petak, 04.11.2011.
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Gibson Console Grande (late 1940s – early 1950s) The limitations of chord shapes imposed by the use of the steel slide (or “tone bar”) led to the addition of multiple necks, resulting in the console steel guitar. Variations of this tripleneck 8-string model were in Gibson’s line from the late 1930s up until the 1960s and were available with seven- or eight-string necks. A doubleneck Console Grande was famously used by the late Don Helms on many of Hank Williams Sr.’s classic recordings. In order to expand the tonal capabilities of the lap steel guitar, the Gibson Guitar Corporation introduced a system of pedals to change the tuning of the strings on one of their console steels beginning in 1940. This instrument, the Electraharp, had a cluster of pedals radiating from its left rear leg that operated similarly to the pedals on a harp. Alvino Rey was an early player of the Electraharp but the model was discontinued because of World War II and only came back on the market for a short time after the war. Loaned to the Museum of Making Music by Ben Elder, Guitar Writer and Historian stairway 2... i am not satisfied with this photo... the titlted angle of the fingerboard doesn?t convince me... but I like it enough to share. Anyway! Featuring "Stairway to Heaven"... a classic. Trying to remember the chords and arrangements.. =) Good Sunday. Related topics: learn the mandolin scales for violin classic spanish guitar songs cello songs for silence how to write music on guitar clarinet polka piano black tenor saxophones learn to play the clarinet brancher saxophone |
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road to Christ in the Desert Monastery in Abiquiu, New Mexico… I think it was about a 14-mile dirt service road. After having been lost, I thought it didn't matter if I ever got to the monastery, as the drive on this road was breathtaking. I had avoided coming here the previous day as it looked like it was going to rain. It seems I stopped to go outside my car every minute or so...since I only met 1 car on the road, I could just stop in the road and hop out… As I look at this image again, I am reminded of Thich Nhat's poem. I took liberties with the poem changing the words slightly and made up a different melody as I couldn't play the original chord sequence on my guitar: "I have arrived. I am home. in the here and now, in the here and now, in the here and now. I am solid, ever free I am solid, ever free in the Ultimate I dwell, in the Ultimate I dwell in the Ultimate I dwell in the Ultimate…" or for Christians, someone suggested "in your love, O Lord I dwell"… You can arrive home every moment… Related topics: sax rohmer music stand guitar free electric guitar plans guitar solos music classifications of musical instruments learn violin scales best jazz trumpet players |
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DSCN0141 Soprano Sax in Case (w/ original manuals & cleaning cloth in original bag & original neckstrap) C Soprano Sax - 1924 Carl Fischer NY by Buescher My beautiful bare brass C-Soprano with a CE Wind gig bag. Related topics: instrumental sports music saxs instrument free classical guitar sheet european music instruments native american instrumental music classical guitars brands scale violin |
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Lomax with body The Lomax 223 was first created in 1986 by the Lomax Motor Company, UK. The vehicle was designed and built by Nigel Whall, though previously to this he had created a 4-wheeled Lomax 224 (2 cylinders, 2 seats, 4 wheels) in 1983 that was based on a Citroen Ami engine and floor pan. Whall also built a Lomax that had two real wheels close together as seen on some Heinkels. This however was still classed as a 4-wheeler and so Whall also created a 3-wheeler to take benefit of the 3-wheeler licensing & tax laws in the UK. The first Lomax 223’s were powered by a Citreon 2CV 602cc engine and was bolted directly to a Citreon floor pan with a body made of fibreglass and a bonded in wooden floor. The Lomax was sold in kit form and so many variations of the vehicle arose and the specifications changed with the option of using the Citreon Ami Super chassis with a 1,015cc engine. One of the biggest changes to the Lomax was the introduction of a “ladder frame chassis” that was provided by Lomax and a new front anti-roll bar. By 1993 the vehicle was using a lightweight round tube space frame chassis and improved suspension whilst keeping a fibreglass body. In 1994 Nigel Whall passed over full control of the company to David Low where by the company has continued to grow and the Lomax has continued to be improved. To date around 180 - 200 vehicles are made each year. Lomax La Lomax est un kit de carrosserie en polyester, fabrique en Angleterre, qui se monte sur une plate forme de 2 CV. Minolta X-700, 50 mm MD Rokkor f:1.7, film Kodak Elite 100, Forcalquier (04), 5 juillet 1997. Related topics: how to play jingle bells on the violin high notes on trumpet chadash clarinet barrel harmon trumpet mutes trumpet jazz player mandolin chord progression learn to play guitar for free online |
