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Darkroom photography equipment. Coastal equipment rentals.

Darkroom Photography Equipment

darkroom photography equipment

    darkroom photography
  • A darkroom is a room that can be made completely dark to allow the processing of light sensitive photographic materials, including photographic film and photographic paper. Darkrooms have been created and used since the inception of photography in the early 1800s.

  • an instrumentality needed for an undertaking or to perform a service

  • The necessary items for a particular purpose

  • Mental resources

  • A tool is a device that can be used to produce or achieve something, but that is not consumed in the process. Colloquially a tool can also be a procedure or process used for a specific purpose.

  • The act of equipping, or the state of being equipped, as for a voyage or expedition; Whatever is used in equipping; necessaries for an expedition or voyage; the collective designation for the articles comprising an outfit; equipage; as, a railroad equipment (locomotives, cars, etc.

  • The process of supplying someone or something with such necessary items

darkroom photography equipment - Exploring Color

Exploring Color Photography : From the Darkroom to the Digital Studio

Exploring Color Photography : From the Darkroom to the Digital Studio

Exploring Color Photography is a flexible, multiple duty text that clearly and concisely instructs students in the fundamental aesthetic and technical concepts needed to create thought provoking photographs in both the digital and the analogue processes. This conceptual approach will not be rapidly outdated, nor will it get students bogged down in complex technical matters. Coverage of Light, Design, Color, Movement, Time, and Space, and Presentation is pertinent to all levels of photographic education.
A comprehensive, diverse, high-quality art program stresses a multitude of approaches through its inspiring visual examples and well-structured illustrative informational charts and tables.
Exploring Color Photography's thoughtful assignments encourage students to be adventurous and to take responsibility for learning and working independently. The emphasis on design and postmodern theoretical concepts stresses the thought process behind the creation of successful images. Image captions give insight into how imagemakers apply technology in the service of their ideas. A "Problem Solving and Writing" chapter offers methods and exercises that help students learn to be visual problem solvers and to talk and write succinctly about the ideas at the foundation of their work.
From the journal Afterimage, November/December 2004, page 15:
"A textbook for college-level students and serious amateurs with a historical and pragmatic approach. Theory is related to practice and it is abundantly illustrated by original works form various sources and many professional practitioners and artists. The digital section has been expanded. Hirsch accompanies his "lectures" with creative assignments for the reader to complete."

78% (12)

Sixty Minutes

Sixty Minutes

Thanks to Photoshop and Gimp, I now use this as an oven timer. For those who don't know, the buzzer can be heard across a high school gymnasium. It scares the daylights out of me every time it goes off.

Print rack $150.00

Print rack  $150.00

air-drying shelves

(1) 25"x33"x75.5"
(1) 25"x33"x72.5"
both have 15 Rows

darkroom photography equipment

darkroom photography equipment

Darkroom to Digital: Black and White Photography with Photoshop - The Art of Transition

Ten years after Creative Elements, his acclaimed book on traditional black-and-white photography, Eddie Ephraums now addresses the issues of switching to a Photoshop "darkroom," exploring its creative potential for printing pictures digitally. He begins by examining the values of traditional black-and-white, then looks at how digital can build upon them. Next, he takes us through a digital portfolio of photos, discussing equipment and methods and showing, step by step, how these images were made. Explaining how he emulated and improved upon traditional darkroom techniques and processes, he concludes that, creatively, black-and-white photographers have never had it so good. Eddie Ephraums is a photographer and fine-art printer. He is the author of Creative Elements, Creative Exposures, and Gradient Light and leads photographic workshops for universities as well as corporations, including Kodak and Ilford.

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Post je objavljen 27.10.2011. u 09:54 sati.