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GEORGIAN FURNITURE STORE - GEORGIAN FURNITURE


Georgian Furniture Store - Wickes Furniture Company - Party Furniture Rental Nj



Georgian Furniture Store





georgian furniture store






    furniture
  • furnishings that make a room or other area ready for occupancy; "they had too much furniture for the small apartment"; "there was only one piece of furniture in the room"

  • Large movable equipment, such as tables and chairs, used to make a house, office, or other space suitable for living or working

  • Furniture + 2 is the most recent EP released by American post-hardcore band Fugazi. It was recorded in January and February 2001, the same time that the band was recording their last album, The Argument, and released in October 2001 on 7" and on CD.

  • Furniture is the mass noun for the movable objects ('mobile' in Latin languages) intended to support various human activities such as seating and sleeping in beds, to hold objects at a convenient height for work using horizontal surfaces above the ground, or to store things.

  • A person's habitual attitude, outlook, and way of thinking

  • Small accessories or fittings for a particular use or piece of equipment





    georgian
  • of or relating to the former British colony of Georgia; "the Georgian colony"

  • a native or resident of the American state of Georgia

  • Of or relating to the state of Georgia in the U.S

  • a southern Caucasian language with 3 million speakers and a long literary tradition





    store
  • A retail establishment selling items to the public

  • A quantity or supply of something kept for use as needed

  • keep or lay aside for future use; "store grain for the winter"; "The bear stores fat for the period of hibernation when he doesn't eat"

  • a supply of something available for future use; "he brought back a large store of Cuban cigars"

  • shop: a mercantile establishment for the retail sale of goods or services; "he bought it at a shop on Cape Cod"

  • Store-bought











georgian furniture store - Wallmonkeys Peel




Wallmonkeys Peel and Stick Wall Decals - Royal Native Oyster Stores Whitstable Kent - 36"W x 30"H Removable Graphic


Wallmonkeys Peel and Stick Wall Decals - Royal Native Oyster Stores Whitstable Kent - 36



WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices.
WallMonkeys are intended for indoor use only.
Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for!
Removable and will not leave a mark on your walls.
'Fotolia' trademark will be removed when printed.
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Ishan Church




Ishan Church





The monastery of Ishan is situated in the village of Ishan, in the province of Artvin. Only the magnificent church and the adjacent chapel have survived.

The earliest mention of the monastery is found in The Life of Grigol Khandza, a Georgian manuscript dating from the year 951, which is now kept in Jerusalem. In this manuscript it is stated that Saba, the nephew and follower of the priest Grigol Khanzda, founded a monastery on the site of an earlier church. The first church built by Nerses III (641-661) who found refuge in Ishan, had a tetraconch plan (a central dome with four apses radiating to the cardinal points) and was presumably damaged during the Arab invasions of the 7th century.

Five Georgian inscriptions within the church and on the southern facade indicate different restoration periods, from 917 until 1032. From the 12th to the end of the 14th century, large vestibules were added to the south, west and north facades.

The monastery used to be one of the five patriarchates of Tao-Klarjeti and its church functioned as a cathedral until the 17th century. It was used as the headquarters for the Ottoman officers during the Ottoman-Russian wars in the 19th century, while its west arm was converted into a mosque and remained so until 1983. In 1987, the Turkish Ministry of Culture registered Ishan as a national cultural monument and the site is now protected.

The church (outer dimensions 35.00 x 20.70 meters) is a domed cruciform structure. The dome over the central square bay rests on four free-standing piers, each having a diameter of about two-meters. The eastern cross-arm is extended with an apse that has a unique arrangement. A horseshoe-shaped arcade whose arches rest on eight monolithic columns with decorated cubic capitals opens on to a rectangular ambulatory. The rooms flanking the apse have upper stories. There are two story pastophoria which were used to store priestly vestments and altar furniture.

The elongated west cross-arm is about three times deeper than the south and north cross-arms. During the conversion of the church into a mosque, a wall was constructed between the west arm and the central bay, the south and west entrances were closed, a mihrab niche facing in the direction of Mecca was constructed within the closed southern entrance, and the northern annex was converted into a prayer hall.

In 966, the interior walls of the church were covered with frescoes. Only the paintings in the cupola and the drum have come down to us. In the cupola the “Ascension of the Cross” is depicted, where a jeweled cross is being carried by four flying angels. Below this scene, repeated four times at each axis, is a two-wheeled chariot, drawn by four winged horses and driven by a standing figure. Above each chariot there is a Georgian inscription mentioning the colours of the horses. This repetitive scene is generally accepted as depicting the “Vision of Zachariah” (6:1-6) from the Old Testament.

Within the blind arcade of the drum, eight standing figures alternate with eight windows. During the restoration work in 1032 the heads of these figures identified as prophets by some scholars, were replaced by round openings. Above each prophet, in a circular niche, an angel holding a scepter is depicted. On the arches of the windows there are the busts of other holy figures.
The rest of the frescoes found on the north, south and west walls are severely damaged and are in need of restoration. However, a female figure dressed in blue, carrying a diadem and holding a church model in her hand can still be observed on the intrado of the northwestern window. This figure has been interpreted by scholars either as the Cappadocian nun Nino, who converted the Georgians to Christianity, or the first Christian queen of Georgia, or a symbol of the church itself.

The facades of the church constructed with well-cut, multi-coloured stones are enlivened by recessed blind arcades and deep triangular niches. The same arrangement is repeated on the dome of the drum where the blind arcades enclose rectangular and circular windows. The conical roof of the dome is covered with alternating rows of dark red and grey coloured glazed tiles.