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Butt of the Guitar Photo 18 This a pic I took of me and my new found classical guitar. These pics are of the Decca Guitar i found outside the Frat House on the curb for trash pickup I might get to restore it from what i read the Decca Distributing Corp has went out of business a long time ago. they may have stopped as long as 1977 they used to put numbers and all the information on the labels inside the guitar all this one has is: Decca GUITAR Imported by Decca Distributing Corp. New york N.Y., U.S.A. Made In Japan Mr. Samuel F. Campbell Your Emerging Freelance Artist Harmonicas & Acoustic Guitar Soloist & Grand Piano Soloist & Harmonica • Dramatic Musical Instrumental Interpretations • Hand Drawings • Acrylic Paintings • Oil Paintings • IBM Computer Graphics Decca Clasic Guitar - Neck - Frets - Strings Photo 27 This is another pic I took of me and my guitar. these pics are of the Decca Guitar i found outside the Frat House on the curb for trash pickup I might get to restore it from what i read the Decca Distributing Corp has went out of business a long time ago. they may have stopped as long as 1977 they used to put numbers and all the information on the labels inside the guitar all this one has is: Decca GUITAR Imported by Decca Distributing Corp. New york N.Y., U.S.A. Made In Japan Mr. Samuel F. Campbell Your Emerging Freelance Artist Harmonicas & Acoustic Guitar Soloist & Grand Piano Soloist & Harmonica • Dramatic Musical Instrumental Interpretations • Hand Drawings • Acrylic Paintings • Oil Paintings • IBM Computer Graphics Related topics: music instruments accessories clarinet reed cases conn saxophone history free trumpet sounds classical guitar sound hawaiian musical instruments best of instrumental music |
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Bruno vegetable slicer This intriguing Bruno vegetable slicer I spotted at my local GoodWill. I was really tempted to buy this, because it was all in German, but I went with my better judgement and did not. Primitive butter slicer Enameled primitive butter slicer Related topics: mute for violin super mario clarinet sheet music clarinet gig bags clarinet gig bag easy mandolin music music video to teardrops on my guitar southern flavor mandolin tab saxophone scale |
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Acoustic Guitar This is my new acoustic guitar, bought it in Sweden. I decided to snap a picture of it ^^ Related topics: prelude alto saxophone bb clarinet ligature student violin outfit the piccolo trumpet big book musical instrument families playing a violin bass guitar note violin lesson videos free download guitar video lesson read drum sheet music |
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concert josh Opening ceremonies for the Alianait Festival, the arts festival, was on the Tuesday that I was there. Meaghan and I picked up friends to go to thebg tent that was erected on Queen Elizabeth Road. Parking was easy. The opening act was Digging Roots, last year’s Juno winner for the best Aborignal group. I thought it was a bit odd to have the most well known band to open. They were good. They brought out a harmonica guy, Mike Stevens, who every seemed to know. He was quite incredible as well. The audience was getting into them. Two people came up on stage and welcomed everyone in three languages, English, French and Inutuk, the inuit language. These are the three languages of Nunivat. They introduced the first band and welcomed everyone to the start of the two weeks of entertainment. They didn’t really tell anyone what else was going on or when though. The second act brought the audience cleared out people. The band was a husband and wife band called Arviq Band. It consisted of the wife singing, her husband on guitar and backup vocals, a brother on the guitar and another relative on the synthesizer. The keyboard acted as drums and beat machine. All of her songs were sung in Inutuk . She told the audience both in English and Inutuk what each song meant. They had a country sound to them with zero stage presence. No one onstage showed any