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Photo Sharing Websites Reviews





photo sharing websites reviews






    photo sharing
  • Photo sharing is the publishing or transfer of a user's digital photos online, thus enabling the user to share them with others (publicly or privately). This function is provided through both websites and applications that facilitate the upload and display of images.

  • Web 2.0 systems that encourage users to upload their own digital photos. Users can tag photos and decide on public or private display. Photo tagging allows users to search the communities database of photographs.

  • is uploading your images to a website like Flickr. You can add tags and offer people the opportunity to comment or even re-use your photos if you add an appropriate copyright license.





    websites
  • (website) web site: a computer connected to the internet that maintains a series of web pages on the World Wide Web; "the Israeli web site was damaged by hostile hackers"

  • A website (also spelled Web site; officially styled website by the AP Stylebook) is a collection of related web pages, images, videos or other digital assets that are addressed relative to a common Uniform Resource Locator (URL), often consisting of only the domain name, or the IP address, and

  • (website) Alternative spelling of web site

  • A location connected to the Internet that maintains one or more pages on the World Wide Web





    reviews
  • A critical appraisal of a book, play, movie, exhibition, etc., published in a newspaper or magazine

  • (review) look at again; examine again; "let's review your situation"

  • (review) reappraisal: a new appraisal or evaluation

  • A periodical publication with critical articles on current events, the arts, etc

  • (review) an essay or article that gives a critical evaluation (as of a book or play)

  • A formal assessment or examination of something with the possibility or intention of instituting change if necessary











Magicsep30p17




Magicsep30p17





The Toronto Palestinian Film Festival
Text and original photos © Linda Dawn Hammond / IndyFoto

You undoubtedly recognize TIFF as the acronym for the Toronto International Film Festival, but if you're not acquainted with TPFF, then this is your opportunity! The Toronto Palestinian Film Festival is about to begin! Running from October 2nd until the 8th, it features 22 films showcasing Palestinian identity and politics at the Bloor, AGO and Innis theatres. And if food for thought isn't enough to sustain you, then on Sunday, October 3rd at 11:00 am, TPFF is hosting a Traditional Palestinian Breakfast- Sahtain!, catered by renowned Palestinian chef and owner of 93 Harbord, Isam Kaisi.

On September 16, 2010, TPFF kicked off with a pre-festival panel discussion, where two well-known Irish directors discussed their recent collaborative work and the challenges they faced making a political film in the Middle East. Irish director Ken Loach and director/ author Paul Laverty took time out from TIFF 2010, where they were premiering their newest film, "Route Irish," and Laverty's film, "Even The Rain," to participate in the TPFF hosted event moderated by Festival Coordinator, Rafeef Ziadah. Both directors had pulled their films from TIFF in 2009, in response to a boycott call from the Occupied Palestinian Territory (OPT) over Tiff’s controversial "spotlight on Tel Aviv" segment. The conversation with Loach and Laverty touched upon the Palestinian solidarity movement, the making of “Route Irish”, their experiences with boycott and censorship, and what it means to be "balanced". Ken Loach and Paul Laverty were also interviewed by Michael Moore during TIFF 2010 on Politics and Cinema, as part of their Mavericks programme. Ken Loach is known for his hard hitting, evocative and highly political filmmaking. His historic IRA drama, “The Wind That Shakes the Barley”, won the Palme d’Or at Cannes in 2006. "Route Irish” is the name given by coalition forces to a dangerous stretch of highway between Baghdad’s airport and the "Green Zone". The film is about "security contractors" (whom one might also label “foreign mercenaries”) working in Iraq, and is set primarily in Liverpool. It tells the story of Fergus (Mark Womack), a former British soldier who works in this capacity in Iraq. After his childhood friend, Frankie, is killed in a roadside attack along "Route Irish", Fergus rejects the official explanation of his friend's death and seeks to uncover the truth. This latest work confronts the human toll of the Iraq war, local as well as occupiers. It also addresses the disturbing unofficial policy of replacing the coalition forces with privatized soldiers, who are more costly to taxpayers and less accountable to law than enlisted ranks.

On October 3d, TPFF hosts another panel discussion on, "The State of Contemporary Palestinian Cinema," with director Michel Khleifi and Palestinian-Canadian producer Christina Piovesan (“Amreeka”,“The Whistleblower”), They will discuss their experiences making films on Palestine and filming in Palestine, the role of film to tell the Palestinian narrative and share their thoughts on the future direction of Palestinian cinema. It takes place at 3:00pm at Beit Zatoun.
"The Time That Remains," by director Elia Sulieman, opens the festival on Saturday, October 2nd at 6:30 pm. Michel Khleifi will be attending the TPFF Canadian Premiere of his most recent feature film “Zindeeq”, which won Best Film at the Dubai International Film Festival (2009) He is widely considered to be one of the founders of contemporary Palestinian cinema. A writer, director and producer, Khleifi left Nazareth for Belgium in 1970. His awards include the International Critics' Prize at the Cannes Film Festival and the Golden Shell at San Sebastian International Film Festival in 1987. “Zindeeq” will be screened on October 5th at 7:00pm at Jackman Hall, AGO, followed by a Q & A with the director. Among the 22 films to be shown is "Budrus" by director Julia Bacha, which screened at Hot Docs 2010 and was recently reviewed by Linda Dawn Hammond in Magic Carpet. If you missed it then, you can catch it now. A highly recommended film which also appeared at Hot Docs 2010, is Swiss director Nicolas Wadimoff’s, “AISHEEN (Still Alive in Gaza)”, a beautiful and thought provoking documentary about Gaza following Israel’s January 2009 offensive, whose imagery and narrative borders on the surreal. The film is propelled by the compelling music provided by a local rap group, DARG Team. As if restrictions from Israel aren’t enough, there is home grown intolerance to contend with. In one scene, a radio interview is cut short as a religious program follows too closely after, and religious music must be “buffered” from a proximity to rap. The young musicians are told that listeners have been bombarding the station with criticism t











