handmadehitachimilitary

19.10.2011., srijeda

BUTTERFLY STEERING WHEEL COVER. WHEEL COVER


Butterfly Steering Wheel Cover. Wheel Of Life In Buddhism.



Butterfly Steering Wheel Cover





butterfly steering wheel cover






    steering wheel
  • A wheel that a driver rotates in order to steer a vehicle

  • a handwheel that is used for steering

  • A steering wheel (also called a driving wheel or hand wheel) is a type of steering control in vehicles and vessels (ships and boats).

  • The wheel of a ship is the modern method of adjusting the angle of the rudder, in turn changing the direction of the boat or ship. It is also called the helm, together with the rest of the steering mechanism.





    butterfly
  • A showy or frivolous person

  • a swimming stroke in which the arms are thrown forward together out of the water while the feet kick up and down

  • diurnal insect typically having a slender body with knobbed antennae and broad colorful wings

  • flutter like a butterfly

  • An insect with two pairs of large wings that are covered with tiny scales, usually brightly colored, and typically held erect when at rest. Butterflies fly by day, have clubbed or dilated antennae, and usually feed on nectar

  • A fluttering and nauseated sensation felt in the stomach when one is nervous





    cover
  • Envelop in a layer of something, esp. dirt

  • provide with a covering or cause to be covered; "cover her face with a handkerchief"; "cover the child with a blanket"; "cover the grave with flowers"

  • screen: a covering that serves to conceal or shelter something; "a screen of trees afforded privacy"; "under cover of darkness"; "the brush provided a covert for game"; "the simplest concealment is to match perfectly the color of the background"

  • Scatter a layer of loose material over (a surface, esp. a floor), leaving it completely obscured

  • blanket: bedding that keeps a person warm in bed; "he pulled the covers over his head and went to sleep"

  • Put something such as a cloth or lid on top of or in front of (something) in order to protect or conceal it











memory of water




memory of water





september is a month like any other and unlike any other. it seems in september everything awaited will arrive: in the calm air, in a particular scent, in the stillness of the quay. when september comes, i know i’m going to lose myself. the ants climbing my legs and a certain change of light tell me so. the air comes and goes beneath my dress, pressing the warm cloth against me, pressing me with the desire to find myself in the sea, that sea beaten deep gray and magnetized by neutrinos, thanks to which i can perform my observations and telekinetic communications. the salty, sticky wall of the Malecon is covered with fish and forgotten hooks. i like to lick its sheen of salt and make my tongue salty and sticky. in that moment the rest of the city can vanish, it’s just that sea and me, before all thought, all desire. then i undress and enter, knowing i’ll find something, and that the boats—which seem suspended on the horizon, seem to have slipped their limits, motionless and painted there—are also mine...when i met you and you met me it was still september and we were strange and different and would be for a long time after—though i sometimes snagged you with certain secret hooks, shaping a sort of formless impression: something strange and indefinable divided the outline of your body from the space around you, but without making a human form, and in your eyes the sunlight revolved like a bicycle’s spoked wheel...the bicycle moves on and i’m carried along, filled with dry branches and coral. in my hair i wear the butterflies we collected together. the little house, one point amid the infinite, comes into view: already we can see the windows, like little black voids, and their curtains beating in the wind. i squeeze your waist, the bicycle moves on; even though the street is narrow the bicycle rolls on, rolls on against the spray. when you turn your head and see my hand, my hook snagged in a strle of desire, the sun has turned immense in your eyes again. you make for the little house already in view, already at the edge of the curve...a naked man in lamplight is a magnificent animal: his pointy shoulders jut out and cut off the light. a line of fuzz descends from his navel to where the darkness begins, where the skin tightens like the skin of a fig. his body—your body—is an arc i want to tighten, to overcome, to conquer. hidden behind a tree, i can see your eyes again. the Mississippi is a big river with many tributaries. the arc tightens and closes. i throw an arm over you, a leg, a hand, a lip, hallucinations, an ear—as usual. my body moves on. the Mississippi is a big river with many tributaries. its water burns in my thighs, in the course of my dreams: the Mississippi is a deep and torrential river situated in the United States, it is born in Lake Itasca, passes through St. Paul, St. Louis, Memphis, New Orleans, traverses 3,780 kilometers and slides and slides through a wide delta to the Gulf of Mexico. i’m in geography class. i like this class. the world just barely fits in my head. the map hangs before me with its spokes and points. someone made that all up, just to make me think i belong to one of those zones out there. all those castles and fortifications to toy with, the beginnings of everything that seems to be reality, but isn’t, because we’re not outside but inside the globe, that huge globe so stubborn in its sufficiency, and even far from the classroom nothing’s different: there’s just the idea of that transparent globe that is my image of the world, always turning, imperfect and constant inside me. i like the maps and the instability of the geography that situates places in my head. i like using graph paper to plot the latitudes and longitudes i can’t measure. i also like the geography professor, whose eyes i must constantly avoid in order not to drown myself. he doesn’t know, he can’t imagine, that while he lectures, while he looks at me, i draw fish in my notebook to throw in his river. the boy behind me won’t stop looking at me, and whatever one does the others all follow, watching from the corners of their eyes. that’s why i’m going to fold the page away from his gaze and make a true map where he won’t find me, alone at my desk in the middle of the world...in the middle of the lake there’s a boat and we’re three—although the third may have already vanished for us—and i want to paddle and sit in the center. you’ve taken off your shirt: the landscape appears and disappears. when i take the oars you want to teach me how to row over the edge. you try to teach me: you take my hands—you’re behind and above me. my fingers are lost in the middle of the boat. i’m wearing faded jeans and carrying a purple parasol. the oar descends toward the deep and tangles with seaweed. my hair hangs surly and limp on my wet shoulders. we try to steer but go nowhere. you explain the roundness of the earth; the sharpened tip of the compass needle, always precise, marking contours, lines, limits. the shadow and






















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and sometimes it's so hard to find the right words









butterfly steering wheel cover







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