emotions until the last song. She said she wrote each song but the last one especially, I was almost singing the words to an elvis song, she just used different lyrics and every once in a while did a few different notes. They took a long time on stage and you could see the stage manager telling them to wrap it up. The third act was amazing - a young guy on a guitar with a bass guitarist to accompany him. His name was Josh Qaumaraq. He wore a hat that said Josh as you can see from above. He had a deep bluesy voice. He blew my socks off! I captured a small recording of him singing. He needs to “be found.” The fourth act that we saw was Leanne Goose and Jared Sowan. She was good and a well-known singer. She was very personable with the audience. People seemed to be drawn back to seats to watch her. A gaggle of girls at the bottom of the stage gathered taking pictures of her. They gathered on stage for one of the songs. It was interesting. When she introduced her band consisting of a violinist, two guitars, drummer, Mike Stevens and Jared Sowan, everyone else’s last name was Goose. They did all look similar as well. I guess they were all related. We left while Jared Sowan was singing. It was getting late and Meaghan did have to work in the morning. It was so strange leaving the tent knowing that it was getting late and yet it was still bright outside. Very odd. Add a caption Opening ceremonies for the Alianait Festival, the arts festival, was on the Tuesday that I was there. Meaghan and I picked up friends to go to thebg tent that was erected on Queen Elizabeth Road. Parking was easy. The opening act was Digging Roots, last year’s Juno winner for the best Aborignal group. I thought it was a bit odd to have the most well known band to open. They were good. They brought out a harmonica guy, Mike Stevens, who every seemed to know. He was quite incredible as well. The audience was getting into them. Two people came up on stage and welcomed everyone in three languages, English, French and Inutuk, the inuit language. These are the three languages of Nunivat. They introduced the first band and welcomed everyone to the start of the two weeks of entertainment. They didn’t really tell anyone what else was going on or when though. The second act brought the audience cleared out people. The band was a husband and wife band called Arviq Band. It consisted of the wife singing, her husband on guitar and backup vocals, a brother on the guitar and another relative on the synthesizer. The keyboard acted as drums and beat machine. All of her songs were sung in Inutuk . She told the audience both in English and Inutuk what each song meant. They had a country sound to them with zero stage presence. No one onstage showed any emotions until the last song. She said she wrote each song but the last one especially, I was almost singing the words to an elvis song, she just used different lyrics and every once in a while did a few different notes. They took a long time on stage and you could see the stage manager telling them to wrap it up. The third act was amazing - a young guy on a guitar with a bass guitarist to accompany him. His name was Josh Qaumaraq. He wore a hat that said Josh as you can see from above. He had a deep bluesy voice. He blew my socks off! I captured a small recording of him singing. He needs to “be found.” The fourth act that we saw was Leanne Goose and Jared Sowan. She was good and a well-known singer. She was very personable with the audience. People seemed to be drawn back to seats to watch her. A gaggle of girls at the bottom of the s Tastes like.. victory I hit every note in every song in career easy mode on guitar hero: aerosmith. :-) So I guess I'm done with easy mode. That is, once I get perfects on all the bonus songs. :-) Apparently my easy mode career score is 3,161,404, which makes me 369th on the X360. Of course, this is because people who are good at the game don't PLAY easy mode, but I'll take it anyway. Related topics: weber mandolin prices jupiter bari sax non western musical instruments martin committee trumpets violin shops top sax songs dom vs sax parser mandolin vegetable super mario bros theme sheet music for trumpet lesson plans musical instruments |