Route-Irish-2-535x353




Route-Irish-2-535x353





Route Irish Film Still -
director Ken Loach and director/ author Paul Laverty

The Toronto Palestinian Film Festival
Text and original photos © Linda Dawn Hammond / IndyFoto

You undoubtedly recognize TIFF as the acronym for the Toronto International Film Festival, but if you're not acquainted with TPFF, then this is your opportunity! The Toronto Palestinian Film Festival is about to begin! Running from October 2nd until the 8th, it features 22 films showcasing Palestinian identity and politics at the Bloor, AGO and Innis theatres. And if food for thought isn't enough to sustain you, then on Sunday, October 3rd at 11:00 am, TPFF is hosting a Traditional Palestinian Breakfast- Sahtain!, catered by renowned Palestinian chef and owner of 93 Harbord, Isam Kaisi.

On September 16, 2010, TPFF kicked off with a pre-festival panel discussion, where two well-known Irish directors discussed their recent collaborative work and the challenges they faced making a political film in the Middle East. Irish director Ken Loach and director/ author Paul Laverty took time out from TIFF 2010, where they were premiering their newest film, "Route Irish," and Laverty's film, "Even The Rain," to participate in the TPFF hosted event moderated by Festival Coordinator, Rafeef Ziadah. Both directors had pulled their films from TIFF in 2009, in response to a boycott call from the Occupied Palestinian Territory (OPT) over Tiff’s controversial "spotlight on Tel Aviv" segment. The conversation with Loach and Laverty touched upon the Palestinian solidarity movement, the making of “Route Irish”, their experiences with boycott and censorship, and what it means to be "balanced". Ken Loach and Paul Laverty were also interviewed by Michael Moore during TIFF 2010 on Politics and Cinema, as part of their Mavericks programme. Ken Loach is known for his hard hitting, evocative and highly political filmmaking. His historic IRA drama, “The Wind That Shakes the Barley”, won the Palme d’Or at Cannes in 2006. "Route Irish” is the name given by coalition forces to a dangerous stretch of highway between Baghdad’s airport and the "Green Zone". The film is about "security contractors" (whom one might also label “foreign mercenaries”) working in Iraq, and is set primarily in Liverpool. It tells the story of Fergus (Mark Womack), a former British soldier who works in this capacity in Iraq. After his childhood friend, Frankie, is killed in a roadside attack along "Route Irish", Fergus rejects the official explanation of his friend's death and seeks to uncover the truth. This latest work confronts the human toll of the Iraq war, local as well as occupiers. It also addresses the disturbing unofficial policy of replacing the coalition forces with privatized soldiers, who are more costly to taxpayers and less accountable to law than enlisted ranks.

On October 3d, TPFF hosts another panel discussion on, "The State of Contemporary Palestinian Cinema," with director Michel Khleifi and Palestinian-Canadian producer Christina Piovesan (“Amreeka”,“The Whistleblower”), They will discuss their experiences making films on Palestine and filming in Palestine, the role of film to tell the Palestinian narrative and share their thoughts on the future direction of Palestinian cinema. It takes place at 3:00pm at Beit Zatoun.
"The Time That Remains," by director Elia Sulieman, opens the festival on Saturday, October 2nd at 6:30 pm. Michel Khleifi will be attending the TPFF Canadian Premiere of his most recent feature film “Zindeeq”, which won Best Film at the Dubai International Film Festival (2009) He is widely considered to be one of the founders of contemporary Palestinian cinema. A writer, director and producer, Khleifi left Nazareth for Belgium in 1970. His awards include the International Critics' Prize at the Cannes Film Festival and the Golden Shell at San Sebastian International Film Festival in 1987. “Zindeeq” will be screened on October 5th at 7:00pm at Jackman Hall, AGO, followed by a Q & A with the director. Among the 22 films to be shown is "Budrus" by director Julia Bacha, which screened at Hot Docs 2010 and was recently reviewed by Linda Dawn Hammond in Magic Carpet. If you missed it then, you can catch it now. A highly recommended film which also appeared at Hot Docs 2010, is Swiss director Nicolas Wadimoff’s, “AISHEEN (Still Alive in Gaza)”, a beautiful and thought provoking documentary about Gaza following Israel’s January 2009 offensive, whose imagery and narrative borders on the surreal. The film is propelled by the compelling music provided by a local rap group, DARG Team. As if restrictions from Israel aren’t enough, there is home grown intolerance to contend with. In one scene, a radio interview is cut short as a religious program follows too closely after, and religious music must be “buffered” from a proximity to rap. The young musi









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Post je objavljen 06.11.2011. u 02:22 sati.