četvrtak, 03.11.2011.


Accademia Hotel Rimini : Blue Cypress Hotel : Standard Hotel New York Architect

Accademia Hotel Rimini

accademia hotel rimini

  • The Accademia (Gallerie dell'Accademia) is a museum gallery of pre-19th century art in Venice, northern Italy.

  • (Accademic) Academia, Academe, or the Academy are collective terms for the community of students and scholars engaged in higher education and research.

  • A port and resort on the Adriatic coast of northeastern Italy; pop. 131,000

  • Rimini is a city and comune in the Emilia-Romagna region of Italy and capital city of the Province of Rimini. It is located on the Adriatic Sea, near the coast between the rivers Marecchia (the ancient Ariminus) and the Ausa River (Aprusa).

  • Rimini is the name of an album released by Italian singer/songwriter Fabrizio De Andre. It was first issued in 1978 on Ricordi and then re-released by BMG. The songs were written by Fabrizio De Andre and Massimo Bubola.

  • Rimini Baseball Club is a baseball team based in Rimini. It plays in Serie A1, Italy's professional baseball league. It has won 11 national championships during its entire history. They have recently signed Matthew Clingersmith out of Canisius College and Niagara County Community College.

  • An establishment providing accommodations, meals, and other services for travelers and tourists

  • A code word representing the letter H, used in radio communication

  • a building where travelers can pay for lodging and meals and other services

  • A hotel is an establishment that provides paid lodging on a short-term basis. The provision of basic accommodation, in times past, consisting only of a room with a bed, a cupboard, a small table and a washstand has largely been replaced by rooms with modern facilities, including en-suite

  • In French contexts an hotel particulier is an urban "private house" of a grand sort. Whereas an ordinary maison was built as part of a row, sharing party walls with the houses on either side and directly fronting on a street, an hotel particulier was often free-standing, and by the eighteenth

accademia hotel rimini - The Invention

The Invention of the Past: Interior Design and Architecture of Studio Peregalli

The Invention of the Past: Interior Design and Architecture of Studio Peregalli

The Milan-based interior design and architectural firm Studio Peregalli presents for the first time their breathtaking environments that capture the classic elegance of the past. Studio Peregalli is the master of making interiors look brilliantly timeworn. Partners Laura Sartori Rimini and Roberto Peregalli have a distinctive ability to work in virtually every historical style-from Renaissance to Victorian-to create interiors that are atmospheric and magical, conjuring up a real or imagined past.
The Invention of the Past profiles the firm’s domestic and public projects, including residences for such leading families as the Etros and the Zegnas. Organized by house elements-facades, libraries, dining rooms, bedrooms, and other spaces-the book focuses on their opulent and whimsical furnishings and old-world craftsmanship. Studio Peregalli juxtaposes authentic works of a particular period with replicated pieces to create an illusion that becomes something real and evocative. The book features lush color photographs of their oeuvre, along with reproductions of drawings, maquettes, and plaster models.

87% (5)

Accademia Carrara at the Italian Embassy

Accademia Carrara at the Italian Embassy

The paintings from the Accademia Carrara arrive in the U.S. capital for an unprecedented exhibition at the Embassy of Italy in Washington DC. The official opening took place on May 24, 2011, with remarks by Ambassador of Italy to the US Giulio Terzi di Sant’Agata, M. Cristina Rodeschini, Director of the Accademia Carrara and of the Gallery of Modern and Contemporary Art, and , Eric Denker, Curator of the National Gallery of Art.

The event, open to the public from May 25, 2010, to April 20, 2012, falls under the program of events to celebrate the 150th anniversary of Italy’s unification and enriches the reflection on the national and local fabric of our culture,” reminds Ambassador Terzi.

Curated by Renato Miracco, the Embassy’s Cultural Attache and Doctor Rodeschini, the exhibit spotlights a selection of artists from different periods, including Antonio Mancini (late 1800), Francesco Paglia (late 1600) and Luigi Deleidi (late 1700).

Inaugurazione Collettiva Accademia Romagna - Galleria Comunale di Cesenatico

Inaugurazione Collettiva Accademia Romagna - Galleria Comunale di Cesenatico

Inaugurazione Collettiva della "Accademia Romagna" di Cesena: pittura, scultura, ceramica, disegno, fotografia

Sabato 20 febbraio 2010 ore 17.00, alla Galleria Comunale d'Arte "Leonardo da Vinci" di Cesenatico.

La mostra continuera fino a domenica 28 febbraio 2010

accademia hotel rimini

accademia hotel rimini

The Quattro Cento: and Stones of Rimini (British Art and Visual Culture Since 1750)

Written as parts of an incomplete trilogy, The Quattro Cento and Stones of Rimini mark a crossroads in the transition from late Victorian to Modernist conceptions of art, especially sculpture and architecture. Stokes continued, even extended, John Ruskin's and Walter Pater's belief that art is essential to the individual's proper psychological development but wove their teaching into a new aesthetic shaped by his experience of psychoanalysis with Melanie Klein and recent innovations in literature, dance, and the visual arts. Few writers have been able to invoke the material presence of works of art in the way Stokes does in The Quattro Cento and Stones of Rimini They combine travel writing with acts of looking spun out so as to reinterpret the imposing legacy of the Italian Renaissance through an aesthetic of the direct carving of stone, which has parallels in the sculpture of Brancusi, Henry Moore, and Barbara Hepworth but was for Stokes the discovery of artists in fifteenth-century Italy. To his way of thinking, there then arose a realization that the materials of art 'were the actual objects of inspiration, the stocks for the deepest fantasies.' During the Renaissance, Stokes maintained, stone accordingly 'blossomed' into sculpture and buildings, such as the Tempio Malatestiano, that throw 'inner ferment outward into definite act and thought.' This new edition of Stokes's pivotal books will be of interest to those concerned with art criticism, aesthetics, psychoanalysis and art, and the art and architecture of the Renaissance and Modern periods.

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