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[2320] Saxon- Hyppa rectilinea 11/06/2011 The temperature fell to 4 degrees last night and, with only 18 moths in and around the trap, we thought it was going to be another very poor catch; then we discovered that one of them was this beauty, a nationally scarce species found only in Scotland and northern England. So that more than made up for the lack of anything else exciting! List for 11/06/2011: Eudonia mercurella 2 Poplar Hawk-moth 1 White Ermine 1 Buff Ermine 1 Heart and Dart 1 Flame Shoulder 1 Purple Clay 1 Shears 1 Pale-shouldered Brocade 1 Dark Brocade 3 Brown Rustic 3 Saxon 1 NFG Clouded-bordered Brindle 1 Arriva North West - T320 PNB (2320) Arriva North West T320 PNB (2320) Dennis Dart SLF 10.7m/Plaxton Pointer 2 Bootle Bus Station (Lay-Over Area) 25/10/2011 © Michael Mills Related topics: ycl 250 bb clarinet spanish classical guitar music bundy clarinet serial numbers bass guitar music notes stand by me alto sax musical instruments south africa yamaha saxophone yas 23 conn soprano sax |
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Remix For wardrobe_remix: Beret: Primark (I wear this far too much!) Scarf: Knitted by me Jacket: Primark Mittens: H&M Bag: H&M Top: Zara Jeans: Asda Boots: Priceless Shoes The Mullet Monster Mafia @ Woodstock Music Pub Querem uma dica? Cliquem em "Slideshow" ali no canto superior direito. E legal! Related topics: c trumpets michael kelley mandolin cecilio bb clarinet guitar hero game download bari saxophone free and easy guitar tabs used baritone saxophones blue saxophones making a violin |
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Portrait of Nicholas Lanier The Weiss Gallery, London Portrait of Nicholas Lanier (1588–1666)), Master of the King's Musick, half-length, seated, playing a lute, with a statuette of the Belvedere Antinous. Iinscribed 'RE[quiem] / MI[serum] / SOL[itudinem] / LA[borem]' (lower right, on the piece of paper). Acquired by the Wood-Martin family (Ireland), in Florence in 1779, as a 'Van Dyck' (according to an inventory), and by descent. Acquired in 1936, and by descent to the present owners. Bought by the Weiss Gallery in 2009. In July 2009, an oil painting of a gentleman playing a lute appeared on the London art market. It was described as a work of the ‘Anglo-Flemish School, early-to-mid-1620s’. The sitter had been identified by the late Sir Oliver Millar (surveyor to the Queen's pictures) as Nicholas Lanier (1588–1666), a figure principally known in musical circles for rising to become the first ‘Master of the King's Musicke’ in 1625, but equally important in the world of art connoisseurship as one of the first systematic collectors of old master drawings, and more significantly as one of the advisers to Charles I who assisted in his creation of the largest and most important art collection then ever assembled. The painting was in poor condition. It had been transferred from panel onto canvas—a drastic technique which is only undertaken when the original wooden panel has become too weak to support the paint layers, and had suffered from retouching and over-painting in addition to the expected accumulations of dirt and grime that obscured vital details necessary for accurate interpretation. Following its acquisition by the Weiss Gallery in Jermyn Street, London, the painting was subject to a six-month programme of conservation. Nicholas Lanier came of Huguenot stock and was a third generation member of a family of court musicians. He served his apprenticeship in the household of Robert Cecil, 1st Earl of Salisbury, the hugely influential statesman and collector. He is said to have then entered the household of Henry, Prince of Wales, after whose premature death in 1612, Lanier remained at court. In 1616 he was admitted to the King's Musick, or royal court band, as a lutenist and singer. He was also a skilled viol player. Lanier was the first to hold the title of Master of the King's Musick; the precise date of his appointment is unknown but he is first named as Master in documents dating from 1626. The post held a pension of ?200 - four times more than Inigo Jones received as the King's Surveyor. During his early years as a member of the Musick, Lanier was also able to develop his interests in art and connoisseurship, a pursuit which ultimately led to him becoming principal picture agent to King Charles I. In May or June 1625, immediately after Charles's accession, he was despatched to Italy to begin negotiations for the purchase of the celebrated collection of Ferdinando Gonzaga, 6th Duke of Mantua. Using Venice as his base, he also made expeditions elsewhere in search of works of art for other members of the English court. In Rome on 26 January 1626, a license was issued permitting him to export a collection of pictures including a portrait of himself - perhaps that by van Dyck (now Kunsthistorisches Museum, Vienna, see fig. 1). Back in England by April 1626, he returned to Italy the following year in order to complete the purchase of the Gonzaga collection. By July 1628 he was home again, combining