-rocking songs like “Love Ain’t No Stranger,” “Slow An’ Easy” and the title track. The classic album turns 35 this year and Rhino / Parlophone is celebrating with several new versions, including an enormous 6CD + 1DVD boxed set. The 6CD/DVD collection includes newly remastered versions of both the U.K. and U.S. mixes of the album as well as the 35th Anniversary Remixes from 2019, plus unreleased live and studio recordings, music videos, concert footage, and a new interview with Whitesnake founder and lead singer, David Coverdale.
“SLIDE IT IN was always meant to be a structured, more electric modern take on the classic blues-based hard rock that Whitesnake were famous for, but our new Hook City Hooligan, Mixer Extraordinaire Christopher Collier, has hand-tooled this classic record for the 21st century,” says Coverdale. “Hearing all the performances so fresh and so clear after 35 years was amazing. Mel, Cozy and Jon’s playing on the record is as vital now as it was all those years ago. All the featured players shine. Not only did Christopher get the best out of the recording, but, he gives the album a fresh coat of sonic paint bringing it right up to date. I’m personally thrilled with it.
V.A. - Hommage Au Roi Du Rock 'N Roll Par Scotty Moore - Live At Abbey Road (2005)
Fantastic live atmosphere with 24 Elvis songs that Elvis Presley's legendary guitarist Scotty Moore performed live along with a band that seems playing together for 50 years plus various singing Rock greats at the famous Abbey Road Studios, London. Following guest appearances as lead singer and guitarists were on the spot: Mark Knopfler, Eric Clapton, David Gilmour, Ron Wood, Bill Wyman, Albert Lee, Steve Gibbons, Martin Taylor, Paul Ansell, Mike Sanchez plus Bill Wyman's Rhythm Kings! Import from France! MM/Bear Family Records.
THE STEVE GIBBONS BAND - Any Road Up (1976) & Rollin' On (1977)
Steve Gibbons is an English singer-songwriter, musician, composer, and record producer. Gibbons' music career spans more than 50 years. The first lineup comprised Gibbons together with Dave Carroll and Bob Wilson on guitars, Trevor Burton on bass and Bob Lamb on drums. The new band worked the pub and club circuits until 1975 when they were spotted by Peter Meaden, former manager of The Who. This led to the Steve Gibbons Band joining The Who's management stable and recording their first Polydor album Any Road Up in 1976 (With John Entwistle of The Who playing on a few tracks). This was followed in 1976 by a tour with The Who in the UK, Europe and the United States. Playing the concert arenas, they shared the stage with Little Feat, Lynyrd Skynyrd, Electric Light Orchestra, The J. Geils Band, Rufus, and Nils Lofgren. In 1977 their second album, Rollin' On included their biggest hit single, "Tulane", a cover of a Chuck Berry song. The single reached No. 12 in the UK Singles Chart and spent eight weeks in the Top 40. 1977 also saw the release of the live album Caught in the Act. The band made two further studio albums with Polydor, Down in the Bunker (1978) and Street Parade (1980). In 1981, after a change in personnel, The Steve Gibbons Band recorded Saints & Sinners for RCA and later responded to an invitation from the German Democratic Republic to become one of the first western rock bands to tour the major cities of East Germany in 1982. Gibbons played at the Birmingham Heart Beat Charity Concert 1986 which featured George Harrison. Nine more albums were released in the 1980s and 1990s, and the touring continued.
SANDRA RHODES - Where's Your Love Been (1973)
Sandra Rhodes is known for providing backing vocals for Al Green and Conway Twitty (she also co-wrote Twitty’s hit “The Clown”), among others, and in 1973 released her own album on Fantasy. Titled Where’s Your Love Been, this album features lots of original material, some of it co-written by Sandra Rhodes and Charles Chalmers, who was then her husband, and some of it co-written by Sandra and her sister, Donna Rhodes. There are also some really good covers, including an excellent rendition of The Rolling Stones’ “You Can’t Always Get What You Want.” The backing vocals on these tracks are by Sandra herself, along with Charles and Donna (together billed as The Joint Venture). As you might guess, the vocals are excellent. But the songwriting is also top-notch. Sandra Rhodes may be a little bit country, but she’s got a whole lot of soul.
