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Stainless Steel 304 Mesh #325 x 2300; 0.0015" Thickness Twilled Dutch Weave 6" x 12"

Basic to all filtering is the ability of the media to withhold or pass particles of a desired size in the flow path. The very fine wire mesh of this standard Stainless Steel Screening has many natural characteristics to recommend it for calendering, filtering and processing: uniformity of hole size; excellent strength to weight ratio; a large percentage of open area; superior resistance to corrosion, abrasion, vibration and temperature variations; long life; and easy cleaning. Stainless Steel Screening may also be used for electrical shielding, structural fabrication, screening, and as ventilation guards.

MWN's plain woven mesh mainly use the material stainless steel wire, it has two types: plain weave and plain dutch weave.

Stainless steel is selected for their wear-resisting, heat-resisting, acid-resisting and corrosion resisting characteristics. Many different grades of stainless are used in wire cloth.T304 is the most common, but others are used in specific applications to take advantage of each grade's unique properties. The wire mesh made of stainless steel is extensively used in mining , chemical industry, food industry and pharmaceutical industry.

Our pleave woven mesh products are generally made of stainless steel Type 302,304,304L,316,316L,321 and 430 etc. We produce them in all kinds of forms,such as the material, the wire diameter, the size of the mesh , width and length.
Plain weave: Each weft wire passes over one and under one warp wire, and each warp wire passes over one and under one weft wire, every weft wire have and warp wire the same diameter.
Characteristics: square aperture ,high flow through , relative high open area, as result less pressure drop during filtration suitable for all kinds of filtration up to 63 micron.
Plain Dutch weave: woven as a plain weave. Each warp wire and each weft wire passes over and under the next adjacent complementary wire, as in normal Plain Weave, except the warp wires are larger in diameter than the weft wires. This allows a greater mesh count in the weft direction.
Characteristics:"zero"--aperture, more solid than square or rectangular mesh, relative high open area, suitable for all kinds of filtration.

These tiny cottages on the corner of Water Street and Shilling Street are known as the Flemish Weavers cottages. Those doors are a mere 1.65m in height.

Lavenham owes its wealth to the woollen cloth industry. In the early 1500s, it was one of the wealthiest towns in England. In the 14th century, England developed its own weaving industry which survived for over 600 years. The last cloth factory had closed by 1930. Many Flemish weavers, realising the need for their skill, migrated to Lavenham.

Shilling Street is not named after the coin, but John Schylling, a Flemish weaver who owned the house, Shilling Grange, in 1476. Three hundred years later, in 1792, the Rev. Isaac Taylor rented the house annually for ?6. Here, his daughter, Jane Taylor, wrote the famous rhyme,

'Twinkle, twinkle, little star, How I wonder what you are;
Up above the world so high, Like a diamond in the sky.'

MISSY ELLIOT

There's a reason rap enthusiasts breathlessly await new Missy albums. Maybe it's because her work is so uninhibited--who else but Missy would marvel at the magic of, er, self-love gadgets like she does on "Toyz"? And tastefully too! Perhaps most A-list rap stars don't need sexual aids to get their groove on, but Missy's looking out for the 95 percent of the female rap population who might not look like Halle Berry. Some would apologetically rock fake hair extensions, but Missy celebrates them on "Let Me Fix My Weave." The self-deprecation continues on the jazzy "I'm Not Perfect." But This Is Not a Test is not all about Miss E. With her beat-wizard buddy Timbaland, she's on a crusade to revitalize what they feel is a stagnating commercial rap marketplace. It reaches its apex on "Wake Up" (featuring Jay-Z), where she reminds us that wearing big Liberace chains and driving high-end sport utility vehicles is not all that important. Sure, most of the guest collaborations here either sound unpolished or unnecessary, but, like Bahamadia, Missy's one of the few modern-day femcees who would rather push envelopes than lick 'em. Despite its title, this album does test rap's experimental boundaries with much success. --Dalton Higgins