a return to his musical duties with, through his dealing activities, being arguably the most influential figure in the London art market. Forced by the politics of the Civil War to flee to the Continent, he was re-instated as Master of the King's Musick at the Restoration, and continued in that post until his death in 1666. The sitter seems almost certain to be Lanier. He had grey-blue eyes, a red beard and auburn hair; the shapes of the beard and moustache also conform to those he adopted. The shape of the nose (which suggests a break at some time) is distinctive, and common to all other portraits known or assumed to be of him. The sitter's ring also appears similar to that shown in the portrait by van Dyck, as well as in other purported depictions of Lanier. The musical elements of the picture are of course also apt for Lanier. The lute has nine double courses or sets of strings although, due possibly to old damage, the decorative rose in the belly of the instrument is shown only as a black circle or hole, while the peg-box with its tuning pegs has been painted or re-painted at an impossible angle. Perhaps the greatest clue to the sitter's identity is contained in the inscriptions on the piece of parchment or paper on the table. Although some of the lettering is indistinct, the four relatively legible words continue the musical theme by clearly starting with the second, third, fifth and sixth notes of the tonic sol-fa scale, namely 'RE', 'MI', 'SOL', 'LA'. It is not impossible that 'FA', the fourth note, has been obscured beneat FLY – A DOUBLE ALBUM 1971 (for Crawdaddy) by Yoko Ono “Fly” is the latest track of the record but it has been made the first just when my last album was finished and was out in the street. It was made in our bedroom in the Regency Hotel in New York on Xmas 1970 on a Nagra operated by John. I was thinking that I must make a soundtrack for my film FLY which was just near completion. The John suggested maybe we should knock it off before the 10 o’clock news that night. It was that casual. We did it in one take, as most of my things are done. I don’t believe in doing things over. When I was painting one day it suddenly occurred to me that there is no line that you can go over. if you go over a line, the line that you went over is a totally new line. When you use the correctocopy to correct typing mistakes, you don’t go over the wrong letters with the right letters. With the correctosheet you have to first go over the same line again with the exact wrong letter you typed before. Only then you can erase the mistakes and type over the correct letter. I’m always fascinated by this seemingly illogical fact. It looks like there is some philosophical connection between these stories but I don’t seem to be able to find the word for it now. But the point is I don’t believe in doing things over, and unless it is a really bad take, I believe in the first take. Another story: This is about a Japanese painter who was asked by his lord to do a painting. The lord waited a year and nothing has come of it. He sent a messenger to the painter. The painter came out and said “Oh, o.k., just a minute” or something and did a one stroke painting while the messenger was waiting in the next room. The messenger returned the painting and told the lord what had happened. The lord was very angry and arrested the painter. “You insulted me by making me wait for a whole year for the painting and on top of that, you used only a second to finish the painting. What was that!” something to that effect. The painter calmly replied, :Every day of the year that I was not painting, I was preparing for the painting, the painting may have been one stroke and it may have taken only a second to do it, but the whole year of pain and joy were in that stroke. The year was a necessary time.” I used to do things like fast five days before a concert to prepare my mind for the performance-because the performance was not my skill but the state of mind I was in at the time. Whenever I pick up a mike, I’m aware that every minute if 38 years goes into it, whether I like it or not. What I did in “Fly” was what I wanted to do for 10 years, so I was very satisfied when I did it. I thought of making an album around this piece. It took almost a whole year after that to finally complete the album, though. Another Xmas is coming very soon. The winter is cold and tough-and you have to crawl a long way before you fly. Winter is age. Cold makes you go slow. Fly I a monologue in three stages. Section one- monologue Section two- monologue in a dialogue form: John played his guitar against the playback of my voice from section one. The