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Manifold: Time

The year is 2010. More than a century of ecological damage, industrial and technological expansion, and unchecked population growth has left the Earth on the brink of devastation. As the world's governments turn inward, one man dares to envision a bolder, brighter future. That man, Reid Malenfant, has a very different solution to the problems plaguing the planet: the exploration and colonization of space. Now Malenfant gambles the very existence of time on a single desperate throw of the dice. Battling national sabotage and international outcry, as apocalyptic riots sweep the globe, he builds a spacecraft and launches it into deep space. The odds are a trillion to one against him. Or are they?

Leave it to the consistently clever Stephen Baxter to pull the old bait and switch. A story that begins as a hoary asteroid-mining tale, set in 2010 against the by-now familiar spiel of fulfilling humanity's pan-galactic Manifest Destiny, instead takes a bold, delightful ascent into a trajectory far more ambitious. To ensure its survival, humankind need not merely master the galaxy but also the flow of time itself.
Manifold: Time's would-be asteroid-miner-in-chief is bootstrap space entrepreneur Reid Malenfant, a media-savvy firebrand who's showed those crotchety NASA folks what's what with his ready-to-fly Big Dumb Booster, piloted by a genetically enhanced super-squid. But Malenfant's near-term plans to exploit the asteroids get diverted when he crosses paths with creepy mathematician and eschatologist Cornelius Taine. Applying Bayes's theorem and a series of other statistical do-si-dos, Taine convinces Malenfant that an inescapable extinction event--the "Carter catastrophe"--is nigh, and that even working to colonize the galaxy might not be enough to save humanity. The answer: build a Feynman "radio" to listen to the future and, by detecting coded quantum waves traveling back through time, divine the fate of human "downstreamers" and find the key to their survival. Space flight, time travel, and even squid negotiations ensue, while Earth is gripped in Last Days madness.
Once again, the award-spangled Baxter gives us sci-fi at its beard-stroking best, with an imaginative, audacious plot line that's firmly grounded in good science, reminiscent of Baxter's own excellent Vacuum Diagrams. --Paul Hughes

The Manifold Valley winds its way through some of the most spectacular scenery in the Peak District National Park. These valleys have been described as the Switzerland of Staffordshire. Referring to the railway line, the "Tramway and Railway World" of 14th July 1904 says :- "The line passes through some of the most beautiful scenery in the world". How very true this is!

The Manifold Way closely follows the rivers Manifold and Hamps, and runs from Hulme End to Waterhouses, a distance of 8.25 to 9 miles depending on which route is taken.

Manifold students undergoing some practicals with the Resource Person, Nathaniel Yankson

The year is 2020. Fueled by an insatiable curiosity, Reid Malenfant ventures to the far edge of the solar system, where he discovers a strange artifact left behind by an alien civilization: A gateway that functions as a kind of quantum transporter, allowing virtually instantaneous travel over the vast distances of interstellar space. What lies on the other side of the gateway? Malenfant decides to find out. Yet he will soon be faced with an impossible choice that will push him beyond terror, beyond sanity, beyond humanity itself. Meanwhile on Earth the Japanese scientist Nemoto fears her worst nightmares are coming true. Startling discoveries reveal that the Moon, Venus, even Mars once thrived with life–life that was snuffed out not just once but many times, in cycles of birth and destruction. And the next chilling cycle is set to begin again . . .

Stephen Baxter follows up his Arthur C. Clarke Award nominee Manifold: Time with the second book in the Manifold series, Manifold: Space. In this novel, former shuttle pilot and astronaut Reid Malenfant meets his destiny once again in a tale that stretches the bounds of both space and time.
The year is 2020 and the Japanese have colonized the moon. The 60-year-old Malenfant is called there by a young scientist named Nemoto who has discovered something in the asteroid belt that can only mean humans are not alone in the universe. The aliens seem robotic in nature and appear to be building something in Earth's backyard. The Gaijin, as they are called by humans, don't respond to communication efforts so an unmanned ship is launched to investigate. In the meantime, Malenfant decides answers are only possible by mounting an expedition to Alpha Centauri, which may be where the Gaijin come from.
Baxter, who won the John W. Campbell Award and the Philip K. Dick Award for his novel The Time Ships, orchestrates a stunning array of scientific possibilities in Manifold: Space. Each chapter adds a new piece to his mosaic of humanity's future. The novel is admirable in its enormous scope, but it's hard to invest much emotion in the characters. Although they are well drawn, they vanish for long periods of time as Baxter leapfrogs through time and space. Manifold: Space, by its nature, lacks passion but excels in grand ideas. --Kathie Huddleston

The year is 2020. Fueled by an insatiable curiosity, Reid Malenfant ventures to the far edge of the solar system, where he discovers a strange artifact left behind by an alien civilization: A gateway that functions as a kind of quantum transporter, allowing virtually instantaneous travel over the vast distances of interstellar space. What lies on the other side of the gateway? Malenfant decides to find out. Yet he will soon be faced with an impossible choice that will push him beyond terror, beyond sanity, beyond humanity itself. Meanwhile on Earth the Japanese scientist Nemoto fears her worst nightmares are coming true. Startling discoveries reveal that the Moon, Venus, even Mars once thrived with life–life that was snuffed out not just once but many times, in cycles of birth and destruction. And the next chilling cycle is set to begin again . . .