22 different geometric and floral motives are employed in the sculptural decoration of the church. The patterns of the capitals and bases of the columns, of the arches and window frames, of the drums and cornices do not follow a strict decorative program. The only figurative decoration, a combat between a lion and what may be a dragon or a snake, can be seen on the sill of a window on the southern facade of the west cross-arm.

According to the Georgian inscription placed on the entrance of the chapel, situated to the southwest of the cathedral, King Gurgen I (†1008) dedicated the chapel to the Mother of God. Constructed in 1006, the chapel (outer dimensions 10.30x5.70 meters) is a single-naved, vaulted structure with an apse and two windows, one to the east and the other to the west











Ishan Church




Ishan Church





40°47'8.86"N 41°44'49.12"E
Google Earth link.

History ;


The monastery of Ishan is situated in the village of Ishan, in the province of Artvin. Only the magnificent church and the adjacent chapel have survived.

The earliest mention of the monastery is found in The Life of Grigol Khandza, a Georgian manuscript dating from the year 951, which is now kept in Jerusalem. In this manuscript it is stated that Saba, the nephew and follower of the priest Grigol Khanzda, founded a monastery on the site of an earlier church. The first church built by Nerses III (641-661) who found refuge in Ishan, had a tetraconch plan (a central dome with four apses radiating to the cardinal points) and was presumably damaged during the Arab invasions of the 7th century.

Five Georgian inscriptions within the church and on the southern facade indicate different restoration periods, from 917 until 1032. From the 12th to the end of the 14th century, large vestibules were added to the south, west and north facades.

The monastery used to be one of the five patriarchates of Tao-Klarjeti and its church functioned as a cathedral until the 17th century. It was used as the headquarters for the Ottoman officers during the Ottoman-Russian wars in the 19th century, while its west arm was converted into a mosque and remained so until 1983. In 1987, the Turkish Ministry of Culture registered Ishan as a national cultural monument and the site is now protected.

The church (outer dimensions 35.00 x 20.70 meters) is a domed cruciform structure. The dome over the central square bay rests on four free-standing piers, each having a diameter of about two-meters. The eastern cross-arm is extended with an apse that has a unique arrangement. A horseshoe-shaped arcade whose arches rest on eight monolithic columns with decorated cubic capitals opens on to a rectangular ambulatory. The rooms flanking the apse have upper stories. There are two story pastophoria which were used to store priestly vestments and altar furniture.

The elongated west cross-arm is about three times deeper than the south and north cross-arms. During the conversion of the church into a mosque, a wall was constructed between the west arm and the central bay, the south and west entrances were closed, a mihrab niche facing in the direction of Mecca was constructed within the closed southern entrance, and the northern annex was converted into a prayer hall.

In 966, the interior walls of the church were covered with frescoes. Only the paintings in the cupola and the drum have come down to us. In the cupola the “Ascension of the Cross” is depicted, where a jeweled cross is being carried by four flying angels. Below this scene, repeated four times at each axis, is a two-wheeled chariot, drawn by four winged horses and driven by a standing figure. Above each chariot there is a Georgian inscription mentioning the colours of the horses. This repetitive scene is generally accepted as depicting the “Vision of Zachariah” (6:1-6) from the Old Testament.

Within the blind arcade of the drum, eight standing figures alternate with eight windows. During the restoration work in 1032 the heads of these figures identified as prophets by some scholars, were replaced by round openings. Above each prophet, in a circular niche, an angel holding a scepter is depicted. On the arches of the windows there are the busts of other holy figures.
The rest of the frescoes found on the north, south and west walls are severely damaged and are in need of restoration. However, a female figure dressed in blue, carrying a diadem and holding a church model in her hand can still be observed on the intrado of the northwestern window. This figure has been interpreted by scholars either as the Cappadocian nun Nino, who converted the Georgians to Christianity, or the first Christian queen of Georgia, or a symbol of the church itself.

The facades of the church constructed with well-cut, multi-coloured stones are enlivened by recessed blind arcades and deep triangular niches. The same arrangement is repeated on the dome of the drum where the blind arcades enclose rectangular and circular windows. The conical roof of the dome is covered with alternating rows of dark red and grey coloured glazed tiles.

22 different geometric and floral motives are employed in the sculptural decoration of the church. The patterns of the capitals and bases of the columns, of the arches and window frames, of the drums and cornices do not follow a strict decorative program. The only figurative decoration, a combat between a lion and what may be a dragon or a snake, can be seen on the sill of a window on the southern facade of the west cross-arm.

According to the Georgian inscription placed on the entrance of the chapel, situated to the southwest of the cathedral, King Gurgen I (†1008) dedicated the chapel to the Mother of God. Constructed in 1006, the chapel (outer dimensions 10.30x5.70 meters) is a single-naved, vaulted structure









georgian furniture store








georgian furniture store




Vickerman 7.5 Foot Flocked Georgian Fir Christmas Tree 1075 Tips






Since 1940, the Vickerman family has been selling seasonal decorations such as Christmas trees to retailers across North America. Three generations later they have stayed the course, by providing top quality products at great values. Trust Vickerman to deliver that special decorative touch to your holiday season. Features: 10 year construction warranty 1075 tips On and off foot switch Double boxed for better storage Some assembly required Primary material: PVC Double ply PVC used to better retain shape Specifications: Product dimensions: 90"H x 54"D x 54"W Weight: 40 lbs










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Post je objavljen 20.10.2011. u 23:48 sati.