guitar tape was then reversed and put together with my voice tape, so that the voice and the guitar ran in two opposite directions as sepa- rate monologues. Section three- monologue in a trialogue form: John played his guitar against the reversed playback of tape section two. John’s guitar tape made in this process was reversed and played while I did my voice. When the guitar tape was over and when my voice was still going, John played the radio against my voice. Monologue is a reminiscence of my old days. I used to search for musi- cians who had the same state as I to make musical dialogues with. But I had never met who can really do that with me on the level that I was thinking of. Female artists for some reason, didn’t have enough experience in expressing themselves with instruments-maybe they went for for usage of a more direct instrument which was one’s own body-and the male artists used to be caught in whatever brilliance they had possessed and were not free. So I ended up always in doing a dialogue. John is the first person I met who knows how to be free, and that is why he plays such a very important role in all my pieces. For instance, you see that section 3 of Fly is a guitar solo with voice accompaniment rather than the other way around. Most of the pieces in this album are centred around a dialogue between my voice and John’s guitar. John and I crawl, roll, and fly together. John brought in musicians that are fine samurais. John, as a rhythm guitarist, leads the rhythm track, he pushes them to fly with me. Listen to Ringo and Jim Keltner’s drumming. Klaus Voormann’s bass, Chris Osborne’s guitar and listen to the intricate conversation that goes between all of us in “Mind Train”. Chris Osborne came from a guitar shop to sell a guitar to John. He stayed and played. Thanks to John and the Plastic Ono Band. Thanks to Yoko’s wisdom for allowing Related topics: learn classic guitar rampone sax download guitar pro 4 natasha sax easy read piano sheet music bubbly guitar notes love story guitar sheet music beginner chords for guitar |
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Mansfield Guitars It is difficult to find information about Mansfield Guitars. My father purchased the guitar shown in this picture for $99.99 plus tax November 1974 at the Prom Music store in Sudbury Ontario. Apparently, Mansfield was not a guitar maker but rather a Canadian distributor of musical instruments. As I understand the development and disappearance of Mansfield Guitars, it is said to have involved the Hoshino Gakki company of Japan who make Ibanez guitars. Mansfield Guitars of the 70s are most likely Ibanez guitars. The Ibanez guitars of the 70s are now considered vintaged and collector items. I have not been able to determine what happened to Mansfield Guitars. However, several of the Internet related articles I have been able to find speak of some kind of a lawsuit. If you have any info on these guitars, please do share. Howard E Wurlitzer Elected VP of De Kleist MIM Co - Music Trade Review - Aug 3, 1907 HOWARD E. WURLITZER ELECTED Vice-President of the De Kleist Musical Instrument Mfg. Co. of North Tonawanda. Howard E. Wurlitzer, head of the Rudolph Wurlitzer Co., Cincinnati, 0., has been elected vice-president of the De Kleist Musical Instrument Manufacturing Co., of North Tonawanda, makers of the well-known Tonophone, which has proven most successful, and for which the Wurlitzer house are sole agents. The Wurlitzer Co. have in fact been sole distributors for the De Kleist products for many years, and the energy they put in the work did much to add to the success of the De Kleist factory. The new combination of interests is therefore most happy. 1907-45-5-29 Related topics: barrington soprano saxophone the best trumpet player music instruments for rent best beginners guitars free country guitar tablature online guitar lessons for free midi interface for guitar musical instrument maker alto saxophone neck strap |
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Pipe Organs of St. James Cathedral in Toronto Details of the Pipe Organs of St. James Cathedral (1853) in Toronto. An Anglical Episcopal Church, designed in Gothic Revival Style by Frederick Cumberland. King street, Toronto, Ontario, Canada. March, 2010. Musical Instruments Instruments are set aside as the musicians take a break from playing at the park near harbourfront. Related topics: custom saxophone mouthpiece evette buffet crampon tenor sax violin guitar duet is the violin hard to play top sax songs guitar right hand techniques christmas music for alto sax classic bass guitar |
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