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HIGHEST NOTE ON VIOLIN - ON VIOLIN


HIGHEST NOTE ON VIOLIN - LEARN CLASSIC GUITAR - CLARINET BEGINNER SHEET MUSIC.



Highest Note On Violin





highest note on violin






    highest
  • Of great vertical extent

  • (after a measurement and in questions) Measuring a specified distance from top to bottom

  • Far above ground, sea level, or another point of reference

  • This article describes extreme locations on Earth. Entries listed in bold are Earth-wide extremes. See also Extreme points of Earth and Lists of extreme points.

  • Superlative form of high: most high





    violin
  • A stringed musical instrument of treble pitch, played with a horsehair bow. The classical European violin was developed in the 16th century. It has four strings and a body of characteristic rounded shape, narrowed at the middle and with two f-shaped sound holes

  • bowed stringed instrument that is the highest member of the violin family; this instrument has four strings and a hollow body and an unfretted fingerboard and is played with a bow

  • (violinist) a musician who plays the violin

  • Violin was the first album released by violinst Vanessa-Mae. It was recorded in October 1990, near her 12th birthday, and released shortly afterwards in March 1991. Vanessa-Mae contributed her royalties from the album to the National Society for the Prevention of Cruelty to Children.





    note
  • a brief written record; "he made a note of the appointment"

  • a short personal letter; "drop me a line when you get there"

  • A short informal letter or written message

  • make mention of; "She observed that his presentation took up too much time"; "They noted that it was a fine day to go sailing"

  • A short comment on or explanation of a word or passage in a book or article; an annotation

  • A brief record of facts, topics, or thoughts, written down as an aid to memory






















After a weekend of playing Bach, Mozart, and Beethoven, the finalists at NTDTV's 3rd Chinese International Violin Competition wrapped up the contest with Paganini's Caprices--among the most technically demanding works written for the violin.

In addition, the competition required a piece unlike any other used before for competitions: "Dedu" ("Be Saved") Theme and Variations, a Chinese-influenced piece specially commissioned for the occasion.

Combining highly challenging techniques of the violin with elements of Chinese musical expression, "Dedu" gave contestants an opportunity to walk away with more than just a prize--they also gained a deeper understanding of traditional Chinese culture.



The winners of the Chinese International Violin Competition bronze, silver, and gold prizes: Arianna Warsaw-Fan, Jing Zhang, and Corin Lee. The bronze winner receives $1,000, the silver $3,000, and the gold wins a handmade violin and $5,000.


'Dedu'

The composer of the score, Ms. Ching-ya Mahlen, watched the final round of the competition on Sunday, Oct. 31. She expressed her thoughts upon hearing the contestants perform her work on stage.

"I was really, really touched. There's a story behind 'Dedu.' It's about the Falun Gong practitioners who were persecuted for their beliefs in China, who elevated spiritually through practicing Falun Gong, and who stood up for their beliefs courageously. This story is connected to the music. I composed this piece for NTDTV's competition, in order to introduce this music, and let more people know the story [behind it]."



The composer of "Dedu", Ching-ya Mahlen

She was moved by the amount of thought and hard work the contestants put into performing the piece and especially appreciated the diversity of their interpretations.

"Because each performer has different backgrounds and experiences in life, through playing with their hearts, they gave the audience different messages," Mahlen said. "While I was listening, I felt like they were telling their own stories."

Chen Rutang, a judge on the panel at the competition, expressed his understanding of Mahlen's music: "'Dedu' is a manifestation of the culture of personal cultivation in China. In traditional Chinese culture, cultivation is very important. ... In my understanding, 'Dedu' incorporates the culture of cultivation in the music."


Same Score, Very Different Ways of Playing

Corin Lee, from The Juilliard School, played "Dedu" with a quiet and poignant sensibility that at times reminded one of the erhu, a traditional Chinese two-stringed instrument. His vibrato added to the sense of sadness in the music.

Xuan Du from Lisbon, Portugal, opted for a more expressive rendition that included fierce, rapid-fire bowing and majestic notes that filled up the entire auditorium.

Meanwhile, Jing Zhang's (New England Conservatory of Music) lyrical high notes tugged at one's heartstrings, and Arianna Warsaw-Fan (The Juilliard School) played with phenomenal technique reminiscent of virtuoso players. Her confident and assured playing brought out the singing quality in the timbre of the violin.


And the Winner Is ...

In the end, it was Lee's unembellished playing that earned him the gold prize. Chia-Chi Lin, one of the judges on the panel, explained: "[In] other competitions, they are looking for mostly virtuoso players ... But I think what's different with our competition is that we are looking for a special kind of character, and it's beauty, and sincere [sic], and honesty. And I think Corin Lee has that quality in him. ... He has that honesty--he plays the way he feels, and comfortably too."

Judge Chen Rutang said: "Everyone can see some very elaborate techniques, such as the chords, as well as the constant transition between high and low notes. They were able to incorporate these techniques into the music, so they were not just displaying technique, but performing music ... they melted into the music, [and] the inner meaning [of the music]. I think this is very precious and also very important. Otherwise, you're just showing off technique."



Corin Lee won the gold prize and handmade violin.



Jin Zhang, winner of silver prize.



Arianna Warsaw-Fan, winner of bronze prize
Preparation

For Lee, he first approached "Dedu" with "the style, the different characters and what the composer was trying to portray" in mind.

Warsaw-Fan listened to some traditional Chinese music "to get a feel for what that's like." For her, "Dedu" was an extremely unique composition. In addition to a beautiful melody, she observed: "The composer took a lot of techniques from Western music that I played a lot more of, so you can see her paying homage to certain other composers."

Warsaw-Fan noted that the virtuosic opening reminded her of Pablo de Sarasate, a Romantic violini











Durham Rangers on Fiddle




Durham Rangers on Fiddle





Having a bash at a local tune. I learned this in the Caedmon Folk "Playing for Dancing" class at the Sage Gateshead earlier this year. Still need some more practice on the high (4th finger) notes as they are horribly out of tune.









highest note on violin







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Post je objavljen 04.11.2011. u 13:19 sati.