This CD re-issue of Where’s Your Love Been was released on March 18, 2014 through Omnivore Recordings.
MAHOGANY RUSH - Maxoom (1972) + Child Of The Novelty (1974) + Strange Universe (1975) 
Mahogany Rush is a Canadian rock band led by guitarist Frank Marino. The band had its peak of popularity in the 1970s, playing such venues as California Jam II together with bands such as Aerosmith, Ted Nugent and Heart. Mahogany Rush formed in Montreal during 1970. The band is perhaps best known for Marino's soaring lead guitar which bears a strong resemblance to the playing of Jimi Hendrix. Long term members of the band have included bassist Paul Harwood and drummer Jimmy Ayoub, and Frank's brother Vince on guitar; Frank Marino is the sole continuous member of the band. Starting in the late 1970s, the group recorded and toured as Frank Marino & Mahogany Rush.
Maxoom is the 1972 debut studio album by the Canadian rock band Mahogany Rush. It was also the debut of Frank Marino as the band's producer. Child of the Novelty is the second studio album by Canadian rock band Mahogany Rush, led by Frank Marino. It was released in 1974. Strange Universe is the third studio album by Canadian rock band Mahogany Rush, led by Frank Marino. It was released in 1975.
DEEP PURPLE - Mark I & II [Double LP] (1973)
Mark I & II is a 1973 UK only compilation album by Deep Purple. It contains material originally released between 1968 and 1973. This double LP was released after Ian Gillan had left Deep Purple in June 1973.
This is the first album with the single A-sides "Emmaretta", "Black Night", "Strange Kind of Woman" and the B-side "When a Blind Man Cries" in the UK. "Woman from Tokyo" is the single edit and "Highway Star" is the Made in Japan live version.
WHITESNAKE - Flesh & Blood [Deluxe Edition] (2019)
Fresh off celebrating their 40th anniversary, rock legends Whitesnake return with their latest studio album, “Flesh & Blood”. This album follows the 2011 critically acclaimed studio album “Forevermore” and 2015’s “The Purple Album”, a reimagining of Deep Purple classics from Whitesnake mastermind’s David Coverdale’s time in that band. The 13 original, visceral tracks on “Flesh & Blood”, the band’s 13th studio album, are, luckily for you dear reader, “all killer, no filler”, as the saying goes. But would you expect anything less from the ’Snakes? Since joining the band four years ago, and just in time for the aforementioned “The Purple Album”, Chicago native Joel Hoekstra has really come into his own, not only as a highly impressive axe-slinger, but also as a very accomplished songwriter too, co-writing six of the songs for “Flesh & Blood” with singer David Coverdale. Of course Joel’s talents are hardly surprising, considering he’s the son of two classical musicians. Guitarist Reb Beach, who originally joined Whitesnake in 2002, has stepped up to become the group’s bandleader and guides the band to implement Coverdale’s musical vision. As well as bringing his impressive musical chops to the band, Reb has co-written five songs on the new album, the fourth studio album he has appeared on, commencing with 2008’s highly acclaimed “Good To Be Bad”. It was the “Good To Be Bad” follow up, “Forevermore” (2011), that saw the debut of bassist Michael Devin. The New Englander’s four-string-depth-charge-bass-bombs definitively underpin and drive the sound of Whitesnake in the 21st century. Rounding out the rhythm section is David’s longest serving ’Snake, the renowned drummer and unstoppable percussionist Tommy Aldridge, who has been with Whitesnake in some capacity for 30 years. Tommy made his debut with Whitesnake way back in 1987 in the ‘Still Of The Night’ video, becoming a mainstay behind the kit for successive albums and tours.
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